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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02B8C0 it is the complementary color #FD473F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02B8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02B8C0 shade: #07B8BB, #18CACE, #29DCE1, #3AEEF4 and #4BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02B8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02B8C0 shade: #02B8C0, #00A6AD, #00949A, #008287 and #007074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02B8C0 shade: #02B8C0, #0285C0, #0251C0, #021EC0 and #1902C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02B8C0 shade: #02B8C0, #0285C0, #0251C0, #021EC0 and #0202C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02B8C0 shade matches the following richer shades: #02B8C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02B8C0 shade: #02B8C0, #12A9B0, #219BA1, #318D91 and #417E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02B8C0 shade: #02C061, #02C094, #02BAC0, #0287C0 and #0254C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02B8C0 shade: #016A6E, #029197, #02B8C0, #02DFE9 and #18F3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02B8C0 shade: #02B8C0, #2E02C0 and #C07A02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02B8C0 shade: #02B8C0, #C002BA and #BAC002

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02B8C0 shade: #02B8C0, #2E02C0, #C00802 and #94C002

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02B8C0 shade: #02B8C0, #6702C0, #C00802 and #5BC002

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

Complementary color

CMYK 0 / 72 / 75 / 1

HEX #FD473F

RGB 253 71 63

HSL 2.53, 0.98%, 0.62%

LAB 57.8, 67.7, 45.72

 

CMYK 96 / 2 / 0 / 27

HEX #07B8BB

RGB 7 184 187

HSL 181, 0.93%, 0.38%

LAB 67.96, -36.49, -12.52

 

CMYK 88 / 2 / 0 / 19

HEX #18CACE

RGB 24 202 206

HSL 181.32, 0.79%, 0.45%

LAB 74.12, -38.32, -13.64

 

CMYK 82 / 2 / 0 / 12

HEX #29DCE1

RGB 41 220 225

HSL 181.63, 0.75%, 0.52%

LAB 80.23, -39.79, -14.66

 

CMYK 76 / 2 / 0 / 4

HEX #3AEEF4

RGB 58 238 244

HSL 181.94, 0.89%, 0.59%

LAB 86.3, -40.97, -15.58

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 100 / 4 / 0 / 32

HEX #00A6AD

RGB 0 166 173

HSL 182.43, 1%, 0.34%

LAB 61.9, -32.66, -13.84

 

CMYK 100 / 4 / 0 / 40

HEX #00949A

RGB 0 148 154

HSL 182.34, 1%, 0.3%

LAB 55.6, -30.12, -12.57

 

CMYK 100 / 4 / 0 / 47

HEX #008287

RGB 0 130 135

HSL 182.22, 1%, 0.26%

LAB 49.15, -27.52, -11.26

 

CMYK 100 / 3 / 0 / 55

HEX #007074

RGB 0 112 116

HSL 182.07, 1%, 0.23%

LAB 42.54, -24.86, -9.91

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 99 / 31 / 0 / 25

HEX #0285C0

RGB 2 133 192

HSL 198.63, 0.98%, 0.38%

LAB 52.5, -8.52, -39.12

 

CMYK 99 / 58 / 0 / 25

HEX #0251C0

RGB 2 81 192

HSL 215.05, 0.98%, 0.38%

LAB 37.31, 24.38, -63.5

 

CMYK 99 / 84 / 0 / 25

HEX #021EC0

RGB 2 30 192

HSL 231.16, 0.98%, 0.38%

LAB 26, 55.03, -82.15

 

CMYK 87 / 99 / 0 / 25

HEX #1902C0

RGB 25 2 192

HSL 247.26, 0.98%, 0.38%

LAB 23.86, 63.76, -85.72

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 99 / 31 / 0 / 25

HEX #0285C0

RGB 2 133 192

HSL 198.63, 0.98%, 0.38%

LAB 52.5, -8.52, -39.12

 

CMYK 99 / 58 / 0 / 25

HEX #0251C0

RGB 2 81 192

HSL 215.05, 0.98%, 0.38%

LAB 37.31, 24.38, -63.5

 

CMYK 99 / 84 / 0 / 25

HEX #021EC0

RGB 2 30 192

HSL 231.16, 0.98%, 0.38%

LAB 26, 55.03, -82.15

 

CMYK 99 / 99 / 0 / 25

HEX #0202C0

RGB 2 2 192

HSL 240, 0.98%, 0.38%

LAB 23.21, 63.53, -86.81

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 90 / 4 / 0 / 31

HEX #12A9B0

RGB 18 169 176

HSL 182.66, 0.81%, 0.38%

LAB 63.04, -32.44, -13.8

 

CMYK 80 / 4 / 0 / 37

HEX #219BA1

RGB 33 155 161

HSL 182.81, 0.66%, 0.38%

LAB 58.36, -29.28, -12.38

 

CMYK 66 / 3 / 0 / 43

HEX #318D91

RGB 49 141 145

HSL 182.5, 0.49%, 0.38%

LAB 53.76, -25.16, -10.08

 

CMYK 50 / 2 / 0 / 49

HEX #417E81

RGB 65 126 129

HSL 182.81, 0.33%, 0.38%

LAB 49.04, -18.83, -7.75

 

CMYK 99 / 0 / 49 / 25

HEX #02C061

RGB 2 192 97

HSL 150, 0.98%, 0.38%

LAB 68.44, -61.55, 36.55

 

CMYK 99 / 0 / 23 / 25

HEX #02C094

RGB 2 192 148

HSL 166.11, 0.98%, 0.38%

LAB 69.36, -50.95, 10.92

 

CMYK 99 / 3 / 0 / 25

HEX #02BAC0

RGB 2 186 192

HSL 181.89, 0.98%, 0.38%

LAB 68.71, -36.03, -14.16

 

CMYK 99 / 30 / 0 / 25

HEX #0287C0

RGB 2 135 192

HSL 198, 0.98%, 0.38%

LAB 53.11, -9.68, -38.16

 

CMYK 99 / 56 / 0 / 25

HEX #0254C0

RGB 2 84 192

HSL 214.11, 0.98%, 0.38%

LAB 38.13, 22.38, -62.16

 

CMYK 99 / 4 / 0 / 57

HEX #016A6E

RGB 1 106 110

HSL 182.2, 0.98%, 0.22%

LAB 40.31, -23.78, -9.62

 

CMYK 99 / 4 / 0 / 41

HEX #029197

RGB 2 145 151

HSL 182.42, 0.97%, 0.3%

LAB 54.55, -29.55, -12.42

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 99 / 4 / 0 / 9

HEX #02DFE9

RGB 2 223 233

HSL 182.6, 0.98%, 0.46%

LAB 81.11, -40.42, -17.62

 

CMYK 91 / 4 / 0 / 1

HEX #18F3FD

RGB 24 243 253

HSL 182.62, 0.98%, 0.54%

LAB 87.67, -42.82, -18.26

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 76 / 99 / 0 / 25

HEX #2E02C0

RGB 46 2 192

HSL 253.89, 0.98%, 0.38%

LAB 25.04, 64.23, -83.7

 

CMYK 0 / 36 / 99 / 25

HEX #C07A02

RGB 192 122 2

HSL 37.89, 0.98%, 0.38%

LAB 57.2, 19.95, 63.26

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 0 / 99 / 3 / 25

HEX #C002BA

RGB 192 2 186

HSL 301.89, 0.98%, 0.38%

LAB 45.35, 78.32, -46.11

 

CMYK 3 / 0 / 99 / 25

HEX #BAC002

RGB 186 192 2

HSL 61.89, 0.98%, 0.38%

LAB 74.91, -19.98, 75.54

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 76 / 99 / 0 / 25

HEX #2E02C0

RGB 46 2 192

HSL 253.89, 0.98%, 0.38%

LAB 25.04, 64.23, -83.7

 

CMYK 0 / 96 / 99 / 25

HEX #C00802

RGB 192 8 2

HSL 1.89, 0.98%, 0.38%

LAB 40.22, 63.9, 53.64

 

CMYK 23 / 0 / 99 / 25

HEX #94C002

RGB 148 192 2

HSL 73.89, 0.98%, 0.38%

LAB 72.23, -35.85, 72.33

 

CMYK 99 / 4 / 0 / 25

HEX #02B8C0

RGB 2 184 192

HSL 182.53, 0.98%, 0.38%

LAB 68.09, -35.09, -15.08

 

CMYK 46 / 99 / 0 / 25

HEX #6702C0

RGB 103 2 192

HSL 271.89, 0.98%, 0.38%

LAB 31.19, 67.57, -73.32

 

CMYK 0 / 96 / 99 / 25

HEX #C00802

RGB 192 8 2

HSL 1.89, 0.98%, 0.38%

LAB 40.22, 63.9, 53.64

 

CMYK 53 / 0 / 99 / 25

HEX #5BC002

RGB 91 192 2

HSL 91.89, 0.98%, 0.38%

LAB 69.42, -55.82, 68.94

 

Description

Color code: HEX #02B8C0 | qconv.com Color code: HEX #02B8C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 184 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 184 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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