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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #047FD8 it is the complementary color #FB8027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #047FD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #047FD8 shade: #097FD3, #1A91E6, #2BA3F9, #3CB5FF and #4DC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #047FD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #047FD8 shade: #047FD8, #006DC5, #005BB2, #00499F and #00378C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #047FD8 shade: #047FD7, #0446D7, #040DD7, #3504D7 and #6D04D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #047FD8 shade: #047FD7, #0446D7, #040DD7 and #0404D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #047FD8 shade matches the following richer shades: #047FD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #047FD8 shade: #047FD7, #167CC5, #2879B3, #3A76A2 and #4B7390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #047FD8 shade: #04D7BE, #04B7D7, #047FD7, #0447D7 and #040FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #047FD8 shade: #034F86, #0467AE, #047FD7, #0B95FA and #33A7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #047FD8 shade: #047FD8, #8604D7 and #D3D704

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #047FD8 shade: #047FD8, #D7047F and #7FD704

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #047FD8 shade: #047FD8, #8604D7, #D75C04 and #55D704

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #047FD8 shade: #047FD8, #C504D7, #D75C04 and #16D704

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

Complementary color

CMYK 0 / 49 / 84 / 2

HEX #FB8027

RGB 251 128 39

HSL 25.19, 0.96%, 0.57%

LAB 66.59, 41.81, 64.79

 

CMYK 96 / 40 / 0 / 17

HEX #097FD3

RGB 9 127 211

HSL 204.95, 0.92%, 0.43%

LAB 51.77, 2.58, -51.08

 

CMYK 89 / 37 / 0 / 10

HEX #1A91E6

RGB 26 145 230

HSL 205, 0.8%, 0.5%

LAB 58.21, -0.22, -51.47

 

CMYK 83 / 35 / 0 / 2

HEX #2BA3F9

RGB 43 163 249

HSL 205.05, 0.94%, 0.57%

LAB 64.6, -2.54, -51.77

 

CMYK 76 / 29 / 0 / 0

HEX #3CB5FF

RGB 60 181 255

HSL 202.77, 1%, 0.62%

LAB 70.34, -8.91, -45.97

 

CMYK 70 / 22 / 0 / 0

HEX #4DC7FF

RGB 77 199 255

HSL 198.88, 1%, 0.65%

LAB 75.85, -16.48, -37.33

 

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

CMYK 100 / 45 / 0 / 23

HEX #006DC5

RGB 0 109 197

HSL 206.8, 1%, 0.39%

LAB 45.59, 7.97, -52.99

 

CMYK 100 / 49 / 0 / 30

HEX #005BB2

RGB 0 91 178

HSL 209.33, 1%, 0.35%

LAB 39.06, 11.92, -52.43

 

CMYK 100 / 54 / 0 / 38

HEX #00499F

RGB 0 73 159

HSL 212.45, 1%, 0.31%

LAB 32.41, 16.16, -51.89

 

CMYK 100 / 61 / 0 / 45

HEX #00378C

RGB 0 55 140

HSL 216.43, 1%, 0.27%

LAB 25.64, 20.7, -51.29

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 98 / 67 / 0 / 16

HEX #0446D7

RGB 4 70 215

HSL 221.23, 0.96%, 0.43%

LAB 36.58, 40.57, -78.03

 

CMYK 98 / 94 / 0 / 16

HEX #040DD7

RGB 4 13 215

HSL 237.44, 0.96%, 0.43%

LAB 27.35, 67.13, -93.35

 

CMYK 75 / 98 / 0 / 16

HEX #3504D7

RGB 53 4 215

HSL 253.93, 0.96%, 0.43%

LAB 28.77, 69.66, -90.93

 

CMYK 49 / 98 / 0 / 16

HEX #6D04D7

RGB 109 4 215

HSL 269.86, 0.96%, 0.43%

LAB 34.49, 72.75, -81.27

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 98 / 67 / 0 / 16

HEX #0446D7

RGB 4 70 215

HSL 221.23, 0.96%, 0.43%

LAB 36.58, 40.57, -78.03

 

CMYK 98 / 94 / 0 / 16

HEX #040DD7

RGB 4 13 215

HSL 237.44, 0.96%, 0.43%

LAB 27.35, 67.13, -93.35

 

CMYK 98 / 98 / 0 / 16

HEX #0404D7

RGB 4 4 215

HSL 240, 0.96%, 0.43%

LAB 26.79, 68.88, -94.29

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 89 / 37 / 0 / 23

HEX #167CC5

RGB 22 124 197

HSL 205.03, 0.8%, 0.43%

LAB 50.24, -0.42, -45.55

 

CMYK 78 / 32 / 0 / 30

HEX #2879B3

RGB 40 121 179

HSL 205.04, 0.63%, 0.43%

LAB 48.74, -3.83, -37.55

 

CMYK 64 / 27 / 0 / 36

HEX #3A76A2

RGB 58 118 162

HSL 205.38, 0.47%, 0.43%

LAB 47.58, -5.39, -29.42

 

CMYK 48 / 20 / 0 / 44

HEX #4B7390

RGB 75 115 144

HSL 205.22, 0.32%, 0.43%

LAB 46.67, -5.66, -20.16

 

CMYK 98 / 0 / 12 / 16

HEX #04D7BE

RGB 4 215 190

HSL 172.89, 0.96%, 0.43%

LAB 77.49, -49.26, -0.05

 

CMYK 98 / 15 / 0 / 16

HEX #04B7D7

RGB 4 183 215

HSL 189.1, 0.96%, 0.43%

LAB 68.61, -27.11, -26.94

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 98 / 67 / 0 / 16

HEX #0447D7

RGB 4 71 215

HSL 220.95, 0.96%, 0.43%

LAB 36.82, 39.94, -77.64

 

CMYK 98 / 93 / 0 / 16

HEX #040FD7

RGB 4 15 215

HSL 236.87, 0.96%, 0.43%

LAB 27.5, 66.67, -93.1

 

CMYK 98 / 41 / 0 / 47

HEX #034F86

RGB 3 79 134

HSL 205.19, 0.96%, 0.27%

LAB 32.55, 1.66, -36.42

 

CMYK 98 / 41 / 0 / 32

HEX #0467AE

RGB 4 103 174

HSL 205.06, 0.96%, 0.35%

LAB 42.43, 2.67, -44.67

 

CMYK 98 / 41 / 0 / 16

HEX #047FD7

RGB 4 127 215

HSL 205.02, 0.96%, 0.43%

LAB 51.96, 3.98, -53.04

 

CMYK 96 / 40 / 0 / 2

HEX #0B95FA

RGB 11 149 250

HSL 205.36, 0.96%, 0.51%

LAB 60.31, 4.33, -59.18

 

CMYK 80 / 33 / 0 / 2

HEX #33A7FB

RGB 51 167 251

HSL 205.2, 0.96%, 0.59%

LAB 65.99, -3.41, -50.66

 

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

CMYK 38 / 98 / 0 / 16

HEX #8604D7

RGB 134 4 215

HSL 276.97, 0.96%, 0.43%

LAB 37.95, 75.09, -75.44

 

CMYK 2 / 0 / 98 / 16

HEX #D3D704

RGB 211 215 4

HSL 61.14, 0.96%, 0.43%

LAB 83.16, -20.6, 82.34

 

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

CMYK 0 / 98 / 41 / 16

HEX #D7047F

RGB 215 4 127

HSL 325.02, 0.96%, 0.43%

LAB 47.06, 75.65, -7.73

 

CMYK 41 / 0 / 98 / 16

HEX #7FD704

RGB 127 215 4

HSL 85.02, 0.96%, 0.43%

LAB 77.95, -53.26, 76.08

 

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

CMYK 38 / 98 / 0 / 16

HEX #8604D7

RGB 134 4 215

HSL 276.97, 0.96%, 0.43%

LAB 37.95, 75.09, -75.44

 

CMYK 0 / 57 / 98 / 16

HEX #D75C04

RGB 215 92 4

HSL 25.02, 0.96%, 0.43%

LAB 54.14, 45.03, 62.6

 

CMYK 60 / 0 / 98 / 16

HEX #55D704

RGB 85 215 4

HSL 96.97, 0.96%, 0.43%

LAB 76.4, -65.31, 74.2

 

CMYK 98 / 41 / 0 / 15

HEX #047FD8

RGB 4 127 216

HSL 205.19, 0.96%, 0.43%

LAB 52.02, 4.37, -53.51

 

CMYK 8 / 98 / 0 / 16

HEX #C504D7

RGB 197 4 215

HSL 294.88, 0.96%, 0.43%

LAB 48.09, 83.28, -58.49

 

CMYK 0 / 57 / 98 / 16

HEX #D75C04

RGB 215 92 4

HSL 25.02, 0.96%, 0.43%

LAB 54.14, 45.03, 62.6

 

CMYK 90 / 0 / 98 / 16

HEX #16D704

RGB 22 215 4

HSL 114.88, 0.96%, 0.43%

LAB 75.31, -74.73, 72.87

 

Description

Color code: HEX #047FD8 | qconv.com Color code: HEX #047FD8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 127 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 127 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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