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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #033AB3CE it is the complementary color #FCC54CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #033AB3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #033AB3CE shade: #083AAECE, #194CC1CE, #2A5ED4CE, #3B70E7CE and #4C82FACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #033AB3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #033AB3CE shade: #033AB3CE, #0028A0CE, #00168DCE, #00047ACE and #000067CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #033AB3CE shade: #033AB5, #030AB5, #2B03B5, #5B03B5 and #8B03B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #033AB3CE shade: #033AB5, #030AB5 and #0303B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #033AB3CE shade matches the following richer shades: #033AB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #033AB3CE shade: #033AB5, #1240A6, #204697, #2F4B88 and #3E5179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #033AB3CE shade: #039AB5, #036BB5, #033BB5, #030CB5 and #2903B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #033AB3CE shade: #022064, #022D8C, #033AB5, #0348DD and #0F59FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #033AB3CE shade: #033AB3, #A003B5 and #82B503

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #033AB3CE shade: #033AB3, #B5033B and #3BB503

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #033AB3CE shade: #033AB3, #A003B5, #B57C03 and #18B503

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #033AB3CE shade: #033AB3, #B50394, #B57C03 and #03B523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 55 / 0 / 24

HEX #033AB3CE

RGBA 3 58 179 0.81

HSLA 221.25, 0.97%, 0.36%, 0.81

LABA 30.16, 34.6, -67.55, 0.81

 

Complementary color

CMYK 0 / 18 / 57 / 1

HEX #FCC54CCE

RGBA 252 197 76 0.81

HSLA 41.25, 0.97%, 0.64%, 0.81

LABA 82.46, 7.87, 65.55, 0.81

 

CMYK 77 / 54 / 0 / 26

HEX #083AAECE

RGBA 8 58 174 0.81

HSLA 221.93, 0.91%, 0.36%, 0.81

LABA 29.75, 32.83, -65.24, 0.81

 

CMYK 71 / 49 / 0 / 20

HEX #194CC1CE

RGBA 25 76 193 0.81

HSLA 221.79, 0.77%, 0.43%, 0.81

LABA 36.42, 29.09, -65.53, 0.81

 

CMYK 65 / 45 / 0 / 14

HEX #2A5ED4CE

RGBA 42 94 212 0.81

HSLA 221.65, 0.67%, 0.5%, 0.81

LABA 43.14, 25.92, -65.53, 0.81

 

CMYK 60 / 42 / 0 / 8

HEX #3B70E7CE

RGBA 59 112 231 0.81

HSLA 221.51, 0.78%, 0.57%, 0.81

LABA 49.84, 23.29, -65.41, 0.81

 

CMYK 56 / 39 / 0 / 2

HEX #4C82FACE

RGBA 76 130 250 0.81

HSLA 221.38, 0.95%, 0.64%, 0.81

LABA 56.49, 21.1, -65.23, 0.81

 

CMYK 80 / 55 / 0 / 24

HEX #033AB3CE

RGBA 3 58 179 0.81

HSLA 221.25, 0.97%, 0.36%, 0.81

LABA 30.16, 34.6, -67.55, 0.81

 

CMYK 81 / 61 / 0 / 30

HEX #0028A0CE

RGBA 0 40 160 0.81

HSLA 225, 1%, 0.31%, 0.81

LABA 23.85, 38.83, -66.53, 0.81

 

CMYK 81 / 68 / 0 / 36

HEX #00168DCE

RGBA 0 22 141 0.81

HSLA 230.64, 1%, 0.28%, 0.81

LABA 17.9, 42.38, -64.68, 0.81

 

CMYK 81 / 78 / 0 / 42

HEX #00047ACE

RGBA 0 4 122 0.81

HSLA 238.03, 1%, 0.24%, 0.81

LABA 12.56, 44.14, -61.56, 0.81

 

CMYK 81 / 81 / 0 / 48

HEX #000067CE

RGBA 0 0 103 0.81

HSLA 240, 1%, 0.2%, 0.81

LABA 8.82, 40.69, -55.42, 0.81

 

CMYK 98 / 68 / 0 / 29

HEX #033AB5

RGB 3 58 181

HSL 221.46, 0.97%, 0.36%

LAB 30.36, 35.37, -68.42

 

CMYK 98 / 94 / 0 / 29

HEX #030AB5

RGB 3 10 181

HSL 237.64, 0.97%, 0.36%

LAB 22.21, 58.8, -81.95

 

CMYK 76 / 98 / 0 / 29

HEX #2B03B5

RGB 43 3 181

HSL 253.48, 0.97%, 0.36%

LAB 23.39, 61.2, -79.93

 

CMYK 50 / 98 / 0 / 29

HEX #5B03B5

RGB 91 3 181

HSL 269.66, 0.97%, 0.36%

LAB 28.45, 63.95, -71.38

 

CMYK 23 / 98 / 0 / 29

HEX #8B03B5

RGB 139 3 181

HSL 285.84, 0.97%, 0.36%

LAB 35.77, 69.3, -59.08

 

CMYK 98 / 68 / 0 / 29

HEX #033AB5

RGB 3 58 181

HSL 221.46, 0.97%, 0.36%

LAB 30.36, 35.37, -68.42

 

CMYK 98 / 94 / 0 / 29

HEX #030AB5

RGB 3 10 181

HSL 237.64, 0.97%, 0.36%

LAB 22.21, 58.8, -81.95

 

CMYK 98 / 98 / 0 / 29

HEX #0303B5

RGB 3 3 181

HSL 240, 0.97%, 0.36%

LAB 21.66, 60.5, -82.87

 

CMYK 98 / 68 / 0 / 29

HEX #033AB5

RGB 3 58 181

HSL 221.46, 0.97%, 0.36%

LAB 30.36, 35.37, -68.42

 

CMYK 98 / 68 / 0 / 29

HEX #033AB5

RGB 3 58 181

HSL 221.46, 0.97%, 0.36%

LAB 30.36, 35.37, -68.42

 

CMYK 89 / 61 / 0 / 35

HEX #1240A6

RGB 18 64 166

HSL 221.35, 0.8%, 0.36%

LAB 30.76, 26.07, -58.78

 

CMYK 79 / 54 / 0 / 41

HEX #204697

RGB 32 70 151

HSL 220.84, 0.65%, 0.36%

LAB 31.63, 17.17, -48.27

 

CMYK 65 / 45 / 0 / 47

HEX #2F4B88

RGB 47 75 136

HSL 221.12, 0.49%, 0.36%

LAB 32.73, 10.27, -37.29

 

CMYK 49 / 33 / 0 / 53

HEX #3E5179

RGB 62 81 121

HSL 220.68, 0.32%, 0.36%

LAB 34.58, 4.53, -25.04

 

CMYK 98 / 15 / 0 / 29

HEX #039AB5

RGB 3 154 181

HSL 189.1, 0.97%, 0.36%

LAB 58.48, -23.96, -23.57

 

CMYK 98 / 41 / 0 / 29

HEX #036BB5

RGB 3 107 181

HSL 204.94, 0.97%, 0.36%

LAB 44.05, 2.92, -46.19

 

CMYK 98 / 67 / 0 / 29

HEX #033BB5

RGB 3 59 181

HSL 221.12, 0.97%, 0.36%

LAB 30.6, 34.72, -68.01

 

CMYK 98 / 93 / 0 / 29

HEX #030CB5

RGB 3 12 181

HSL 236.97, 0.97%, 0.36%

LAB 22.37, 58.3, -81.67

 

CMYK 77 / 98 / 0 / 29

HEX #2903B5

RGB 41 3 181

HSL 252.81, 0.97%, 0.36%

LAB 23.25, 61.13, -80.17

 

CMYK 98 / 68 / 0 / 61

HEX #022064

RGB 2 32 100

HSL 221.63, 0.96%, 0.2%

LAB 15.31, 20.24, -42.67

 

CMYK 99 / 68 / 0 / 45

HEX #022D8C

RGB 2 45 140

HSL 221.3, 0.97%, 0.28%

LAB 22.94, 27.83, -55.72

 

CMYK 98 / 68 / 0 / 29

HEX #033AB5

RGB 3 58 181

HSL 221.46, 0.97%, 0.36%

LAB 30.36, 35.37, -68.42

 

CMYK 99 / 67 / 0 / 13

HEX #0348DD

RGB 3 72 221

HSL 221.01, 0.97%, 0.44%

LAB 37.62, 41.51, -79.76

 

CMYK 94 / 65 / 0 / 2

HEX #0F59FB

RGB 15 89 251

HSL 221.19, 0.97%, 0.52%

LAB 44.53, 42.22, -85.32

 

CMYK 98 / 68 / 0 / 30

HEX #033AB3

RGB 3 58 179

HSL 221.25, 0.97%, 0.36%

LAB 30.16, 34.6, -67.55

 

CMYK 12 / 98 / 0 / 29

HEX #A003B5

RGB 160 3 181

HSL 292.92, 0.97%, 0.36%

LAB 39.37, 72.33, -53.08

 

CMYK 28 / 0 / 98 / 29

HEX #82B503

RGB 130 181 3

HSL 77.19, 0.97%, 0.36%

LAB 67.87, -38.01, 68.39

 

CMYK 98 / 68 / 0 / 30

HEX #033AB3

RGB 3 58 179

HSL 221.25, 0.97%, 0.36%

LAB 30.16, 34.6, -67.55

 

CMYK 0 / 98 / 67 / 29

HEX #B5033B

RGB 181 3 59

HSL 341.12, 0.97%, 0.36%

LAB 38.21, 63.14, 21.56

 

CMYK 67 / 0 / 98 / 29

HEX #3BB503

RGB 59 181 3

HSL 101.12, 0.97%, 0.36%

LAB 64.95, -59.97, 64.84

 

CMYK 98 / 68 / 0 / 30

HEX #033AB3

RGB 3 58 179

HSL 221.25, 0.97%, 0.36%

LAB 30.16, 34.6, -67.55

 

CMYK 12 / 98 / 0 / 29

HEX #A003B5

RGB 160 3 181

HSL 292.92, 0.97%, 0.36%

LAB 39.37, 72.33, -53.08

 

CMYK 0 / 31 / 98 / 29

HEX #B57C03

RGB 181 124 3

HSL 40.79, 0.97%, 0.36%

LAB 56.33, 13.96, 61.85

 

CMYK 87 / 0 / 98 / 29

HEX #18B503

RGB 24 181 3

HSL 112.92, 0.97%, 0.36%

LAB 64.36, -65.13, 64.12

 

CMYK 98 / 68 / 0 / 30

HEX #033AB3

RGB 3 58 179

HSL 221.25, 0.97%, 0.36%

LAB 30.16, 34.6, -67.55

 

CMYK 0 / 98 / 18 / 29

HEX #B50394

RGB 181 3 148

HSL 311.12, 0.97%, 0.36%

LAB 41.26, 71.12, -30.03

 

CMYK 0 / 31 / 98 / 29

HEX #B57C03

RGB 181 124 3

HSL 40.79, 0.97%, 0.36%

LAB 56.33, 13.96, 61.85

 

CMYK 98 / 0 / 81 / 29

HEX #03B523

RGB 3 181 35

HSL 130.79, 0.97%, 0.36%

LAB 64.31, -65.21, 57.94

 

Description

Color code: HEX #033AB3CE | qconv.com Color code: HEX #033AB3CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 58 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 58 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 55 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 55% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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