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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #035DF1 it is the complementary color #FCA20E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #035DF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #035DF1 shade: #085DEC, #196FFF, #2A81FF, #3B93FF and #4CA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #035DF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #035DF1 shade: #035DF1, #004BDE, #0039CB, #0027B8 and #0015A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #035DF1 shade: #025DF2, #021CF2, #2902F2, #6A02F2 and #AB02F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #035DF1 shade: #025DF2, #021CF2 and #0202F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #035DF1 shade matches the following richer shades: #025DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #035DF1 shade: #025DF2, #1662DF, #2A67CB, #3E6CB7 and #5270A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #035DF1 shade: #02DEF2, #029EF2, #025EF2, #021EF2 and #2602F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #035DF1 shade: #023EA1, #024DCA, #025DF2, #2174FD and #4A8EFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #035DF1 shade: #035DF1, #C602F2 and #BEF202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #035DF1 shade: #035DF1, #F2025E and #5EF202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #035DF1 shade: #035DF1, #C602F2, #F29602 and #2EF202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #035DF1 shade: #035DF1, #F202D6, #F29602 and #02F21E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

Complementary color

CMYK 0 / 36 / 94 / 1

HEX #FCA20E

RGB 252 162 14

HSL 37.31, 0.98%, 0.52%

LAB 73.91, 24.36, 76.45

 

CMYK 97 / 61 / 0 / 7

HEX #085DEC

RGB 8 93 236

HSL 217.63, 0.93%, 0.48%

LAB 44.14, 33.91, -77.55

 

CMYK 90 / 56 / 0 / 0

HEX #196FFF

RGB 25 111 255

HSL 217.57, 1%, 0.55%

LAB 50.45, 30.21, -77.85

 

CMYK 84 / 49 / 0 / 0

HEX #2A81FF

RGB 42 129 255

HSL 215.49, 1%, 0.58%

LAB 55.49, 19.93, -69.64

 

CMYK 77 / 42 / 0 / 0

HEX #3B93FF

RGB 59 147 255

HSL 213.06, 1%, 0.62%

LAB 60.8, 10.5, -61.09

 

CMYK 70 / 35 / 0 / 0

HEX #4CA5FF

RGB 76 165 255

HSL 210.17, 1%, 0.65%

LAB 66.26, 2.03, -52.36

 

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

CMYK 100 / 66 / 0 / 13

HEX #004BDE

RGB 0 75 222

HSL 219.73, 1%, 0.44%

LAB 38.39, 39.92, -79.07

 

CMYK 100 / 72 / 0 / 20

HEX #0039CB

RGB 0 57 203

HSL 223.15, 1%, 0.4%

LAB 32.34, 44.14, -78.08

 

CMYK 100 / 79 / 0 / 28

HEX #0027B8

RGB 0 39 184

HSL 227.28, 1%, 0.36%

LAB 26.48, 47.93, -76.61

 

CMYK 100 / 87 / 0 / 35

HEX #0015A5

RGB 0 21 165

HSL 232.36, 1%, 0.32%

LAB 21.03, 50.57, -74.26

 

CMYK 99 / 62 / 0 / 5

HEX #025DF2

RGB 2 93 242

HSL 217.25, 0.98%, 0.48%

LAB 44.59, 36.05, -80.19

 

CMYK 99 / 88 / 0 / 5

HEX #021CF2

RGB 2 28 242

HSL 233.5, 0.98%, 0.48%

LAB 32.38, 70.21, -100.41

 

CMYK 83 / 99 / 0 / 5

HEX #2902F2

RGB 41 2 242

HSL 249.75, 0.98%, 0.48%

LAB 31.64, 76.18, -101.62

 

CMYK 56 / 99 / 0 / 5

HEX #6A02F2

RGB 106 2 242

HSL 266, 0.98%, 0.48%

LAB 36.96, 78.67, -92.61

 

CMYK 29 / 99 / 0 / 5

HEX #AB02F2

RGB 171 2 242

HSL 282.25, 0.98%, 0.48%

LAB 45.79, 84.54, -77.76

 

CMYK 99 / 62 / 0 / 5

HEX #025DF2

RGB 2 93 242

HSL 217.25, 0.98%, 0.48%

LAB 44.59, 36.05, -80.19

 

CMYK 99 / 88 / 0 / 5

HEX #021CF2

RGB 2 28 242

HSL 233.5, 0.98%, 0.48%

LAB 32.38, 70.21, -100.41

 

CMYK 99 / 99 / 0 / 5

HEX #0202F2

RGB 2 2 242

HSL 240, 0.98%, 0.48%

LAB 30.56, 75.8, -103.45

 

CMYK 99 / 62 / 0 / 5

HEX #025DF2

RGB 2 93 242

HSL 217.25, 0.98%, 0.48%

LAB 44.59, 36.05, -80.19

 

CMYK 99 / 62 / 0 / 5

HEX #025DF2

RGB 2 93 242

HSL 217.25, 0.98%, 0.48%

LAB 44.59, 36.05, -80.19

 

CMYK 90 / 56 / 0 / 13

HEX #1662DF

RGB 22 98 223

HSL 217.31, 0.82%, 0.48%

LAB 44.57, 26.17, -69.5

 

CMYK 79 / 49 / 0 / 20

HEX #2A67CB

RGB 42 103 203

HSL 217.27, 0.66%, 0.48%

LAB 44.95, 16.69, -57.44

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB7

RGB 62 108 183

HSL 217.19, 0.49%, 0.48%

LAB 45.86, 8.83, -44.37

 

CMYK 50 / 31 / 0 / 36

HEX #5270A3

RGB 82 112 163

HSL 217.78, 0.33%, 0.48%

LAB 47.01, 3.82, -30.81

 

CMYK 99 / 8 / 0 / 5

HEX #02DEF2

RGB 2 222 242

HSL 185, 0.98%, 0.48%

LAB 81.11, -37.21, -22.4

 

CMYK 99 / 35 / 0 / 5

HEX #029EF2

RGB 2 158 242

HSL 201, 0.98%, 0.48%

LAB 62.4, -4.15, -51.45

 

CMYK 99 / 61 / 0 / 5

HEX #025EF2

RGB 2 94 242

HSL 217, 0.98%, 0.48%

LAB 44.84, 35.42, -79.78

 

CMYK 99 / 88 / 0 / 5

HEX #021EF2

RGB 2 30 242

HSL 233, 0.98%, 0.48%

LAB 32.6, 69.55, -100.05

 

CMYK 84 / 99 / 0 / 5

HEX #2602F2

RGB 38 2 242

HSL 249, 0.98%, 0.48%

LAB 31.5, 76.13, -101.85

 

CMYK 99 / 61 / 0 / 37

HEX #023EA1

RGB 2 62 161

HSL 217.36, 0.98%, 0.32%

LAB 29.49, 24.68, -57.85

 

CMYK 99 / 62 / 0 / 21

HEX #024DCA

RGB 2 77 202

HSL 217.5, 0.98%, 0.4%

LAB 37.09, 31.02, -69.68

 

CMYK 99 / 62 / 0 / 5

HEX #025DF2

RGB 2 93 242

HSL 217.25, 0.98%, 0.48%

LAB 44.59, 36.05, -80.19

 

CMYK 87 / 54 / 0 / 1

HEX #2174FD

RGB 33 116 253

HSL 217.36, 0.98%, 0.56%

LAB 51.73, 26.71, -74.65

 

CMYK 71 / 44 / 0 / 1

HEX #4A8EFD

RGB 74 142 253

HSL 217.21, 0.98%, 0.64%

LAB 59.79, 14.6, -61.58

 

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

CMYK 18 / 99 / 0 / 5

HEX #C602F2

RGB 198 2 242

HSL 289, 0.98%, 0.48%

LAB 50.05, 87.92, -70.63

 

CMYK 21 / 0 / 99 / 5

HEX #BEF202

RGB 190 242 2

HSL 73, 0.98%, 0.48%

LAB 89.14, -41.64, 86.36

 

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

CMYK 0 / 99 / 61 / 5

HEX #F2025E

RGB 242 2 94

HSL 337, 0.98%, 0.48%

LAB 51.53, 79.39, 19.59

 

CMYK 61 / 0 / 99 / 5

HEX #5EF202

RGB 94 242 2

HSL 97, 0.98%, 0.48%

LAB 84.94, -72.05, 81.29

 

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

CMYK 18 / 99 / 0 / 5

HEX #C602F2

RGB 198 2 242

HSL 289, 0.98%, 0.48%

LAB 50.05, 87.92, -70.63

 

CMYK 0 / 38 / 99 / 5

HEX #F29602

RGB 242 150 2

HSL 37, 0.98%, 0.48%

LAB 69.96, 26.36, 74.7

 

CMYK 81 / 0 / 99 / 5

HEX #2EF202

RGB 46 242 2

HSL 109, 0.98%, 0.48%

LAB 84.01, -80.06, 80.16

 

CMYK 99 / 61 / 0 / 5

HEX #035DF1

RGB 3 93 241

HSL 217.31, 0.98%, 0.48%

LAB 44.52, 35.7, -79.75

 

CMYK 0 / 99 / 12 / 5

HEX #F202D6

RGB 242 2 214

HSL 307, 0.98%, 0.48%

LAB 55.86, 90.56, -45.05

 

CMYK 0 / 38 / 99 / 5

HEX #F29602

RGB 242 150 2

HSL 37, 0.98%, 0.48%

LAB 69.96, 26.36, 74.7

 

CMYK 99 / 0 / 88 / 5

HEX #02F21E

RGB 2 242 30

HSL 127, 0.98%, 0.48%

LAB 83.76, -82.13, 76.6

 

Description

Color code: HEX #035DF1 | qconv.com Color code: HEX #035DF1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 93 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 93 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 61 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 61% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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