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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04AF3E it is the complementary color #FB50C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04AF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04AF3E shade: #09AF39, #1AC14C, #2BD35F, #3CE572 and #4DF785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04AF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04AF3E shade: #04AF3E, #009D2B, #008B18, #007905 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04AF3E shade: #04AF3E, #04AF0F, #26AF04, #54AF04 and #82AF04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04AF3E shade: #04AF3E, #04AF6C, #04AF9A, #0496AF and #0467AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04AF3E shade matches the following richer shades: #04AF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04AF3E shade: #04AF3E, #12A042, #209247, #2F844C and #3D7550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04AF3E shade: #26AF04, #04AF0F, #04AF3D, #04AF6A and #04AF98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04AF3E shade: #025E21, #03862F, #04AF3E, #04D74C and #0BFA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04AF3E shade: #04AF3E, #0454AF and #AF040F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04AF3E shade: #04AF3E, #3D04AF and #AF3D04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04AF3E shade: #04AF3E, #0454AF, #AF0476 and #AF5F04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04AF3E shade: #04AF3E, #0420AF, #AF0476 and #AF9204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

Complementary color

CMYK 0 / 68 / 23 / 2

HEX #FB50C1

RGB 251 80 193

HSL 320.35, 0.96%, 0.65%

LAB 61.74, 74.59, -23.8

 

CMYK 95 / 0 / 67 / 31

HEX #09AF39

RGB 9 175 57

HSL 137.35, 0.9%, 0.36%

LAB 62.52, -61.33, 48.24

 

CMYK 87 / 0 / 61 / 24

HEX #1AC14C

RGB 26 193 76

HSL 137.96, 0.76%, 0.43%

LAB 68.67, -63.63, 46.87

 

CMYK 80 / 0 / 55 / 17

HEX #2BD35F

RGB 43 211 95

HSL 138.57, 0.66%, 0.5%

LAB 74.78, -65.24, 45.37

 

CMYK 74 / 0 / 50 / 10

HEX #3CE572

RGB 60 229 114

HSL 139.17, 0.76%, 0.57%

LAB 80.86, -66.35, 43.84

 

CMYK 69 / 0 / 46 / 3

HEX #4DF785

RGB 77 247 133

HSL 139.76, 0.91%, 0.64%

LAB 86.9, -67.09, 42.35

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 100 / 0 / 73 / 38

HEX #009D2B

RGB 0 157 43

HSL 136.43, 1%, 0.31%

LAB 56.38, -57.74, 47.37

 

CMYK 100 / 0 / 83 / 45

HEX #008B18

RGB 0 139 24

HSL 130.36, 1%, 0.27%

LAB 50.13, -53.86, 47.84

 

CMYK 100 / 0 / 96 / 53

HEX #007905

RGB 0 121 5

HSL 122.48, 1%, 0.24%

LAB 43.78, -49.44, 46.81

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 0 / 91 / 31

HEX #04AF0F

RGB 4 175 15

HSL 123.86, 0.96%, 0.35%

LAB 62.27, -64.4, 60.72

 

CMYK 78 / 0 / 98 / 31

HEX #26AF04

RGB 38 175 4

HSL 108.07, 0.96%, 0.35%

LAB 62.58, -61.74, 62.62

 

CMYK 52 / 0 / 98 / 31

HEX #54AF04

RGB 84 175 4

HSL 91.93, 0.96%, 0.35%

LAB 63.8, -51.56, 64.12

 

CMYK 26 / 0 / 98 / 31

HEX #82AF04

RGB 130 175 4

HSL 75.79, 0.96%, 0.35%

LAB 66.07, -35.29, 66.88

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 0 / 38 / 31

HEX #04AF6C

RGB 4 175 108

HSL 156.49, 0.96%, 0.35%

LAB 63.15, -53.58, 23.99

 

CMYK 98 / 0 / 12 / 31

HEX #04AF9A

RGB 4 175 154

HSL 172.63, 0.96%, 0.35%

LAB 64.18, -42.3, 0.16

 

CMYK 98 / 14 / 0 / 31

HEX #0496AF

RGB 4 150 175

HSL 188.77, 0.96%, 0.35%

LAB 57.01, -23.92, -22.41

 

CMYK 98 / 41 / 0 / 31

HEX #0467AF

RGB 4 103 175

HSL 205.26, 0.96%, 0.35%

LAB 42.49, 3.08, -45.16

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 89 / 0 / 59 / 37

HEX #12A042

RGB 18 160 66

HSL 140.28, 0.8%, 0.35%

LAB 57.72, -54.92, 38.77

 

CMYK 78 / 0 / 51 / 43

HEX #209247

RGB 32 146 71

HSL 140.53, 0.64%, 0.35%

LAB 53.3, -47.78, 30.95

 

CMYK 64 / 0 / 42 / 48

HEX #2F844C

RGB 47 132 76

HSL 140.47, 0.47%, 0.35%

LAB 49.04, -38.72, 22.9

 

CMYK 48 / 0 / 32 / 54

HEX #3D7550

RGB 61 117 80

HSL 140.36, 0.31%, 0.35%

LAB 44.65, -27.5, 14.83

 

CMYK 78 / 0 / 98 / 31

HEX #26AF04

RGB 38 175 4

HSL 108.07, 0.96%, 0.35%

LAB 62.58, -61.74, 62.62

 

CMYK 98 / 0 / 91 / 31

HEX #04AF0F

RGB 4 175 15

HSL 123.86, 0.96%, 0.35%

LAB 62.27, -64.4, 60.72

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3D

RGB 4 175 61

HSL 140, 0.96%, 0.35%

LAB 62.53, -61.13, 46.54

 

CMYK 98 / 0 / 39 / 31

HEX #04AF6A

RGB 4 175 106

HSL 155.79, 0.96%, 0.35%

LAB 63.12, -53.98, 25.02

 

CMYK 98 / 0 / 13 / 31

HEX #04AF98

RGB 4 175 152

HSL 171.93, 0.96%, 0.35%

LAB 64.12, -42.86, 1.19

 

CMYK 98 / 0 / 65 / 63

HEX #025E21

RGB 2 94 33

HSL 140.22, 0.96%, 0.19%

LAB 34.25, -38.4, 27.74

 

CMYK 98 / 0 / 65 / 47

HEX #03862F

RGB 3 134 47

HSL 140.15, 0.96%, 0.27%

LAB 48.6, -49.93, 37.25

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 0 / 65 / 16

HEX #04D74C

RGB 4 215 76

HSL 140.47, 0.96%, 0.43%

LAB 75.54, -71.45, 54.6

 

CMYK 96 / 0 / 63 / 2

HEX #0BFA5C

RGB 11 250 92

HSL 140.33, 0.96%, 0.51%

LAB 86.61, -79.67, 60.32

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 52 / 0 / 31

HEX #0454AF

RGB 4 84 175

HSL 211.93, 0.96%, 0.35%

LAB 36.86, 15.52, -54.23

 

CMYK 0 / 98 / 91 / 31

HEX #AF040F

RGB 175 4 15

HSL 356.14, 0.96%, 0.35%

LAB 36.43, 60.11, 44.74

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 65 / 98 / 0 / 31

HEX #3D04AF

RGB 61 4 175

HSL 260, 0.96%, 0.35%

LAB 24.24, 60.26, -74.87

 

CMYK 0 / 65 / 98 / 31

HEX #AF3D04

RGB 175 61 4

HSL 20, 0.96%, 0.35%

LAB 41.94, 44.5, 51.96

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 52 / 0 / 31

HEX #0454AF

RGB 4 84 175

HSL 211.93, 0.96%, 0.35%

LAB 36.86, 15.52, -54.23

 

CMYK 0 / 98 / 33 / 31

HEX #AF0476

RGB 175 4 118

HSL 320, 0.96%, 0.35%

LAB 38.74, 66.29, -15.51

 

CMYK 0 / 46 / 98 / 31

HEX #AF5F04

RGB 175 95 4

HSL 31.93, 0.96%, 0.35%

LAB 48.64, 27.39, 56.12

 

CMYK 98 / 0 / 65 / 31

HEX #04AF3E

RGB 4 175 62

HSL 140.35, 0.96%, 0.35%

LAB 62.54, -61.01, 46.11

 

CMYK 98 / 82 / 0 / 31

HEX #0420AF

RGB 4 32 175

HSL 230.18, 0.96%, 0.35%

LAB 24.17, 48.7, -75.07

 

CMYK 0 / 98 / 33 / 31

HEX #AF0476

RGB 175 4 118

HSL 320, 0.96%, 0.35%

LAB 38.74, 66.29, -15.51

 

CMYK 0 / 17 / 98 / 31

HEX #AF9204

RGB 175 146 4

HSL 49.82, 0.96%, 0.35%

LAB 61.38, -0.91, 64.94

 

Description

Color code: HEX #04AF3E | qconv.com Color code: HEX #04AF3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 175 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 175 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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