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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0476F6 it is the complementary color #FB8909. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0476F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0476F6 shade: #0976F1, #1A88FF, #2B9AFF, #3CACFF and #4DBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0476F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0476F6 shade: #0476F6, #0064E3, #0052D0, #0040BD and #002EAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0476F6 shade: #0476F6, #0435F6, #1404F6, #5604F6 and #9704F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0476F6 shade: #0476F6, #0435F6 and #0404F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0476F6 shade matches the following richer shades: #0476F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0476F6 shade: #0476F6, #1877E2, #2C78CE, #4079BA and #557BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0476F6 shade: #04F6F2, #04BAF6, #0479F6, #0438F6 and #1004F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0476F6 shade: #034FA5, #0362CE, #0476F6, #278BFC and #50A1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0476F6 shade: #0476F6, #B104F6 and #DAF604

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0476F6 shade: #0476F6, #F60479 and #79F604

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0476F6 shade: #0476F6, #B104F6, #F68104 and #48F604

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0476F6 shade: #0476F6, #F604F2, #F68104 and #04F608

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

Complementary color

CMYK 0 / 45 / 96 / 2

HEX #FB8909

RGB 251 137 9

HSL 31.74, 0.97%, 0.51%

LAB 68.33, 36.83, 73.29

 

CMYK 96 / 51 / 0 / 5

HEX #0976F1

RGB 9 118 241

HSL 211.81, 0.93%, 0.49%

LAB 51.11, 19.88, -69

 

CMYK 90 / 47 / 0 / 0

HEX #1A88FF

RGB 26 136 255

HSL 211.18, 1%, 0.55%

LAB 57.12, 14.64, -67.03

 

CMYK 83 / 40 / 0 / 0

HEX #2B9AFF

RGB 43 154 255

HSL 208.58, 1%, 0.58%

LAB 62.38, 4.86, -58.59

 

CMYK 76 / 33 / 0 / 0

HEX #3CACFF

RGB 60 172 255

HSL 205.54, 1%, 0.62%

LAB 67.79, -3.92, -49.98

 

CMYK 70 / 25 / 0 / 0

HEX #4DBEFF

RGB 77 190 255

HSL 201.91, 1%, 0.65%

LAB 73.3, -11.72, -41.3

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 100 / 56 / 0 / 11

HEX #0064E3

RGB 0 100 227

HSL 213.57, 1%, 0.45%

LAB 45.17, 25.72, -70.8

 

CMYK 100 / 61 / 0 / 18

HEX #0052D0

RGB 0 82 208

HSL 216.35, 1%, 0.41%

LAB 38.88, 30.02, -70.22

 

CMYK 100 / 66 / 0 / 26

HEX #0040BD

RGB 0 64 189

HSL 219.68, 1%, 0.37%

LAB 32.57, 34.44, -69.5

 

CMYK 100 / 73 / 0 / 33

HEX #002EAA

RGB 0 46 170

HSL 223.76, 1%, 0.33%

LAB 26.32, 38.81, -68.5

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 98 / 78 / 0 / 4

HEX #0435F6

RGB 4 53 246

HSL 227.85, 0.97%, 0.49%

LAB 36.42, 60.98, -95.94

 

CMYK 92 / 98 / 0 / 4

HEX #1404F6

RGB 20 4 246

HSL 243.97, 0.97%, 0.49%

LAB 31.55, 76.55, -104.04

 

CMYK 65 / 98 / 0 / 4

HEX #5604F6

RGB 86 4 246

HSL 260.33, 0.97%, 0.49%

LAB 35.44, 78.22, -97.46

 

CMYK 39 / 98 / 0 / 4

HEX #9704F6

RGB 151 4 246

HSL 276.45, 0.97%, 0.49%

LAB 43.24, 82.95, -84.3

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 98 / 78 / 0 / 4

HEX #0435F6

RGB 4 53 246

HSL 227.85, 0.97%, 0.49%

LAB 36.42, 60.98, -95.94

 

CMYK 98 / 98 / 0 / 4

HEX #0404F6

RGB 4 4 246

HSL 240, 0.97%, 0.49%

LAB 31.27, 76.46, -104.52

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 89 / 47 / 0 / 11

HEX #1877E2

RGB 24 119 226

HSL 211.78, 0.81%, 0.49%

LAB 50.55, 14, -61.51

 

CMYK 79 / 42 / 0 / 19

HEX #2C78CE

RGB 44 120 206

HSL 211.85, 0.65%, 0.49%

LAB 50.01, 7.3, -51.03

 

CMYK 66 / 35 / 0 / 27

HEX #4079BA

RGB 64 121 186

HSL 211.97, 0.49%, 0.49%

LAB 49.87, 2.22, -39.75

 

CMYK 48 / 25 / 0 / 35

HEX #557BA5

RGB 85 123 165

HSL 211.5, 0.32%, 0.49%

LAB 50.47, -1.4, -26.58

 

CMYK 98 / 0 / 2 / 4

HEX #04F6F2

RGB 4 246 242

HSL 179.01, 0.97%, 0.49%

LAB 88.14, -47.85, -11.82

 

CMYK 98 / 24 / 0 / 4

HEX #04BAF6

RGB 4 186 246

HSL 194.88, 0.97%, 0.49%

LAB 70.73, -18.06, -40.53

 

CMYK 98 / 51 / 0 / 4

HEX #0479F6

RGB 4 121 246

HSL 210.99, 0.97%, 0.49%

LAB 52.24, 19.8, -69.96

 

CMYK 98 / 77 / 0 / 4

HEX #0438F6

RGB 4 56 246

HSL 227.11, 0.97%, 0.49%

LAB 36.94, 59.45, -95.06

 

CMYK 93 / 98 / 0 / 4

HEX #1004F6

RGB 16 4 246

HSL 242.98, 0.97%, 0.49%

LAB 31.46, 76.52, -104.19

 

CMYK 98 / 52 / 0 / 35

HEX #034FA5

RGB 3 79 165

HSL 211.85, 0.96%, 0.33%

LAB 34.66, 14.71, -51.84

 

CMYK 99 / 52 / 0 / 19

HEX #0362CE

RGB 3 98 206

HSL 211.92, 0.97%, 0.41%

LAB 43.08, 18.79, -62.22

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 85 / 45 / 0 / 1

HEX #278BFC

RGB 39 139 252

HSL 211.83, 0.97%, 0.57%

LAB 57.97, 12.44, -64.01

 

CMYK 68 / 36 / 0 / 1

HEX #50A1FC

RGB 80 161 252

HSL 211.74, 0.97%, 0.65%

LAB 65.14, 3.88, -52.5

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 28 / 98 / 0 / 4

HEX #B104F6

RGB 177 4 246

HSL 282.89, 0.97%, 0.49%

LAB 47.09, 85.79, -77.85

 

CMYK 11 / 0 / 98 / 4

HEX #DAF604

RGB 218 246 4

HSL 66.94, 0.97%, 0.49%

LAB 92.05, -32.37, 89.22

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 0 / 98 / 51 / 4

HEX #F60479

RGB 246 4 121

HSL 330.99, 0.97%, 0.49%

LAB 53.02, 81.84, 5.37

 

CMYK 51 / 0 / 98 / 4

HEX #79F604

RGB 121 246 4

HSL 90.99, 0.97%, 0.49%

LAB 86.99, -66.55, 83.11

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 28 / 98 / 0 / 4

HEX #B104F6

RGB 177 4 246

HSL 282.89, 0.97%, 0.49%

LAB 47.09, 85.79, -77.85

 

CMYK 0 / 48 / 98 / 4

HEX #F68104

RGB 246 129 4

HSL 30.99, 0.97%, 0.49%

LAB 65.98, 38.84, 72.15

 

CMYK 71 / 0 / 98 / 4

HEX #48F604

RGB 72 246 4

HSL 103.14, 0.97%, 0.49%

LAB 85.65, -77.58, 81.48

 

CMYK 98 / 52 / 0 / 4

HEX #0476F6

RGB 4 118 246

HSL 211.74, 0.97%, 0.49%

LAB 51.42, 21.69, -71.28

 

CMYK 0 / 98 / 2 / 4

HEX #F604F2

RGB 246 4 242

HSL 300.99, 0.97%, 0.49%

LAB 58.12, 94.82, -57.21

 

CMYK 0 / 48 / 98 / 4

HEX #F68104

RGB 246 129 4

HSL 30.99, 0.97%, 0.49%

LAB 65.98, 38.84, 72.15

 

CMYK 98 / 0 / 97 / 4

HEX #04F608

RGB 4 246 8

HSL 120.99, 0.97%, 0.49%

LAB 84.97, -83.63, 80.33

 

Description

Color code: HEX #0476F6 | qconv.com Color code: HEX #0476F6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 118 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 118 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 52 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 52% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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