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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03F1DC it is the complementary color #FC0E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03F1DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03F1DC shade: #08F1D7, #19FFEA, #2AFFFD, #3BFFFF and #4CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03F1DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03F1DC shade: #03F1DC, #00DFC9, #00CDB6, #00BBA3 and #00A990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03F1DC shade: #02F2DD, #02F29D, #02F25C, #02F21B and #2AF202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03F1DC shade: #02F2DD, #02C7F2, #0286F2, #0245F2 and #0205F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03F1DC shade matches the following richer shades: #02F2DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03F1DC shade: #02F2DD, #16DFCD, #2ACBBD, #3EB7AC and #52A39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03F1DC shade: #02F25A, #02F29A, #02F2DA, #02CAF2 and #028AF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03F1DC shade: #02A193, #02CAB8, #02F2DD, #21FDE9 and #4AFDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03F1DC shade: #03F1DC, #1A02F2 and #F27A02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03F1DC shade: #03F1DC, #DA02F2 and #F2DA02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03F1DC shade: #03F1DC, #1A02F2, #F2021A and #DAF202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03F1DC shade: #03F1DC, #6202F2, #F2021A and #92F202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

Complementary color

CMYK 0 / 94 / 86 / 1

HEX #FC0E23

RGB 252 14 35

HSL 354.71, 0.98%, 0.52%

LAB 53.09, 78.76, 55.36

 

CMYK 97 / 0 / 11 / 5

HEX #08F1D7

RGB 8 241 215

HSL 173.3, 0.94%, 0.49%

LAB 85.94, -53.13, -0.93

 

CMYK 90 / 0 / 8 / 0

HEX #19FFEA

RGB 25 255 234

HSL 174.52, 1%, 0.55%

LAB 90.63, -53.27, -3.96

 

CMYK 84 / 0 / 1 / 0

HEX #2AFFFD

RGB 42 255 253

HSL 179.44, 1%, 0.58%

LAB 91.28, -47.17, -12.83

 

CMYK 77 / 0 / 0 / 0

HEX #3BFFFF

RGB 59 255 255

HSL 180, 1%, 0.62%

LAB 91.54, -45.32, -13.47

 

CMYK 70 / 0 / 0 / 0

HEX #4CFFFF

RGB 76 255 255

HSL 180, 1%, 0.65%

LAB 91.81, -43.56, -13.03

 

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

CMYK 100 / 0 / 10 / 13

HEX #00DFC9

RGB 0 223 201

HSL 174.08, 1%, 0.44%

LAB 80.18, -49.7, -1.99

 

CMYK 100 / 0 / 11 / 20

HEX #00CDB6

RGB 0 205 182

HSL 173.27, 1%, 0.4%

LAB 74.22, -47.39, -0.53

 

CMYK 100 / 0 / 13 / 27

HEX #00BBA3

RGB 0 187 163

HSL 172.3, 1%, 0.37%

LAB 68.16, -45.05, 0.99

 

CMYK 100 / 0 / 15 / 34

HEX #00A990

RGB 0 169 144

HSL 171.12, 1%, 0.33%

LAB 61.99, -42.67, 2.56

 

CMYK 99 / 0 / 9 / 5

HEX #02F2DD

RGB 2 242 221

HSL 174.75, 0.98%, 0.48%

LAB 86.37, -52.07, -3.44

 

CMYK 99 / 0 / 35 / 5

HEX #02F29D

RGB 2 242 157

HSL 158.75, 0.98%, 0.48%

LAB 84.97, -67.32, 27.77

 

CMYK 99 / 0 / 62 / 5

HEX #02F25C

RGB 2 242 92

HSL 142.5, 0.98%, 0.48%

LAB 84.12, -77.62, 57.51

 

CMYK 99 / 0 / 89 / 5

HEX #02F21B

RGB 2 242 27

HSL 126.25, 0.98%, 0.48%

LAB 83.76, -82.23, 77.11

 

CMYK 83 / 0 / 99 / 5

HEX #2AF202

RGB 42 242 2

HSL 110, 0.98%, 0.48%

LAB 83.97, -80.47, 80.1

 

CMYK 99 / 0 / 9 / 5

HEX #02F2DD

RGB 2 242 221

HSL 174.75, 0.98%, 0.48%

LAB 86.37, -52.07, -3.44

 

CMYK 99 / 18 / 0 / 5

HEX #02C7F2

RGB 2 199 242

HSL 190.75, 0.98%, 0.48%

LAB 74.36, -26.14, -32.73

 

CMYK 99 / 45 / 0 / 5

HEX #0286F2

RGB 2 134 242

HSL 207, 0.98%, 0.48%

LAB 55.56, 10.11, -62.38

 

CMYK 99 / 71 / 0 / 5

HEX #0245F2

RGB 2 69 242

HSL 223.25, 0.98%, 0.48%

LAB 39.04, 50.86, -89.34

 

CMYK 99 / 98 / 0 / 5

HEX #0205F2

RGB 2 5 242

HSL 239.25, 0.98%, 0.48%

LAB 30.72, 75.32, -103.18

 

CMYK 99 / 0 / 9 / 5

HEX #02F2DD

RGB 2 242 221

HSL 174.75, 0.98%, 0.48%

LAB 86.37, -52.07, -3.44

 

CMYK 99 / 0 / 9 / 5

HEX #02F2DD

RGB 2 242 221

HSL 174.75, 0.98%, 0.48%

LAB 86.37, -52.07, -3.44

 

CMYK 90 / 0 / 8 / 13

HEX #16DFCD

RGB 22 223 205

HSL 174.63, 0.82%, 0.48%

LAB 80.38, -47.93, -3.81

 

CMYK 79 / 0 / 7 / 20

HEX #2ACBBD

RGB 42 203 189

HSL 174.78, 0.66%, 0.48%

LAB 74.11, -42.41, -4.43

 

CMYK 66 / 0 / 6 / 28

HEX #3EB7AC

RGB 62 183 172

HSL 174.55, 0.49%, 0.48%

LAB 67.92, -35.65, -4.22

 

CMYK 50 / 0 / 4 / 36

HEX #52A39C

RGB 82 163 156

HSL 174.81, 0.33%, 0.48%

LAB 61.99, -26.5, -4

 

CMYK 99 / 0 / 63 / 5

HEX #02F25A

RGB 2 242 90

HSL 142, 0.98%, 0.48%

LAB 84.1, -77.84, 58.32

 

CMYK 99 / 0 / 36 / 5

HEX #02F29A

RGB 2 242 154

HSL 158, 0.98%, 0.48%

LAB 84.92, -67.92, 29.23

 

CMYK 99 / 0 / 10 / 5

HEX #02F2DA

RGB 2 242 218

HSL 174, 0.98%, 0.48%

LAB 86.3, -52.88, -1.99

 

CMYK 99 / 17 / 0 / 5

HEX #02CAF2

RGB 2 202 242

HSL 190, 0.98%, 0.48%

LAB 75.24, -27.64, -31.38

 

CMYK 99 / 43 / 0 / 5

HEX #028AF2

RGB 2 138 242

HSL 206, 0.98%, 0.48%

LAB 56.68, 7.66, -60.57

 

CMYK 99 / 0 / 9 / 37

HEX #02A193

RGB 2 161 147

HSL 174.72, 0.98%, 0.32%

LAB 59.53, -38.25, -2.72

 

CMYK 99 / 0 / 9 / 21

HEX #02CAB8

RGB 2 202 184

HSL 174.6, 0.98%, 0.4%

LAB 73.36, -45.51, -2.86

 

CMYK 99 / 0 / 9 / 5

HEX #02F2DD

RGB 2 242 221

HSL 174.75, 0.98%, 0.48%

LAB 86.37, -52.07, -3.44

 

CMYK 87 / 0 / 8 / 1

HEX #21FDE9

RGB 33 253 233

HSL 174.55, 0.98%, 0.56%

LAB 90.07, -52.34, -4.25

 

CMYK 71 / 0 / 6 / 1

HEX #4AFDED

RGB 74 253 237

HSL 174.64, 0.98%, 0.64%

LAB 90.7, -47.75, -5.34

 

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

CMYK 89 / 99 / 0 / 5

HEX #1A02F2

RGB 26 2 242

HSL 246, 0.98%, 0.48%

LAB 31.05, 75.97, -102.61

 

CMYK 0 / 50 / 99 / 5

HEX #F27A02

RGB 242 122 2

HSL 30, 0.98%, 0.48%

LAB 64, 40.76, 70.94

 

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

CMYK 10 / 99 / 0 / 5

HEX #DA02F2

RGB 218 2 242

HSL 294, 0.98%, 0.48%

LAB 53.34, 90.71, -65.15

 

CMYK 0 / 10 / 99 / 5

HEX #F2DA02

RGB 242 218 2

HSL 54, 0.98%, 0.48%

LAB 86.52, -8.95, 86.13

 

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

CMYK 89 / 99 / 0 / 5

HEX #1A02F2

RGB 26 2 242

HSL 246, 0.98%, 0.48%

LAB 31.05, 75.97, -102.61

 

CMYK 0 / 99 / 89 / 5

HEX #F2021A

RGB 242 2 26

HSL 354, 0.98%, 0.48%

LAB 50.68, 77.09, 56.63

 

CMYK 10 / 0 / 99 / 5

HEX #DAF202

RGB 218 242 2

HSL 66, 0.98%, 0.48%

LAB 90.97, -30.55, 88.55

 

CMYK 99 / 0 / 9 / 5

HEX #03F1DC

RGB 3 241 220

HSL 174.71, 0.98%, 0.48%

LAB 86.06, -51.9, -3.39

 

CMYK 60 / 99 / 0 / 5

HEX #6202F2

RGB 98 2 242

HSL 264, 0.98%, 0.48%

LAB 36.08, 78.19, -94.1

 

CMYK 0 / 99 / 89 / 5

HEX #F2021A

RGB 242 2 26

HSL 354, 0.98%, 0.48%

LAB 50.68, 77.09, 56.63

 

CMYK 40 / 0 / 99 / 5

HEX #92F202

RGB 146 242 2

HSL 84, 0.98%, 0.48%

LAB 86.81, -57.48, 83.56

 

Description

Color code: HEX #03F1DC | qconv.com Color code: HEX #03F1DC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 241 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 241 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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