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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02B2DB it is the complementary color #FD4D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02B2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02B2DB shade: #07B2D6, #18C4E9, #29D6FC, #3AE8FF and #4BFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02B2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02B2DB shade: #02B2DB, #00A0C8, #008EB5, #007CA2 and #006A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02B2DB shade: #02B0D9, #0277D9, #023DD9, #0203D9 and #3C02D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02B2DB shade: #02B0D9, #0277D9, #023DD9, #0203D9 and #0202D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02B2DB shade matches the following richer shades: #02B0D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02B2DB shade: #02B0D9, #14A5C7, #269AB6, #378FA4 and #498492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02B2DB shade: #02D98E, #02D9C7, #02B2D9, #0278D9 and #023FD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02B2DB shade: #016E87, #028FB0, #02B0D9, #08CEFD and #31D6FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02B2DB shade: #02B2DB, #5502D9 and #D9AB02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02B2DB shade: #02B2DB, #D902B2 and #B2D902

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02B2DB shade: #02B2DB, #5502D9, #D92A02 and #87D902

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02B2DB shade: #02B2DB, #9502D9, #D92A02 and #46D902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

Complementary color

CMYK 0 / 70 / 86 / 1

HEX #FD4D24

RGB 253 77 36

HSL 11.34, 0.98%, 0.57%

LAB 58.34, 64.84, 59.24

 

CMYK 97 / 17 / 0 / 16

HEX #07B2D6

RGB 7 178 214

HSL 190.43, 0.94%, 0.43%

LAB 67.08, -24.84, -28.73

 

CMYK 90 / 16 / 0 / 9

HEX #18C4E9

RGB 24 196 233

HSL 190.62, 0.83%, 0.5%

LAB 73.26, -26.95, -29.57

 

CMYK 84 / 15 / 0 / 1

HEX #29D6FC

RGB 41 214 252

HSL 190.81, 0.97%, 0.57%

LAB 79.38, -28.69, -30.33

 

CMYK 77 / 9 / 0 / 0

HEX #3AE8FF

RGB 58 232 255

HSL 187.01, 1%, 0.61%

LAB 84.91, -35, -23.45

 

CMYK 71 / 2 / 0 / 0

HEX #4BFAFF

RGB 75 250 255

HSL 181.67, 1%, 0.65%

LAB 90.36, -41.45, -15.2

 

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

CMYK 100 / 20 / 0 / 22

HEX #00A0C8

RGB 0 160 200

HSL 192, 1%, 0.39%

LAB 61.06, -20.58, -30.28

 

CMYK 100 / 22 / 0 / 29

HEX #008EB5

RGB 0 142 181

HSL 192.93, 1%, 0.35%

LAB 54.74, -17.73, -29.33

 

CMYK 100 / 23 / 0 / 36

HEX #007CA2

RGB 0 124 162

HSL 194.07, 1%, 0.32%

LAB 48.29, -14.77, -28.4

 

CMYK 100 / 26 / 0 / 44

HEX #006A8F

RGB 0 106 143

HSL 195.52, 1%, 0.28%

LAB 41.68, -11.68, -27.48

 

CMYK 99 / 19 / 0 / 15

HEX #02B0D9

RGB 2 176 217

HSL 191.44, 0.98%, 0.43%

LAB 66.58, -22.94, -31.16

 

CMYK 99 / 45 / 0 / 15

HEX #0277D9

RGB 2 119 217

HSL 207.35, 0.98%, 0.43%

LAB 49.76, 9.66, -57.71

 

CMYK 99 / 72 / 0 / 15

HEX #023DD9

RGB 2 61 217

HSL 223.53, 0.98%, 0.43%

LAB 34.72, 46.79, -82.24

 

CMYK 99 / 99 / 0 / 15

HEX #0203D9

RGB 2 3 217

HSL 239.72, 0.98%, 0.43%

LAB 26.98, 69.55, -95.12

 

CMYK 72 / 99 / 0 / 15

HEX #3C02D9

RGB 60 2 217

HSL 256.19, 0.98%, 0.43%

LAB 29.45, 70.71, -90.94

 

CMYK 99 / 19 / 0 / 15

HEX #02B0D9

RGB 2 176 217

HSL 191.44, 0.98%, 0.43%

LAB 66.58, -22.94, -31.16

 

CMYK 99 / 45 / 0 / 15

HEX #0277D9

RGB 2 119 217

HSL 207.35, 0.98%, 0.43%

LAB 49.76, 9.66, -57.71

 

CMYK 99 / 72 / 0 / 15

HEX #023DD9

RGB 2 61 217

HSL 223.53, 0.98%, 0.43%

LAB 34.72, 46.79, -82.24

 

CMYK 99 / 99 / 0 / 15

HEX #0203D9

RGB 2 3 217

HSL 239.72, 0.98%, 0.43%

LAB 26.98, 69.55, -95.12

 

CMYK 99 / 99 / 0 / 15

HEX #0202D9

RGB 2 2 217

HSL 240, 0.98%, 0.43%

LAB 26.92, 69.74, -95.22

 

CMYK 99 / 19 / 0 / 15

HEX #02B0D9

RGB 2 176 217

HSL 191.44, 0.98%, 0.43%

LAB 66.58, -22.94, -31.16

 

CMYK 99 / 19 / 0 / 15

HEX #02B0D9

RGB 2 176 217

HSL 191.44, 0.98%, 0.43%

LAB 66.58, -22.94, -31.16

 

CMYK 90 / 17 / 0 / 22

HEX #14A5C7

RGB 20 165 199

HSL 191.4, 0.82%, 0.43%

LAB 62.66, -22.8, -27.23

 

CMYK 79 / 15 / 0 / 29

HEX #269AB6

RGB 38 154 182

HSL 191.67, 0.65%, 0.43%

LAB 58.88, -21.47, -23.48

 

CMYK 66 / 13 / 0 / 36

HEX #378FA4

RGB 55 143 164

HSL 191.56, 0.5%, 0.43%

LAB 55.21, -19.3, -18.81

 

CMYK 50 / 10 / 0 / 43

HEX #498492

RGB 73 132 146

HSL 191.51, 0.33%, 0.43%

LAB 51.83, -15.22, -13.48

 

CMYK 99 / 0 / 35 / 15

HEX #02D98E

RGB 2 217 142

HSL 159.07, 0.98%, 0.43%

LAB 77.04, -61.65, 24.74

 

CMYK 99 / 0 / 8 / 15

HEX #02D9C7

RGB 2 217 199

HSL 174.98, 0.98%, 0.43%

LAB 78.32, -47.68, -3.64

 

CMYK 99 / 18 / 0 / 15

HEX #02B2D9

RGB 2 178 217

HSL 190.88, 0.98%, 0.43%

LAB 67.17, -23.97, -30.24

 

CMYK 99 / 45 / 0 / 15

HEX #0278D9

RGB 2 120 217

HSL 207.07, 0.98%, 0.43%

LAB 50.04, 9.04, -57.25

 

CMYK 99 / 71 / 0 / 15

HEX #023FD9

RGB 2 63 217

HSL 222.98, 0.98%, 0.43%

LAB 35.16, 45.59, -81.52

 

CMYK 99 / 19 / 0 / 47

HEX #016E87

RGB 1 110 135

HSL 191.19, 0.99%, 0.27%

LAB 42.62, -16.95, -21.21

 

CMYK 99 / 19 / 0 / 31

HEX #028FB0

RGB 2 143 176

HSL 191.38, 0.98%, 0.35%

LAB 54.86, -19.98, -26.3

 

CMYK 99 / 19 / 0 / 15

HEX #02B0D9

RGB 2 176 217

HSL 191.44, 0.98%, 0.43%

LAB 66.58, -22.94, -31.16

 

CMYK 97 / 19 / 0 / 1

HEX #08CEFD

RGB 8 206 253

HSL 191.51, 0.98%, 0.51%

LAB 76.85, -25.84, -34.79

 

CMYK 81 / 15 / 0 / 1

HEX #31D6FD

RGB 49 214 253

HSL 191.47, 0.98%, 0.59%

LAB 79.52, -27.77, -30.64

 

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

CMYK 61 / 99 / 0 / 15

HEX #5502D9

RGB 85 2 217

HSL 263.16, 0.98%, 0.43%

LAB 31.77, 71.84, -87.01

 

CMYK 0 / 21 / 99 / 15

HEX #D9AB02

RGB 217 171 2

HSL 47.16, 0.98%, 0.43%

LAB 72.15, 4.44, 74.83

 

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

CMYK 0 / 99 / 18 / 15

HEX #D902B2

RGB 217 2 178

HSL 310.88, 0.98%, 0.43%

LAB 49.51, 81.64, -34.54

 

CMYK 18 / 0 / 99 / 15

HEX #B2D902

RGB 178 217 2

HSL 70.88, 0.98%, 0.43%

LAB 81.34, -35.2, 80.11

 

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

CMYK 61 / 99 / 0 / 15

HEX #5502D9

RGB 85 2 217

HSL 263.16, 0.98%, 0.43%

LAB 31.77, 71.84, -87.01

 

CMYK 0 / 81 / 99 / 15

HEX #D92A02

RGB 217 42 2

HSL 11.16, 0.98%, 0.43%

LAB 47.51, 64.6, 59.78

 

CMYK 38 / 0 / 99 / 15

HEX #87D902

RGB 135 217 2

HSL 82.88, 0.98%, 0.43%

LAB 78.91, -51.36, 77.19

 

CMYK 99 / 19 / 0 / 14

HEX #02B2DB

RGB 2 178 219

HSL 191.34, 0.98%, 0.43%

LAB 67.25, -23.28, -31.22

 

CMYK 31 / 99 / 0 / 15

HEX #9502D9

RGB 149 2 217

HSL 281.02, 0.98%, 0.43%

LAB 40.32, 77.36, -72.62

 

CMYK 0 / 81 / 99 / 15

HEX #D92A02

RGB 217 42 2

HSL 11.16, 0.98%, 0.43%

LAB 47.51, 64.6, 59.78

 

CMYK 68 / 0 / 99 / 15

HEX #46D902

RGB 70 217 2

HSL 101.02, 0.98%, 0.43%

LAB 76.64, -69.2, 74.42

 

Description

Color code: HEX #02B2DB | qconv.com Color code: HEX #02B2DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 178 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 178 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 19 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 19% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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