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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #038C3E it is the complementary color #FC73C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #038C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #038C3E shade: #088C39, #199E4C, #2AB05F, #3BC272 and #4CD485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #038C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #038C3E shade: #038C3E, #007A2B, #006818, #005605 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #038C3E shade: #038C3E, #038C19, #128C03, #378C03 and #5C8C03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #038C3E shade: #038C3E, #038C63, #038C88, #036B8C and #03468C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #038C3E shade matches the following richer shades: #038C3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #038C3E shade: #038C3E, #0E803F, #1A7541, #266943 and #315E44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #038C3E shade: #138C03, #038C17, #038C3C, #038C61 and #038C85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #038C3E shade: #013B1A, #02642C, #038C3E, #04B450 and #05DD62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #038C3E shade: #038C3E, #03378C and #8C0503

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #038C3E shade: #038C3E, #3C038C and #8C3C03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #038C3E shade: #038C3E, #03378C, #8C0353 and #8C5703

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #038C3E shade: #038C3E, #030E8C, #8C0353 and #8C8103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

Complementary color

CMYK 0 / 54 / 23 / 1

HEX #FC73C1

RGB 252 115 193

HSL 325.84, 0.96%, 0.72%

LAB 67.13, 60.59, -15.57

 

CMYK 94 / 0 / 59 / 45

HEX #088C39

RGB 8 140 57

HSL 142.27, 0.89%, 0.29%

LAB 50.81, -50.23, 34.99

 

CMYK 84 / 0 / 52 / 38

HEX #199E4C

RGB 25 158 76

HSL 143.01, 0.73%, 0.36%

LAB 57.25, -52.11, 33.25

 

CMYK 76 / 0 / 46 / 31

HEX #2AB05F

RGB 42 176 95

HSL 143.73, 0.61%, 0.43%

LAB 63.65, -53.3, 31.57

 

CMYK 70 / 0 / 41 / 24

HEX #3BC272

RGB 59 194 114

HSL 144.44, 0.53%, 0.5%

LAB 69.99, -54.01, 29.99

 

CMYK 64 / 0 / 37 / 17

HEX #4CD485

RGB 76 212 133

HSL 145.15, 0.61%, 0.56%

LAB 76.26, -54.41, 28.53

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 100 / 0 / 65 / 52

HEX #007A2B

RGB 0 122 43

HSL 141.15, 1%, 0.24%

LAB 44.37, -46.74, 34.34

 

CMYK 100 / 0 / 77 / 59

HEX #006818

RGB 0 104 24

HSL 133.85, 1%, 0.2%

LAB 37.78, -43.05, 35.75

 

CMYK 100 / 0 / 94 / 66

HEX #005605

RGB 0 86 5

HSL 123.49, 1%, 0.17%

LAB 31.04, -38.72, 35.94

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 0 / 82 / 45

HEX #038C19

RGB 3 140 25

HSL 129.64, 0.96%, 0.28%

LAB 50.51, -53.88, 47.89

 

CMYK 87 / 0 / 98 / 45

HEX #128C03

RGB 18 140 3

HSL 113.43, 0.96%, 0.28%

LAB 50.56, -53.69, 52.88

 

CMYK 61 / 0 / 98 / 45

HEX #378C03

RGB 55 140 3

HSL 97.23, 0.96%, 0.28%

LAB 51.35, -46.87, 53.86

 

CMYK 34 / 0 / 98 / 45

HEX #5C8C03

RGB 92 140 3

HSL 81.02, 0.96%, 0.28%

LAB 52.99, -34.53, 55.85

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 0 / 29 / 45

HEX #038C63

RGB 3 140 99

HSL 162.04, 0.96%, 0.28%

LAB 51.47, -42.32, 13.06

 

CMYK 98 / 0 / 3 / 45

HEX #038C88

RGB 3 140 136

HSL 178.25, 0.96%, 0.28%

LAB 52.46, -31.9, -6.89

 

CMYK 98 / 24 / 0 / 45

HEX #036B8C

RGB 3 107 140

HSL 194.45, 0.96%, 0.28%

LAB 41.89, -13.25, -25.35

 

CMYK 98 / 50 / 0 / 45

HEX #03468C

RGB 3 70 140

HSL 210.66, 0.96%, 0.28%

LAB 30.14, 10.32, -43.98

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 89 / 0 / 51 / 50

HEX #0E803F

RGB 14 128 63

HSL 145.79, 0.8%, 0.28%

LAB 46.83, -44.65, 27.06

 

CMYK 78 / 0 / 44 / 54

HEX #1A7541

RGB 26 117 65

HSL 145.71, 0.64%, 0.28%

LAB 43.25, -38.64, 21.41

 

CMYK 64 / 0 / 36 / 59

HEX #266943

RGB 38 105 67

HSL 145.97, 0.47%, 0.28%

LAB 39.45, -30.77, 15.26

 

CMYK 48 / 0 / 28 / 63

HEX #315E44

RGB 49 94 68

HSL 145.33, 0.31%, 0.28%

LAB 36.13, -22.21, 10.19

 

CMYK 86 / 0 / 98 / 45

HEX #138C03

RGB 19 140 3

HSL 112.99, 0.96%, 0.28%

LAB 50.57, -53.58, 52.9

 

CMYK 98 / 0 / 84 / 45

HEX #038C17

RGB 3 140 23

HSL 128.76, 0.96%, 0.28%

LAB 50.5, -54.01, 48.48

 

CMYK 98 / 0 / 57 / 45

HEX #038C3C

RGB 3 140 60

HSL 144.96, 0.96%, 0.28%

LAB 50.81, -50.11, 33.48

 

CMYK 98 / 0 / 31 / 45

HEX #038C61

RGB 3 140 97

HSL 161.17, 0.96%, 0.28%

LAB 51.43, -42.81, 14.14

 

CMYK 98 / 0 / 5 / 45

HEX #038C85

RGB 3 140 133

HSL 176.93, 0.96%, 0.28%

LAB 52.36, -32.84, -5.29

 

CMYK 98 / 0 / 56 / 77

HEX #013B1A

RGB 1 59 26

HSL 145.86, 0.97%, 0.12%

LAB 20.86, -26.53, 15.57

 

CMYK 98 / 0 / 56 / 61

HEX #02642C

RGB 2 100 44

HSL 145.71, 0.96%, 0.2%

LAB 36.57, -38.8, 24.64

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 0 / 56 / 29

HEX #04B450

RGB 4 180 80

HSL 145.91, 0.96%, 0.36%

LAB 64.36, -60.22, 39.9

 

CMYK 98 / 0 / 56 / 13

HEX #05DD62

RGB 5 221 98

HSL 145.83, 0.96%, 0.44%

LAB 77.65, -70.5, 47.35

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 61 / 0 / 45

HEX #03378C

RGB 3 55 140

HSL 217.23, 0.96%, 0.28%

LAB 25.7, 20.86, -51.2

 

CMYK 0 / 96 / 98 / 45

HEX #8C0503

RGB 140 5 3

HSL 0.88, 0.96%, 0.28%

LAB 28.62, 50.5, 40.61

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 57 / 98 / 0 / 45

HEX #3C038C

RGB 60 3 140

HSL 264.96, 0.96%, 0.28%

LAB 19.72, 51.87, -60.93

 

CMYK 0 / 57 / 98 / 45

HEX #8C3C03

RGB 140 60 3

HSL 24.96, 0.96%, 0.28%

LAB 35.62, 31.4, 45.36

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 61 / 0 / 45

HEX #03378C

RGB 3 55 140

HSL 217.23, 0.96%, 0.28%

LAB 25.7, 20.86, -51.2

 

CMYK 0 / 98 / 41 / 45

HEX #8C0353

RGB 140 3 83

HSL 324.96, 0.96%, 0.28%

LAB 30.07, 55.07, -6.84

 

CMYK 0 / 38 / 98 / 45

HEX #8C5703

RGB 140 87 3

HSL 36.79, 0.96%, 0.28%

LAB 41.84, 16.24, 49.46

 

CMYK 98 / 0 / 56 / 45

HEX #038C3E

RGB 3 140 62

HSL 145.84, 0.96%, 0.28%

LAB 50.83, -49.8, 32.5

 

CMYK 98 / 90 / 0 / 45

HEX #030E8C

RGB 3 14 140

HSL 235.18, 0.96%, 0.28%

LAB 16.64, 45.78, -66.17

 

CMYK 0 / 98 / 41 / 45

HEX #8C0353

RGB 140 3 83

HSL 324.96, 0.96%, 0.28%

LAB 30.07, 55.07, -6.84

 

CMYK 0 / 8 / 98 / 45

HEX #8C8103

RGB 140 129 3

HSL 55.18, 0.96%, 0.28%

LAB 53.26, -7.81, 57.63

 

Description

Color code: HEX #038C3E | qconv.com Color code: HEX #038C3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 140 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 140 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 56 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 56% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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