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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04A2C8 it is the complementary color #FB5D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04A2C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04A2C8 shade: #09A2C3, #1AB4D6, #2BC6E9, #3CD8FC and #4DEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04A2C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04A2C8 shade: #04A2C8, #0090B5, #007EA2, #006C8F and #005A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04A2C8 shade: #04A2C8, #046DC8, #0438C8, #0504C8 and #3904C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04A2C8 shade: #04A2C8, #046DC8, #0438C8 and #0404C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04A2C8 shade matches the following richer shades: #04A2C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04A2C8 shade: #04A2C8, #1598B7, #258EA7, #368496 and #467A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04A2C8 shade: #04C883, #04C8B8, #04A4C8, #0470C8 and #043CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04A2C8 shade: #026077, #03819F, #04A2C8, #05C3F0 and #24D1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04A2C8 shade: #04A2C8, #4F04C8 and #C89D04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04A2C8 shade: #04A2C8, #C804A4 and #A4C804

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04A2C8 shade: #04A2C8, #4F04C8, #C82804 and #7DC804

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04A2C8 shade: #04A2C8, #8A04C8, #C82804 and #42C804

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

Complementary color

CMYK 0 / 63 / 78 / 2

HEX #FB5D37

RGB 251 93 55

HSL 11.63, 0.96%, 0.6%

LAB 60.44, 58.44, 52.45

 

CMYK 95 / 17 / 0 / 24

HEX #09A2C3

RGB 9 162 195

HSL 190.65, 0.91%, 0.4%

LAB 61.51, -23.07, -26.77

 

CMYK 88 / 16 / 0 / 16

HEX #1AB4D6

RGB 26 180 214

HSL 190.85, 0.78%, 0.47%

LAB 67.81, -25.1, -27.6

 

CMYK 82 / 15 / 0 / 9

HEX #2BC6E9

RGB 43 198 233

HSL 191.05, 0.81%, 0.54%

LAB 74.05, -26.73, -28.33

 

CMYK 76 / 14 / 0 / 1

HEX #3CD8FC

RGB 60 216 252

HSL 191.25, 0.97%, 0.61%

LAB 80.24, -28.05, -29

 

CMYK 70 / 8 / 0 / 0

HEX #4DEAFF

RGB 77 234 255

HSL 187.08, 1%, 0.65%

LAB 85.83, -33.86, -22.03

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 100 / 20 / 0 / 29

HEX #0090B5

RGB 0 144 181

HSL 192.27, 1%, 0.35%

LAB 55.36, -18.81, -28.37

 

CMYK 100 / 22 / 0 / 36

HEX #007EA2

RGB 0 126 162

HSL 193.33, 1%, 0.32%

LAB 48.92, -15.89, -27.42

 

CMYK 100 / 24 / 0 / 44

HEX #006C8F

RGB 0 108 143

HSL 194.69, 1%, 0.28%

LAB 42.32, -12.84, -26.47

 

CMYK 100 / 27 / 0 / 51

HEX #005A7C

RGB 0 90 124

HSL 196.45, 1%, 0.24%

LAB 35.53, -9.64, -25.55

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 98 / 46 / 0 / 22

HEX #046DC8

RGB 4 109 200

HSL 207.86, 0.96%, 0.4%

LAB 45.82, 9.31, -54.35

 

CMYK 98 / 72 / 0 / 22

HEX #0438C8

RGB 4 56 200

HSL 224.08, 0.96%, 0.4%

LAB 31.86, 43.76, -77.12

 

CMYK 98 / 98 / 0 / 22

HEX #0504C8

RGB 5 4 200

HSL 240.31, 0.96%, 0.4%

LAB 24.61, 65.13, -89.19

 

CMYK 72 / 98 / 0 / 22

HEX #3904C8

RGB 57 4 200

HSL 256.22, 0.96%, 0.4%

LAB 27.09, 66.17, -84.98

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 98 / 46 / 0 / 22

HEX #046DC8

RGB 4 109 200

HSL 207.86, 0.96%, 0.4%

LAB 45.82, 9.31, -54.35

 

CMYK 98 / 72 / 0 / 22

HEX #0438C8

RGB 4 56 200

HSL 224.08, 0.96%, 0.4%

LAB 31.86, 43.76, -77.12

 

CMYK 98 / 98 / 0 / 22

HEX #0404C8

RGB 4 4 200

HSL 240, 0.96%, 0.4%

LAB 24.59, 65.12, -89.23

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 89 / 17 / 0 / 28

HEX #1598B7

RGB 21 152 183

HSL 191.48, 0.79%, 0.4%

LAB 58.07, -21.45, -25.31

 

CMYK 78 / 15 / 0 / 35

HEX #258EA7

RGB 37 142 167

HSL 191.54, 0.64%, 0.4%

LAB 54.58, -20.28, -21.53

 

CMYK 64 / 12 / 0 / 41

HEX #368496

RGB 54 132 150

HSL 191.25, 0.47%, 0.4%

LAB 51.25, -18.03, -16.75

 

CMYK 48 / 9 / 0 / 47

HEX #467A86

RGB 70 122 134

HSL 191.25, 0.31%, 0.4%

LAB 48.19, -13.95, -11.96

 

CMYK 98 / 0 / 35 / 22

HEX #04C883

RGB 4 200 131

HSL 158.88, 0.96%, 0.4%

LAB 71.54, -57.81, 23.05

 

CMYK 98 / 0 / 8 / 22

HEX #04C8B8

RGB 4 200 184

HSL 175.1, 0.96%, 0.4%

LAB 72.76, -44.59, -3.75

 

CMYK 98 / 18 / 0 / 22

HEX #04A4C8

RGB 4 164 200

HSL 191.02, 0.96%, 0.4%

LAB 62.29, -22.54, -28.36

 

CMYK 98 / 44 / 0 / 22

HEX #0470C8

RGB 4 112 200

HSL 206.94, 0.96%, 0.4%

LAB 46.69, 7.4, -52.94

 

CMYK 98 / 70 / 0 / 22

HEX #043CC8

RGB 4 60 200

HSL 222.86, 0.96%, 0.4%

LAB 32.76, 41.29, -75.63

 

CMYK 98 / 19 / 0 / 53

HEX #026077

RGB 2 96 119

HSL 191.79, 0.97%, 0.24%

LAB 37.32, -15, -19.7

 

CMYK 98 / 19 / 0 / 38

HEX #03819F

RGB 3 129 159

HSL 191.54, 0.96%, 0.32%

LAB 49.77, -18.5, -24.36

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 98 / 19 / 0 / 6

HEX #05C3F0

RGB 5 195 240

HSL 191.49, 0.96%, 0.48%

LAB 73.12, -24.73, -33.57

 

CMYK 86 / 17 / 0 / 2

HEX #24D1FB

RGB 36 209 251

HSL 191.72, 0.96%, 0.56%

LAB 77.84, -26.87, -32.18

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 61 / 98 / 0 / 22

HEX #4F04C8

RGB 79 4 200

HSL 262.96, 0.96%, 0.4%

LAB 29.21, 67.25, -81.4

 

CMYK 0 / 22 / 98 / 22

HEX #C89D04

RGB 200 157 4

HSL 46.84, 0.96%, 0.4%

LAB 66.83, 4.41, 70.01

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 0 / 98 / 18 / 22

HEX #C804A4

RGB 200 4 164

HSL 311.02, 0.96%, 0.4%

LAB 45.7, 76.61, -32.45

 

CMYK 18 / 0 / 98 / 22

HEX #A4C804

RGB 164 200 4

HSL 71.02, 0.96%, 0.4%

LAB 75.58, -33.03, 75.13

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 61 / 98 / 0 / 22

HEX #4F04C8

RGB 79 4 200

HSL 262.96, 0.96%, 0.4%

LAB 29.21, 67.25, -81.4

 

CMYK 0 / 80 / 98 / 22

HEX #C82804

RGB 200 40 4

HSL 11.02, 0.96%, 0.4%

LAB 43.95, 60.22, 55.6

 

CMYK 38 / 0 / 98 / 22

HEX #7DC804

RGB 125 200 4

HSL 82.96, 0.96%, 0.4%

LAB 73.34, -47.94, 72.42

 

CMYK 98 / 19 / 0 / 22

HEX #04A2C8

RGB 4 162 200

HSL 191.63, 0.96%, 0.4%

LAB 61.69, -21.5, -29.3

 

CMYK 31 / 98 / 0 / 22

HEX #8A04C8

RGB 138 4 200

HSL 281.02, 0.96%, 0.4%

LAB 37.23, 72.61, -67.9

 

CMYK 0 / 80 / 98 / 22

HEX #C82804

RGB 200 40 4

HSL 11.02, 0.96%, 0.4%

LAB 43.95, 60.22, 55.6

 

CMYK 67 / 0 / 98 / 22

HEX #42C804

RGB 66 200 4

HSL 101.02, 0.96%, 0.4%

LAB 71.2, -64.62, 69.82

 

Description

Color code: HEX #04A2C8 | qconv.com Color code: HEX #04A2C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 162 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 162 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 19 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 19% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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