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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #045997 it is the complementary color #FBA668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #045997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #045997 shade: #095992, #1A6BA5, #2B7DB8, #3C8FCB and #4DA1DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #045997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #045997 shade: #045997, #004784, #003571, #00235E and #00114B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #045997 shade: #045895, #043195, #040995, #250495 and #4D0495

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #045997 shade: #045895, #043195, #040995 and #040495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #045997 shade matches the following richer shades: #045895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #045997 shade: #045895, #105689, #1D547C, #295270 and #355064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #045997 shade: #049584, #047F95, #045995, #043295 and #040B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #045997 shade: #022845, #03406D, #045895, #0570BD and #0687E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #045997 shade: #045997, #5D0495 and #939504

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #045997 shade: #045997, #950459 and #599504

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #045997 shade: #045997, #5D0495, #954004 and #3C9504

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #045997 shade: #045997, #890495, #954004 and #109504

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

Complementary color

CMYK 0 / 34 / 59 / 2

HEX #FBA668

RGB 251 166 104

HSL 25.31, 0.95%, 0.7%

LAB 75.31, 25.36, 44.58

 

CMYK 94 / 39 / 0 / 43

HEX #095992

RGB 9 89 146

HSL 204.96, 0.88%, 0.3%

LAB 36.51, 0.47, -37.42

 

CMYK 84 / 35 / 0 / 35

HEX #1A6BA5

RGB 26 107 165

HSL 205.04, 0.73%, 0.37%

LAB 43.44, -2.09, -37.76

 

CMYK 77 / 32 / 0 / 28

HEX #2B7DB8

RGB 43 125 184

HSL 205.11, 0.62%, 0.45%

LAB 50.27, -4.01, -38.02

 

CMYK 70 / 30 / 0 / 20

HEX #3C8FCB

RGB 60 143 203

HSL 205.17, 0.58%, 0.52%

LAB 56.99, -5.49, -38.23

 

CMYK 65 / 27 / 0 / 13

HEX #4DA1DE

RGB 77 161 222

HSL 205.24, 0.69%, 0.59%

LAB 63.62, -6.64, -38.42

 

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

CMYK 100 / 46 / 0 / 48

HEX #004784

RGB 0 71 132

HSL 207.73, 1%, 0.26%

LAB 29.84, 6.01, -39.52

 

CMYK 100 / 53 / 0 / 56

HEX #003571

RGB 0 53 113

HSL 211.86, 1%, 0.22%

LAB 22.79, 10.33, -38.93

 

CMYK 100 / 63 / 0 / 63

HEX #00235E

RGB 0 35 94

HSL 217.66, 1%, 0.18%

LAB 15.54, 15.12, -38.31

 

CMYK 100 / 77 / 0 / 71

HEX #00114B

RGB 0 17 75

HSL 226.4, 1%, 0.15%

LAB 8.21, 20.24, -37.43

 

CMYK 97 / 41 / 0 / 42

HEX #045895

RGB 4 88 149

HSL 205.24, 0.95%, 0.3%

LAB 36.32, 2.08, -39.55

 

CMYK 97 / 67 / 0 / 42

HEX #043195

RGB 4 49 149

HSL 221.38, 0.95%, 0.3%

LAB 24.93, 28.82, -58.02

 

CMYK 97 / 94 / 0 / 42

HEX #040995

RGB 4 9 149

HSL 237.93, 0.95%, 0.3%

LAB 17.42, 50.19, -70.47

 

CMYK 75 / 97 / 0 / 42

HEX #250495

RGB 37 4 149

HSL 253.66, 0.95%, 0.3%

LAB 18.58, 52.54, -68.48

 

CMYK 48 / 97 / 0 / 42

HEX #4D0495

RGB 77 4 149

HSL 270.21, 0.95%, 0.3%

LAB 23.12, 55.24, -60.83

 

CMYK 97 / 41 / 0 / 42

HEX #045895

RGB 4 88 149

HSL 205.24, 0.95%, 0.3%

LAB 36.32, 2.08, -39.55

 

CMYK 97 / 67 / 0 / 42

HEX #043195

RGB 4 49 149

HSL 221.38, 0.95%, 0.3%

LAB 24.93, 28.82, -58.02

 

CMYK 97 / 94 / 0 / 42

HEX #040995

RGB 4 9 149

HSL 237.93, 0.95%, 0.3%

LAB 17.42, 50.19, -70.47

 

CMYK 97 / 97 / 0 / 42

HEX #040495

RGB 4 4 149

HSL 240, 0.95%, 0.3%

LAB 16.91, 51.78, -71.33

 

CMYK 97 / 41 / 0 / 42

HEX #045895

RGB 4 88 149

HSL 205.24, 0.95%, 0.3%

LAB 36.32, 2.08, -39.55

 

CMYK 97 / 41 / 0 / 42

HEX #045895

RGB 4 88 149

HSL 205.24, 0.95%, 0.3%

LAB 36.32, 2.08, -39.55

 

CMYK 88 / 37 / 0 / 46

HEX #105689

RGB 16 86 137

HSL 205.29, 0.79%, 0.3%

LAB 35.15, -0.82, -34.12

 

CMYK 77 / 32 / 0 / 51

HEX #1D547C

RGB 29 84 124

HSL 205.26, 0.62%, 0.3%

LAB 34.1, -3.27, -27.76

 

CMYK 63 / 27 / 0 / 56

HEX #295270

RGB 41 82 112

HSL 205.35, 0.46%, 0.3%

LAB 33.3, -4.35, -21.52

 

CMYK 47 / 20 / 0 / 61

HEX #355064

RGB 53 80 100

HSL 205.53, 0.31%, 0.3%

LAB 32.73, -4.15, -14.81

 

CMYK 97 / 0 / 11 / 42

HEX #049584

RGB 4 149 132

HSL 172.97, 0.95%, 0.3%

LAB 55.26, -37.2, -0.44

 

CMYK 97 / 15 / 0 / 42

HEX #047F95

RGB 4 127 149

HSL 189.1, 0.95%, 0.3%

LAB 48.73, -20.96, -20.11

 

CMYK 97 / 40 / 0 / 42

HEX #045995

RGB 4 89 149

HSL 204.83, 0.95%, 0.3%

LAB 36.63, 1.43, -39.05

 

CMYK 97 / 66 / 0 / 42

HEX #043295

RGB 4 50 149

HSL 220.97, 0.95%, 0.3%

LAB 25.19, 28.13, -57.59

 

CMYK 97 / 93 / 0 / 42

HEX #040B95

RGB 4 11 149

HSL 237.1, 0.95%, 0.3%

LAB 17.62, 49.57, -70.13

 

CMYK 97 / 42 / 0 / 73

HEX #022845

RGB 2 40 69

HSL 205.97, 0.94%, 0.14%

LAB 15.28, -0.12, -21.8

 

CMYK 97 / 41 / 0 / 57

HEX #03406D

RGB 3 64 109

HSL 205.47, 0.95%, 0.22%

LAB 26.13, 1.03, -31

 

CMYK 97 / 41 / 0 / 42

HEX #045895

RGB 4 88 149

HSL 205.24, 0.95%, 0.3%

LAB 36.32, 2.08, -39.55

 

CMYK 97 / 41 / 0 / 26

HEX #0570BD

RGB 5 112 189

HSL 205.11, 0.95%, 0.38%

LAB 46.04, 3.06, -47.65

 

CMYK 97 / 41 / 0 / 10

HEX #0687E6

RGB 6 135 230

HSL 205.45, 0.95%, 0.46%

LAB 55.15, 4.98, -56.35

 

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

CMYK 38 / 97 / 0 / 42

HEX #5D0495

RGB 93 4 149

HSL 276.83, 0.95%, 0.3%

LAB 25.51, 56.96, -56.79

 

CMYK 1 / 0 / 97 / 42

HEX #939504

RGB 147 149 4

HSL 60.83, 0.95%, 0.3%

LAB 59.62, -15.28, 62.48

 

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

CMYK 0 / 97 / 40 / 42

HEX #950459

RGB 149 4 89

HSL 324.83, 0.95%, 0.3%

LAB 32.25, 57.58, -7.31

 

CMYK 40 / 0 / 97 / 42

HEX #599504

RGB 89 149 4

HSL 84.83, 0.95%, 0.3%

LAB 55.71, -39.57, 57.77

 

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

CMYK 38 / 97 / 0 / 42

HEX #5D0495

RGB 93 4 149

HSL 276.83, 0.95%, 0.3%

LAB 25.51, 56.96, -56.79

 

CMYK 0 / 57 / 97 / 42

HEX #954004

RGB 149 64 4

HSL 24.83, 0.95%, 0.3%

LAB 37.96, 33.04, 47.24

 

CMYK 60 / 0 / 97 / 42

HEX #3C9504

RGB 60 149 4

HSL 96.83, 0.95%, 0.3%

LAB 54.52, -48.78, 56.31

 

CMYK 97 / 41 / 0 / 41

HEX #045997

RGB 4 89 151

HSL 205.31, 0.95%, 0.3%

LAB 36.75, 2.26, -40.06

 

CMYK 8 / 97 / 0 / 42

HEX #890495

RGB 137 4 149

HSL 295.03, 0.95%, 0.3%

LAB 33.08, 63.27, -44.15

 

CMYK 0 / 57 / 97 / 42

HEX #954004

RGB 149 64 4

HSL 24.83, 0.95%, 0.3%

LAB 37.96, 33.04, 47.24

 

CMYK 89 / 0 / 97 / 42

HEX #109504

RGB 16 149 4

HSL 115.03, 0.95%, 0.3%

LAB 53.61, -56.53, 55.2

 

Description

Color code: HEX #045997 | qconv.com Color code: HEX #045997 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 89 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 89 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 41 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 41% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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