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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03911D it is the complementary color #FC6EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03911D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03911D shade: #089118, #19A32B, #2AB53E, #3BC751 and #4CD964

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03911D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03911D shade: #03911D, #007F0A, #006D00, #005B00 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03911D shade: #03911D, #0F9103, #369103, #5C9103 and #829103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03911D shade: #03911D, #039143, #03916A, #039190 and #036C91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03911D shade matches the following richer shades: #03911D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03911D shade: #03911D, #0F8525, #1B792C, #276D34 and #33613B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03911D shade: #379103, #119103, #03911B, #039140 and #039166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03911D shade: #01400D, #026915, #03911D, #04B925 and #05E22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03911D shade: #03911D, #035D91 and #910324

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03911D shade: #03911D, #1B0391 and #911B03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03911D shade: #03911D, #035D91, #910379 and #913703

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03911D shade: #03911D, #033291, #910379 and #916203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

Complementary color

CMYK 0 / 56 / 10 / 1

HEX #FC6EE2

RGB 252 110 226

HSL 310.99, 0.96%, 0.71%

LAB 67.53, 67.56, -33.41

 

CMYK 94 / 0 / 83 / 43

HEX #089118

RGB 8 145 24

HSL 127.01, 0.9%, 0.3%

LAB 52.25, -55.11, 49.84

 

CMYK 85 / 0 / 74 / 36

HEX #19A32B

RGB 25 163 43

HSL 127.83, 0.73%, 0.37%

LAB 58.58, -57.82, 49.7

 

CMYK 77 / 0 / 66 / 29

HEX #2AB53E

RGB 42 181 62

HSL 128.63, 0.62%, 0.44%

LAB 64.87, -59.62, 48.81

 

CMYK 70 / 0 / 59 / 22

HEX #3BC751

RGB 59 199 81

HSL 129.43, 0.56%, 0.51%

LAB 71.13, -60.78, 47.59

 

CMYK 65 / 0 / 54 / 15

HEX #4CD964

RGB 76 217 100

HSL 130.21, 0.65%, 0.57%

LAB 77.33, -61.5, 46.24

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 100 / 0 / 92 / 50

HEX #007F0A

RGB 0 127 10

HSL 124.72, 1%, 0.25%

LAB 45.91, -51.02, 47.58

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 90 / 0 / 98 / 43

HEX #0F9103

RGB 15 145 3

HSL 114.93, 0.96%, 0.29%

LAB 52.24, -55.46, 54.24

 

CMYK 63 / 0 / 98 / 43

HEX #369103

RGB 54 145 3

HSL 98.45, 0.96%, 0.29%

LAB 53, -48.93, 55.17

 

CMYK 37 / 0 / 98 / 43

HEX #5C9103

RGB 92 145 3

HSL 82.39, 0.96%, 0.29%

LAB 54.59, -36.75, 57.11

 

CMYK 10 / 0 / 98 / 43

HEX #829103

RGB 130 145 3

HSL 66.34, 0.96%, 0.29%

LAB 57.08, -20.87, 60.11

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 0 / 54 / 43

HEX #039143

RGB 3 145 67

HSL 147.04, 0.96%, 0.29%

LAB 52.59, -50.7, 32.08

 

CMYK 98 / 0 / 27 / 43

HEX #03916A

RGB 3 145 106

HSL 163.52, 0.96%, 0.29%

LAB 53.29, -42.6, 11.61

 

CMYK 98 / 0 / 1 / 43

HEX #039190

RGB 3 145 144

HSL 179.58, 0.96%, 0.29%

LAB 54.33, -31.75, -8.72

 

CMYK 98 / 26 / 0 / 43

HEX #036C91

RGB 3 108 145

HSL 195.63, 0.96%, 0.29%

LAB 42.44, -11.91, -27.47

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 89 / 0 / 72 / 48

HEX #0F8525

RGB 15 133 37

HSL 131.19, 0.8%, 0.29%

LAB 48.27, -49.83, 41.34

 

CMYK 78 / 0 / 64 / 53

HEX #1B792C

RGB 27 121 44

HSL 130.85, 0.64%, 0.29%

LAB 44.36, -43.42, 33.94

 

CMYK 64 / 0 / 52 / 57

HEX #276D34

RGB 39 109 52

HSL 131.14, 0.47%, 0.29%

LAB 40.6, -35.13, 25.37

 

CMYK 47 / 0 / 39 / 62

HEX #33613B

RGB 51 97 59

HSL 130.43, 0.31%, 0.29%

LAB 37.06, -24.97, 16.9

 

CMYK 62 / 0 / 98 / 43

HEX #379103

RGB 55 145 3

HSL 98.03, 0.96%, 0.29%

LAB 53.03, -48.68, 55.2

 

CMYK 88 / 0 / 98 / 43

HEX #119103

RGB 17 145 3

HSL 114.08, 0.96%, 0.29%

LAB 52.26, -55.28, 54.27

 

CMYK 98 / 0 / 81 / 43

HEX #03911B

RGB 3 145 27

HSL 130.14, 0.96%, 0.29%

LAB 52.23, -55.25, 48.91

 

CMYK 98 / 0 / 56 / 43

HEX #039140

RGB 3 145 64

HSL 145.77, 0.96%, 0.29%

LAB 52.55, -51.18, 33.56

 

CMYK 98 / 0 / 30 / 43

HEX #039166

RGB 3 145 102

HSL 161.83, 0.96%, 0.29%

LAB 53.2, -43.59, 13.76

 

CMYK 98 / 0 / 80 / 75

HEX #01400D

RGB 1 64 13

HSL 131.43, 0.97%, 0.13%

LAB 22.66, -30.51, 24.85

 

CMYK 98 / 0 / 80 / 59

HEX #026915

RGB 2 105 21

HSL 131.07, 0.96%, 0.21%

LAB 38.15, -43.43, 37.3

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 0 / 80 / 27

HEX #04B925

RGB 4 185 37

HSL 130.94, 0.96%, 0.37%

LAB 65.64, -66.18, 58.61

 

CMYK 98 / 0 / 80 / 11

HEX #05E22D

RGB 5 226 45

HSL 130.86, 0.96%, 0.45%

LAB 78.82, -77.07, 68.77

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 36 / 0 / 43

HEX #035D91

RGB 3 93 145

HSL 201.97, 0.96%, 0.29%

LAB 37.65, -2.82, -35.02

 

CMYK 0 / 98 / 75 / 43

HEX #910324

RGB 145 3 36

HSL 346.06, 0.96%, 0.29%

LAB 29.94, 53, 24.46

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 81 / 98 / 0 / 43

HEX #1B0391

RGB 27 3 145

HSL 250.14, 0.96%, 0.29%

LAB 17.19, 51.44, -68.34

 

CMYK 0 / 81 / 98 / 43

HEX #911B03

RGB 145 27 3

HSL 10.14, 0.96%, 0.29%

LAB 31.37, 47.24, 43.16

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 36 / 0 / 43

HEX #035D91

RGB 3 93 145

HSL 201.97, 0.96%, 0.29%

LAB 37.65, -2.82, -35.02

 

CMYK 0 / 98 / 17 / 43

HEX #910379

RGB 145 3 121

HSL 310.14, 0.96%, 0.29%

LAB 32.84, 60.63, -27.02

 

CMYK 0 / 62 / 98 / 43

HEX #913703

RGB 145 55 3

HSL 21.97, 0.96%, 0.29%

LAB 35.52, 35.96, 45.74

 

CMYK 98 / 0 / 80 / 43

HEX #03911D

RGB 3 145 29

HSL 130.99, 0.96%, 0.29%

LAB 52.24, -55.11, 48.28

 

CMYK 98 / 66 / 0 / 43

HEX #033291

RGB 3 50 145

HSL 220.14, 0.96%, 0.29%

LAB 24.78, 26.45, -55.8

 

CMYK 0 / 98 / 17 / 43

HEX #910379

RGB 145 3 121

HSL 310.14, 0.96%, 0.29%

LAB 32.84, 60.63, -27.02

 

CMYK 0 / 32 / 98 / 43

HEX #916203

RGB 145 98 3

HSL 40.14, 0.96%, 0.29%

LAB 45.31, 12.18, 52.16

 

Description

Color code: HEX #03911D | qconv.com Color code: HEX #03911D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 145 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 145 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 80 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 80% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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