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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #047BA6 it is the complementary color #FB8459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #047BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #047BA6 shade: #097BA1, #1A8DB4, #2B9FC7, #3CB1DA and #4DC3ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #047BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #047BA6 shade: #047BA6, #006993, #005780, #00456D and #00335A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #047BA6 shade: #047AA4, #044FA4, #0423A4, #1004A4 and #3B04A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #047BA6 shade: #047AA4, #044FA4, #0423A4 and #0404A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #047BA6 shade matches the following richer shades: #047AA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #047BA6 shade: #047AA4, #127396, #1F6D89, #2D667B and #3B606E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #047BA6 shade: #04A477, #04A4A1, #047CA4, #0451A4 and #0427A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #047BA6 shade: #023E54, #035C7C, #047AA4, #0597CC and #06B5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #047BA6 shade: #047BA6, #4C04A4 and #A48C04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #047BA6 shade: #047BA6, #A4047C and #7CA404

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #047BA6 shade: #047BA6, #4C04A4, #A42C04 and #5CA404

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #047BA6 shade: #047BA6, #7C04A4, #A42C04 and #2CA404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

Complementary color

CMYK 0 / 47 / 65 / 2

HEX #FB8459

RGB 251 132 89

HSL 15.93, 0.95%, 0.67%

LAB 67.82, 41.88, 43.32

 

CMYK 94 / 24 / 0 / 37

HEX #097BA1

RGB 9 123 161

HSL 195, 0.89%, 0.33%

LAB 48, -14.17, -28.25

 

CMYK 86 / 22 / 0 / 29

HEX #1A8DB4

RGB 26 141 180

HSL 195.19, 0.75%, 0.4%

LAB 54.62, -16.27, -28.93

 

CMYK 78 / 20 / 0 / 22

HEX #2B9FC7

RGB 43 159 199

HSL 195.38, 0.64%, 0.47%

LAB 61.16, -17.87, -29.52

 

CMYK 72 / 19 / 0 / 15

HEX #3CB1DA

RGB 60 177 218

HSL 195.57, 0.68%, 0.55%

LAB 67.63, -19.12, -30.03

 

CMYK 68 / 18 / 0 / 7

HEX #4DC3ED

RGB 77 195 237

HSL 195.75, 0.82%, 0.62%

LAB 74.01, -20.09, -30.5

 

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

CMYK 100 / 29 / 0 / 42

HEX #006993

RGB 0 105 147

HSL 197.14, 1%, 0.29%

LAB 41.55, -9.53, -30.07

 

CMYK 100 / 32 / 0 / 50

HEX #005780

RGB 0 87 128

HSL 199.22, 1%, 0.25%

LAB 34.75, -6.18, -29.24

 

CMYK 100 / 37 / 0 / 57

HEX #00456D

RGB 0 69 109

HSL 202.02, 1%, 0.21%

LAB 27.74, -2.58, -28.44

 

CMYK 100 / 43 / 0 / 65

HEX #00335A

RGB 0 51 90

HSL 206, 1%, 0.18%

LAB 20.46, 1.36, -27.71

 

CMYK 98 / 26 / 0 / 36

HEX #047AA4

RGB 4 122 164

HSL 195.75, 0.95%, 0.33%

LAB 47.78, -12.71, -30.35

 

CMYK 98 / 52 / 0 / 36

HEX #044FA4

RGB 4 79 164

HSL 211.88, 0.95%, 0.33%

LAB 34.6, 14.34, -51.34

 

CMYK 98 / 79 / 0 / 36

HEX #0423A4

RGB 4 35 164

HSL 228.38, 0.95%, 0.33%

LAB 23.37, 43.36, -69.77

 

CMYK 90 / 98 / 0 / 36

HEX #1004A4

RGB 16 4 164

HSL 244.5, 0.95%, 0.33%

LAB 19.55, 55.95, -76.12

 

CMYK 64 / 98 / 0 / 36

HEX #3B04A4

RGB 59 4 164

HSL 260.63, 0.95%, 0.33%

LAB 22.64, 57.45, -70.88

 

CMYK 98 / 26 / 0 / 36

HEX #047AA4

RGB 4 122 164

HSL 195.75, 0.95%, 0.33%

LAB 47.78, -12.71, -30.35

 

CMYK 98 / 52 / 0 / 36

HEX #044FA4

RGB 4 79 164

HSL 211.88, 0.95%, 0.33%

LAB 34.6, 14.34, -51.34

 

CMYK 98 / 79 / 0 / 36

HEX #0423A4

RGB 4 35 164

HSL 228.38, 0.95%, 0.33%

LAB 23.37, 43.36, -69.77

 

CMYK 98 / 98 / 0 / 36

HEX #0404A4

RGB 4 4 164

HSL 240, 0.95%, 0.33%

LAB 19.19, 55.81, -76.72

 

CMYK 98 / 26 / 0 / 36

HEX #047AA4

RGB 4 122 164

HSL 195.75, 0.95%, 0.33%

LAB 47.78, -12.71, -30.35

 

CMYK 98 / 26 / 0 / 36

HEX #047AA4

RGB 4 122 164

HSL 195.75, 0.95%, 0.33%

LAB 47.78, -12.71, -30.35

 

CMYK 88 / 23 / 0 / 41

HEX #127396

RGB 18 115 150

HSL 195.91, 0.79%, 0.33%

LAB 45.07, -13.2, -26.34

 

CMYK 77 / 20 / 0 / 46

HEX #1F6D89

RGB 31 109 137

HSL 195.85, 0.63%, 0.33%

LAB 42.82, -13.23, -22.08

 

CMYK 63 / 17 / 0 / 52

HEX #2D667B

RGB 45 102 123

HSL 196.15, 0.46%, 0.33%

LAB 40.39, -11.79, -17.32

 

CMYK 46 / 13 / 0 / 57

HEX #3B606E

RGB 59 96 110

HSL 196.47, 0.3%, 0.33%

LAB 38.59, -9.09, -12.08

 

CMYK 98 / 0 / 27 / 36

HEX #04A477

RGB 4 164 119

HSL 163.13, 0.95%, 0.33%

LAB 59.81, -46.95, 13.41

 

CMYK 98 / 0 / 2 / 36

HEX #04A4A1

RGB 4 164 161

HSL 178.88, 0.95%, 0.33%

LAB 60.91, -35.33, -8.58

 

CMYK 98 / 24 / 0 / 36

HEX #047CA4

RGB 4 124 164

HSL 195, 0.95%, 0.33%

LAB 48.41, -13.84, -29.37

 

CMYK 98 / 51 / 0 / 36

HEX #0451A4

RGB 4 81 164

HSL 211.13, 0.95%, 0.33%

LAB 35.18, 12.98, -50.39

 

CMYK 98 / 76 / 0 / 36

HEX #0427A4

RGB 4 39 164

HSL 226.88, 0.95%, 0.33%

LAB 24.18, 41.03, -68.41

 

CMYK 98 / 26 / 0 / 67

HEX #023E54

RGB 2 62 84

HSL 196.1, 0.95%, 0.17%

LAB 23.99, -8.49, -18.17

 

CMYK 98 / 26 / 0 / 51

HEX #035C7C

RGB 3 92 124

HSL 195.87, 0.95%, 0.25%

LAB 36.23, -10.65, -24.45

 

CMYK 98 / 26 / 0 / 36

HEX #047AA4

RGB 4 122 164

HSL 195.75, 0.95%, 0.33%

LAB 47.78, -12.71, -30.35

 

CMYK 98 / 26 / 0 / 20

HEX #0597CC

RGB 5 151 204

HSL 195.98, 0.95%, 0.41%

LAB 58.53, -14.13, -36.45

 

CMYK 98 / 26 / 0 / 4

HEX #06B5F5

RGB 6 181 245

HSL 196.07, 0.95%, 0.49%

LAB 69.24, -15.71, -42.32

 

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

CMYK 54 / 98 / 0 / 36

HEX #4C04A4

RGB 76 4 164

HSL 267, 0.95%, 0.33%

LAB 24.65, 58.64, -67.49

 

CMYK 0 / 15 / 98 / 36

HEX #A48C04

RGB 164 140 4

HSL 51, 0.95%, 0.33%

LAB 58.66, -2.68, 62.47

 

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

CMYK 0 / 98 / 24 / 36

HEX #A4047C

RGB 164 4 124

HSL 315, 0.95%, 0.33%

LAB 36.81, 64.69, -22.43

 

CMYK 24 / 0 / 98 / 36

HEX #7CA404

RGB 124 164 4

HSL 75, 0.95%, 0.33%

LAB 62.38, -32.66, 63.85

 

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

CMYK 54 / 98 / 0 / 36

HEX #4C04A4

RGB 76 4 164

HSL 267, 0.95%, 0.33%

LAB 24.65, 58.64, -67.49

 

CMYK 0 / 73 / 98 / 36

HEX #A42C04

RGB 164 44 4

HSL 15, 0.95%, 0.33%

LAB 37.3, 47.65, 48.25

 

CMYK 44 / 0 / 98 / 36

HEX #5CA404

RGB 92 164 4

HSL 87, 0.95%, 0.33%

LAB 60.64, -44.74, 61.74

 

CMYK 98 / 26 / 0 / 35

HEX #047BA6

RGB 4 123 166

HSL 195.93, 0.95%, 0.33%

LAB 48.19, -12.52, -30.89

 

CMYK 24 / 98 / 0 / 36

HEX #7C04A4

RGB 124 4 164

HSL 285, 0.95%, 0.33%

LAB 31.93, 63.96, -55.27

 

CMYK 0 / 73 / 98 / 36

HEX #A42C04

RGB 164 44 4

HSL 15, 0.95%, 0.33%

LAB 37.3, 47.65, 48.25

 

CMYK 73 / 0 / 98 / 36

HEX #2CA404

RGB 44 164 4

HSL 105, 0.95%, 0.33%

LAB 59.06, -57.39, 59.82

 

Description

Color code: HEX #047BA6 | qconv.com Color code: HEX #047BA6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 123 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 123 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 26 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 26% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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