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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #048809 it is the complementary color #FB77F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #048809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #048809 shade: #098804, #1A9A17, #2BAC2A, #3CBE3D and #4DD050

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #048809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #048809 shade: #048809, #007600, #006400, #005200 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #048809 shade: #048609, #228604, #458604, #688604 and #868004

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #048809 shade: #048609, #04862C, #04864F, #048672 and #047686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #048809 shade matches the following richer shades: #048609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #048809 shade: #048609, #0F7A13, #1A6F1E, #266428 and #315932

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #048809 shade: #458604, #228604, #048608, #04862B and #04864D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #048809 shade: #023604, #035E06, #048609, #05AE0C and #07D60E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #048809 shade: #048809, #046786 and #860434

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #048809 shade: #048809, #080486 and #860804

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #048809 shade: #048809, #046786, #860481 and #862204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #048809 shade: #048809, #044186, #860481 and #864904

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

Complementary color

CMYK 0 / 53 / 2 / 2

HEX #FB77F6

RGB 251 119 246

HSL 302.27, 0.94%, 0.73%

LAB 69.72, 66.49, -41.04

 

CMYK 93 / 0 / 97 / 47

HEX #098804

RGB 9 136 4

HSL 117.73, 0.94%, 0.27%

LAB 49.1, -53.22, 51.46

 

CMYK 83 / 0 / 85 / 40

HEX #1A9A17

RGB 26 154 23

HSL 118.63, 0.74%, 0.35%

LAB 55.47, -56.3, 53.14

 

CMYK 75 / 0 / 76 / 33

HEX #2BAC2A

RGB 43 172 42

HSL 119.54, 0.61%, 0.42%

LAB 61.81, -58.37, 53.42

 

CMYK 68 / 0 / 68 / 25

HEX #3CBE3D

RGB 60 190 61

HSL 120.46, 0.52%, 0.49%

LAB 68.11, -59.71, 52.84

 

CMYK 63 / 0 / 62 / 18

HEX #4DD050

RGB 77 208 80

HSL 121.37, 0.58%, 0.56%

LAB 74.36, -60.54, 51.85

 

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 100 / 0 / 100 / 68

HEX #005200

RGB 0 82 0

HSL 120, 1%, 0.16%

LAB 29.5, -37.8, 36.48

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 97 / 0 / 93 / 47

HEX #048609

RGB 4 134 9

HSL 122.31, 0.94%, 0.27%

LAB 48.38, -52.82, 49.91

 

CMYK 75 / 0 / 97 / 47

HEX #228604

RGB 34 134 4

HSL 106.15, 0.94%, 0.27%

LAB 48.76, -49.51, 51.33

 

CMYK 49 / 0 / 97 / 47

HEX #458604

RGB 69 134 4

HSL 90, 0.94%, 0.27%

LAB 49.89, -40.32, 52.71

 

CMYK 22 / 0 / 97 / 47

HEX #688604

RGB 104 134 4

HSL 73.85, 0.94%, 0.27%

LAB 51.84, -26.75, 55.09

 

CMYK 0 / 4 / 97 / 47

HEX #868004

RGB 134 128 4

HSL 57.23, 0.94%, 0.27%

LAB 52.42, -10.05, 56.57

 

CMYK 97 / 0 / 93 / 47

HEX #048609

RGB 4 134 9

HSL 122.31, 0.94%, 0.27%

LAB 48.38, -52.82, 49.91

 

CMYK 97 / 0 / 67 / 47

HEX #04862C

RGB 4 134 44

HSL 138.46, 0.94%, 0.27%

LAB 48.58, -50.23, 38.61

 

CMYK 97 / 0 / 41 / 47

HEX #04864F

RGB 4 134 79

HSL 154.62, 0.94%, 0.27%

LAB 49.06, -44.48, 21.11

 

CMYK 97 / 0 / 15 / 47

HEX #048672

RGB 4 134 114

HSL 170.77, 0.94%, 0.27%

LAB 49.85, -35.72, 2.09

 

CMYK 97 / 12 / 0 / 47

HEX #047686

RGB 4 118 134

HSL 187.38, 0.94%, 0.27%

LAB 45.23, -21.49, -16.61

 

CMYK 97 / 0 / 93 / 47

HEX #048609

RGB 4 134 9

HSL 122.31, 0.94%, 0.27%

LAB 48.38, -52.82, 49.91

 

CMYK 97 / 0 / 93 / 47

HEX #048609

RGB 4 134 9

HSL 122.31, 0.94%, 0.27%

LAB 48.38, -52.82, 49.91

 

CMYK 88 / 0 / 84 / 52

HEX #0F7A13

RGB 15 122 19

HSL 122.24, 0.78%, 0.27%

LAB 44.33, -47.76, 43.96

 

CMYK 77 / 0 / 73 / 56

HEX #1A6F1E

RGB 26 111 30

HSL 122.82, 0.62%, 0.27%

LAB 40.71, -41.6, 36.38

 

CMYK 62 / 0 / 60 / 61

HEX #266428

RGB 38 100 40

HSL 121.94, 0.45%, 0.27%

LAB 37.26, -33.41, 27.8

 

CMYK 45 / 0 / 44 / 65

HEX #315932

RGB 49 89 50

HSL 121.5, 0.29%, 0.27%

LAB 34.04, -23.3, 18.27

 

CMYK 49 / 0 / 97 / 47

HEX #458604

RGB 69 134 4

HSL 90, 0.94%, 0.27%

LAB 49.89, -40.32, 52.71

 

CMYK 75 / 0 / 97 / 47

HEX #228604

RGB 34 134 4

HSL 106.15, 0.94%, 0.27%

LAB 48.76, -49.51, 51.33

 

CMYK 97 / 0 / 94 / 47

HEX #048608

RGB 4 134 8

HSL 121.85, 0.94%, 0.27%

LAB 48.38, -52.86, 50.09

 

CMYK 97 / 0 / 68 / 47

HEX #04862B

RGB 4 134 43

HSL 138, 0.94%, 0.27%

LAB 48.57, -50.35, 39.05

 

CMYK 97 / 0 / 43 / 47

HEX #04864D

RGB 4 134 77

HSL 153.69, 0.94%, 0.27%

LAB 49.02, -44.9, 22.18

 

CMYK 96 / 0 / 93 / 79

HEX #023604

RGB 2 54 4

HSL 122.31, 0.93%, 0.11%

LAB 18.63, -27.69, 24.16

 

CMYK 97 / 0 / 94 / 63

HEX #035E06

RGB 3 94 6

HSL 121.98, 0.94%, 0.19%

LAB 34.06, -40.81, 38.27

 

CMYK 97 / 0 / 93 / 47

HEX #048609

RGB 4 134 9

HSL 122.31, 0.94%, 0.27%

LAB 48.38, -52.82, 49.91

 

CMYK 97 / 0 / 93 / 32

HEX #05AE0C

RGB 5 174 12

HSL 122.49, 0.94%, 0.35%

LAB 61.94, -64.16, 60.91

 

CMYK 97 / 0 / 93 / 16

HEX #07D60E

RGB 7 214 14

HSL 122.03, 0.94%, 0.43%

LAB 74.93, -74.98, 71.51

 

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

CMYK 97 / 23 / 0 / 47

HEX #046786

RGB 4 103 134

HSL 194.31, 0.94%, 0.27%

LAB 40.32, -13.18, -24.17

 

CMYK 0 / 97 / 61 / 47

HEX #860434

RGB 134 4 52

HSL 337.85, 0.94%, 0.27%

LAB 27.85, 50.85, 10.6

 

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

CMYK 94 / 97 / 0 / 47

HEX #080486

RGB 8 4 134

HSL 241.85, 0.94%, 0.27%

LAB 14.73, 47.69, -65.57

 

CMYK 0 / 94 / 97 / 47

HEX #860804

RGB 134 8 4

HSL 1.85, 0.94%, 0.27%

LAB 27.44, 48.34, 38.66

 

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

CMYK 97 / 23 / 0 / 47

HEX #046786

RGB 4 103 134

HSL 194.31, 0.94%, 0.27%

LAB 40.32, -13.18, -24.17

 

CMYK 0 / 97 / 4 / 47

HEX #860481

RGB 134 4 129

HSL 302.31, 0.94%, 0.27%

LAB 31.21, 59.55, -34.78

 

CMYK 0 / 75 / 97 / 47

HEX #862204

RGB 134 34 4

HSL 13.85, 0.94%, 0.27%

LAB 29.96, 41.22, 40.7

 

CMYK 97 / 0 / 93 / 47

HEX #048809

RGB 4 136 9

HSL 122.27, 0.94%, 0.27%

LAB 49.07, -53.41, 50.5

 

CMYK 97 / 51 / 0 / 47

HEX #044186

RGB 4 65 134

HSL 211.85, 0.94%, 0.27%

LAB 28.19, 11.28, -43.43

 

CMYK 0 / 97 / 4 / 47

HEX #860481

RGB 134 4 129

HSL 302.31, 0.94%, 0.27%

LAB 31.21, 59.55, -34.78

 

CMYK 0 / 46 / 97 / 47

HEX #864904

RGB 134 73 4

HSL 31.85, 0.94%, 0.27%

LAB 37.56, 21.61, 45.83

 

Description

Color code: HEX #048809 | qconv.com Color code: HEX #048809 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 136 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 136 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 93 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 93% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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