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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02C293 it is the complementary color #FD3D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02C293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02C293 shade: #07C28E, #18D4A1, #29E6B4, #3AF8C7 and #4BFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02C293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02C293 shade: #02C293, #00B080, #009E6D, #008C5A and #007A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02C293 shade: #02C091, #02C05E, #02C02B, #0CC002 and #3FC002

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02C293 shade: #02C091, #02BBC0, #0288C0, #0255C0 and #0221C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02C293 shade matches the following richer shades: #02C091

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02C293 shade: #02C091, #12B089, #21A181, #319179 and #418171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02C293 shade: #02C02B, #02C05E, #02C090, #02BDC0 and #028AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02C293 shade: #016E53, #029772, #02C091, #02E9B0 and #18FDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02C293 shade: #02C293, #020BC0 and #C04402

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02C293 shade: #02C293, #9002C0 and #C09002

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02C293 shade: #02C293, #020BC0, #C00231 and #C0B602

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02C293 shade: #02C293, #3102C0, #C00231 and #90C002

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

Complementary color

CMYK 0 / 76 / 57 / 1

HEX #FD3D6C

RGB 253 61 108

HSL 345.31, 0.98%, 0.62%

LAB 57.37, 73.11, 19.43

 

CMYK 96 / 0 / 27 / 24

HEX #07C28E

RGB 7 194 142

HSL 163.32, 0.93%, 0.39%

LAB 69.88, -53.01, 14.9

 

CMYK 89 / 0 / 24 / 17

HEX #18D4A1

RGB 24 212 161

HSL 163.72, 0.8%, 0.46%

LAB 75.98, -54.7, 13.3

 

CMYK 82 / 0 / 22 / 10

HEX #29E6B4

RGB 41 230 180

HSL 164.13, 0.79%, 0.53%

LAB 82.03, -56, 11.84

 

CMYK 77 / 0 / 20 / 3

HEX #3AF8C7

RGB 58 248 199

HSL 164.53, 0.93%, 0.6%

LAB 88.04, -56.99, 10.51

 

CMYK 71 / 0 / 15 / 0

HEX #4BFFDA

RGB 75 255 218

HSL 167.67, 1%, 0.65%

LAB 90.82, -53.27, 4.68

 

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

CMYK 100 / 0 / 27 / 31

HEX #00B080

RGB 0 176 128

HSL 163.64, 1%, 0.35%

LAB 63.84, -49.65, 14.07

 

CMYK 100 / 0 / 31 / 38

HEX #009E6D

RGB 0 158 109

HSL 161.39, 1%, 0.31%

LAB 57.61, -47.18, 15.93

 

CMYK 100 / 0 / 36 / 45

HEX #008C5A

RGB 0 140 90

HSL 158.57, 1%, 0.27%

LAB 51.26, -44.61, 17.88

 

CMYK 100 / 0 / 42 / 52

HEX #007A47

RGB 0 122 71

HSL 154.92, 1%, 0.24%

LAB 44.76, -41.91, 19.93

 

CMYK 99 / 0 / 24 / 25

HEX #02C091

RGB 2 192 145

HSL 165.16, 0.98%, 0.38%

LAB 69.3, -51.69, 12.45

 

CMYK 99 / 0 / 51 / 25

HEX #02C05E

RGB 2 192 94

HSL 149.05, 0.98%, 0.38%

LAB 68.4, -62.04, 37.99

 

CMYK 99 / 0 / 78 / 25

HEX #02C02B

RGB 2 192 43

HSL 132.95, 0.98%, 0.38%

LAB 67.94, -67.86, 58.97

 

CMYK 94 / 0 / 99 / 25

HEX #0CC002

RGB 12 192 2

HSL 116.84, 0.98%, 0.38%

LAB 67.86, -69.05, 67.03

 

CMYK 67 / 0 / 99 / 25

HEX #3FC002

RGB 63 192 2

HSL 100.74, 0.98%, 0.38%

LAB 68.58, -62.72, 67.91

 

CMYK 99 / 0 / 24 / 25

HEX #02C091

RGB 2 192 145

HSL 165.16, 0.98%, 0.38%

LAB 69.3, -51.69, 12.45

 

CMYK 99 / 3 / 0 / 25

HEX #02BBC0

RGB 2 187 192

HSL 181.58, 0.98%, 0.38%

LAB 69.01, -36.49, -13.7

 

CMYK 99 / 29 / 0 / 25

HEX #0288C0

RGB 2 136 192

HSL 197.68, 0.98%, 0.38%

LAB 53.41, -10.25, -37.69

 

CMYK 99 / 56 / 0 / 25

HEX #0255C0

RGB 2 85 192

HSL 213.79, 0.98%, 0.38%

LAB 38.4, 21.71, -61.71

 

CMYK 99 / 83 / 0 / 25

HEX #0221C0

RGB 2 33 192

HSL 230.21, 0.98%, 0.38%

LAB 26.47, 53.65, -81.37

 

CMYK 99 / 0 / 24 / 25

HEX #02C091

RGB 2 192 145

HSL 165.16, 0.98%, 0.38%

LAB 69.3, -51.69, 12.45

 

CMYK 99 / 0 / 24 / 25

HEX #02C091

RGB 2 192 145

HSL 165.16, 0.98%, 0.38%

LAB 69.3, -51.69, 12.45

 

CMYK 90 / 0 / 22 / 31

HEX #12B089

RGB 18 176 137

HSL 165.19, 0.81%, 0.38%

LAB 64.15, -46.64, 9.56

 

CMYK 80 / 0 / 20 / 37

HEX #21A181

RGB 33 161 129

HSL 165, 0.66%, 0.38%

LAB 59.34, -41.2, 7.2

 

CMYK 66 / 0 / 17 / 43

HEX #319179

RGB 49 145 121

HSL 165, 0.49%, 0.38%

LAB 54.33, -33.88, 4.6

 

CMYK 50 / 0 / 12 / 49

HEX #418171

RGB 65 129 113

HSL 165, 0.33%, 0.38%

LAB 49.52, -24.71, 2.36

 

CMYK 99 / 0 / 78 / 25

HEX #02C02B

RGB 2 192 43

HSL 132.95, 0.98%, 0.38%

LAB 67.94, -67.86, 58.97

 

CMYK 99 / 0 / 51 / 25

HEX #02C05E

RGB 2 192 94

HSL 149.05, 0.98%, 0.38%

LAB 68.4, -62.04, 37.99

 

CMYK 99 / 0 / 25 / 25

HEX #02C090

RGB 2 192 144

HSL 164.84, 0.98%, 0.38%

LAB 69.27, -51.93, 12.96

 

CMYK 99 / 2 / 0 / 25

HEX #02BDC0

RGB 2 189 192

HSL 180.95, 0.98%, 0.38%

LAB 69.62, -37.41, -12.78

 

CMYK 99 / 28 / 0 / 25

HEX #028AC0

RGB 2 138 192

HSL 197.05, 0.98%, 0.38%

LAB 54.02, -11.39, -36.73

 

CMYK 99 / 0 / 25 / 57

HEX #016E53

RGB 1 110 83

HSL 165.14, 0.98%, 0.22%

LAB 40.87, -34.06, 7.57

 

CMYK 99 / 0 / 25 / 41

HEX #029772

RGB 2 151 114

HSL 165.1, 0.97%, 0.3%

LAB 55.44, -43.07, 10.09

 

CMYK 99 / 0 / 24 / 25

HEX #02C091

RGB 2 192 145

HSL 165.16, 0.98%, 0.38%

LAB 69.3, -51.69, 12.45

 

CMYK 99 / 0 / 24 / 9

HEX #02E9B0

RGB 2 233 176

HSL 165.19, 0.98%, 0.46%

LAB 82.61, -59.95, 14.71

 

CMYK 91 / 0 / 22 / 1

HEX #18FDC5

RGB 24 253 197

HSL 165.33, 0.98%, 0.54%

LAB 89.15, -61.85, 13.06

 

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

CMYK 99 / 94 / 0 / 25

HEX #020BC0

RGB 2 11 192

HSL 237.16, 0.98%, 0.38%

LAB 23.86, 61.51, -85.72

 

CMYK 0 / 65 / 99 / 25

HEX #C04402

RGB 192 68 2

HSL 20.84, 0.98%, 0.38%

LAB 46.1, 47.53, 56.47

 

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

CMYK 25 / 99 / 0 / 25

HEX #9002C0

RGB 144 2 192

HSL 284.84, 0.98%, 0.38%

LAB 37.44, 72.1, -62.82

 

CMYK 0 / 25 / 99 / 25

HEX #C09002

RGB 192 144 2

HSL 44.84, 0.98%, 0.38%

LAB 62.64, 7.86, 66.96

 

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

CMYK 99 / 94 / 0 / 25

HEX #020BC0

RGB 2 11 192

HSL 237.16, 0.98%, 0.38%

LAB 23.86, 61.51, -85.72

 

CMYK 0 / 99 / 74 / 25

HEX #C00231

RGB 192 2 49

HSL 345.16, 0.98%, 0.38%

LAB 40.36, 65.5, 31.01

 

CMYK 0 / 5 / 99 / 25

HEX #C0B602

RGB 192 182 2

HSL 56.84, 0.98%, 0.38%

LAB 72.67, -12.33, 74.12

 

CMYK 99 / 0 / 24 / 24

HEX #02C293

RGB 2 194 147

HSL 165.31, 0.98%, 0.38%

LAB 69.97, -51.98, 12.31

 

CMYK 74 / 99 / 0 / 25

HEX #3102C0

RGB 49 2 192

HSL 254.84, 0.98%, 0.38%

LAB 25.27, 64.32, -83.32

 

CMYK 0 / 99 / 74 / 25

HEX #C00231

RGB 192 2 49

HSL 345.16, 0.98%, 0.38%

LAB 40.36, 65.5, 31.01

 

CMYK 25 / 0 / 99 / 25

HEX #90C002

RGB 144 192 2

HSL 75.16, 0.98%, 0.38%

LAB 71.98, -37.44, 72.04

 

Description

Color code: HEX #02C293 | qconv.com Color code: HEX #02C293 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 194 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 194 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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