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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04AA4D it is the complementary color #FB55B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04AA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04AA4D shade: #09AA48, #1ABC5B, #2BCE6E, #3CE081 and #4DF294

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04AA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04AA4D shade: #04AA4D, #00983A, #008627, #007414 and #006201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04AA4D shade: #04A94D, #04A920, #15A904, #41A904 and #6EA904

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04AA4D shade: #04A94D, #04A979, #04A9A6, #0480A9 and #0454A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04AA4D shade matches the following richer shades: #04A94D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04AA4D shade: #04A94D, #129B4E, #208D50, #2E7F52 and #3C7154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04AA4D shade: #15A904, #04A920, #04A94C, #04A978 and #04A9A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04AA4D shade: #025928, #03813B, #04A94D, #05D15F and #07F971

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04AA4D shade: #04AA4D, #0441A9 and #A90A04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04AA4D shade: #04AA4D, #4C04A9 and #A94C04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04AA4D shade: #04AA4D, #0441A9, #A90462 and #A96D04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04AA4D shade: #04AA4D, #040FA9, #A90462 and #A99E04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

Complementary color

CMYK 0 / 66 / 29 / 2

HEX #FB55B2

RGB 251 85 178

HSL 326.39, 0.95%, 0.66%

LAB 61.84, 70.95, -15.05

 

CMYK 95 / 0 / 58 / 33

HEX #09AA48

RGB 9 170 72

HSL 143.48, 0.9%, 0.35%

LAB 61.02, -57.91, 39.77

 

CMYK 86 / 0 / 52 / 26

HEX #1ABC5B

RGB 26 188 91

HSL 144.07, 0.76%, 0.42%

LAB 67.23, -59.9, 38.06

 

CMYK 79 / 0 / 47 / 19

HEX #2BCE6E

RGB 43 206 110

HSL 144.66, 0.65%, 0.49%

LAB 73.4, -61.28, 36.39

 

CMYK 73 / 0 / 42 / 12

HEX #3CE081

RGB 60 224 129

HSL 145.24, 0.73%, 0.56%

LAB 79.53, -62.21, 34.8

 

CMYK 68 / 0 / 39 / 5

HEX #4DF294

RGB 77 242 148

HSL 145.82, 0.86%, 0.63%

LAB 85.62, -62.81, 33.31

 

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

CMYK 100 / 0 / 62 / 40

HEX #00983A

RGB 0 152 58

HSL 142.89, 1%, 0.3%

LAB 54.83, -54.51, 39.18

 

CMYK 100 / 0 / 71 / 47

HEX #008627

RGB 0 134 39

HSL 137.46, 1%, 0.26%

LAB 48.51, -51.07, 40.71

 

CMYK 100 / 0 / 83 / 55

HEX #007414

RGB 0 116 20

HSL 130.34, 1%, 0.23%

LAB 42.06, -47.16, 41.45

 

CMYK 100 / 0 / 99 / 62

HEX #006201

RGB 0 98 1

HSL 120.61, 1%, 0.19%

LAB 35.47, -42.7, 40.97

 

CMYK 98 / 0 / 54 / 34

HEX #04A94D

RGB 4 169 77

HSL 146.55, 0.95%, 0.34%

LAB 60.73, -57.09, 36.97

 

CMYK 98 / 0 / 81 / 34

HEX #04A920

RGB 4 169 32

HSL 130.18, 0.95%, 0.34%

LAB 60.34, -61.91, 55.08

 

CMYK 88 / 0 / 98 / 34

HEX #15A904

RGB 21 169 4

HSL 113.82, 0.95%, 0.34%

LAB 60.38, -61.93, 60.74

 

CMYK 62 / 0 / 98 / 34

HEX #41A904

RGB 65 169 4

HSL 97.82, 0.95%, 0.34%

LAB 61.23, -54.58, 61.79

 

CMYK 35 / 0 / 98 / 34

HEX #6EA904

RGB 110 169 4

HSL 81.45, 0.95%, 0.34%

LAB 63.09, -40.39, 64.06

 

CMYK 98 / 0 / 54 / 34

HEX #04A94D

RGB 4 169 77

HSL 146.55, 0.95%, 0.34%

LAB 60.73, -57.09, 36.97

 

CMYK 98 / 0 / 28 / 34

HEX #04A979

RGB 4 169 121

HSL 162.55, 0.95%, 0.34%

LAB 61.47, -48.43, 14.61

 

CMYK 98 / 0 / 2 / 34

HEX #04A9A6

RGB 4 169 166

HSL 178.91, 0.95%, 0.34%

LAB 62.64, -36.11, -8.81

 

CMYK 98 / 24 / 0 / 34

HEX #0480A9

RGB 4 128 169

HSL 194.91, 0.95%, 0.34%

LAB 49.89, -14.23, -29.97

 

CMYK 98 / 50 / 0 / 34

HEX #0454A9

RGB 4 84 169

HSL 210.91, 0.95%, 0.34%

LAB 36.43, 13.04, -51.37

 

CMYK 98 / 0 / 54 / 34

HEX #04A94D

RGB 4 169 77

HSL 146.55, 0.95%, 0.34%

LAB 60.73, -57.09, 36.97

 

CMYK 98 / 0 / 54 / 34

HEX #04A94D

RGB 4 169 77

HSL 146.55, 0.95%, 0.34%

LAB 60.73, -57.09, 36.97

 

CMYK 88 / 0 / 50 / 39

HEX #129B4E

RGB 18 155 78

HSL 146.28, 0.79%, 0.34%

LAB 56.21, -51.37, 30.9

 

CMYK 77 / 0 / 43 / 45

HEX #208D50

RGB 32 141 80

HSL 146.42, 0.63%, 0.34%

LAB 51.76, -44.3, 24.18

 

CMYK 64 / 0 / 35 / 50

HEX #2E7F52

RGB 46 127 82

HSL 146.67, 0.47%, 0.34%

LAB 47.45, -35.6, 17.39

 

CMYK 47 / 0 / 26 / 56

HEX #3C7154

RGB 60 113 84

HSL 147.17, 0.31%, 0.34%

LAB 43.38, -24.96, 10.71

 

CMYK 88 / 0 / 98 / 34

HEX #15A904

RGB 21 169 4

HSL 113.82, 0.95%, 0.34%

LAB 60.38, -61.93, 60.74

 

CMYK 98 / 0 / 81 / 34

HEX #04A920

RGB 4 169 32

HSL 130.18, 0.95%, 0.34%

LAB 60.34, -61.91, 55.08

 

CMYK 98 / 0 / 55 / 34

HEX #04A94C

RGB 4 169 76

HSL 146.18, 0.95%, 0.34%

LAB 60.71, -57.24, 37.45

 

CMYK 98 / 0 / 29 / 34

HEX #04A978

RGB 4 169 120

HSL 162.18, 0.95%, 0.34%

LAB 61.44, -48.67, 15.14

 

CMYK 98 / 0 / 3 / 34

HEX #04A9A4

RGB 4 169 164

HSL 178.18, 0.95%, 0.34%

LAB 62.58, -36.72, -7.78

 

CMYK 98 / 0 / 55 / 65

HEX #025928

RGB 2 89 40

HSL 146.21, 0.96%, 0.18%

LAB 32.5, -35.44, 21.85

 

CMYK 98 / 0 / 54 / 49

HEX #03813B

RGB 3 129 59

HSL 146.67, 0.95%, 0.26%

LAB 47.02, -46.5, 29.4

 

CMYK 98 / 0 / 54 / 34

HEX #04A94D

RGB 4 169 77

HSL 146.55, 0.95%, 0.34%

LAB 60.73, -57.09, 36.97

 

CMYK 98 / 0 / 55 / 18

HEX #05D15F

RGB 5 209 95

HSL 146.47, 0.95%, 0.42%

LAB 73.84, -67.2, 44.17

 

CMYK 97 / 0 / 55 / 2

HEX #07F971

RGB 7 249 113

HSL 146.28, 0.95%, 0.5%

LAB 86.5, -76.91, 51.08

 

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

CMYK 98 / 62 / 0 / 34

HEX #0441A9

RGB 4 65 169

HSL 217.82, 0.95%, 0.34%

LAB 31.05, 25.97, -60.12

 

CMYK 0 / 94 / 98 / 34

HEX #A90A04

RGB 169 10 4

HSL 2.18, 0.95%, 0.34%

LAB 35.32, 57.66, 47.78

 

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

CMYK 55 / 98 / 0 / 34

HEX #4C04A9

RGB 76 4 169

HSL 266.18, 0.95%, 0.34%

LAB 25.22, 59.81, -69.57

 

CMYK 0 / 55 / 98 / 34

HEX #A94C04

RGB 169 76 4

HSL 26.18, 0.95%, 0.34%

LAB 43.67, 34.98, 52.48

 

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

CMYK 98 / 62 / 0 / 34

HEX #0441A9

RGB 4 65 169

HSL 217.82, 0.95%, 0.34%

LAB 31.05, 25.97, -60.12

 

CMYK 0 / 98 / 42 / 34

HEX #A90462

RGB 169 4 98

HSL 325.82, 0.95%, 0.34%

LAB 36.75, 62.97, -5.97

 

CMYK 0 / 36 / 98 / 34

HEX #A96D04

RGB 169 109 4

HSL 38.18, 0.95%, 0.34%

LAB 51.13, 16.95, 57.39

 

CMYK 98 / 0 / 55 / 33

HEX #04AA4D

RGB 4 170 77

HSL 146.39, 0.95%, 0.34%

LAB 61.06, -57.42, 37.37

 

CMYK 98 / 91 / 0 / 34

HEX #040FA9

RGB 4 15 169

HSL 236, 0.95%, 0.34%

LAB 20.95, 54.06, -76.82

 

CMYK 0 / 98 / 42 / 34

HEX #A90462

RGB 169 4 98

HSL 325.82, 0.95%, 0.34%

LAB 36.75, 62.97, -5.97

 

CMYK 0 / 7 / 98 / 34

HEX #A99E04

RGB 169 158 4

HSL 56, 0.95%, 0.34%

LAB 64.08, -10.07, 66.65

 

Description

Color code: HEX #04AA4D | qconv.com Color code: HEX #04AA4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 170 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 170 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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