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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #034783CE it is the complementary color #FCB87CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #034783CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #034783CE shade: #08477ECE, #195991CE, #2A6BA4CE, #3B7DB7CE and #4C8FCACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #034783CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #034783CE shade: #034783CE, #003570CE, #00235DCE, #00114ACE and #000037CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #034783CE shade: #034682, #032482, #040382, #260382 and #480382

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #034783CE shade: #034682, #032482 and #030382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #034783CE shade matches the following richer shades: #034682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #034783CE shade: #034682, #0D4677, #18456C, #234462 and #2E4457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #034783CE shade: #038279, #036882, #034782, #032582 and #030382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #034783CE shade: #011B31, #02305A, #034682, #035CAA and #0472D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #034783CE shade: #034783, #580382 and #798203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #034783CE shade: #034783, #820347 and #478203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #034783CE shade: #034783, #580382, #823E03 and #2D8203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #034783CE shade: #034783, #7E0382, #823E03 and #078203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 37 / 0 / 39

HEX #034783CE

RGBA 3 71 131 0.81

HSLA 208.13, 0.96%, 0.26%, 0.81

LABA 29.82, 5.77, -38.93, 0.81

 

Complementary color

CMYK 0 / 22 / 41 / 1

HEX #FCB87CCE

RGBA 252 184 124 0.81

HSLA 28.13, 0.96%, 0.74%, 0.81

LABA 79.86, 17.92, 40.01, 0.81

 

CMYK 76 / 35 / 0 / 41

HEX #08477ECE

RGBA 8 71 126 0.81

HSLA 207.97, 0.88%, 0.26%, 0.81

LABA 29.57, 3.95, -36.21, 0.81

 

CMYK 67 / 31 / 0 / 35

HEX #195991CE

RGBA 25 89 145 0.81

HSLA 208, 0.71%, 0.33%, 0.81

LABA 36.74, 1.3, -36.45, 0.81

 

CMYK 60 / 28 / 0 / 29

HEX #2A6BA4CE

RGBA 42 107 164 0.81

HSLA 208.03, 0.59%, 0.4%, 0.81

LABA 43.78, -0.64, -36.6, 0.81

 

CMYK 55 / 26 / 0 / 23

HEX #3B7DB7CE

RGBA 59 125 183 0.81

HSLA 208.06, 0.51%, 0.47%, 0.81

LABA 50.71, -2.08, -36.71, 0.81

 

CMYK 51 / 24 / 0 / 17

HEX #4C8FCACE

RGBA 76 143 202 0.81

HSLA 208.1, 0.54%, 0.55%, 0.81

LABA 57.51, -3.18, -36.82, 0.81

 

CMYK 79 / 37 / 0 / 39

HEX #034783CE

RGBA 3 71 131 0.81

HSLA 208.13, 0.96%, 0.26%, 0.81

LABA 29.82, 5.77, -38.93, 0.81

 

CMYK 81 / 43 / 0 / 45

HEX #003570CE

RGBA 0 53 112 0.81

HSLA 211.61, 1%, 0.22%, 0.81

LABA 22.71, 9.89, -38.41, 0.81

 

CMYK 81 / 51 / 0 / 51

HEX #00235DCE

RGBA 0 35 93 0.81

HSLA 217.42, 1%, 0.18%, 0.81

LABA 15.45, 14.66, -37.8, 0.81

 

CMYK 81 / 62 / 0 / 57

HEX #00114ACE

RGBA 0 17 74 0.81

HSLA 226.22, 1%, 0.15%, 0.81

LABA 8.09, 19.8, -36.94, 0.81

 

CMYK 81 / 81 / 0 / 64

HEX #000037CE

RGBA 0 0 55 0.81

HSLA 240, 1%, 0.11%, 0.81

LABA 2.49, 17.51, -32.5, 0.81

 

CMYK 98 / 46 / 0 / 49

HEX #034682

RGB 3 70 130

HSL 208.35, 0.95%, 0.26%

LAB 29.44, 6.02, -38.92

 

CMYK 98 / 72 / 0 / 49

HEX #032482

RGB 3 36 130

HSL 224.41, 0.95%, 0.26%

LAB 19.61, 30, -54.94

 

CMYK 97 / 98 / 0 / 49

HEX #040382

RGB 4 3 130

HSL 240.47, 0.95%, 0.26%

LAB 13.84, 46.89, -64.52

 

CMYK 71 / 98 / 0 / 49

HEX #260382

RGB 38 3 130

HSL 256.54, 0.95%, 0.26%

LAB 15.95, 47.89, -60.96

 

CMYK 45 / 98 / 0 / 49

HEX #480382

RGB 72 3 130

HSL 272.6, 0.95%, 0.26%

LAB 20.26, 50.6, -53.68

 

CMYK 98 / 46 / 0 / 49

HEX #034682

RGB 3 70 130

HSL 208.35, 0.95%, 0.26%

LAB 29.44, 6.02, -38.92

 

CMYK 98 / 72 / 0 / 49

HEX #032482

RGB 3 36 130

HSL 224.41, 0.95%, 0.26%

LAB 19.61, 30, -54.94

 

CMYK 98 / 98 / 0 / 49

HEX #030382

RGB 3 3 130

HSL 240, 0.95%, 0.26%

LAB 13.8, 46.88, -64.59

 

CMYK 98 / 46 / 0 / 49

HEX #034682

RGB 3 70 130

HSL 208.35, 0.95%, 0.26%

LAB 29.44, 6.02, -38.92

 

CMYK 98 / 46 / 0 / 49

HEX #034682

RGB 3 70 130

HSL 208.35, 0.95%, 0.26%

LAB 29.44, 6.02, -38.92

 

CMYK 89 / 41 / 0 / 53

HEX #0D4677

RGB 13 70 119

HSL 207.74, 0.8%, 0.26%

LAB 28.9, 2.03, -32.91

 

CMYK 78 / 36 / 0 / 58

HEX #18456C

RGB 24 69 108

HSL 207.86, 0.64%, 0.26%

LAB 28.2, -0.58, -27.04

 

CMYK 64 / 31 / 0 / 62

HEX #234462

RGB 35 68 98

HSL 208.57, 0.47%, 0.26%

LAB 27.77, -1.77, -21.29

 

CMYK 47 / 22 / 0 / 66

HEX #2E4457

RGB 46 68 87

HSL 207.8, 0.31%, 0.26%

LAB 27.85, -2.76, -14.02

 

CMYK 98 / 0 / 7 / 49

HEX #038279

RGB 3 130 121

HSL 175.75, 0.95%, 0.26%

LAB 48.72, -31.86, -3.67

 

CMYK 98 / 20 / 0 / 49

HEX #036882

RGB 3 104 130

HSL 192.28, 0.95%, 0.26%

LAB 40.46, -15.33, -21.54

 

CMYK 98 / 45 / 0 / 49

HEX #034782

RGB 3 71 130

HSL 207.87, 0.95%, 0.26%

LAB 29.76, 5.34, -38.42

 

CMYK 98 / 72 / 0 / 49

HEX #032582

RGB 3 37 130

HSL 223.94, 0.95%, 0.26%

LAB 19.86, 29.32, -54.53

 

CMYK 98 / 98 / 0 / 49

HEX #030382

RGB 3 3 130

HSL 240, 0.95%, 0.26%

LAB 13.8, 46.88, -64.59

 

CMYK 98 / 45 / 0 / 81

HEX #011B31

RGB 1 27 49

HSL 207.5, 0.96%, 0.1%

LAB 9.09, -0.12, -17.48

 

CMYK 98 / 47 / 0 / 65

HEX #02305A

RGB 2 48 90

HSL 208.64, 0.96%, 0.18%

LAB 19.49, 3.74, -29.25

 

CMYK 98 / 46 / 0 / 49

HEX #034682

RGB 3 70 130

HSL 208.35, 0.95%, 0.26%

LAB 29.44, 6.02, -38.92

 

CMYK 98 / 46 / 0 / 33

HEX #035CAA

RGB 3 92 170

HSL 208.02, 0.97%, 0.34%

LAB 38.86, 8.1, -48.04

 

CMYK 98 / 46 / 0 / 17

HEX #0472D3

RGB 4 114 211

HSL 208.12, 0.96%, 0.42%

LAB 47.96, 10.51, -57.19

 

CMYK 98 / 46 / 0 / 49

HEX #034783

RGB 3 71 131

HSL 208.13, 0.96%, 0.26%

LAB 29.82, 5.77, -38.93

 

CMYK 32 / 98 / 0 / 49

HEX #580382

RGB 88 3 130

HSL 280.16, 0.95%, 0.26%

LAB 22.83, 52.53, -49.36

 

CMYK 7 / 0 / 98 / 49

HEX #798203

RGB 121 130 3

HSL 64.25, 0.95%, 0.26%

LAB 51.88, -17.17, 55.85

 

CMYK 98 / 46 / 0 / 49

HEX #034783

RGB 3 71 131

HSL 208.13, 0.96%, 0.26%

LAB 29.82, 5.77, -38.93

 

CMYK 0 / 98 / 45 / 49

HEX #820347

RGB 130 3 71

HSL 327.87, 0.95%, 0.26%

LAB 27.48, 51.55, -2.92

 

CMYK 45 / 0 / 98 / 49

HEX #478203

RGB 71 130 3

HSL 87.87, 0.95%, 0.26%

LAB 48.65, -38.01, 51.95

 

CMYK 98 / 46 / 0 / 49

HEX #034783

RGB 3 71 131

HSL 208.13, 0.96%, 0.26%

LAB 29.82, 5.77, -38.93

 

CMYK 32 / 98 / 0 / 49

HEX #580382

RGB 88 3 130

HSL 280.16, 0.95%, 0.26%

LAB 22.83, 52.53, -49.36

 

CMYK 0 / 52 / 98 / 49

HEX #823E03

RGB 130 62 3

HSL 27.87, 0.95%, 0.26%

LAB 34.39, 26.05, 43.76

 

CMYK 65 / 0 / 98 / 49

HEX #2D8203

RGB 45 130 3

HSL 100.16, 0.95%, 0.26%

LAB 47.66, -45.82, 50.74

 

CMYK 98 / 46 / 0 / 49

HEX #034783

RGB 3 71 131

HSL 208.13, 0.96%, 0.26%

LAB 29.82, 5.77, -38.93

 

CMYK 3 / 98 / 0 / 49

HEX #7E0382

RGB 126 3 130

HSL 298.11, 0.95%, 0.26%

LAB 29.69, 58.43, -37.92

 

CMYK 0 / 52 / 98 / 49

HEX #823E03

RGB 130 62 3

HSL 27.87, 0.95%, 0.26%

LAB 34.39, 26.05, 43.76

 

CMYK 95 / 0 / 98 / 49

HEX #078203

RGB 7 130 3

HSL 118.11, 0.95%, 0.26%

LAB 47, -51.63, 49.92

 

Description

Color code: HEX #034783CE | qconv.com Color code: HEX #034783CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 71 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 71 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 37 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 37% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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