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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02DF2A it is the complementary color #FD20D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02DF2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02DF2A shade: #07DF25, #18F138, #29FF4B, #3AFF5E and #4BFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02DF2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02DF2A shade: #02DF2A, #00CD17, #00BB04, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02DF2A shade: #02DE2A, #16DE02, #51DE02, #8CDE02 and #C8DE02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02DF2A shade: #02DE2A, #02DE65, #02DEA1, #02DEDC and #02A5DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02DF2A shade matches the following richer shades: #02DE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02DF2A shade: #02DE2A, #14CC36, #27BA41, #39A84D and #4B9658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02DF2A shade: #53DE02, #18DE02, #02DE27, #02DE62 and #02DE9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02DF2A shade: #018C1B, #02B522, #02DE2A, #0DFD38 and #36FD5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02DF2A shade: #02DF2A, #028EDE and #DE0236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02DF2A shade: #02DF2A, #2702DE and #DE2702

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02DF2A shade: #02DF2A, #028EDE, #DE02BA and #DE5302

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02DF2A shade: #02DF2A, #024CDE, #DE02BA and #DE9502

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

Complementary color

CMYK 0 / 87 / 16 / 1

HEX #FD20D5

RGB 253 32 213

HSL 310.86, 0.98%, 0.56%

LAB 58.71, 89.59, -39.85

 

CMYK 97 / 0 / 83 / 13

HEX #07DF25

RGB 7 223 37

HSL 128.33, 0.94%, 0.45%

LAB 77.85, -76.61, 69.92

 

CMYK 90 / 0 / 77 / 5

HEX #18F138

RGB 24 241 56

HSL 128.85, 0.89%, 0.52%

LAB 83.65, -79.71, 70.24

 

CMYK 84 / 0 / 71 / 0

HEX #29FF4B

RGB 41 255 75

HSL 129.53, 1%, 0.58%

LAB 88.21, -81.01, 68.6

 

CMYK 77 / 0 / 63 / 0

HEX #3AFF5E

RGB 58 255 94

HSL 130.96, 1%, 0.61%

LAB 88.56, -77.47, 61.78

 

CMYK 71 / 0 / 56 / 0

HEX #4BFF71

RGB 75 255 113

HSL 132.67, 1%, 0.65%

LAB 89.02, -72.92, 54.26

 

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

CMYK 100 / 0 / 89 / 20

HEX #00CD17

RGB 0 205 23

HSL 126.73, 1%, 0.4%

LAB 72.04, -72.57, 67.71

 

CMYK 100 / 0 / 98 / 27

HEX #00BB04

RGB 0 187 4

HSL 121.28, 1%, 0.37%

LAB 66.17, -68.18, 65.41

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 99 / 0 / 81 / 13

HEX #02DE2A

RGB 2 222 42

HSL 130.91, 0.98%, 0.44%

LAB 77.53, -76.25, 68.37

 

CMYK 90 / 0 / 99 / 13

HEX #16DE02

RGB 22 222 2

HSL 114.55, 0.98%, 0.44%

LAB 77.53, -76.66, 74.85

 

CMYK 64 / 0 / 99 / 13

HEX #51DE02

RGB 81 222 2

HSL 98.45, 0.98%, 0.44%

LAB 78.46, -68.52, 75.99

 

CMYK 37 / 0 / 99 / 13

HEX #8CDE02

RGB 140 222 2

HSL 82.36, 0.98%, 0.44%

LAB 80.64, -51.64, 78.63

 

CMYK 10 / 0 / 99 / 13

HEX #C8DE02

RGB 200 222 2

HSL 66, 0.98%, 0.44%

LAB 84.24, -28.57, 82.95

 

CMYK 99 / 0 / 81 / 13

HEX #02DE2A

RGB 2 222 42

HSL 130.91, 0.98%, 0.44%

LAB 77.53, -76.25, 68.37

 

CMYK 99 / 0 / 55 / 13

HEX #02DE65

RGB 2 222 101

HSL 147, 0.98%, 0.44%

LAB 77.99, -70.49, 46.36

 

CMYK 99 / 0 / 27 / 13

HEX #02DEA1

RGB 2 222 161

HSL 163.36, 0.98%, 0.44%

LAB 78.94, -59.31, 17.43

 

CMYK 99 / 0 / 1 / 13

HEX #02DEDC

RGB 2 222 220

HSL 179.45, 0.98%, 0.44%

LAB 80.42, -43.84, -11.75

 

CMYK 99 / 26 / 0 / 13

HEX #02A5DE

RGB 2 165 222

HSL 195.55, 0.98%, 0.44%

LAB 63.51, -15.38, -38.7

 

CMYK 99 / 0 / 81 / 13

HEX #02DE2A

RGB 2 222 42

HSL 130.91, 0.98%, 0.44%

LAB 77.53, -76.25, 68.37

 

CMYK 99 / 0 / 81 / 13

HEX #02DE2A

RGB 2 222 42

HSL 130.91, 0.98%, 0.44%

LAB 77.53, -76.25, 68.37

 

CMYK 90 / 0 / 74 / 20

HEX #14CC36

RGB 20 204 54

HSL 131.09, 0.82%, 0.44%

LAB 71.96, -69.62, 59.31

 

CMYK 79 / 0 / 65 / 27

HEX #27BA41

RGB 39 186 65

HSL 130.61, 0.65%, 0.44%

LAB 66.47, -61.32, 49.27

 

CMYK 66 / 0 / 54 / 34

HEX #39A84D

RGB 57 168 77

HSL 130.81, 0.49%, 0.44%

LAB 61.14, -50.64, 37.65

 

CMYK 50 / 0 / 41 / 41

HEX #4B9658

RGB 75 150 88

HSL 130.4, 0.33%, 0.44%

LAB 56.1, -37.2, 25.71

 

CMYK 63 / 0 / 99 / 13

HEX #53DE02

RGB 83 222 2

HSL 97.91, 0.98%, 0.44%

LAB 78.51, -68.09, 76.05

 

CMYK 89 / 0 / 99 / 13

HEX #18DE02

RGB 24 222 2

HSL 114, 0.98%, 0.44%

LAB 77.54, -76.53, 74.87

 

CMYK 99 / 0 / 82 / 13

HEX #02DE27

RGB 2 222 39

HSL 130.09, 0.98%, 0.44%

LAB 77.52, -76.41, 69.13

 

CMYK 99 / 0 / 56 / 13

HEX #02DE62

RGB 2 222 98

HSL 146.18, 0.98%, 0.44%

LAB 77.96, -70.91, 47.71

 

CMYK 99 / 0 / 30 / 13

HEX #02DE9C

RGB 2 222 156

HSL 162, 0.98%, 0.44%

LAB 78.84, -60.44, 19.92

 

CMYK 99 / 0 / 81 / 45

HEX #018C1B

RGB 1 140 27

HSL 131.22, 0.99%, 0.28%

LAB 50.5, -53.89, 47.25

 

CMYK 99 / 0 / 81 / 29

HEX #02B522

RGB 2 181 34

HSL 130.73, 0.98%, 0.36%

LAB 64.3, -65.32, 58.22

 

CMYK 99 / 0 / 81 / 13

HEX #02DE2A

RGB 2 222 42

HSL 130.91, 0.98%, 0.44%

LAB 77.53, -76.25, 68.37

 

CMYK 95 / 0 / 78 / 1

HEX #0DFD38

RGB 13 253 56

HSL 130.75, 0.98%, 0.52%

LAB 87.3, -83.48, 73.73

 

CMYK 79 / 0 / 64 / 1

HEX #36FD5A

RGB 54 253 90

HSL 130.85, 0.98%, 0.6%

LAB 87.86, -77.74, 62.61

 

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

CMYK 99 / 36 / 0 / 13

HEX #028EDE

RGB 2 142 222

HSL 201.82, 0.98%, 0.44%

LAB 56.72, -2.38, -49.4

 

CMYK 0 / 99 / 76 / 13

HEX #DE0236

RGB 222 2 54

HSL 345.82, 0.98%, 0.44%

LAB 46.76, 72.95, 36.96

 

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

CMYK 82 / 99 / 0 / 13

HEX #2702DE

RGB 39 2 222

HSL 250.09, 0.98%, 0.44%

LAB 28.77, 71.36, -94.99

 

CMYK 0 / 82 / 99 / 13

HEX #DE2702

RGB 222 39 2

HSL 10.09, 0.98%, 0.44%

LAB 48.24, 66.76, 60.68

 

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

CMYK 99 / 36 / 0 / 13

HEX #028EDE

RGB 2 142 222

HSL 201.82, 0.98%, 0.44%

LAB 56.72, -2.38, -49.4

 

CMYK 0 / 99 / 16 / 13

HEX #DE02BA

RGB 222 2 186

HSL 309.82, 0.98%, 0.44%

LAB 50.83, 83.53, -37.09

 

CMYK 0 / 63 / 99 / 13

HEX #DE5302

RGB 222 83 2

HSL 22.09, 0.98%, 0.44%

LAB 53.73, 51.67, 63.39

 

CMYK 99 / 0 / 81 / 13

HEX #02DF2A

RGB 2 223 42

HSL 130.86, 0.98%, 0.44%

LAB 77.85, -76.52, 68.67

 

CMYK 99 / 66 / 0 / 13

HEX #024CDE

RGB 2 76 222

HSL 219.82, 0.98%, 0.44%

LAB 38.65, 39.34, -78.63

 

CMYK 0 / 99 / 16 / 13

HEX #DE02BA

RGB 222 2 186

HSL 309.82, 0.98%, 0.44%

LAB 50.83, 83.53, -37.09

 

CMYK 0 / 33 / 99 / 13

HEX #DE9502

RGB 222 149 2

HSL 40.09, 0.98%, 0.44%

LAB 67.3, 18.38, 71.76

 

Description

Color code: HEX #02DF2A | qconv.com Color code: HEX #02DF2A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 223 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 223 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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