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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #034D8F it is the complementary color #FCB270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #034D8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #034D8F shade: #084D8A, #195F9D, #2A71B0, #3B83C3 and #4C95D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #034D8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #034D8F shade: #034D8F, #003B7C, #002969, #001756 and #000543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #034D8F shade: #034E91, #032891, #040391, #2B0391 and #510391

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #034D8F shade: #034E91, #032891 and #030391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #034D8F shade matches the following richer shades: #034E91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #034D8F shade: #034E91, #0F4D85, #1B4D79, #274C6D and #334B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #034D8F shade: #039187, #037591, #034F91, #032991 and #030391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #034D8F shade: #012240, #023869, #034E91, #0464B9 and #057AE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #034D8F shade: #034D8F, #620391 and #879103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #034D8F shade: #034D8F, #91034F and #4F9103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #034D8F shade: #034D8F, #620391, #914503 and #329103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #034D8F shade: #034D8F, #8C0391, #914503 and #089103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

Complementary color

CMYK 0 / 29 / 56 / 1

HEX #FCB270

RGB 252 178 112

HSL 28.29, 0.96%, 0.71%

LAB 78.29, 20.07, 44.18

 

CMYK 94 / 44 / 0 / 46

HEX #084D8A

RGB 8 77 138

HSL 208.15, 0.89%, 0.29%

LAB 32.25, 4.98, -39.36

 

CMYK 84 / 39 / 0 / 38

HEX #195F9D

RGB 25 95 157

HSL 208.18, 0.73%, 0.36%

LAB 39.28, 2.22, -39.61

 

CMYK 76 / 36 / 0 / 31

HEX #2A71B0

RGB 42 113 176

HSL 208.21, 0.61%, 0.43%

LAB 46.23, 0.15, -39.76

 

CMYK 70 / 33 / 0 / 24

HEX #3B83C3

RGB 59 131 195

HSL 208.24, 0.54%, 0.5%

LAB 53.06, -1.43, -39.88

 

CMYK 64 / 30 / 0 / 16

HEX #4C95D6

RGB 76 149 214

HSL 208.26, 0.63%, 0.57%

LAB 59.79, -2.65, -39.98

 

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

CMYK 100 / 52 / 0 / 51

HEX #003B7C

RGB 0 59 124

HSL 211.45, 1%, 0.24%

LAB 25.51, 10.9, -41.5

 

CMYK 100 / 61 / 0 / 59

HEX #002969

RGB 0 41 105

HSL 216.57, 1%, 0.21%

LAB 18.39, 15.58, -40.9

 

CMYK 100 / 73 / 0 / 66

HEX #001756

RGB 0 23 86

HSL 223.95, 1%, 0.17%

LAB 11.17, 20.62, -40.11

 

CMYK 100 / 93 / 0 / 74

HEX #000543

RGB 0 5 67

HSL 235.52, 1%, 0.13%

LAB 4.64, 23, -37.68

 

CMYK 98 / 46 / 0 / 43

HEX #034E91

RGB 3 78 145

HSL 208.31, 0.96%, 0.29%

LAB 32.95, 6.98, -42.52

 

CMYK 98 / 72 / 0 / 43

HEX #032891

RGB 3 40 145

HSL 224.37, 0.96%, 0.29%

LAB 22.24, 33.24, -59.99

 

CMYK 97 / 98 / 0 / 43

HEX #040391

RGB 4 3 145

HSL 240.42, 0.96%, 0.29%

LAB 16.18, 51.02, -70.05

 

CMYK 70 / 98 / 0 / 43

HEX #2B0391

RGB 43 3 145

HSL 256.9, 0.96%, 0.29%

LAB 18.47, 52.06, -66.18

 

CMYK 44 / 98 / 0 / 43

HEX #510391

RGB 81 3 145

HSL 272.96, 0.96%, 0.29%

LAB 23.2, 54.96, -58.19

 

CMYK 98 / 46 / 0 / 43

HEX #034E91

RGB 3 78 145

HSL 208.31, 0.96%, 0.29%

LAB 32.95, 6.98, -42.52

 

CMYK 98 / 72 / 0 / 43

HEX #032891

RGB 3 40 145

HSL 224.37, 0.96%, 0.29%

LAB 22.24, 33.24, -59.99

 

CMYK 98 / 98 / 0 / 43

HEX #030391

RGB 3 3 145

HSL 240, 0.96%, 0.29%

LAB 16.15, 51.01, -70.11

 

CMYK 98 / 46 / 0 / 43

HEX #034E91

RGB 3 78 145

HSL 208.31, 0.96%, 0.29%

LAB 32.95, 6.98, -42.52

 

CMYK 98 / 46 / 0 / 43

HEX #034E91

RGB 3 78 145

HSL 208.31, 0.96%, 0.29%

LAB 32.95, 6.98, -42.52

 

CMYK 89 / 42 / 0 / 48

HEX #0F4D85

RGB 15 77 133

HSL 208.47, 0.8%, 0.29%

LAB 32.04, 3.36, -36.61

 

CMYK 78 / 36 / 0 / 53

HEX #1B4D79

RGB 27 77 121

HSL 208.09, 0.64%, 0.29%

LAB 31.63, -0.22, -29.8

 

CMYK 64 / 30 / 0 / 57

HEX #274C6D

RGB 39 76 109

HSL 208.29, 0.47%, 0.29%

LAB 31.12, -2.05, -23.04

 

CMYK 47 / 23 / 0 / 62

HEX #334B61

RGB 51 75 97

HSL 208.7, 0.31%, 0.29%

LAB 30.88, -2.54, -15.77

 

CMYK 98 / 0 / 7 / 43

HEX #039187

RGB 3 145 135

HSL 175.77, 0.96%, 0.29%

LAB 54.05, -34.54, -3.95

 

CMYK 98 / 19 / 0 / 43

HEX #037591

RGB 3 117 145

HSL 191.83, 0.96%, 0.29%

LAB 45.34, -17.03, -22.97

 

CMYK 98 / 46 / 0 / 43

HEX #034F91

RGB 3 79 145

HSL 207.89, 0.96%, 0.29%

LAB 33.26, 6.31, -42.03

 

CMYK 98 / 72 / 0 / 43

HEX #032991

RGB 3 41 145

HSL 223.94, 0.96%, 0.29%

LAB 22.48, 32.58, -59.59

 

CMYK 98 / 98 / 0 / 43

HEX #030391

RGB 3 3 145

HSL 240, 0.96%, 0.29%

LAB 16.15, 51.01, -70.11

 

CMYK 98 / 47 / 0 / 75

HEX #012240

RGB 1 34 64

HSL 208.57, 0.97%, 0.13%

LAB 12.74, 1.82, -22.38

 

CMYK 98 / 47 / 0 / 59

HEX #023869

RGB 2 56 105

HSL 208.54, 0.96%, 0.21%

LAB 23.21, 4.76, -33.11

 

CMYK 98 / 46 / 0 / 43

HEX #034E91

RGB 3 78 145

HSL 208.31, 0.96%, 0.29%

LAB 32.95, 6.98, -42.52

 

CMYK 98 / 46 / 0 / 27

HEX #0464B9

RGB 4 100 185

HSL 208.18, 0.96%, 0.37%

LAB 42.22, 9.05, -51.45

 

CMYK 98 / 46 / 0 / 11

HEX #057AE2

RGB 5 122 226

HSL 208.24, 0.96%, 0.45%

LAB 51.2, 11.41, -60.46

 

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

CMYK 32 / 98 / 0 / 43

HEX #620391

RGB 98 3 145

HSL 280.14, 0.96%, 0.29%

LAB 25.88, 56.93, -53.69

 

CMYK 7 / 0 / 98 / 43

HEX #879103

RGB 135 145 3

HSL 64.23, 0.96%, 0.29%

LAB 57.47, -18.63, 60.58

 

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

CMYK 0 / 98 / 46 / 43

HEX #91034F

RGB 145 3 79

HSL 327.89, 0.96%, 0.29%

LAB 31, 55.85, -2.7

 

CMYK 46 / 0 / 98 / 43

HEX #4F9103

RGB 79 145 3

HSL 87.89, 0.96%, 0.29%

LAB 53.94, -41.46, 56.32

 

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

CMYK 32 / 98 / 0 / 43

HEX #620391

RGB 98 3 145

HSL 280.14, 0.96%, 0.29%

LAB 25.88, 56.93, -53.69

 

CMYK 0 / 52 / 98 / 43

HEX #914503

RGB 145 69 3

HSL 27.89, 0.96%, 0.29%

LAB 38.34, 28.69, 47.49

 

CMYK 66 / 0 / 98 / 43

HEX #329103

RGB 50 145 3

HSL 100.14, 0.96%, 0.29%

LAB 52.88, -49.9, 55.02

 

CMYK 98 / 46 / 0 / 44

HEX #034D8F

RGB 3 77 143

HSL 208.29, 0.96%, 0.29%

LAB 32.5, 6.81, -42.02

 

CMYK 3 / 98 / 0 / 43

HEX #8C0391

RGB 140 3 145

HSL 297.89, 0.96%, 0.29%

LAB 33.32, 63.26, -41.28

 

CMYK 0 / 52 / 98 / 43

HEX #914503

RGB 145 69 3

HSL 27.89, 0.96%, 0.29%

LAB 38.34, 28.69, 47.49

 

CMYK 94 / 0 / 98 / 43

HEX #089103

RGB 8 145 3

HSL 117.89, 0.96%, 0.29%

LAB 52.18, -55.97, 54.17

 

Description

Color code: HEX #034D8F | qconv.com Color code: HEX #034D8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 77 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 77 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 46 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 46% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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