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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02AE2F it is the complementary color #FD51D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02AE2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02AE2F shade: #07AE2A, #18C03D, #29D250, #3AE463 and #4BF676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02AE2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02AE2F shade: #02AE2F, #009C1C, #008A09, #007800 and #006600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02AE2F shade: #02B130, #03B102, #32B102, #62B102 and #91B102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02AE2F shade: #02B130, #02B15F, #02B18E, #02A4B1 and #0275B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02AE2F shade matches the following richer shades: #02B130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02AE2F shade: #02B130, #10A236, #1F943D, #2D8544 and #3C774B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02AE2F shade: #33B102, #05B102, #02B12E, #02B15C and #02B18B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02AE2F shade: #015F1A, #018825, #02B130, #02DA3B and #09FD48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02AE2F shade: #02AE2F, #0262B1 and #B1021C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02AE2F shade: #02AE2F, #2E02B1 and #B12E02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02AE2F shade: #02AE2F, #0262B1, #B10285 and #B15102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02AE2F shade: #02AE2F, #022EB1, #B10285 and #B18502

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

Complementary color

CMYK 0 / 68 / 18 / 1

HEX #FD51D0

RGB 253 81 208

HSL 315.7, 0.98%, 0.65%

LAB 62.78, 76.68, -30.68

 

CMYK 96 / 0 / 76 / 32

HEX #07AE2A

RGB 7 174 42

HSL 132.57, 0.92%, 0.35%

LAB 62.07, -62.51, 53.54

 

CMYK 88 / 0 / 68 / 25

HEX #18C03D

RGB 24 192 61

HSL 133.21, 0.78%, 0.42%

LAB 68.19, -65.15, 52.76

 

CMYK 80 / 0 / 62 / 18

HEX #29D250

RGB 41 210 80

HSL 133.85, 0.67%, 0.49%

LAB 74.28, -67.05, 51.57

 

CMYK 75 / 0 / 57 / 11

HEX #3AE463

RGB 58 228 99

HSL 134.47, 0.76%, 0.56%

LAB 80.34, -68.37, 50.21

 

CMYK 70 / 0 / 52 / 4

HEX #4BF676

RGB 75 246 118

HSL 135.09, 0.9%, 0.63%

LAB 86.36, -69.27, 48.79

 

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

CMYK 100 / 0 / 82 / 39

HEX #009C1C

RGB 0 156 28

HSL 130.77, 1%, 0.31%

LAB 55.95, -58.61, 52.11

 

CMYK 100 / 0 / 93 / 46

HEX #008A09

RGB 0 138 9

HSL 123.91, 1%, 0.27%

LAB 49.73, -54.28, 51.05

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 99 / 0 / 73 / 31

HEX #02B130

RGB 2 177 48

HSL 135.77, 0.98%, 0.35%

LAB 63.07, -63.14, 52.38

 

CMYK 98 / 0 / 99 / 31

HEX #03B102

RGB 3 177 2

HSL 119.66, 0.98%, 0.35%

LAB 62.9, -65.34, 63.01

 

CMYK 72 / 0 / 99 / 31

HEX #32B102

RGB 50 177 2

HSL 103.54, 0.98%, 0.35%

LAB 63.45, -60.47, 63.68

 

CMYK 45 / 0 / 99 / 31

HEX #62B102

RGB 98 177 2

HSL 87.09, 0.98%, 0.35%

LAB 65, -47.97, 65.57

 

CMYK 18 / 0 / 99 / 31

HEX #91B102

RGB 145 177 2

HSL 70.97, 0.98%, 0.35%

LAB 67.63, -30.12, 68.74

 

CMYK 99 / 0 / 73 / 31

HEX #02B130

RGB 2 177 48

HSL 135.77, 0.98%, 0.35%

LAB 63.07, -63.14, 52.38

 

CMYK 99 / 0 / 46 / 31

HEX #02B15F

RGB 2 177 95

HSL 151.89, 0.98%, 0.35%

LAB 63.58, -56.87, 31.4

 

CMYK 99 / 0 / 20 / 31

HEX #02B18E

RGB 2 177 142

HSL 168, 0.98%, 0.35%

LAB 64.49, -46.46, 7.27

 

CMYK 99 / 7 / 0 / 31

HEX #02A4B1

RGB 2 164 177

HSL 184.46, 0.98%, 0.35%

LAB 61.43, -30.34, -16.81

 

CMYK 99 / 34 / 0 / 31

HEX #0275B1

RGB 2 117 177

HSL 200.57, 0.98%, 0.35%

LAB 46.86, -4.86, -39.39

 

CMYK 99 / 0 / 73 / 31

HEX #02B130

RGB 2 177 48

HSL 135.77, 0.98%, 0.35%

LAB 63.07, -63.14, 52.38

 

CMYK 99 / 0 / 73 / 31

HEX #02B130

RGB 2 177 48

HSL 135.77, 0.98%, 0.35%

LAB 63.07, -63.14, 52.38

 

CMYK 90 / 0 / 67 / 36

HEX #10A236

RGB 16 162 54

HSL 135.62, 0.82%, 0.35%

LAB 58.24, -57.22, 44.86

 

CMYK 79 / 0 / 59 / 42

HEX #1F943D

RGB 31 148 61

HSL 135.38, 0.65%, 0.35%

LAB 53.82, -50.15, 36.65

 

CMYK 66 / 0 / 49 / 48

HEX #2D8544

RGB 45 133 68

HSL 135.68, 0.49%, 0.35%

LAB 49.19, -40.99, 27.46

 

CMYK 50 / 0 / 37 / 53

HEX #3C774B

RGB 60 119 75

HSL 135.25, 0.33%, 0.35%

LAB 45.17, -29.75, 18.43

 

CMYK 71 / 0 / 99 / 31

HEX #33B102

RGB 51 177 2

HSL 103.2, 0.98%, 0.35%

LAB 63.47, -60.28, 63.71

 

CMYK 97 / 0 / 99 / 31

HEX #05B102

RGB 5 177 2

HSL 118.97, 0.98%, 0.35%

LAB 62.91, -65.24, 63.02

 

CMYK 99 / 0 / 74 / 31

HEX #02B12E

RGB 2 177 46

HSL 135.09, 0.98%, 0.35%

LAB 63.06, -63.31, 53.1

 

CMYK 99 / 0 / 48 / 31

HEX #02B15C

RGB 2 177 92

HSL 150.86, 0.98%, 0.35%

LAB 63.53, -57.4, 32.89

 

CMYK 99 / 0 / 21 / 31

HEX #02B18B

RGB 2 177 139

HSL 166.97, 0.98%, 0.35%

LAB 64.42, -47.24, 8.83

 

CMYK 99 / 0 / 73 / 63

HEX #015F1A

RGB 1 95 26

HSL 135.96, 0.98%, 0.19%

LAB 34.53, -39.76, 31.46

 

CMYK 99 / 0 / 73 / 47

HEX #018825

RGB 1 136 37

HSL 136, 0.99%, 0.27%

LAB 49.19, -51.83, 42.27

 

CMYK 99 / 0 / 73 / 31

HEX #02B130

RGB 2 177 48

HSL 135.77, 0.98%, 0.35%

LAB 63.07, -63.14, 52.38

 

CMYK 99 / 0 / 73 / 15

HEX #02DA3B

RGB 2 218 59

HSL 135.83, 0.98%, 0.43%

LAB 76.36, -73.99, 61.99

 

CMYK 96 / 0 / 72 / 1

HEX #09FD48

RGB 9 253 72

HSL 135.49, 0.98%, 0.51%

LAB 87.38, -82.46, 68.73

 

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

CMYK 99 / 45 / 0 / 31

HEX #0262B1

RGB 2 98 177

HSL 207.09, 0.98%, 0.35%

LAB 41.09, 7.01, -48.58

 

CMYK 0 / 99 / 84 / 31

HEX #B1021C

RGB 177 2 28

HSL 351.09, 0.98%, 0.35%

LAB 36.88, 61.11, 38.76

 

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

CMYK 74 / 99 / 0 / 31

HEX #2E02B1

RGB 46 2 177

HSL 255.09, 0.98%, 0.35%

LAB 22.99, 60.53, -78.18

 

CMYK 0 / 74 / 99 / 31

HEX #B12E02

RGB 177 46 2

HSL 15.09, 0.98%, 0.35%

LAB 40.09, 51.2, 51.81

 

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

CMYK 99 / 45 / 0 / 31

HEX #0262B1

RGB 2 98 177

HSL 207.09, 0.98%, 0.35%

LAB 41.09, 7.01, -48.58

 

CMYK 0 / 99 / 25 / 31

HEX #B10285

RGB 177 2 133

HSL 315.09, 0.98%, 0.35%

LAB 39.72, 68.6, -23.3

 

CMYK 0 / 54 / 99 / 31

HEX #B15102

RGB 177 81 2

HSL 27.09, 0.98%, 0.35%

LAB 45.96, 35.63, 55.06

 

CMYK 99 / 0 / 73 / 32

HEX #02AE2F

RGB 2 174 47

HSL 135.7, 0.98%, 0.35%

LAB 62.07, -62.34, 51.73

 

CMYK 99 / 74 / 0 / 31

HEX #022EB1

RGB 2 46 177

HSL 224.91, 0.98%, 0.35%

LAB 27.13, 41.45, -71.35

 

CMYK 0 / 99 / 25 / 31

HEX #B10285

RGB 177 2 133

HSL 315.09, 0.98%, 0.35%

LAB 39.72, 68.6, -23.3

 

CMYK 0 / 25 / 99 / 31

HEX #B18502

RGB 177 133 2

HSL 44.91, 0.98%, 0.35%

LAB 58.16, 7.12, 63.06

 

Description

Color code: HEX #02AE2F | qconv.com Color code: HEX #02AE2F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 174 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 174 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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