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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #044BEACE it is the complementary color #FBB415CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #044BEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #044BEACE shade: #094BE5CE, #1A5DF8CE, #2B6FFFCE, #3C81FFCE and #4D93FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #044BEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #044BEACE shade: #044BEACE, #0039D7CE, #0027C4CE, #0015B1CE and #00039ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #044BEACE shade: #044BEC, #040DEC, #3904EC, #7804EC and #B704EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #044BEACE shade: #044BEC, #040DEC and #0404EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #044BEACE shade matches the following richer shades: #044BEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #044BEACE shade: #044BEC, #1753D9, #2A5AC5, #3E62B2 and #51699F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #044BEACE shade: #04C9EC, #048BEC, #044DEC, #040FEC and #3604EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #044BEACE shade: #02319B, #033EC3, #044BEC, #1D62FC and #467EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #044BEACE shade: #044BEA, #D104EC and #AAEC04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #044BEACE shade: #044BEA, #EC044D and #4DEC04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #044BEACE shade: #044BEA, #D104EC, #ECA204 and #1FEC04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #044BEACE shade: #044BEA, #EC04C1, #ECA204 and #04EC2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 55 / 0 / 7

HEX #044BEACE

RGBA 4 75 234 0.81

HSLA 221.48, 0.97%, 0.47%, 0.81

LABA 39.58, 44.44, -83.93, 0.81

 

Complementary color

CMYK 0 / 23 / 74 / 1

HEX #FBB415CE

RGBA 251 180 21 0.81

HSLA 41.48, 0.97%, 0.53%, 0.81

LABA 78, 14.61, 78.24, 0.81

 

CMYK 78 / 54 / 0 / 8

HEX #094BE5CE

RGBA 9 75 229 0.81

HSLA 222, 0.92%, 0.47%, 0.81

LABA 39.15, 42.72, -81.79, 0.81

 

CMYK 73 / 51 / 0 / 2

HEX #1A5DF8CE

RGBA 26 93 248 0.81

HSLA 221.89, 0.94%, 0.54%, 0.81

LABA 45.39, 38.99, -82.22, 0.81

 

CMYK 67 / 46 / 0 / 0

HEX #2B6FFFCE

RGBA 43 111 255 0.81

HSLA 220.75, 1%, 0.58%, 0.81

LABA 50.81, 31.24, -77.25, 0.81

 

CMYK 62 / 40 / 0 / 0

HEX #3C81FFCE

RGBA 60 129 255 0.81

HSLA 218.77, 1%, 0.62%, 0.81

LABA 55.97, 21.54, -68.86, 0.81

 

CMYK 57 / 34 / 0 / 0

HEX #4D93FFCE

RGBA 77 147 255 0.81

HSLA 216.4, 1%, 0.65%, 0.81

LABA 61.36, 12.71, -60.15, 0.81

 

CMYK 80 / 55 / 0 / 7

HEX #044BEACE

RGBA 4 75 234 0.81

HSLA 221.48, 0.97%, 0.47%, 0.81

LABA 39.58, 44.44, -83.93, 0.81

 

CMYK 81 / 60 / 0 / 13

HEX #0039D7CE

RGBA 0 57 215 0.81

HSLA 224.09, 1%, 0.42%, 0.81

LABA 33.63, 48.41, -82.9, 0.81

 

CMYK 81 / 65 / 0 / 19

HEX #0027C4CE

RGBA 0 39 196 0.81

HSLA 228.06, 1%, 0.38%, 0.81

LABA 27.94, 51.93, -81.27, 0.81

 

CMYK 81 / 71 / 0 / 25

HEX #0015B1CE

RGBA 0 21 177 0.81

HSLA 232.88, 1%, 0.35%, 0.81

LABA 22.69, 54.2, -78.74, 0.81

 

CMYK 81 / 79 / 0 / 31

HEX #00039ECE

RGBA 0 3 158 0.81

HSLA 238.86, 1%, 0.31%, 0.81

LABA 18.07, 54.46, -74.93, 0.81

 

CMYK 98 / 68 / 0 / 7

HEX #044BEC

RGB 4 75 236

HSL 221.64, 0.97%, 0.47%

LAB 39.77, 45.17, -84.74

 

CMYK 98 / 94 / 0 / 7

HEX #040DEC

RGB 4 13 236

HSL 237.67, 0.97%, 0.47%

LAB 30.33, 72.51, -100.43

 

CMYK 76 / 98 / 0 / 7

HEX #3904EC

RGB 57 4 236

HSL 253.71, 0.97%, 0.47%

LAB 31.84, 74.81, -97.86

 

CMYK 49 / 98 / 0 / 7

HEX #7804EC

RGB 120 4 236

HSL 270, 0.97%, 0.47%

LAB 38.09, 78.13, -87.3

 

CMYK 22 / 98 / 0 / 7

HEX #B704EC

RGB 183 4 236

HSL 286.29, 0.97%, 0.47%

LAB 47.25, 84.77, -71.91

 

CMYK 98 / 68 / 0 / 7

HEX #044BEC

RGB 4 75 236

HSL 221.64, 0.97%, 0.47%

LAB 39.77, 45.17, -84.74

 

CMYK 98 / 94 / 0 / 7

HEX #040DEC

RGB 4 13 236

HSL 237.67, 0.97%, 0.47%

LAB 30.33, 72.51, -100.43

 

CMYK 98 / 98 / 0 / 7

HEX #0404EC

RGB 4 4 236

HSL 240, 0.97%, 0.47%

LAB 29.83, 74.04, -101.25

 

CMYK 98 / 68 / 0 / 7

HEX #044BEC

RGB 4 75 236

HSL 221.64, 0.97%, 0.47%

LAB 39.77, 45.17, -84.74

 

CMYK 98 / 68 / 0 / 7

HEX #044BEC

RGB 4 75 236

HSL 221.64, 0.97%, 0.47%

LAB 39.77, 45.17, -84.74

 

CMYK 89 / 62 / 0 / 15

HEX #1753D9

RGB 23 83 217

HSL 221.44, 0.81%, 0.47%

LAB 40.21, 33.62, -73.2

 

CMYK 79 / 54 / 0 / 23

HEX #2A5AC5

RGB 42 90 197

HSL 221.42, 0.65%, 0.47%

LAB 40.95, 22.83, -60.44

 

CMYK 65 / 45 / 0 / 30

HEX #3E62B2

RGB 62 98 178

HSL 221.38, 0.48%, 0.47%

LAB 42.72, 13.37, -46.46

 

CMYK 49 / 34 / 0 / 38

HEX #51699F

RGB 81 105 159

HSL 221.54, 0.33%, 0.47%

LAB 44.74, 6.6, -32.02

 

CMYK 98 / 15 / 0 / 7

HEX #04C9EC

RGB 4 201 236

HSL 189.05, 0.97%, 0.47%

LAB 74.73, -29.07, -28.93

 

CMYK 98 / 41 / 0 / 7

HEX #048BEC

RGB 4 139 236

HSL 205.09, 0.97%, 0.47%

LAB 56.63, 4.81, -57.33

 

CMYK 98 / 67 / 0 / 7

HEX #044DEC

RGB 4 77 236

HSL 221.12, 0.97%, 0.47%

LAB 40.23, 43.93, -83.98

 

CMYK 98 / 94 / 0 / 7

HEX #040FEC

RGB 4 15 236

HSL 237.16, 0.97%, 0.47%

LAB 30.46, 72.11, -100.21

 

CMYK 77 / 98 / 0 / 7

HEX #3604EC

RGB 54 4 236

HSL 252.93, 0.97%, 0.47%

LAB 31.64, 74.73, -98.19

 

CMYK 99 / 68 / 0 / 39

HEX #02319B

RGB 2 49 155

HSL 221.57, 0.97%, 0.31%

LAB 25.49, 31.14, -60.77

 

CMYK 98 / 68 / 0 / 24

HEX #033EC3

RGB 3 62 195

HSL 221.56, 0.97%, 0.39%

LAB 32.71, 38.13, -72.79

 

CMYK 98 / 68 / 0 / 7

HEX #044BEC

RGB 4 75 236

HSL 221.64, 0.97%, 0.47%

LAB 39.77, 45.17, -84.74

 

CMYK 88 / 61 / 0 / 1

HEX #1D62FC

RGB 29 98 252

HSL 221.43, 0.97%, 0.55%

LAB 47.01, 37.47, -81.81

 

CMYK 72 / 50 / 0 / 1

HEX #467EFC

RGB 70 126 252

HSL 221.54, 0.97%, 0.63%

LAB 55.33, 23.47, -68.21

 

CMYK 98 / 68 / 0 / 8

HEX #044BEA

RGB 4 75 234

HSL 221.48, 0.97%, 0.47%

LAB 39.58, 44.44, -83.93

 

CMYK 11 / 98 / 0 / 7

HEX #D104EC

RGB 209 4 236

HSL 293.02, 0.97%, 0.47%

LAB 51.49, 88.33, -64.83

 

CMYK 28 / 0 / 98 / 7

HEX #AAEC04

RGB 170 236 4

HSL 77.07, 0.97%, 0.47%

LAB 86.28, -46.61, 83.51

 

CMYK 98 / 68 / 0 / 8

HEX #044BEA

RGB 4 75 234

HSL 221.48, 0.97%, 0.47%

LAB 39.58, 44.44, -83.93

 

CMYK 0 / 98 / 67 / 7

HEX #EC044D

RGB 236 4 77

HSL 341.12, 0.97%, 0.47%

LAB 50.04, 77.01, 27.77

 

CMYK 67 / 0 / 98 / 7

HEX #4DEC04

RGB 77 236 4

HSL 101.12, 0.97%, 0.47%

LAB 82.69, -73.68, 79.15

 

CMYK 98 / 68 / 0 / 8

HEX #044BEA

RGB 4 75 234

HSL 221.48, 0.97%, 0.47%

LAB 39.58, 44.44, -83.93

 

CMYK 11 / 98 / 0 / 7

HEX #D104EC

RGB 209 4 236

HSL 293.02, 0.97%, 0.47%

LAB 51.49, 88.33, -64.83

 

CMYK 0 / 31 / 98 / 7

HEX #ECA204

RGB 236 162 4

HSL 40.86, 0.97%, 0.47%

LAB 72.02, 17.5, 75.47

 

CMYK 87 / 0 / 98 / 7

HEX #1FEC04

RGB 31 236 4

HSL 113.02, 0.97%, 0.47%

LAB 82, -79.78, 78.3

 

CMYK 98 / 68 / 0 / 8

HEX #044BEA

RGB 4 75 234

HSL 221.48, 0.97%, 0.47%

LAB 39.58, 44.44, -83.93

 

CMYK 0 / 98 / 18 / 7

HEX #EC04C1

RGB 236 4 193

HSL 311.12, 0.97%, 0.47%

LAB 53.78, 86.77, -36.34

 

CMYK 0 / 31 / 98 / 7

HEX #ECA204

RGB 236 162 4

HSL 40.86, 0.97%, 0.47%

LAB 72.02, 17.5, 75.47

 

CMYK 98 / 0 / 81 / 7

HEX #04EC2E

RGB 4 236 46

HSL 130.86, 0.97%, 0.47%

LAB 81.95, -79.76, 71.43

 

Description

Color code: HEX #044BEACE | qconv.com Color code: HEX #044BEACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 75 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 75 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 55 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 55% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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