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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03CC79 it is the complementary color #FC3386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03CC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03CC79 shade: #08CC74, #19DE87, #2AF09A, #3BFFAD and #4CFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03CC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03CC79 shade: #03CC79, #00BA66, #00A853, #009640 and #00842D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03CC79 shade: #03CE7A, #03CE44, #03CE0D, #30CE03 and #67CE03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03CC79 shade: #03CE7A, #03CEB1, #03B4CE, #037ECE and #0347CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03CC79 shade matches the following richer shades: #03CE7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03CC79 shade: #03CE7A, #14BD77, #25AC74, #369B71 and #478A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03CC79 shade: #03CE0D, #03CE43, #03CE79, #03CEB0 and #03B6CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03CC79 shade: #027D4A, #03A562, #03CE7A, #04F792 and #28FCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03CC79 shade: #03CC79, #032FCE and #CE2803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03CC79 shade: #03CC79, #7903CE and #CE7903

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03CC79 shade: #03CC79, #032FCE, #CE0358 and #CEA203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03CC79 shade: #03CC79, #1403CE, #CE0358 and #BDCE03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

Complementary color

CMYK 0 / 80 / 47 / 1

HEX #FC3386

RGB 252 51 134

HSL 335.22, 0.97%, 0.59%

LAB 56.86, 77.44, 3.27

 

CMYK 96 / 0 / 43 / 20

HEX #08CC74

RGB 8 204 116

HSL 153.06, 0.92%, 0.42%

LAB 72.56, -62.03, 32.21

 

CMYK 89 / 0 / 39 / 13

HEX #19DE87

RGB 25 222 135

HSL 153.5, 0.8%, 0.48%

LAB 78.58, -63.87, 30.43

 

CMYK 83 / 0 / 36 / 6

HEX #2AF09A

RGB 42 240 154

HSL 153.94, 0.87%, 0.55%

LAB 84.56, -65.27, 28.78

 

CMYK 77 / 0 / 32 / 0

HEX #3BFFAD

RGB 59 255 173

HSL 154.9, 1%, 0.62%

LAB 89.61, -65.22, 26.03

 

CMYK 70 / 0 / 25 / 0

HEX #4CFFC0

RGB 76 255 192

HSL 158.88, 1%, 0.65%

LAB 90.26, -59.13, 17.29

 

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

CMYK 100 / 0 / 45 / 27

HEX #00BA66

RGB 0 186 102

HSL 152.9, 1%, 0.36%

LAB 66.58, -58.76, 31.64

 

CMYK 100 / 0 / 51 / 34

HEX #00A853

RGB 0 168 83

HSL 149.64, 1%, 0.33%

LAB 60.45, -55.99, 33.61

 

CMYK 100 / 0 / 57 / 41

HEX #009640

RGB 0 150 64

HSL 145.6, 1%, 0.29%

LAB 54.22, -53.02, 35.56

 

CMYK 100 / 0 / 66 / 48

HEX #00842D

RGB 0 132 45

HSL 140.45, 1%, 0.26%

LAB 47.87, -49.75, 37.35

 

CMYK 99 / 0 / 41 / 19

HEX #03CE7A

RGB 3 206 122

HSL 155.17, 0.97%, 0.41%

LAB 73.26, -61.76, 30.05

 

CMYK 99 / 0 / 67 / 19

HEX #03CE44

RGB 3 206 68

HSL 139.21, 0.97%, 0.41%

LAB 72.61, -69.69, 54.67

 

CMYK 99 / 0 / 94 / 19

HEX #03CE0D

RGB 3 206 13

HSL 122.96, 0.97%, 0.41%

LAB 72.36, -73.01, 69.48

 

CMYK 77 / 0 / 99 / 19

HEX #30CE03

RGB 48 206 3

HSL 106.7, 0.97%, 0.41%

LAB 72.75, -69.57, 71.02

 

CMYK 50 / 0 / 99 / 19

HEX #67CE03

RGB 103 206 3

HSL 90.44, 0.97%, 0.41%

LAB 74.21, -57.41, 72.81

 

CMYK 99 / 0 / 41 / 19

HEX #03CE7A

RGB 3 206 122

HSL 155.17, 0.97%, 0.41%

LAB 73.26, -61.76, 30.05

 

CMYK 99 / 0 / 14 / 19

HEX #03CEB1

RGB 3 206 177

HSL 171.43, 0.97%, 0.41%

LAB 74.4, -49.07, 2.45

 

CMYK 99 / 13 / 0 / 19

HEX #03B4CE

RGB 3 180 206

HSL 187.68, 0.97%, 0.41%

LAB 67.37, -28.64, -23.89

 

CMYK 99 / 39 / 0 / 19

HEX #037ECE

RGB 3 126 206

HSL 203.65, 0.97%, 0.41%

LAB 51.15, 1.06, -49.24

 

CMYK 99 / 66 / 0 / 19

HEX #0347CE

RGB 3 71 206

HSL 219.9, 0.97%, 0.41%

LAB 35.95, 36.51, -73.87

 

CMYK 99 / 0 / 41 / 19

HEX #03CE7A

RGB 3 206 122

HSL 155.17, 0.97%, 0.41%

LAB 73.26, -61.76, 30.05

 

CMYK 99 / 0 / 41 / 19

HEX #03CE7A

RGB 3 206 122

HSL 155.17, 0.97%, 0.41%

LAB 73.26, -61.76, 30.05

 

CMYK 89 / 0 / 37 / 26

HEX #14BD77

RGB 20 189 119

HSL 155.15, 0.81%, 0.41%

LAB 67.93, -55.63, 24.54

 

CMYK 78 / 0 / 33 / 33

HEX #25AC74

RGB 37 172 116

HSL 155.11, 0.65%, 0.41%

LAB 62.64, -48.33, 19.03

 

CMYK 65 / 0 / 27 / 39

HEX #369B71

RGB 54 155 113

HSL 155.05, 0.48%, 0.41%

LAB 57.48, -39.38, 13.62

 

CMYK 49 / 0 / 20 / 46

HEX #478A6E

RGB 71 138 110

HSL 154.93, 0.32%, 0.41%

LAB 52.56, -28.32, 8.49

 

CMYK 99 / 0 / 94 / 19

HEX #03CE0D

RGB 3 206 13

HSL 122.96, 0.97%, 0.41%

LAB 72.36, -73.01, 69.48

 

CMYK 99 / 0 / 67 / 19

HEX #03CE43

RGB 3 206 67

HSL 138.92, 0.97%, 0.41%

LAB 72.61, -69.79, 55.07

 

CMYK 99 / 0 / 41 / 19

HEX #03CE79

RGB 3 206 121

HSL 154.88, 0.97%, 0.41%

LAB 73.25, -61.95, 30.54

 

CMYK 99 / 0 / 15 / 19

HEX #03CEB0

RGB 3 206 176

HSL 171.13, 0.97%, 0.41%

LAB 74.38, -49.34, 2.95

 

CMYK 99 / 12 / 0 / 19

HEX #03B6CE

RGB 3 182 206

HSL 187.09, 0.97%, 0.41%

LAB 67.97, -29.62, -22.97

 

CMYK 98 / 0 / 41 / 51

HEX #027D4A

RGB 2 125 74

HSL 155.12, 0.97%, 0.25%

LAB 45.87, -42.27, 19.7

 

CMYK 98 / 0 / 41 / 35

HEX #03A562

RGB 3 165 98

HSL 155.19, 0.96%, 0.33%

LAB 59.72, -52.05, 24.8

 

CMYK 99 / 0 / 41 / 19

HEX #03CE7A

RGB 3 206 122

HSL 155.17, 0.97%, 0.41%

LAB 73.26, -61.76, 30.05

 

CMYK 98 / 0 / 41 / 3

HEX #04F792

RGB 4 247 146

HSL 155.06, 0.97%, 0.49%

LAB 86.32, -71.07, 35.09

 

CMYK 84 / 0 / 35 / 1

HEX #28FCA4

RGB 40 252 164

HSL 155.09, 0.97%, 0.57%

LAB 88.33, -67.69, 28.8

 

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

CMYK 99 / 77 / 0 / 19

HEX #032FCE

RGB 3 47 206

HSL 227, 0.97%, 0.41%

LAB 30.66, 51.06, -82.61

 

CMYK 0 / 81 / 99 / 19

HEX #CE2803

RGB 206 40 3

HSL 10.94, 0.97%, 0.41%

LAB 45.15, 61.97, 57.15

 

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

CMYK 41 / 99 / 0 / 19

HEX #7903CE

RGB 121 3 206

HSL 274.88, 0.97%, 0.41%

LAB 35.18, 72.07, -74.86

 

CMYK 0 / 41 / 99 / 19

HEX #CE7903

RGB 206 121 3

HSL 34.88, 0.97%, 0.41%

LAB 58.79, 26.57, 65.02

 

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

CMYK 99 / 77 / 0 / 19

HEX #032FCE

RGB 3 47 206

HSL 227, 0.97%, 0.41%

LAB 30.66, 51.06, -82.61

 

CMYK 0 / 99 / 57 / 19

HEX #CE0358

RGB 206 3 88

HSL 334.88, 0.97%, 0.41%

LAB 44.08, 70.73, 11.93

 

CMYK 0 / 21 / 99 / 19

HEX #CEA203

RGB 206 162 3

HSL 47, 0.97%, 0.41%

LAB 68.73, 4.39, 71.78

 

CMYK 99 / 0 / 41 / 20

HEX #03CC79

RGB 3 204 121

HSL 155.22, 0.97%, 0.41%

LAB 72.62, -61.27, 29.72

 

CMYK 90 / 99 / 0 / 19

HEX #1403CE

RGB 20 3 206

HSL 245.02, 0.97%, 0.41%

LAB 25.77, 66.97, -90.74

 

CMYK 0 / 99 / 57 / 19

HEX #CE0358

RGB 206 3 88

HSL 334.88, 0.97%, 0.41%

LAB 44.08, 70.73, 11.93

 

CMYK 8 / 0 / 99 / 19

HEX #BDCE03

RGB 189 206 3

HSL 65.02, 0.97%, 0.41%

LAB 79.02, -25.52, 78.6

 

Description

Color code: HEX #03CC79 | qconv.com Color code: HEX #03CC79 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 204 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 204 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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