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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #049722 it is the complementary color #FB68DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #049722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #049722 shade: #09971D, #1AA930, #2BBB43, #3CCD56 and #4DDF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #049722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #049722 shade: #049722, #00850F, #007300, #006100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #049722 shade: #049521, #0D9504, #359504, #5C9504 and #839504

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #049722 shade: #049521, #049549, #049570, #049395 and #046C95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #049722 shade matches the following richer shades: #049521

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #049722 shade: #049521, #108929, #1D7C30, #297037 and #35643F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #049722 shade: #349504, #0E9504, #049521, #049548 and #04956E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #049722 shade: #02450F, #036D18, #049521, #05BD2B and #06E634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #049722 shade: #049722, #045B95 and #950421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #049722 shade: #049722, #210495 and #952104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #049722 shade: #049722, #045B95, #950478 and #953E04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #049722 shade: #049722, #042F95, #950478 and #956A04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

Complementary color

CMYK 0 / 59 / 12 / 2

HEX #FB68DD

RGB 251 104 221

HSL 312.24, 0.95%, 0.7%

LAB 66.24, 69.11, -32.65

 

CMYK 94 / 0 / 81 / 41

HEX #09971D

RGB 9 151 29

HSL 128.45, 0.89%, 0.31%

LAB 54.32, -56.53, 50.29

 

CMYK 85 / 0 / 72 / 34

HEX #1AA930

RGB 26 169 48

HSL 129.23, 0.73%, 0.38%

LAB 60.61, -59.14, 49.89

 

CMYK 77 / 0 / 64 / 27

HEX #2BBB43

RGB 43 187 67

HSL 130, 0.63%, 0.45%

LAB 66.87, -60.9, 48.88

 

CMYK 71 / 0 / 58 / 20

HEX #3CCD56

RGB 60 205 86

HSL 130.76, 0.59%, 0.52%

LAB 73.09, -62.04, 47.6

 

CMYK 65 / 0 / 53 / 13

HEX #4DDF69

RGB 77 223 105

HSL 131.51, 0.7%, 0.59%

LAB 79.26, -62.76, 46.23

 

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

CMYK 100 / 0 / 89 / 48

HEX #00850F

RGB 0 133 15

HSL 126.77, 1%, 0.26%

LAB 48.02, -52.58, 48.34

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 91 / 0 / 97 / 42

HEX #0D9504

RGB 13 149 4

HSL 116.28, 0.95%, 0.3%

LAB 53.59, -56.77, 55.17

 

CMYK 64 / 0 / 97 / 42

HEX #359504

RGB 53 149 4

HSL 99.72, 0.95%, 0.3%

LAB 54.3, -50.55, 56.04

 

CMYK 38 / 0 / 97 / 42

HEX #5C9504

RGB 92 149 4

HSL 83.59, 0.95%, 0.3%

LAB 55.87, -38.47, 57.95

 

CMYK 12 / 0 / 97 / 42

HEX #839504

RGB 131 149 4

HSL 67.45, 0.95%, 0.3%

LAB 58.35, -22.43, 60.96

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 97 / 0 / 51 / 42

HEX #049549

RGB 4 149 73

HSL 148.55, 0.95%, 0.3%

LAB 54.03, -51.01, 30.75

 

CMYK 97 / 0 / 25 / 42

HEX #049570

RGB 4 149 112

HSL 164.69, 0.95%, 0.3%

LAB 54.75, -42.67, 10.25

 

CMYK 97 / 1 / 0 / 42

HEX #049395

RGB 4 147 149

HSL 180.83, 0.95%, 0.3%

LAB 55.14, -31.08, -10.39

 

CMYK 97 / 28 / 0 / 42

HEX #046C95

RGB 4 108 149

HSL 196.97, 0.95%, 0.3%

LAB 42.64, -10.32, -29.55

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 88 / 0 / 70 / 46

HEX #108929

RGB 16 137 41

HSL 132.4, 0.79%, 0.3%

LAB 49.69, -50.63, 41.17

 

CMYK 77 / 0 / 61 / 51

HEX #1D7C30

RGB 29 124 48

HSL 132, 0.62%, 0.3%

LAB 45.48, -43.65, 33.28

 

CMYK 63 / 0 / 51 / 56

HEX #297037

RGB 41 112 55

HSL 131.83, 0.46%, 0.3%

LAB 41.74, -35.41, 25.16

 

CMYK 47 / 0 / 37 / 61

HEX #35643F

RGB 53 100 63

HSL 132.77, 0.31%, 0.3%

LAB 38.25, -25.04, 16.13

 

CMYK 65 / 0 / 97 / 42

HEX #349504

RGB 52 149 4

HSL 100.14, 0.95%, 0.3%

LAB 54.27, -50.79, 56.01

 

CMYK 91 / 0 / 97 / 42

HEX #0E9504

RGB 14 149 4

HSL 115.86, 0.95%, 0.3%

LAB 53.6, -56.69, 55.18

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 97 / 0 / 52 / 42

HEX #049548

RGB 4 149 72

HSL 148.14, 0.95%, 0.3%

LAB 54.01, -51.18, 31.26

 

CMYK 97 / 0 / 26 / 42

HEX #04956E

RGB 4 149 110

HSL 163.86, 0.95%, 0.3%

LAB 54.71, -43.17, 11.32

 

CMYK 97 / 0 / 78 / 73

HEX #02450F

RGB 2 69 15

HSL 131.64, 0.94%, 0.14%

LAB 24.65, -31.88, 26.02

 

CMYK 97 / 0 / 78 / 57

HEX #036D18

RGB 3 109 24

HSL 131.89, 0.95%, 0.22%

LAB 39.62, -44.36, 37.62

 

CMYK 97 / 0 / 78 / 42

HEX #049521

RGB 4 149 33

HSL 132, 0.95%, 0.3%

LAB 53.63, -55.95, 48.29

 

CMYK 97 / 0 / 77 / 26

HEX #05BD2B

RGB 5 189 43

HSL 132.39, 0.95%, 0.38%

LAB 66.98, -66.87, 58.04

 

CMYK 97 / 0 / 77 / 10

HEX #06E634

RGB 6 230 52

HSL 132.32, 0.95%, 0.46%

LAB 80.11, -77.7, 67.99

 

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

CMYK 97 / 39 / 0 / 42

HEX #045B95

RGB 4 91 149

HSL 204, 0.95%, 0.3%

LAB 37.26, 0.14, -38.05

 

CMYK 0 / 97 / 78 / 42

HEX #950421

RGB 149 4 33

HSL 348, 0.95%, 0.3%

LAB 30.85, 53.78, 27.65

 

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

CMYK 78 / 97 / 0 / 42

HEX #210495

RGB 33 4 149

HSL 252, 0.95%, 0.3%

LAB 18.28, 52.39, -69

 

CMYK 0 / 78 / 97 / 42

HEX #952104

RGB 149 33 4

HSL 12, 0.95%, 0.3%

LAB 32.89, 46.62, 44.16

 

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

CMYK 97 / 39 / 0 / 42

HEX #045B95

RGB 4 91 149

HSL 204, 0.95%, 0.3%

LAB 37.26, 0.14, -38.05

 

CMYK 0 / 97 / 19 / 42

HEX #950478

RGB 149 4 120

HSL 312, 0.95%, 0.3%

LAB 33.63, 61.16, -25.1

 

CMYK 0 / 58 / 97 / 42

HEX #953E04

RGB 149 62 4

HSL 24, 0.95%, 0.3%

LAB 37.56, 34.07, 46.99

 

CMYK 97 / 0 / 77 / 41

HEX #049722

RGB 4 151 34

HSL 132.24, 0.95%, 0.3%

LAB 54.32, -56.47, 48.62

 

CMYK 97 / 68 / 0 / 42

HEX #042F95

RGB 4 47 149

HSL 222.21, 0.95%, 0.3%

LAB 24.41, 30.18, -58.86

 

CMYK 0 / 97 / 19 / 42

HEX #950478

RGB 149 4 120

HSL 312, 0.95%, 0.3%

LAB 33.63, 61.16, -25.1

 

CMYK 0 / 29 / 97 / 42

HEX #956A04

RGB 149 106 4

HSL 42.21, 0.95%, 0.3%

LAB 47.89, 9.45, 53.97

 

Description

Color code: HEX #049722 | qconv.com Color code: HEX #049722 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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