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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #045A26 it is the complementary color #FBA5D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #045A26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #045A26 shade: #095A21, #1A6C34, #2B7E47, #3C905A and #4DA26D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #045A26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #045A26 shade: #045A26, #004813, #003600, #002400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #045A26 shade: #045825, #04580F, #105804, #275804 and #3D5804

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #045A26 shade: #045825, #04583C, #045852, #044758 and #043058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #045A26 shade matches the following richer shades: #045825

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #045A26 shade: #045825, #0C5027, #134928, #1A412A and #223A2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #045A26 shade: #115804, #04580E, #045824, #04583A and #045851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #045A26 shade: #000904, #023014, #045825, #067F36 and #08A647

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #045A26 shade: #045A26, #042758 and #580406

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #045A26 shade: #045A26, #240458 and #582404

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #045A26 shade: #045A26, #042758, #580438 and #583504

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #045A26 shade: #045A26, #040E58, #580438 and #584E04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

Complementary color

CMYK 0 / 34 / 14 / 2

HEX #FBA5D9

RGB 251 165 217

HSL 323.72, 0.91%, 0.82%

LAB 77.54, 39.06, -13.21

 

CMYK 90 / 0 / 63 / 65

HEX #095A21

RGB 9 90 33

HSL 137.78, 0.82%, 0.19%

LAB 32.88, -36.13, 26.17

 

CMYK 76 / 0 / 52 / 58

HEX #1A6C34

RGB 26 108 52

HSL 139.02, 0.61%, 0.26%

LAB 39.9, -37.46, 24.43

 

CMYK 66 / 0 / 44 / 51

HEX #2B7E47

RGB 43 126 71

HSL 140.24, 0.49%, 0.33%

LAB 46.83, -38.01, 22.77

 

CMYK 58 / 0 / 38 / 44

HEX #3C905A

RGB 60 144 90

HSL 141.43, 0.41%, 0.4%

LAB 53.65, -38.16, 21.28

 

CMYK 52 / 0 / 33 / 36

HEX #4DA26D

RGB 77 162 109

HSL 142.59, 0.36%, 0.47%

LAB 60.36, -38.11, 19.92

 

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

CMYK 100 / 0 / 74 / 72

HEX #004813

RGB 0 72 19

HSL 135.83, 1%, 0.14%

LAB 25.81, -32.81, 25.32

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 95 / 0 / 58 / 65

HEX #045825

RGB 4 88 37

HSL 143.57, 0.91%, 0.18%

LAB 32.12, -35.35, 23.07

 

CMYK 95 / 0 / 83 / 65

HEX #04580F

RGB 4 88 15

HSL 127.86, 0.91%, 0.18%

LAB 31.9, -38.13, 33.39

 

CMYK 82 / 0 / 95 / 65

HEX #105804

RGB 16 88 4

HSL 111.43, 0.91%, 0.18%

LAB 32.03, -37.18, 37.23

 

CMYK 56 / 0 / 95 / 65

HEX #275804

RGB 39 88 4

HSL 95, 0.91%, 0.18%

LAB 32.74, -31.28, 38.12

 

CMYK 31 / 0 / 95 / 65

HEX #3D5804

RGB 61 88 4

HSL 79.29, 0.91%, 0.18%

LAB 33.94, -22.62, 39.6

 

CMYK 95 / 0 / 58 / 65

HEX #045825

RGB 4 88 37

HSL 143.57, 0.91%, 0.18%

LAB 32.12, -35.35, 23.07

 

CMYK 95 / 0 / 32 / 65

HEX #04583C

RGB 4 88 60

HSL 160, 0.91%, 0.18%

LAB 32.55, -30.34, 9.95

 

CMYK 95 / 0 / 7 / 65

HEX #045852

RGB 4 88 82

HSL 175.71, 0.91%, 0.18%

LAB 33.17, -23.8, -2.95

 

CMYK 95 / 19 / 0 / 65

HEX #044758

RGB 4 71 88

HSL 192.14, 0.91%, 0.18%

LAB 27.4, -12.21, -15.5

 

CMYK 95 / 45 / 0 / 65

HEX #043058

RGB 4 48 88

HSL 208.57, 0.91%, 0.18%

LAB 19.41, 3.04, -28.06

 

CMYK 95 / 0 / 58 / 65

HEX #045825

RGB 4 88 37

HSL 143.57, 0.91%, 0.18%

LAB 32.12, -35.35, 23.07

 

CMYK 95 / 0 / 58 / 65

HEX #045825

RGB 4 88 37

HSL 143.57, 0.91%, 0.18%

LAB 32.12, -35.35, 23.07

 

CMYK 85 / 0 / 51 / 69

HEX #0C5027

RGB 12 80 39

HSL 143.82, 0.74%, 0.18%

LAB 29.32, -30.8, 18.46

 

CMYK 74 / 0 / 45 / 71

HEX #134928

RGB 19 73 40

HSL 143.33, 0.59%, 0.18%

LAB 26.9, -26.28, 14.76

 

CMYK 60 / 0 / 35 / 75

HEX #1A412A

RGB 26 65 42

HSL 144.62, 0.43%, 0.18%

LAB 24.22, -20.15, 9.95

 

CMYK 41 / 0 / 26 / 77

HEX #223A2B

RGB 34 58 43

HSL 142.5, 0.26%, 0.18%

LAB 22.09, -13.36, 6.42

 

CMYK 81 / 0 / 95 / 65

HEX #115804

RGB 17 88 4

HSL 110.71, 0.91%, 0.18%

LAB 32.05, -37.01, 37.26

 

CMYK 95 / 0 / 84 / 65

HEX #04580E

RGB 4 88 14

HSL 127.14, 0.91%, 0.18%

LAB 31.89, -38.21, 33.76

 

CMYK 95 / 0 / 59 / 65

HEX #045824

RGB 4 88 36

HSL 142.86, 0.91%, 0.18%

LAB 32.11, -35.52, 23.61

 

CMYK 95 / 0 / 34 / 65

HEX #04583A

RGB 4 88 58

HSL 158.57, 0.91%, 0.18%

LAB 32.5, -30.86, 11.12

 

CMYK 95 / 0 / 8 / 65

HEX #045851

RGB 4 88 81

HSL 175, 0.91%, 0.18%

LAB 33.13, -24.13, -2.36

 

CMYK 100 / 0 / 56 / 96

HEX #000904

RGB 0 9 4

HSL 146.67, 1%, 0.02%

LAB 1.84, -3.05, 1.06

 

CMYK 96 / 0 / 58 / 81

HEX #023014

RGB 2 48 20

HSL 143.48, 0.92%, 0.1%

LAB 16.39, -22.93, 13.71

 

CMYK 95 / 0 / 58 / 65

HEX #045825

RGB 4 88 37

HSL 143.57, 0.91%, 0.18%

LAB 32.12, -35.35, 23.07

 

CMYK 95 / 0 / 57 / 50

HEX #067F36

RGB 6 127 54

HSL 143.8, 0.91%, 0.26%

LAB 46.29, -46.39, 31.12

 

CMYK 95 / 0 / 57 / 35

HEX #08A647

RGB 8 166 71

HSL 143.92, 0.91%, 0.34%

LAB 59.69, -56.8, 38.67

 

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

CMYK 95 / 56 / 0 / 65

HEX #042758

RGB 4 39 88

HSL 215, 0.91%, 0.18%

LAB 16.41, 9.72, -32.88

 

CMYK 0 / 95 / 93 / 65

HEX #580406

RGB 88 4 6

HSL 358.57, 0.91%, 0.18%

LAB 16.38, 35.8, 22.86

 

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

CMYK 59 / 95 / 0 / 65

HEX #240458

RGB 36 4 88

HSL 262.86, 0.91%, 0.18%

LAB 10.31, 35.94, -42.8

 

CMYK 0 / 59 / 95 / 65

HEX #582404

RGB 88 36 4

HSL 22.86, 0.91%, 0.18%

LAB 21.38, 22.12, 29.5

 

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

CMYK 95 / 56 / 0 / 65

HEX #042758

RGB 4 39 88

HSL 215, 0.91%, 0.18%

LAB 16.41, 9.72, -32.88

 

CMYK 0 / 95 / 36 / 65

HEX #580438

RGB 88 4 56

HSL 322.86, 0.91%, 0.18%

LAB 17.68, 39.42, -8.21

 

CMYK 0 / 40 / 95 / 65

HEX #583504

RGB 88 53 4

HSL 35, 0.91%, 0.18%

LAB 25.65, 11.72, 33.81

 

CMYK 96 / 0 / 58 / 65

HEX #045A26

RGB 4 90 38

HSL 143.72, 0.91%, 0.18%

LAB 32.87, -35.93, 23.43

 

CMYK 95 / 84 / 0 / 65

HEX #040E58

RGB 4 14 88

HSL 232.86, 0.91%, 0.18%

LAB 9.36, 28.02, -44.46

 

CMYK 0 / 95 / 36 / 65

HEX #580438

RGB 88 4 56

HSL 322.86, 0.91%, 0.18%

LAB 17.68, 39.42, -8.21

 

CMYK 0 / 11 / 95 / 65

HEX #584E04

RGB 88 78 4

HSL 52.86, 0.91%, 0.18%

LAB 32.99, -3.89, 39.81

 

Description

Color code: HEX #045A26 | qconv.com Color code: HEX #045A26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 90 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 90 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 58 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 58% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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