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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02FD7B it is the complementary color #FD0284. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02FD7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02FD7B shade: #07FD76, #18FF89, #29FF9C, #3AFFAF and #4BFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02FD7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02FD7B shade: #02FD7B, #00EB68, #00D955, #00C742 and #00B52F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02FD7B shade: #03FC7B, #03FC38, #11FC03, #54FC03 and #98FC03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02FD7B shade: #03FC7B, #03FCBE, #03F7FC, #03B4FC and #0370FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02FD7B shade matches the following richer shades: #03FC7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02FD7B shade: #03FC7B, #17E87C, #2CD37C, #40BF7D and #55AA7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02FD7B shade: #13FC03, #03FC35, #03FC77, #03FCBA and #03FCFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02FD7B shade: #02AB53, #02D467, #03FC7B, #2BFD90 and #54FDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02FD7B shade: #02FD7B, #0356FC and #FC1303

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02FD7B shade: #02FD7B, #7703FC and #FC7703

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02FD7B shade: #02FD7B, #0356FC, #FC0388 and #FCA903

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02FD7B shade: #02FD7B, #030BFC, #FC0388 and #FCF403

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

Complementary color

CMYK 0 / 99 / 48 / 1

HEX #FD0284

RGB 253 2 132

HSL 328.92, 0.98%, 0.5%

LAB 54.65, 84.29, 1.27

 

CMYK 97 / 0 / 53 / 1

HEX #07FD76

RGB 7 253 118

HSL 147.07, 0.98%, 0.51%

LAB 87.78, -77.42, 50.35

 

CMYK 91 / 0 / 46 / 0

HEX #18FF89

RGB 24 255 137

HSL 149.35, 1%, 0.55%

LAB 88.7, -74.55, 42.58

 

CMYK 84 / 0 / 39 / 0

HEX #29FF9C

RGB 41 255 156

HSL 152.24, 1%, 0.58%

LAB 89.11, -70.18, 33.85

 

CMYK 77 / 0 / 31 / 0

HEX #3AFFAF

RGB 58 255 175

HSL 155.63, 1%, 0.61%

LAB 89.63, -64.92, 25.05

 

CMYK 71 / 0 / 24 / 0

HEX #4BFFC2

RGB 75 255 194

HSL 159.67, 1%, 0.65%

LAB 90.28, -58.83, 16.29

 

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

CMYK 100 / 0 / 56 / 8

HEX #00EB68

RGB 0 235 104

HSL 146.55, 1%, 0.46%

LAB 82.06, -74.11, 49.86

 

CMYK 100 / 0 / 61 / 15

HEX #00D955

RGB 0 217 85

HSL 143.5, 1%, 0.43%

LAB 76.24, -71.15, 51.54

 

CMYK 100 / 0 / 67 / 22

HEX #00C742

RGB 0 199 66

HSL 139.9, 1%, 0.39%

LAB 70.34, -67.96, 53.02

 

CMYK 100 / 0 / 74 / 29

HEX #00B52F

RGB 0 181 47

HSL 135.58, 1%, 0.35%

LAB 64.37, -64.48, 54.07

 

CMYK 99 / 0 / 51 / 1

HEX #03FC7B

RGB 3 252 123

HSL 148.92, 0.98%, 0.5%

LAB 87.52, -76.5, 47.72

 

CMYK 99 / 0 / 78 / 1

HEX #03FC38

RGB 3 252 56

HSL 132.77, 0.98%, 0.5%

LAB 86.96, -83.51, 73.4

 

CMYK 93 / 0 / 99 / 1

HEX #11FC03

RGB 17 252 3

HSL 116.63, 0.98%, 0.5%

LAB 86.87, -84.84, 82.28

 

CMYK 67 / 0 / 99 / 1

HEX #54FC03

RGB 84 252 3

HSL 100.48, 0.98%, 0.5%

LAB 87.73, -77.23, 83.33

 

CMYK 40 / 0 / 99 / 1

HEX #98FC03

RGB 152 252 3

HSL 84.1, 0.98%, 0.5%

LAB 90, -59.34, 86.09

 

CMYK 99 / 0 / 51 / 1

HEX #03FC7B

RGB 3 252 123

HSL 148.92, 0.98%, 0.5%

LAB 87.52, -76.5, 47.72

 

CMYK 99 / 0 / 25 / 1

HEX #03FCBE

RGB 3 252 190

HSL 165.06, 0.98%, 0.5%

LAB 88.62, -63.73, 15.91

 

CMYK 99 / 2 / 0 / 1

HEX #03F7FC

RGB 3 247 252

HSL 181.2, 0.98%, 0.5%

LAB 88.72, -45.42, -16.17

 

CMYK 99 / 29 / 0 / 1

HEX #03B4FC

RGB 3 180 252

HSL 197.35, 0.98%, 0.5%

LAB 69.25, -12.76, -46.1

 

CMYK 99 / 56 / 0 / 1

HEX #0370FC

RGB 3 112 252

HSL 213.73, 0.98%, 0.5%

LAB 50.26, 27.79, -76.51

 

CMYK 99 / 0 / 51 / 1

HEX #03FC7B

RGB 3 252 123

HSL 148.92, 0.98%, 0.5%

LAB 87.52, -76.5, 47.72

 

CMYK 99 / 0 / 51 / 1

HEX #03FC7B

RGB 3 252 123

HSL 148.92, 0.98%, 0.5%

LAB 87.52, -76.5, 47.72

 

CMYK 90 / 0 / 47 / 9

HEX #17E87C

RGB 23 232 124

HSL 149, 0.82%, 0.5%

LAB 81.48, -69.31, 39.7

 

CMYK 79 / 0 / 41 / 17

HEX #2CD37C

RGB 44 211 124

HSL 148.74, 0.65%, 0.5%

LAB 75.19, -60.48, 31.62

 

CMYK 66 / 0 / 35 / 25

HEX #40BF7D

RGB 64 191 125

HSL 148.82, 0.5%, 0.5%

LAB 69.35, -49.91, 23.39

 

CMYK 50 / 0 / 26 / 33

HEX #55AA7E

RGB 85 170 126

HSL 148.94, 0.33%, 0.5%

LAB 63.5, -36.19, 14.93

 

CMYK 92 / 0 / 99 / 1

HEX #13FC03

RGB 19 252 3

HSL 116.14, 0.98%, 0.5%

LAB 86.88, -84.75, 82.29

 

CMYK 99 / 0 / 79 / 1

HEX #03FC35

RGB 3 252 53

HSL 132.05, 0.98%, 0.5%

LAB 86.95, -83.69, 74.23

 

CMYK 99 / 0 / 53 / 1

HEX #03FC77

RGB 3 252 119

HSL 147.95, 0.98%, 0.5%

LAB 87.47, -77.08, 49.51

 

CMYK 99 / 0 / 26 / 1

HEX #03FCBA

RGB 3 252 186

HSL 164.1, 0.98%, 0.5%

LAB 88.54, -64.65, 17.85

 

CMYK 99 / 0 / 0 / 1

HEX #03FCFC

RGB 3 252 252

HSL 180, 0.98%, 0.5%

LAB 90.17, -47.59, -14

 

CMYK 99 / 0 / 51 / 33

HEX #02AB53

RGB 2 171 83

HSL 148.76, 0.98%, 0.34%

LAB 61.45, -56.9, 34.86

 

CMYK 99 / 0 / 51 / 17

HEX #02D467

RGB 2 212 103

HSL 148.86, 0.98%, 0.42%

LAB 74.87, -67.06, 41.6

 

CMYK 99 / 0 / 51 / 1

HEX #03FC7B

RGB 3 252 123

HSL 148.92, 0.98%, 0.5%

LAB 87.52, -76.5, 47.72

 

CMYK 83 / 0 / 43 / 1

HEX #2BFD90

RGB 43 253 144

HSL 148.86, 0.98%, 0.58%

LAB 88.34, -71.48, 38.76

 

CMYK 67 / 0 / 34 / 1

HEX #54FDA6

RGB 84 253 166

HSL 149.11, 0.98%, 0.66%

LAB 89.34, -62.45, 29.28

 

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

CMYK 99 / 66 / 0 / 1

HEX #0356FC

RGB 3 86 252

HSL 220, 0.98%, 0.5%

LAB 43.8, 44.19, -87.08

 

CMYK 0 / 92 / 99 / 1

HEX #FC1303

RGB 252 19 3

HSL 3.86, 0.98%, 0.5%

LAB 53.13, 77.94, 66.05

 

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

CMYK 53 / 99 / 0 / 1

HEX #7703FC

RGB 119 3 252

HSL 267.95, 0.98%, 0.5%

LAB 39.61, 81.58, -93.81

 

CMYK 0 / 53 / 99 / 1

HEX #FC7703

RGB 252 119 3

HSL 27.95, 0.98%, 0.5%

LAB 64.88, 46.09, 72.06

 

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

CMYK 99 / 66 / 0 / 1

HEX #0356FC

RGB 3 86 252

HSL 220, 0.98%, 0.5%

LAB 43.8, 44.19, -87.08

 

CMYK 0 / 99 / 46 / 1

HEX #FC0388

RGB 252 3 136

HSL 327.95, 0.98%, 0.5%

LAB 54.59, 84.32, -1.23

 

CMYK 0 / 33 / 99 / 1

HEX #FCA903

RGB 252 169 3

HSL 40, 0.98%, 0.5%

LAB 75.5, 20.61, 78.82

 

CMYK 99 / 0 / 51 / 1

HEX #02FD7B

RGB 2 253 123

HSL 148.92, 0.98%, 0.5%

LAB 87.82, -76.83, 48.09

 

CMYK 99 / 96 / 0 / 1

HEX #030BFC

RGB 3 11 252

HSL 238.07, 0.98%, 0.5%

LAB 32.45, 76.84, -105.93

 

CMYK 0 / 99 / 46 / 1

HEX #FC0388

RGB 252 3 136

HSL 327.95, 0.98%, 0.5%

LAB 54.59, 84.32, -1.23

 

CMYK 0 / 3 / 99 / 1

HEX #FCF403

RGB 252 244 3

HSL 58.07, 0.98%, 0.5%

LAB 94.06, -17.51, 91.91

 

Description

Color code: HEX #02FD7B | qconv.com Color code: HEX #02FD7B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 253 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 253 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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