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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #046BF7 it is the complementary color #FB9408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #046BF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #046BF7 shade: #096BF2, #1A7DFF, #2B8FFF, #3CA1FF and #4DB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #046BF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #046BF7 shade: #046BF7, #0059E4, #0047D1, #0035BE and #0023AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #046BF7 shade: #046AF6, #0429F6, #2004F6, #6104F6 and #A204F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #046BF7 shade: #046AF6, #0429F6 and #0404F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #046BF7 shade matches the following richer shades: #046AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #046BF7 shade: #046AF6, #186EE2, #2C71CE, #4074BA and #5577A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #046BF7 shade: #04EEF6, #04ADF6, #046DF6, #042CF6 and #1C04F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #046BF7 shade: #0347A5, #0359CE, #046AF6, #2781FC and #5099FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #046BF7 shade: #046BF7, #BE04F6 and #CEF604

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #046BF7 shade: #046BF7, #F6046D and #6DF604

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #046BF7 shade: #046BF7, #BE04F6, #F68D04 and #3CF604

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #046BF7 shade: #046BF7, #F604E6, #F68D04 and #04F614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

Complementary color

CMYK 0 / 41 / 97 / 2

HEX #FB9408

RGB 251 148 8

HSL 34.57, 0.97%, 0.51%

LAB 70.67, 31.18, 74.95

 

CMYK 96 / 56 / 0 / 5

HEX #096BF2

RGB 9 107 242

HSL 214.76, 0.93%, 0.49%

LAB 48.24, 27.27, -74.23

 

CMYK 90 / 51 / 0 / 0

HEX #1A7DFF

RGB 26 125 255

HSL 214.06, 1%, 0.55%

LAB 54.14, 21.45, -71.85

 

CMYK 83 / 44 / 0 / 0

HEX #2B8FFF

RGB 43 143 255

HSL 211.7, 1%, 0.58%

LAB 59.32, 11.43, -63.48

 

CMYK 76 / 37 / 0 / 0

HEX #3CA1FF

RGB 60 161 255

HSL 208.92, 1%, 0.62%

LAB 64.7, 2.36, -54.87

 

CMYK 70 / 30 / 0 / 0

HEX #4DB3FF

RGB 77 179 255

HSL 205.62, 1%, 0.65%

LAB 70.2, -5.72, -46.15

 

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

CMYK 100 / 61 / 0 / 11

HEX #0059E4

RGB 0 89 228

HSL 216.58, 1%, 0.45%

LAB 42.38, 33.23, -75.92

 

CMYK 100 / 66 / 0 / 18

HEX #0047D1

RGB 0 71 209

HSL 219.62, 1%, 0.41%

LAB 36.2, 37.57, -75.2

 

CMYK 100 / 72 / 0 / 25

HEX #0035BE

RGB 0 53 190

HSL 223.26, 1%, 0.37%

LAB 30.07, 41.85, -74.22

 

CMYK 100 / 80 / 0 / 33

HEX #0023AB

RGB 0 35 171

HSL 227.72, 1%, 0.34%

LAB 24.14, 45.68, -72.72

 

CMYK 98 / 57 / 0 / 4

HEX #046AF6

RGB 4 106 246

HSL 214.71, 0.97%, 0.49%

LAB 48.24, 29.33, -76.45

 

CMYK 98 / 83 / 0 / 4

HEX #0429F6

RGB 4 41 246

HSL 230.83, 0.97%, 0.49%

LAB 34.53, 66.53, -99.08

 

CMYK 87 / 98 / 0 / 4

HEX #2004F6

RGB 32 4 246

HSL 246.94, 0.97%, 0.49%

LAB 31.92, 76.68, -103.43

 

CMYK 61 / 98 / 0 / 4

HEX #6104F6

RGB 97 4 246

HSL 263.06, 0.97%, 0.49%

LAB 36.52, 78.77, -95.63

 

CMYK 34 / 98 / 0 / 4

HEX #A204F6

RGB 162 4 246

HSL 279.17, 0.97%, 0.49%

LAB 44.83, 84.09, -81.63

 

CMYK 98 / 57 / 0 / 4

HEX #046AF6

RGB 4 106 246

HSL 214.71, 0.97%, 0.49%

LAB 48.24, 29.33, -76.45

 

CMYK 98 / 83 / 0 / 4

HEX #0429F6

RGB 4 41 246

HSL 230.83, 0.97%, 0.49%

LAB 34.53, 66.53, -99.08

 

CMYK 98 / 98 / 0 / 4

HEX #0404F6

RGB 4 4 246

HSL 240, 0.97%, 0.49%

LAB 31.27, 76.46, -104.52

 

CMYK 98 / 57 / 0 / 4

HEX #046AF6

RGB 4 106 246

HSL 214.71, 0.97%, 0.49%

LAB 48.24, 29.33, -76.45

 

CMYK 98 / 57 / 0 / 4

HEX #046AF6

RGB 4 106 246

HSL 214.71, 0.97%, 0.49%

LAB 48.24, 29.33, -76.45

 

CMYK 89 / 51 / 0 / 11

HEX #186EE2

RGB 24 110 226

HSL 214.46, 0.81%, 0.49%

LAB 48.05, 19.71, -65.53

 

CMYK 79 / 45 / 0 / 19

HEX #2C71CE

RGB 44 113 206

HSL 214.44, 0.65%, 0.49%

LAB 48.01, 11.68, -54.23

 

CMYK 66 / 38 / 0 / 27

HEX #4074BA

RGB 64 116 186

HSL 214.43, 0.49%, 0.49%

LAB 48.42, 5.27, -42.04

 

CMYK 48 / 28 / 0 / 35

HEX #5577A5

RGB 85 119 165

HSL 214.5, 0.32%, 0.49%

LAB 49.3, 0.97, -28.39

 

CMYK 98 / 3 / 0 / 4

HEX #04EEF6

RGB 4 238 246

HSL 181.98, 0.97%, 0.49%

LAB 85.92, -43.2, -17.24

 

CMYK 98 / 30 / 0 / 4

HEX #04ADF6

RGB 4 173 246

HSL 198.1, 0.97%, 0.49%

LAB 66.95, -11.06, -46.46

 

CMYK 98 / 56 / 0 / 4

HEX #046DF6

RGB 4 109 246

HSL 213.97, 0.97%, 0.49%

LAB 49.03, 27.41, -75.18

 

CMYK 98 / 82 / 0 / 4

HEX #042CF6

RGB 4 44 246

HSL 230.08, 0.97%, 0.49%

LAB 34.97, 65.23, -98.35

 

CMYK 89 / 98 / 0 / 4

HEX #1C04F6

RGB 28 4 246

HSL 245.95, 0.97%, 0.49%

LAB 31.78, 76.63, -103.66

 

CMYK 98 / 57 / 0 / 35

HEX #0347A5

RGB 3 71 165

HSL 214.81, 0.96%, 0.33%

LAB 32.35, 20.17, -55.59

 

CMYK 99 / 57 / 0 / 19

HEX #0359CE

RGB 3 89 206

HSL 214.58, 0.97%, 0.41%

LAB 40.61, 24.7, -66.24

 

CMYK 98 / 57 / 0 / 4

HEX #046AF6

RGB 4 106 246

HSL 214.71, 0.97%, 0.49%

LAB 48.24, 29.33, -76.45

 

CMYK 85 / 49 / 0 / 1

HEX #2781FC

RGB 39 129 252

HSL 214.65, 0.97%, 0.57%

LAB 55.24, 18.59, -68.41

 

CMYK 68 / 39 / 0 / 1

HEX #5099FC

RGB 80 153 252

HSL 214.53, 0.97%, 0.65%

LAB 62.94, 8.55, -55.99

 

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

CMYK 23 / 98 / 0 / 4

HEX #BE04F6

RGB 190 4 246

HSL 286.12, 0.97%, 0.49%

LAB 49.12, 87.39, -74.45

 

CMYK 16 / 0 / 98 / 4

HEX #CEF604

RGB 206 246 4

HSL 69.92, 0.97%, 0.49%

LAB 91.25, -37.15, 88.26

 

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

CMYK 0 / 98 / 56 / 4

HEX #F6046D

RGB 246 4 109

HSL 333.97, 0.97%, 0.49%

LAB 52.71, 81.03, 12.21

 

CMYK 56 / 0 / 98 / 4

HEX #6DF604

RGB 109 246 4

HSL 93.97, 0.97%, 0.49%

LAB 86.59, -69.75, 82.63

 

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

CMYK 23 / 98 / 0 / 4

HEX #BE04F6

RGB 190 4 246

HSL 286.12, 0.97%, 0.49%

LAB 49.12, 87.39, -74.45

 

CMYK 0 / 43 / 98 / 4

HEX #F68D04

RGB 246 141 4

HSL 33.97, 0.97%, 0.49%

LAB 68.5, 32.72, 73.74

 

CMYK 76 / 0 / 98 / 4

HEX #3CF604

RGB 60 246 4

HSL 106.12, 0.97%, 0.49%

LAB 85.44, -79.42, 81.23

 

CMYK 98 / 57 / 0 / 3

HEX #046BF7

RGB 4 107 247

HSL 214.57, 0.97%, 0.49%

LAB 48.58, 29.07, -76.46

 

CMYK 0 / 98 / 7 / 4

HEX #F604E6

RGB 246 4 230

HSL 303.97, 0.97%, 0.49%

LAB 57.46, 93.19, -51.54

 

CMYK 0 / 43 / 98 / 4

HEX #F68D04

RGB 246 141 4

HSL 33.97, 0.97%, 0.49%

LAB 68.5, 32.72, 73.74

 

CMYK 98 / 0 / 92 / 4

HEX #04F614

RGB 4 246 20

HSL 123.97, 0.97%, 0.49%

LAB 84.99, -83.41, 79.17

 

Description

Color code: HEX #046BF7 | qconv.com Color code: HEX #046BF7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 107 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 107 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 57 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 57% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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