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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04ABE9 it is the complementary color #FB5416. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04ABE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #04ABE9: #09ABE4, #1ABDF7, #2BCFFF, #3CE1FF and #4DF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04ABE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #04ABE9: #04ABE9, #0099D6, #0087C3, #0075B0 and #00639D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

Complementary color

CMYK 0 / 67 / 91 / 2

HEX #FB5416

RGB 251 84 22

HSL 16.24, 0.97%, 0.54%

LAB 58.89, 61.33, 64.45

 

CMYK 96 / 25 / 0 / 11

HEX #09ABE4

RGB 9 171 228

HSL 195.62, 0.92%, 0.46%

LAB 65.58, -16.28, -38.76

 

CMYK 89 / 23 / 0 / 3

HEX #1ABDF7

RGB 26 189 247

HSL 195.75, 0.93%, 0.54%

LAB 71.78, -18.57, -39.43

 

CMYK 83 / 19 / 0 / 0

HEX #2BCFFF

RGB 43 207 255

HSL 193.58, 1%, 0.58%

LAB 77.5, -24.11, -34.84

 

CMYK 76 / 12 / 0 / 0

HEX #3CE1FF

RGB 60 225 255

HSL 189.23, 1%, 0.62%

LAB 82.93, -31.49, -26.47

 

CMYK 70 / 5 / 0 / 0

HEX #4DF3FF

RGB 77 243 255

HSL 184.04, 1%, 0.65%

LAB 88.4, -38.04, -18.14

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 100 / 29 / 0 / 16

HEX #0099D6

RGB 0 153 214

HSL 197.1, 1%, 0.42%

LAB 59.56, -11.74, -40.44

 

CMYK 100 / 31 / 0 / 24

HEX #0087C3

RGB 0 135 195

HSL 198.46, 1%, 0.38%

LAB 53.24, -8.61, -39.67

 

CMYK 100 / 34 / 0 / 31

HEX #0075B0

RGB 0 117 176

HSL 200.11, 1%, 0.35%

LAB 46.79, -5.34, -38.92

 

CMYK 100 / 37 / 0 / 38

HEX #00639D

RGB 0 99 157

HSL 202.17, 1%, 0.31%

LAB 40.18, -1.87, -38.21

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 99 / 43 / 0 / 9

HEX #0384E7

RGB 3 132 231

HSL 206.05, 0.97%, 0.46%

LAB 54.33, 7.11, -58.23

 

CMYK 99 / 59 / 0 / 9

HEX #035EE7

RGB 3 94 231

HSL 216.05, 0.97%, 0.46%

LAB 43.94, 31.23, -75.07

 

CMYK 99 / 76 / 0 / 9

HEX #0338E7

RGB 3 56 231

HSL 226.05, 0.97%, 0.46%

LAB 35.24, 54.51, -89.4

 

CMYK 99 / 92 / 0 / 9

HEX #0312E7

RGB 3 18 231

HSL 236.05, 0.97%, 0.46%

LAB 29.96, 70.13, -98.18

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 100 / 28 / 0 / 89

HEX #00151D

RGB 0 21 29

HSL 196.55, 1%, 0.06%

LAB 5.65, -4.27, -7.88

 

CMYK 99 / 26 / 0 / 69

HEX #013B50

RGB 1 59 80

HSL 195.95, 0.98%, 0.16%

LAB 22.7, -8.37, -17.55

 

CMYK 98 / 27 / 0 / 49

HEX #026083

RGB 2 96 131

HSL 196.28, 0.97%, 0.26%

LAB 37.87, -10.34, -26.17

 

CMYK 98 / 26 / 0 / 29

HEX #0386B6

RGB 3 134 182

HSL 196.09, 0.97%, 0.36%

LAB 52.34, -12.82, -33.65

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 53 / 99 / 0 / 9

HEX #6D03E7

RGB 109 3 231

HSL 267.89, 0.97%, 0.46%

LAB 36.15, 76.35, -87.7

 

CMYK 0 / 13 / 99 / 9

HEX #E7C803

RGB 231 200 3

HSL 51.84, 0.97%, 0.46%

LAB 80.91, -4.55, 81.56

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 0 / 99 / 26 / 9

HEX #E703AA

RGB 231 3 170

HSL 316.05, 0.97%, 0.46%

LAB 51.79, 83.26, -26.08

 

CMYK 26 / 0 / 99 / 9

HEX #AAE703

RGB 170 231 3

HSL 76.05, 0.97%, 0.46%

LAB 84.85, -44.49, 82.48

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 53 / 99 / 0 / 9

HEX #6D03E7

RGB 109 3 231

HSL 267.89, 0.97%, 0.46%

LAB 36.15, 76.35, -87.7

 

CMYK 0 / 72 / 99 / 9

HEX #E74003

RGB 231 64 3

HSL 16.05, 0.97%, 0.46%

LAB 52.58, 62.12, 63.44

 

CMYK 46 / 0 / 99 / 9

HEX #7CE703

RGB 124 231 3

HSL 88.16, 0.97%, 0.46%

LAB 82.62, -60.3, 79.79

 

CMYK 98 / 27 / 0 / 9

HEX #04ABE9

RGB 4 171 233

HSL 196.24, 0.97%, 0.46%

LAB 65.78, -14.64, -41.2

 

CMYK 23 / 99 / 0 / 9

HEX #B103E7

RGB 177 3 231

HSL 285.79, 0.97%, 0.46%

LAB 45.88, 83.22, -71.35

 

CMYK 0 / 72 / 99 / 9

HEX #E74003

RGB 231 64 3

HSL 16.05, 0.97%, 0.46%

LAB 52.58, 62.12, 63.44

 

CMYK 76 / 0 / 99 / 9

HEX #38E703

RGB 56 231 3

HSL 106.05, 0.97%, 0.46%

LAB 80.74, -75.7, 77.5

 

Description

Color code: HEX #04ABE9 | qconv.com Color code: HEX #04ABE9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 171 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 171 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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