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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0474FB it is the complementary color #FB8B04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0474FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0474FB shade: #0974F6, #1A86FF, #2B98FF, #3CAAFF and #4DBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0474FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0474FB shade: #0474FB, #0062E8, #0050D5, #003EC2 and #002CAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0474FB shade: #0474FB, #0431FB, #1904FB, #5C04FB and #9E04FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0474FB shade: #0474FB, #0431FB and #0404FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0474FB shade matches the following richer shades: #0474FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0474FB shade: #0474FB, #1876E7, #2D78D2, #427ABD and #567CA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0474FB shade: #04FBFB, #04B9FB, #0477FB, #0435FB and #1404FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0474FB shade: #034EAA, #0361D3, #0474FB, #2C8AFC and #55A1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0474FB shade: #0474FB, #B904FB and #DAFB04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0474FB shade: #0474FB, #FB0477 and #77FB04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0474FB shade: #0474FB, #B904FB, #FB8804 and #46FB04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0474FB shade: #0474FB, #FB04F3, #FB8804 and #04FB0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

Complementary color

CMYK 0 / 45 / 98 / 2

HEX #FB8B04

RGB 251 139 4

HSL 32.79, 0.97%, 0.5%

LAB 68.74, 35.77, 74.22

 

CMYK 96 / 53 / 0 / 4

HEX #0974F6

RGB 9 116 246

HSL 212.91, 0.93%, 0.5%

LAB 50.92, 23.08, -72.09

 

CMYK 90 / 47 / 0 / 0

HEX #1A86FF

RGB 26 134 255

HSL 211.7, 1%, 0.55%

LAB 56.57, 15.87, -67.91

 

CMYK 83 / 40 / 0 / 0

HEX #2B98FF

RGB 43 152 255

HSL 209.15, 1%, 0.58%

LAB 61.82, 6.05, -59.48

 

CMYK 76 / 33 / 0 / 0

HEX #3CAAFF

RGB 60 170 255

HSL 206.15, 1%, 0.62%

LAB 67.22, -2.79, -50.87

 

CMYK 70 / 26 / 0 / 0

HEX #4DBCFF

RGB 77 188 255

HSL 202.58, 1%, 0.65%

LAB 72.74, -10.64, -42.18

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 100 / 58 / 0 / 9

HEX #0062E8

RGB 0 98 232

HSL 214.66, 1%, 0.45%

LAB 45.03, 28.96, -73.85

 

CMYK 100 / 62 / 0 / 16

HEX #0050D5

RGB 0 80 213

HSL 217.46, 1%, 0.42%

LAB 38.8, 33.28, -73.23

 

CMYK 100 / 68 / 0 / 24

HEX #003EC2

RGB 0 62 194

HSL 220.82, 1%, 0.38%

LAB 32.57, 37.66, -72.44

 

CMYK 100 / 75 / 0 / 31

HEX #002CAF

RGB 0 44 175

HSL 224.91, 1%, 0.34%

LAB 26.44, 41.88, -71.31

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 98 / 80 / 0 / 2

HEX #0431FB

RGB 4 49 251

HSL 229.07, 0.97%, 0.5%

LAB 36.34, 64.47, -98.87

 

CMYK 90 / 98 / 0 / 2

HEX #1904FB

RGB 25 4 251

HSL 245.1, 0.97%, 0.5%

LAB 32.39, 77.8, -105.46

 

CMYK 63 / 98 / 0 / 2

HEX #5C04FB

RGB 92 4 251

HSL 261.38, 0.97%, 0.5%

LAB 36.61, 79.63, -98.32

 

CMYK 37 / 98 / 0 / 2

HEX #9E04FB

RGB 158 4 251

HSL 277.41, 0.97%, 0.5%

LAB 44.69, 84.63, -84.69

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 98 / 80 / 0 / 2

HEX #0431FB

RGB 4 49 251

HSL 229.07, 0.97%, 0.5%

LAB 36.34, 64.47, -98.87

 

CMYK 98 / 98 / 0 / 2

HEX #0404FB

RGB 4 4 251

HSL 240, 0.97%, 0.5%

LAB 31.98, 77.66, -106.15

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 90 / 49 / 0 / 9

HEX #1876E7

RGB 24 118 231

HSL 212.75, 0.81%, 0.5%

LAB 50.59, 16.56, -64.24

 

CMYK 79 / 43 / 0 / 18

HEX #2D78D2

RGB 45 120 210

HSL 212.73, 0.65%, 0.5%

LAB 50.27, 8.91, -52.88

 

CMYK 65 / 35 / 0 / 26

HEX #427ABD

RGB 66 122 189

HSL 212.68, 0.48%, 0.5%

LAB 50.4, 3.01, -40.64

 

CMYK 49 / 27 / 0 / 34

HEX #567CA9

RGB 86 124 169

HSL 212.53, 0.33%, 0.5%

LAB 50.99, -0.51, -28.09

 

CMYK 98 / 0 / 0 / 2

HEX #04FBFB

RGB 4 251 251

HSL 180, 0.97%, 0.5%

LAB 89.85, -47.43, -13.95

 

CMYK 98 / 26 / 0 / 2

HEX #04B9FB

RGB 4 185 251

HSL 196.03, 0.97%, 0.5%

LAB 70.66, -15.78, -43.35

 

CMYK 98 / 53 / 0 / 2

HEX #0477FB

RGB 4 119 251

HSL 212.06, 0.97%, 0.5%

LAB 52.05, 22.99, -73.05

 

CMYK 98 / 79 / 0 / 2

HEX #0435FB

RGB 4 53 251

HSL 228.1, 0.97%, 0.5%

LAB 37, 62.55, -97.78

 

CMYK 92 / 98 / 0 / 2

HEX #1404FB

RGB 20 4 251

HSL 243.89, 0.97%, 0.5%

LAB 32.26, 77.75, -105.68

 

CMYK 98 / 54 / 0 / 33

HEX #034EAA

RGB 3 78 170

HSL 213.05, 0.97%, 0.34%

LAB 34.74, 17.46, -54.69

 

CMYK 99 / 54 / 0 / 17

HEX #0361D3

RGB 3 97 211

HSL 212.88, 0.97%, 0.42%

LAB 43.17, 21.44, -64.94

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 83 / 45 / 0 / 1

HEX #2C8AFC

RGB 44 138 252

HSL 212.88, 0.97%, 0.58%

LAB 57.79, 13.43, -64.29

 

CMYK 66 / 36 / 0 / 1

HEX #55A1FC

RGB 85 161 252

HSL 212.69, 0.97%, 0.66%

LAB 65.32, 4.64, -52.21

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 26 / 98 / 0 / 2

HEX #B904FB

RGB 185 4 251

HSL 283.97, 0.97%, 0.5%

LAB 48.72, 87.64, -77.93

 

CMYK 13 / 0 / 98 / 2

HEX #DAFB04

RGB 218 251 4

HSL 68.02, 0.97%, 0.5%

LAB 93.41, -34.65, 90.24

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 0 / 98 / 53 / 2

HEX #FB0477

RGB 251 4 119

HSL 332.06, 0.97%, 0.5%

LAB 53.95, 82.79, 8.04

 

CMYK 53 / 0 / 98 / 2

HEX #77FB04

RGB 119 251 4

HSL 92.06, 0.97%, 0.5%

LAB 88.41, -68.83, 84.21

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 26 / 98 / 0 / 2

HEX #B904FB

RGB 185 4 251

HSL 283.97, 0.97%, 0.5%

LAB 48.72, 87.64, -77.93

 

CMYK 0 / 46 / 98 / 2

HEX #FB8804

RGB 251 136 4

HSL 32.06, 0.97%, 0.5%

LAB 68.11, 37.29, 73.83

 

CMYK 72 / 0 / 98 / 2

HEX #46FB04

RGB 70 251 4

HSL 103.97, 0.97%, 0.5%

LAB 87.15, -79.37, 82.67

 

CMYK 98 / 54 / 0 / 2

HEX #0474FB

RGB 4 116 251

HSL 212.79, 0.97%, 0.5%

LAB 51.25, 24.89, -74.35

 

CMYK 0 / 98 / 3 / 2

HEX #FB04F3

RGB 251 4 243

HSL 301.94, 0.97%, 0.5%

LAB 59.04, 95.75, -56.26

 

CMYK 0 / 46 / 98 / 2

HEX #FB8804

RGB 251 136 4

HSL 32.06, 0.97%, 0.5%

LAB 68.11, 37.29, 73.83

 

CMYK 98 / 0 / 95 / 2

HEX #04FB0C

RGB 4 251 12

HSL 121.94, 0.97%, 0.5%

LAB 86.53, -84.87, 81.28

 

Description

Color code: HEX #0474FB | qconv.com Color code: HEX #0474FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 116 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 116 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 54 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 54% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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