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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0463C5 it is the complementary color #FB9C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0463C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0463C5 shade: #0963C0, #1A75D3, #2B87E6, #3C99F9 and #4DABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0463C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0463C5 shade: #0463C5, #0051B2, #003F9F, #002D8C and #001B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0463C5 shade: #0462C3, #042EC3, #0D04C3, #4004C3 and #7404C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0463C5 shade: #0462C3, #042EC3 and #0404C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0463C5 shade matches the following richer shades: #0462C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0463C5 shade: #0462C3, #1462B3, #2462A3, #346393 and #446383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0463C5 shade: #04C3BD, #0496C3, #0463C3, #0431C3 and #0A04C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0463C5 shade: #023972, #034E9A, #0462C3, #0576EB and #1F8BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0463C5 shade: #0463C5, #8A04C3 and #B0C304

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0463C5 shade: #0463C5, #C30463 and #63C304

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0463C5 shade: #0463C5, #8A04C3, #C36304 and #3DC304

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0463C5 shade: #0463C5, #C304C3, #C36304 and #04C304

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

Complementary color

CMYK 0 / 38 / 77 / 2

HEX #FB9C3A

RGB 251 156 58

HSL 30.47, 0.96%, 0.61%

LAB 72.62, 28.09, 63.03

 

CMYK 95 / 48 / 0 / 25

HEX #0963C0

RGB 9 99 192

HSL 210.49, 0.91%, 0.39%

LAB 42.44, 12.71, -55.16

 

CMYK 88 / 45 / 0 / 17

HEX #1A75D3

RGB 26 117 211

HSL 210.49, 0.78%, 0.46%

LAB 49.06, 9.56, -55.41

 

CMYK 81 / 41 / 0 / 10

HEX #2B87E6

RGB 43 135 230

HSL 210.48, 0.79%, 0.54%

LAB 55.64, 6.99, -55.55

 

CMYK 76 / 39 / 0 / 2

HEX #3C99F9

RGB 60 153 249

HSL 210.48, 0.94%, 0.61%

LAB 62.15, 4.9, -55.64

 

CMYK 70 / 33 / 0 / 0

HEX #4DABFF

RGB 77 171 255

HSL 208.31, 1%, 0.65%

LAB 67.96, -1.25, -49.67

 

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

CMYK 100 / 54 / 0 / 30

HEX #0051B2

RGB 0 81 178

HSL 212.7, 1%, 0.35%

LAB 36.17, 18.61, -57.12

 

CMYK 100 / 60 / 0 / 38

HEX #003F9F

RGB 0 63 159

HSL 216.23, 1%, 0.31%

LAB 29.56, 23.07, -56.53

 

CMYK 100 / 68 / 0 / 45

HEX #002D8C

RGB 0 45 140

HSL 220.71, 1%, 0.27%

LAB 22.9, 27.73, -55.79

 

CMYK 100 / 78 / 0 / 53

HEX #001B79

RGB 0 27 121

HSL 226.61, 1%, 0.24%

LAB 16.33, 32.27, -54.64

 

CMYK 98 / 50 / 0 / 24

HEX #0462C3

RGB 4 98 195

HSL 210.47, 0.96%, 0.39%

LAB 42.31, 14.4, -57.12

 

CMYK 98 / 76 / 0 / 24

HEX #042EC3

RGB 4 46 195

HSL 226.81, 0.96%, 0.39%

LAB 29.21, 47.88, -78.58

 

CMYK 93 / 98 / 0 / 24

HEX #0D04C3

RGB 13 4 195

HSL 242.83, 0.96%, 0.39%

LAB 24.04, 63.93, -87.19

 

CMYK 67 / 98 / 0 / 24

HEX #4004C3

RGB 64 4 195

HSL 258.85, 0.96%, 0.39%

LAB 27.07, 65.26, -82.06

 

CMYK 41 / 98 / 0 / 24

HEX #7404C3

RGB 116 4 195

HSL 275.18, 0.96%, 0.39%

LAB 33.44, 69.16, -71.32

 

CMYK 98 / 50 / 0 / 24

HEX #0462C3

RGB 4 98 195

HSL 210.47, 0.96%, 0.39%

LAB 42.31, 14.4, -57.12

 

CMYK 98 / 76 / 0 / 24

HEX #042EC3

RGB 4 46 195

HSL 226.81, 0.96%, 0.39%

LAB 29.21, 47.88, -78.58

 

CMYK 98 / 98 / 0 / 24

HEX #0404C3

RGB 4 4 195

HSL 240, 0.96%, 0.39%

LAB 23.85, 63.85, -87.52

 

CMYK 98 / 50 / 0 / 24

HEX #0462C3

RGB 4 98 195

HSL 210.47, 0.96%, 0.39%

LAB 42.31, 14.4, -57.12

 

CMYK 98 / 50 / 0 / 24

HEX #0462C3

RGB 4 98 195

HSL 210.47, 0.96%, 0.39%

LAB 42.31, 14.4, -57.12

 

CMYK 89 / 45 / 0 / 30

HEX #1462B3

RGB 20 98 179

HSL 210.57, 0.8%, 0.39%

LAB 41.44, 8.67, -49.19

 

CMYK 78 / 40 / 0 / 36

HEX #2462A3

RGB 36 98 163

HSL 210.71, 0.64%, 0.39%

LAB 40.82, 3.84, -40.71

 

CMYK 65 / 33 / 0 / 42

HEX #346393

RGB 52 99 147

HSL 210.32, 0.48%, 0.39%

LAB 40.83, -0.24, -31.11

 

CMYK 48 / 24 / 0 / 49

HEX #446383

RGB 68 99 131

HSL 210.48, 0.32%, 0.39%

LAB 40.88, -1.95, -21.33

 

CMYK 98 / 0 / 3 / 24

HEX #04C3BD

RGB 4 195 189

HSL 178.12, 0.96%, 0.39%

LAB 71.37, -40.96, -8.52

 

CMYK 98 / 23 / 0 / 24

HEX #0496C3

RGB 4 150 195

HSL 194.14, 0.96%, 0.39%

LAB 57.83, -16.88, -32.48

 

CMYK 98 / 49 / 0 / 24

HEX #0463C3

RGB 4 99 195

HSL 210.16, 0.96%, 0.39%

LAB 42.6, 13.75, -56.65

 

CMYK 98 / 75 / 0 / 24

HEX #0431C3

RGB 4 49 195

HSL 225.86, 0.96%, 0.39%

LAB 29.82, 46.16, -77.57

 

CMYK 95 / 98 / 0 / 24

HEX #0A04C3

RGB 10 4 195

HSL 241.88, 0.96%, 0.39%

LAB 23.97, 63.9, -87.31

 

CMYK 98 / 50 / 0 / 55

HEX #023972

RGB 2 57 114

HSL 210.54, 0.97%, 0.23%

LAB 24.17, 8.06, -37.32

 

CMYK 98 / 49 / 0 / 40

HEX #034E9A

RGB 3 78 154

HSL 210.2, 0.96%, 0.31%

LAB 33.57, 10.78, -46.99

 

CMYK 98 / 50 / 0 / 24

HEX #0462C3

RGB 4 98 195

HSL 210.47, 0.96%, 0.39%

LAB 42.31, 14.4, -57.12

 

CMYK 98 / 50 / 0 / 8

HEX #0576EB

RGB 5 118 235

HSL 210.52, 0.96%, 0.47%

LAB 50.67, 17.44, -66.36

 

CMYK 88 / 44 / 0 / 2

HEX #1F8BFA

RGB 31 139 250

HSL 210.41, 0.96%, 0.55%

LAB 57.71, 11.18, -63.33

 

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

CMYK 29 / 98 / 0 / 24

HEX #8A04C3

RGB 138 4 195

HSL 282.09, 0.96%, 0.39%

LAB 36.8, 71.66, -65.67

 

CMYK 10 / 0 / 98 / 24

HEX #B0C304

RGB 176 195 4

HSL 65.97, 0.96%, 0.39%

LAB 74.99, -25.69, 75.05

 

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

CMYK 0 / 98 / 49 / 24

HEX #C30463

RGB 195 4 99

HSL 330.16, 0.96%, 0.39%

LAB 42.14, 68.91, 1.94

 

CMYK 49 / 0 / 98 / 24

HEX #63C304

RGB 99 195 4

HSL 90.16, 0.96%, 0.39%

LAB 70.66, -54.53, 69.82

 

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

CMYK 29 / 98 / 0 / 24

HEX #8A04C3

RGB 138 4 195

HSL 282.09, 0.96%, 0.39%

LAB 36.8, 71.66, -65.67

 

CMYK 0 / 49 / 98 / 24

HEX #C36304

RGB 195 99 4

HSL 29.84, 0.96%, 0.39%

LAB 52.44, 33.66, 59.99

 

CMYK 69 / 0 / 98 / 24

HEX #3DC304

RGB 61 195 4

HSL 102.09, 0.96%, 0.39%

LAB 69.49, -64.03, 68.4

 

CMYK 98 / 50 / 0 / 23

HEX #0463C5

RGB 4 99 197

HSL 210.47, 0.96%, 0.39%

LAB 42.73, 14.55, -57.59

 

CMYK 0 / 98 / 0 / 24

HEX #C304C3

RGB 195 4 195

HSL 300, 0.96%, 0.39%

LAB 46.48, 79.95, -49.53

 

CMYK 0 / 49 / 98 / 24

HEX #C36304

RGB 195 99 4

HSL 29.84, 0.96%, 0.39%

LAB 52.44, 33.66, 59.99

 

CMYK 98 / 0 / 98 / 24

HEX #04C304

RGB 4 195 4

HSL 120, 0.96%, 0.39%

LAB 68.8, -70.18, 67.55

 

Description

Color code: HEX #0463C5 | qconv.com Color code: HEX #0463C5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 99 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 99 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 50 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 50% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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