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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #038FEC it is the complementary color #FC7013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #038FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #038FEC shade: #088FE7, #19A1FA, #2AB3FF, #3BC5FF and #4CD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #038FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #038FEC shade: #038FEC, #007DD9, #006BC6, #0059B3 and #0047A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #038FEC shade: #038FEC, #0350EC, #0311EC, #3303EC and #7203EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #038FEC shade: #038FEC, #0350EC, #0311EC and #0303EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #038FEC shade matches the following richer shades: #038FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #038FEC shade: #038FEC, #168BD8, #2A87C5, #3D83B1 and #517F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #038FEC shade: #03ECC9, #03D0EC, #0392EC, #0354EC and #0316EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #038FEC shade: #025D9A, #0276C3, #038FEC, #1DA2FB and #46B3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #038FEC shade: #038FEC, #8B03EC and #ECE803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #038FEC shade: #038FEC, #EC0392 and #92EC03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #038FEC shade: #038FEC, #8B03EC, #EC5C03 and #64EC03

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #038FEC shade: #038FEC, #D003EC, #EC5C03 and #1EEC03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

Complementary color

CMYK 0 / 56 / 92 / 1

HEX #FC7013

RGB 252 112 19

HSL 23.95, 0.97%, 0.53%

LAB 63.62, 49.55, 68.48

 

CMYK 97 / 38 / 0 / 9

HEX #088FE7

RGB 8 143 231

HSL 203.68, 0.93%, 0.47%

LAB 57.53, 0.62, -53.12

 

CMYK 90 / 36 / 0 / 2

HEX #19A1FA

RGB 25 161 250

HSL 203.73, 0.96%, 0.54%

LAB 63.83, -2.17, -53.55

 

CMYK 84 / 30 / 0 / 0

HEX #2AB3FF

RGB 42 179 255

HSL 201.41, 1%, 0.58%

LAB 69.44, -9.45, -47.41

 

CMYK 77 / 23 / 0 / 0

HEX #3BC5FF

RGB 59 197 255

HSL 197.76, 1%, 0.62%

LAB 74.88, -17.58, -38.87

 

CMYK 70 / 16 / 0 / 0

HEX #4CD7FF

RGB 76 215 255

HSL 193.41, 1%, 0.65%

LAB 80.38, -24.78, -30.34

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 100 / 42 / 0 / 15

HEX #007DD9

RGB 0 125 217

HSL 205.44, 1%, 0.43%

LAB 51.47, 5.87, -54.96

 

CMYK 100 / 46 / 0 / 22

HEX #006BC6

RGB 0 107 198

HSL 207.58, 1%, 0.39%

LAB 45.07, 9.64, -54.4

 

CMYK 100 / 50 / 0 / 30

HEX #0059B3

RGB 0 89 179

HSL 210.17, 1%, 0.35%

LAB 38.55, 13.66, -53.85

 

CMYK 100 / 56 / 0 / 37

HEX #0047A0

RGB 0 71 160

HSL 213.38, 1%, 0.31%

LAB 31.91, 17.95, -53.3

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 99 / 66 / 0 / 7

HEX #0350EC

RGB 3 80 236

HSL 220.17, 0.97%, 0.47%

LAB 40.92, 42.05, -82.85

 

CMYK 99 / 93 / 0 / 7

HEX #0311EC

RGB 3 17 236

HSL 236.39, 0.97%, 0.47%

LAB 30.58, 71.66, -100

 

CMYK 78 / 99 / 0 / 7

HEX #3303EC

RGB 51 3 236

HSL 252.36, 0.97%, 0.47%

LAB 31.41, 74.81, -98.59

 

CMYK 52 / 99 / 0 / 7

HEX #7203EC

RGB 114 3 236

HSL 268.58, 0.97%, 0.47%

LAB 37.3, 77.79, -88.63

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 99 / 66 / 0 / 7

HEX #0350EC

RGB 3 80 236

HSL 220.17, 0.97%, 0.47%

LAB 40.92, 42.05, -82.85

 

CMYK 99 / 93 / 0 / 7

HEX #0311EC

RGB 3 17 236

HSL 236.39, 0.97%, 0.47%

LAB 30.58, 71.66, -100

 

CMYK 99 / 99 / 0 / 7

HEX #0303EC

RGB 3 3 236

HSL 240, 0.97%, 0.47%

LAB 29.76, 74.2, -101.37

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 90 / 36 / 0 / 15

HEX #168BD8

RGB 22 139 216

HSL 203.81, 0.82%, 0.47%

LAB 55.68, -2.16, -47.67

 

CMYK 79 / 31 / 0 / 23

HEX #2A87C5

RGB 42 135 197

HSL 204, 0.65%, 0.47%

LAB 53.87, -5.27, -39.78

 

CMYK 66 / 26 / 0 / 31

HEX #3D83B1

RGB 61 131 177

HSL 203.79, 0.49%, 0.47%

LAB 52.29, -7.33, -30.78

 

CMYK 49 / 20 / 0 / 38

HEX #517F9E

RGB 81 127 158

HSL 204.16, 0.32%, 0.47%

LAB 51.15, -6.87, -21.48

 

CMYK 99 / 0 / 15 / 7

HEX #03ECC9

RGB 3 236 201

HSL 170.99, 0.97%, 0.47%

LAB 84.08, -54.91, 3.71

 

CMYK 99 / 12 / 0 / 7

HEX #03D0EC

RGB 3 208 236

HSL 187.21, 0.97%, 0.47%

LAB 76.79, -32.49, -25.78

 

CMYK 99 / 38 / 0 / 7

HEX #0392EC

RGB 3 146 236

HSL 203.18, 0.97%, 0.47%

LAB 58.63, 0.6, -54.14

 

CMYK 99 / 64 / 0 / 7

HEX #0354EC

RGB 3 84 236

HSL 219.14, 0.97%, 0.47%

LAB 41.87, 39.53, -81.28

 

CMYK 99 / 91 / 0 / 7

HEX #0316EC

RGB 3 22 236

HSL 235.11, 0.97%, 0.47%

LAB 30.99, 70.4, -99.31

 

CMYK 99 / 40 / 0 / 40

HEX #025D9A

RGB 2 93 154

HSL 204.08, 0.97%, 0.31%

LAB 38.15, 0.81, -39.63

 

CMYK 99 / 39 / 0 / 24

HEX #0276C3

RGB 2 118 195

HSL 203.94, 0.98%, 0.39%

LAB 48.15, 1.6, -47.74

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 88 / 35 / 0 / 2

HEX #1DA2FB

RGB 29 162 251

HSL 204.05, 0.97%, 0.55%

LAB 64.22, -2.18, -53.49

 

CMYK 72 / 29 / 0 / 1

HEX #46B3FC

RGB 70 179 252

HSL 204.07, 0.97%, 0.63%

LAB 69.87, -7.66, -45.05

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 41 / 99 / 0 / 7

HEX #8B03EC

RGB 139 3 236

HSL 275.02, 0.97%, 0.47%

LAB 40.59, 79.9, -83.08

 

CMYK 0 / 2 / 99 / 7

HEX #ECE803

RGB 236 232 3

HSL 58.97, 0.97%, 0.47%

LAB 89.65, -18.37, 88.1

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 0 / 99 / 38 / 7

HEX #EC0392

RGB 236 3 146

HSL 323.18, 0.97%, 0.47%

LAB 51.81, 81.84, -11.7

 

CMYK 38 / 0 / 99 / 7

HEX #92EC03

RGB 146 236 3

HSL 83.18, 0.97%, 0.47%

LAB 85.05, -55.14, 82.11

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 41 / 99 / 0 / 7

HEX #8B03EC

RGB 139 3 236

HSL 275.02, 0.97%, 0.47%

LAB 40.59, 79.9, -83.08

 

CMYK 0 / 61 / 99 / 7

HEX #EC5C03

RGB 236 92 3

HSL 22.92, 0.97%, 0.47%

LAB 57.55, 52.7, 66.54

 

CMYK 58 / 0 / 99 / 7

HEX #64EC03

RGB 100 236 3

HSL 95.02, 0.97%, 0.47%

LAB 83.29, -68.67, 79.97

 

CMYK 99 / 39 / 0 / 7

HEX #038FEC

RGB 3 143 236

HSL 203.95, 0.97%, 0.47%

LAB 57.77, 2.38, -55.51

 

CMYK 12 / 99 / 0 / 7

HEX #D003EC

RGB 208 3 236

HSL 292.79, 0.97%, 0.47%

LAB 51.3, 88.26, -65.15

 

CMYK 0 / 61 / 99 / 7

HEX #EC5C03

RGB 236 92 3

HSL 22.92, 0.97%, 0.47%

LAB 57.55, 52.7, 66.54

 

CMYK 87 / 0 / 99 / 7

HEX #1EEC03

RGB 30 236 3

HSL 113.05, 0.97%, 0.47%

LAB 81.99, -79.87, 78.38

 

Description

Color code: HEX #038FEC | qconv.com Color code: HEX #038FEC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 143 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 143 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 39 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 39% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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