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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03C35F it is the complementary color #FC3CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03C35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03C35F shade: #08C35A, #19D56D, #2AE780, #3BF993 and #4CFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03C35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03C35F shade: #03C35F, #00B14C, #009F39, #008D26 and #007B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03C35F shade: #03C45F, #03C42B, #0FC403, #43C403 and #77C403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03C35F shade: #03C45F, #03C493, #03C0C4, #038CC4 and #0358C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03C35F shade matches the following richer shades: #03C45F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03C35F shade: #03C45F, #13B460, #23A461, #339461 and #438462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03C35F shade: #10C403, #03C42A, #03C45D, #03C490 and #03C4C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03C35F shade: #027338, #029B4C, #03C45F, #04ED73 and #1EFC88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03C35F shade: #03C35F, #0343C4 and #C41003

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03C35F shade: #03C35F, #5D03C4 and #C45D03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03C35F shade: #03C35F, #0343C4, #C4036A and #C48403

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03C35F shade: #03C35F, #0309C4, #C4036A and #C4BD03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

Complementary color

CMYK 0 / 76 / 37 / 1

HEX #FC3CA0

RGB 252 60 160

HSL 328.75, 0.97%, 0.61%

LAB 58.48, 77.45, -9.67

 

CMYK 96 / 0 / 54 / 24

HEX #08C35A

RGB 8 195 90

HSL 146.31, 0.92%, 0.4%

LAB 69.34, -63.38, 41.1

 

CMYK 88 / 0 / 49 / 16

HEX #19D56D

RGB 25 213 109

HSL 146.81, 0.79%, 0.47%

LAB 75.39, -65.41, 39.35

 

CMYK 82 / 0 / 45 / 9

HEX #2AE780

RGB 42 231 128

HSL 147.3, 0.8%, 0.54%

LAB 81.4, -66.91, 37.67

 

CMYK 76 / 0 / 41 / 2

HEX #3BF993

RGB 59 249 147

HSL 147.79, 0.94%, 0.6%

LAB 87.38, -67.99, 36.08

 

CMYK 70 / 0 / 35 / 0

HEX #4CFFA6

RGB 76 255 166

HSL 150.17, 1%, 0.65%

LAB 89.77, -64.42, 29.83

 

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

CMYK 100 / 0 / 57 / 31

HEX #00B14C

RGB 0 177 76

HSL 145.76, 1%, 0.35%

LAB 63.31, -60.01, 40.57

 

CMYK 100 / 0 / 64 / 38

HEX #009F39

RGB 0 159 57

HSL 141.51, 1%, 0.31%

LAB 57.16, -56.85, 42.3

 

CMYK 100 / 0 / 73 / 45

HEX #008D26

RGB 0 141 38

HSL 136.17, 1%, 0.28%

LAB 50.91, -53.35, 43.66

 

CMYK 100 / 0 / 85 / 52

HEX #007B13

RGB 0 123 19

HSL 129.27, 1%, 0.24%

LAB 44.54, -49.37, 44.1

 

CMYK 98 / 0 / 52 / 23

HEX #03C45F

RGB 3 196 95

HSL 148.6, 0.97%, 0.39%

LAB 69.7, -63.14, 39.11

 

CMYK 98 / 0 / 78 / 23

HEX #03C42B

RGB 3 196 43

HSL 132.44, 0.97%, 0.39%

LAB 69.24, -68.95, 60.23

 

CMYK 92 / 0 / 98 / 23

HEX #0FC403

RGB 15 196 3

HSL 116.27, 0.97%, 0.39%

LAB 69.18, -69.97, 67.99

 

CMYK 66 / 0 / 98 / 23

HEX #43C403

RGB 67 196 3

HSL 100.1, 0.97%, 0.39%

LAB 69.95, -63.15, 68.94

 

CMYK 39 / 0 / 98 / 23

HEX #77C403

RGB 119 196 3

HSL 83.94, 0.97%, 0.39%

LAB 71.83, -48.43, 71.23

 

CMYK 98 / 0 / 52 / 23

HEX #03C45F

RGB 3 196 95

HSL 148.6, 0.97%, 0.39%

LAB 69.7, -63.14, 39.11

 

CMYK 98 / 0 / 25 / 23

HEX #03C493

RGB 3 196 147

HSL 164.77, 0.97%, 0.39%

LAB 70.6, -52.72, 13.2

 

CMYK 98 / 2 / 0 / 23

HEX #03C0C4

RGB 3 192 196

HSL 181.24, 0.97%, 0.39%

LAB 70.67, -37.53, -13.4

 

CMYK 98 / 29 / 0 / 23

HEX #038CC4

RGB 3 140 196

HSL 197.41, 0.97%, 0.39%

LAB 54.83, -10.99, -37.74

 

CMYK 98 / 55 / 0 / 23

HEX #0358C4

RGB 3 88 196

HSL 213.58, 0.97%, 0.39%

LAB 39.55, 21.36, -62.17

 

CMYK 98 / 0 / 52 / 23

HEX #03C45F

RGB 3 196 95

HSL 148.6, 0.97%, 0.39%

LAB 69.7, -63.14, 39.11

 

CMYK 98 / 0 / 52 / 23

HEX #03C45F

RGB 3 196 95

HSL 148.6, 0.97%, 0.39%

LAB 69.7, -63.14, 39.11

 

CMYK 89 / 0 / 47 / 29

HEX #13B460

RGB 19 180 96

HSL 148.7, 0.81%, 0.39%

LAB 64.66, -56.88, 32.3

 

CMYK 79 / 0 / 41 / 36

HEX #23A461

RGB 35 164 97

HSL 148.84, 0.65%, 0.39%

LAB 59.68, -49.41, 25.34

 

CMYK 66 / 0 / 34 / 42

HEX #339461

RGB 51 148 97

HSL 148.45, 0.49%, 0.39%

LAB 54.81, -40.45, 18.89

 

CMYK 49 / 0 / 26 / 48

HEX #438462

RGB 67 132 98

HSL 148.62, 0.33%, 0.39%

LAB 50.19, -29.21, 12.06

 

CMYK 92 / 0 / 98 / 23

HEX #10C403

RGB 16 196 3

HSL 115.96, 0.97%, 0.39%

LAB 69.18, -69.91, 68

 

CMYK 98 / 0 / 79 / 23

HEX #03C42A

RGB 3 196 42

HSL 132.12, 0.97%, 0.39%

LAB 69.23, -69.02, 60.54

 

CMYK 98 / 0 / 53 / 23

HEX #03C45D

RGB 3 196 93

HSL 147.98, 0.97%, 0.39%

LAB 69.68, -63.45, 40.05

 

CMYK 98 / 0 / 27 / 23

HEX #03C490

RGB 3 196 144

HSL 163.83, 0.97%, 0.39%

LAB 70.53, -53.44, 14.73

 

CMYK 98 / 0 / 0 / 23

HEX #03C4C4

RGB 3 196 196

HSL 180, 0.97%, 0.39%

LAB 71.88, -39.35, -11.58

 

CMYK 98 / 0 / 51 / 55

HEX #027338

RGB 2 115 56

HSL 148.67, 0.97%, 0.23%

LAB 42.09, -42.13, 24.89

 

CMYK 99 / 0 / 51 / 39

HEX #029B4C

RGB 2 155 76

HSL 149.02, 0.97%, 0.31%

LAB 56.07, -52.67, 31.73

 

CMYK 98 / 0 / 52 / 23

HEX #03C45F

RGB 3 196 95

HSL 148.6, 0.97%, 0.39%

LAB 69.7, -63.14, 39.11

 

CMYK 98 / 0 / 51 / 7

HEX #04ED73

RGB 4 237 115

HSL 148.58, 0.97%, 0.47%

LAB 82.82, -73.03, 45.69

 

CMYK 88 / 0 / 46 / 1

HEX #1EFC88

RGB 30 252 136

HSL 148.65, 0.97%, 0.55%

LAB 87.81, -73.43, 41.94

 

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

CMYK 98 / 66 / 0 / 23

HEX #0343C4

RGB 3 67 196

HSL 220.1, 0.97%, 0.39%

LAB 34.02, 35.28, -71.22

 

CMYK 0 / 92 / 98 / 23

HEX #C41003

RGB 196 16 3

HSL 4.04, 0.97%, 0.39%

LAB 41.4, 64.03, 54.28

 

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

CMYK 53 / 98 / 0 / 23

HEX #5D03C4

RGB 93 3 196

HSL 267.98, 0.97%, 0.39%

LAB 30.35, 67.46, -77.11

 

CMYK 0 / 53 / 98 / 23

HEX #C45D03

RGB 196 93 3

HSL 27.98, 0.97%, 0.39%

LAB 51.35, 37.15, 59.6

 

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

CMYK 98 / 66 / 0 / 23

HEX #0343C4

RGB 3 67 196

HSL 220.1, 0.97%, 0.39%

LAB 34.02, 35.28, -71.22

 

CMYK 0 / 98 / 46 / 23

HEX #C4036A

RGB 196 3 106

HSL 327.98, 0.97%, 0.39%

LAB 42.52, 69.8, -1.87

 

CMYK 0 / 33 / 98 / 23

HEX #C48403

RGB 196 132 3

HSL 40.1, 0.97%, 0.39%

LAB 60.11, 16.24, 65.28

 

CMYK 98 / 0 / 51 / 24

HEX #03C35F

RGB 3 195 95

HSL 148.75, 0.97%, 0.39%

LAB 69.38, -62.81, 38.71

 

CMYK 98 / 95 / 0 / 23

HEX #0309C4

RGB 3 9 196

HSL 238.13, 0.97%, 0.39%

LAB 24.32, 63.01, -87.31

 

CMYK 0 / 98 / 46 / 23

HEX #C4036A

RGB 196 3 106

HSL 327.98, 0.97%, 0.39%

LAB 42.52, 69.8, -1.87

 

CMYK 0 / 4 / 98 / 23

HEX #C4BD03

RGB 196 189 3

HSL 57.82, 0.97%, 0.39%

LAB 74.91, -14.13, 75.8

 

Description

Color code: HEX #03C35F | qconv.com Color code: HEX #03C35F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 195 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 195 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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