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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03FE4A it is the complementary color #FC01B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03FE4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03FE4A shade: #08FE45, #19FF58, #2AFF6B, #3BFF7E and #4CFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03FE4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03FE4A shade: #03FE4A, #00EC37, #00DA24, #00C811 and #00B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03FE4A shade: #01FE49, #01FE05, #42FE01, #86FE01 and #CAFE01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03FE4A shade: #01FE49, #01FE8D, #01FED1, #01E7FE and #01A2FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03FE4A shade matches the following richer shades: #01FE49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03FE4A shade: #01FE49, #16E952, #2BD45B, #3FC064 and #54AB6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03FE4A shade: #45FE01, #01FE01, #01FE45, #01FE88 and #01FECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03FE4A shade: #01AC31, #01D53D, #01FE49, #2AFE66 and #53FE84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03FE4A shade: #03FE4A, #0188FE and #FE0123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03FE4A shade: #03FE4A, #4501FE and #FE4501

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03FE4A shade: #03FE4A, #0188FE, #FE01BA and #FE7701

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03FE4A shade: #03FE4A, #013CFE, #FE01BA and #FEC301

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

Complementary color

CMYK 0 / 100 / 28 / 1

HEX #FC01B5

RGB 252 1 181

HSL 316.97, 0.99%, 0.5%

LAB 56.14, 88.59, -25.47

 

CMYK 97 / 0 / 73 / 0

HEX #08FE45

RGB 8 254 69

HSL 134.88, 0.99%, 0.51%

LAB 87.66, -83, 70.04

 

CMYK 90 / 0 / 65 / 0

HEX #19FF58

RGB 25 255 88

HSL 136.43, 1%, 0.55%

LAB 88.18, -80.94, 63.67

 

CMYK 84 / 0 / 58 / 0

HEX #2AFF6B

RGB 42 255 107

HSL 138.31, 1%, 0.58%

LAB 88.48, -77.64, 56.16

 

CMYK 77 / 0 / 51 / 0

HEX #3BFF7E

RGB 59 255 126

HSL 140.51, 1%, 0.62%

LAB 88.9, -73.36, 48.12

 

CMYK 70 / 0 / 43 / 0

HEX #4CFF91

RGB 76 255 145

HSL 143.13, 1%, 0.65%

LAB 89.44, -68.13, 39.79

 

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

CMYK 100 / 0 / 77 / 7

HEX #00EC37

RGB 0 236 55

HSL 133.98, 1%, 0.46%

LAB 81.98, -79.34, 68.89

 

CMYK 100 / 0 / 83 / 15

HEX #00DA24

RGB 0 218 36

HSL 129.91, 1%, 0.43%

LAB 76.23, -75.55, 68.69

 

CMYK 100 / 0 / 92 / 22

HEX #00C811

RGB 0 200 17

HSL 125.1, 1%, 0.39%

LAB 70.42, -71.41, 67.32

 

CMYK 100 / 0 / 100 / 29

HEX #00B600

RGB 0 182 0

HSL 120, 1%, 0.36%

LAB 64.53, -66.9, 64.57

 

CMYK 100 / 0 / 71 / 0

HEX #01FE49

RGB 1 254 73

HSL 137.08, 0.99%, 0.5%

LAB 87.66, -82.88, 68.67

 

CMYK 100 / 0 / 98 / 0

HEX #01FE05

RGB 1 254 5

HSL 120.95, 0.99%, 0.5%

LAB 87.44, -85.83, 82.56

 

CMYK 74 / 0 / 100 / 0

HEX #42FE01

RGB 66 254 1

HSL 104.58, 0.99%, 0.5%

LAB 87.99, -80.88, 83.54

 

CMYK 47 / 0 / 100 / 0

HEX #86FE01

RGB 134 254 1

HSL 88.46, 0.99%, 0.5%

LAB 89.84, -65.7, 85.79

 

CMYK 20 / 0 / 100 / 0

HEX #CAFE01

RGB 202 254 1

HSL 72.33, 0.99%, 0.5%

LAB 93.21, -42.27, 89.85

 

CMYK 100 / 0 / 71 / 0

HEX #01FE49

RGB 1 254 73

HSL 137.08, 0.99%, 0.5%

LAB 87.66, -82.88, 68.67

 

CMYK 100 / 0 / 44 / 0

HEX #01FE8D

RGB 1 254 141

HSL 153.2, 0.99%, 0.5%

LAB 88.36, -74.31, 40.2

 

CMYK 100 / 0 / 18 / 0

HEX #01FED1

RGB 1 254 209

HSL 169.33, 0.99%, 0.5%

LAB 89.62, -59.99, 7.53

 

CMYK 100 / 9 / 0 / 0

HEX #01E7FE

RGB 1 231 254

HSL 185.45, 0.99%, 0.5%

LAB 84.13, -37.67, -24.16

 

CMYK 100 / 36 / 0 / 0

HEX #01A2FE

RGB 1 162 254

HSL 201.82, 0.99%, 0.5%

LAB 64.16, -2.02, -55.22

 

CMYK 100 / 0 / 71 / 0

HEX #01FE49

RGB 1 254 73

HSL 137.08, 0.99%, 0.5%

LAB 87.66, -82.88, 68.67

 

CMYK 100 / 0 / 71 / 0

HEX #01FE49

RGB 1 254 73

HSL 137.08, 0.99%, 0.5%

LAB 87.66, -82.88, 68.67

 

CMYK 91 / 0 / 65 / 9

HEX #16E952

RGB 22 233 82

HSL 137.06, 0.83%, 0.5%

LAB 81.32, -75.35, 58.55

 

CMYK 80 / 0 / 57 / 17

HEX #2BD45B

RGB 43 212 91

HSL 137.04, 0.66%, 0.5%

LAB 75.05, -66.11, 47.54

 

CMYK 67 / 0 / 48 / 25

HEX #3FC064

RGB 63 192 100

HSL 137.21, 0.51%, 0.5%

LAB 69.24, -54.93, 36.21

 

CMYK 51 / 0 / 36 / 33

HEX #54AB6D

RGB 84 171 109

HSL 137.24, 0.34%, 0.5%

LAB 63.44, -40.23, 24.11

 

CMYK 73 / 0 / 100 / 0

HEX #45FE01

RGB 69 254 1

HSL 103.87, 0.99%, 0.5%

LAB 88.04, -80.43, 83.61

 

CMYK 100 / 0 / 100 / 0

HEX #01FE01

RGB 1 254 1

HSL 120, 0.99%, 0.5%

LAB 87.43, -85.89, 82.86

 

CMYK 100 / 0 / 73 / 0

HEX #01FE45

RGB 1 254 69

HSL 136.13, 0.99%, 0.5%

LAB 87.64, -83.2, 70.01

 

CMYK 100 / 0 / 46 / 0

HEX #01FE88

RGB 1 254 136

HSL 152.02, 0.99%, 0.5%

LAB 88.29, -75.14, 42.52

 

CMYK 100 / 0 / 20 / 0

HEX #01FECB

RGB 1 254 203

HSL 167.91, 0.99%, 0.5%

LAB 89.49, -61.46, 10.44

 

CMYK 99 / 0 / 72 / 33

HEX #01AC31

RGB 1 172 49

HSL 136.84, 0.99%, 0.34%

LAB 61.42, -61.62, 50.29

 

CMYK 100 / 0 / 71 / 16

HEX #01D53D

RGB 1 213 61

HSL 136.98, 0.99%, 0.42%

LAB 74.78, -72.45, 59.66

 

CMYK 100 / 0 / 71 / 0

HEX #01FE49

RGB 1 254 73

HSL 137.08, 0.99%, 0.5%

LAB 87.66, -82.88, 68.67

 

CMYK 83 / 0 / 60 / 0

HEX #2AFE66

RGB 42 254 102

HSL 136.98, 0.99%, 0.58%

LAB 88.13, -77.94, 57.91

 

CMYK 67 / 0 / 48 / 0

HEX #53FE84

RGB 83 254 132

HSL 137.19, 0.99%, 0.66%

LAB 89.11, -68.69, 45.65

 

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

CMYK 100 / 46 / 0 / 0

HEX #0188FE

RGB 1 136 254

HSL 207.98, 0.99%, 0.5%

LAB 56.85, 13.47, -66.93

 

CMYK 0 / 100 / 86 / 0

HEX #FE0123

RGB 254 1 35

HSL 351.94, 0.99%, 0.5%

LAB 53.18, 80.16, 55.6

 

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

CMYK 73 / 100 / 0 / 0

HEX #4501FE

RGB 69 1 254

HSL 256.13, 0.99%, 0.5%

LAB 34.89, 79.8, -102.92

 

CMYK 0 / 73 / 100 / 0

HEX #FE4501

RGB 254 69 1

HSL 16.13, 0.99%, 0.5%

LAB 57.39, 67.5, 68.58

 

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

CMYK 100 / 46 / 0 / 0

HEX #0188FE

RGB 1 136 254

HSL 207.98, 0.99%, 0.5%

LAB 56.85, 13.47, -66.93

 

CMYK 0 / 100 / 27 / 0

HEX #FE01BA

RGB 254 1 186

HSL 316.13, 0.99%, 0.5%

LAB 56.72, 89.49, -27.45

 

CMYK 0 / 53 / 100 / 0

HEX #FE7701

RGB 254 119 1

HSL 27.98, 0.99%, 0.5%

LAB 65.17, 46.83, 72.7

 

CMYK 99 / 0 / 71 / 0

HEX #03FE4A

RGB 3 254 74

HSL 136.97, 0.99%, 0.5%

LAB 87.68, -82.74, 68.33

 

CMYK 100 / 76 / 0 / 0

HEX #013CFE

RGB 1 60 254

HSL 226.01, 0.99%, 0.5%

LAB 38.54, 59.9, -96.9

 

CMYK 0 / 100 / 27 / 0

HEX #FE01BA

RGB 254 1 186

HSL 316.13, 0.99%, 0.5%

LAB 56.72, 89.49, -27.45

 

CMYK 0 / 23 / 100 / 0

HEX #FEC301

RGB 254 195 1

HSL 46.01, 0.99%, 0.5%

LAB 81.89, 7.9, 83.49

 

Description

Color code: HEX #03FE4A | qconv.com Color code: HEX #03FE4A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 254 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 254 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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