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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0295DF it is the complementary color #FD6A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0295DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0295DF shade: #0795DA, #18A7ED, #29B9FF, #3ACBFF and #4BDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0295DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0295DF shade: #0295DF, #0083CC, #0071B9, #005FA6 and #004D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0295DF shade: #0295DE, #0259DE, #021EDE, #2202DE and #5D02DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0295DF shade: #0295DE, #0259DE, #021EDE and #0202DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0295DF shade matches the following richer shades: #0295DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0295DF shade: #0295DE, #148FCC, #2789BA, #3983A8 and #4B7D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0295DF shade: #02DEB2, #02CFDE, #0295DE, #025ADE and #0220DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0295DF shade: #015E8C, #0279B5, #0295DE, #0DACFD and #36BAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0295DF shade: #0295DF, #7802DE and #DECF02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0295DF shade: #0295DF, #DE0295 and #95DE02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0295DF shade: #0295DF, #7802DE, #DE4C02 and #69DE02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0295DF shade: #0295DF, #BA02DE, #DE4C02 and #27DE02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

Complementary color

CMYK 0 / 58 / 87 / 1

HEX #FD6A20

RGB 253 106 32

HSL 20.09, 0.98%, 0.56%

LAB 62.76, 52.88, 64.23

 

CMYK 97 / 32 / 0 / 15

HEX #0795DA

RGB 7 149 218

HSL 199.62, 0.94%, 0.44%

LAB 58.6, -7.79, -44.17

 

CMYK 90 / 30 / 0 / 7

HEX #18A7ED

RGB 24 167 237

HSL 199.72, 0.86%, 0.51%

LAB 64.92, -10.33, -44.72

 

CMYK 84 / 27 / 0 / 0

HEX #29B9FF

RGB 41 185 255

HSL 199.63, 1%, 0.58%

LAB 71.14, -12.79, -44.73

 

CMYK 77 / 20 / 0 / 0

HEX #3ACBFF

RGB 58 203 255

HSL 195.84, 1%, 0.61%

LAB 76.58, -20.78, -36.24

 

CMYK 71 / 13 / 0 / 0

HEX #4BDDFF

RGB 75 221 255

HSL 191.33, 1%, 0.65%

LAB 82.07, -27.87, -27.75

 

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

CMYK 100 / 36 / 0 / 20

HEX #0083CC

RGB 0 131 204

HSL 201.47, 1%, 0.4%

LAB 52.5, -2.83, -45.95

 

CMYK 100 / 39 / 0 / 27

HEX #0071B9

RGB 0 113 185

HSL 203.35, 1%, 0.36%

LAB 46.06, 0.66, -45.3

 

CMYK 100 / 43 / 0 / 35

HEX #005FA6

RGB 0 95 166

HSL 205.66, 1%, 0.33%

LAB 39.48, 4.36, -44.68

 

CMYK 100 / 48 / 0 / 42

HEX #004D93

RGB 0 77 147

HSL 208.57, 1%, 0.29%

LAB 32.73, 8.34, -44.09

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 99 / 60 / 0 / 13

HEX #0259DE

RGB 2 89 222

HSL 216.27, 0.98%, 0.44%

LAB 41.89, 30.96, -73.31

 

CMYK 99 / 86 / 0 / 13

HEX #021EDE

RGB 2 30 222

HSL 232.36, 0.98%, 0.44%

LAB 29.95, 63.94, -93.05

 

CMYK 85 / 99 / 0 / 13

HEX #2202DE

RGB 34 2 222

HSL 248.73, 0.98%, 0.44%

LAB 28.53, 71.27, -95.4

 

CMYK 58 / 99 / 0 / 13

HEX #5D02DE

RGB 93 2 222

HSL 264.82, 0.98%, 0.44%

LAB 33.23, 73.44, -87.44

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 99 / 60 / 0 / 13

HEX #0259DE

RGB 2 89 222

HSL 216.27, 0.98%, 0.44%

LAB 41.89, 30.96, -73.31

 

CMYK 99 / 86 / 0 / 13

HEX #021EDE

RGB 2 30 222

HSL 232.36, 0.98%, 0.44%

LAB 29.95, 63.94, -93.05

 

CMYK 99 / 99 / 0 / 13

HEX #0202DE

RGB 2 2 222

HSL 240, 0.98%, 0.44%

LAB 27.66, 70.96, -96.88

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 90 / 30 / 0 / 20

HEX #148FCC

RGB 20 143 204

HSL 199.89, 0.82%, 0.44%

LAB 56.24, -9.06, -40.03

 

CMYK 79 / 26 / 0 / 27

HEX #2789BA

RGB 39 137 186

HSL 200, 0.65%, 0.44%

LAB 53.89, -10.71, -33.49

 

CMYK 66 / 22 / 0 / 34

HEX #3983A8

RGB 57 131 168

HSL 200, 0.49%, 0.44%

LAB 51.76, -11.06, -26.42

 

CMYK 50 / 17 / 0 / 41

HEX #4B7D96

RGB 75 125 150

HSL 200, 0.33%, 0.44%

LAB 49.94, -9.63, -18.69

 

CMYK 99 / 0 / 20 / 13

HEX #02DEB2

RGB 2 222 178

HSL 168, 0.98%, 0.44%

LAB 79.31, -55.25, 8.98

 

CMYK 99 / 7 / 0 / 13

HEX #02CFDE

RGB 2 207 222

HSL 184.09, 0.98%, 0.44%

LAB 76.02, -36.46, -19.44

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 99 / 59 / 0 / 13

HEX #025ADE

RGB 2 90 222

HSL 216, 0.98%, 0.44%

LAB 42.15, 30.31, -72.88

 

CMYK 99 / 86 / 0 / 13

HEX #0220DE

RGB 2 32 222

HSL 231.82, 0.98%, 0.44%

LAB 30.21, 63.16, -92.62

 

CMYK 99 / 33 / 0 / 45

HEX #015E8C

RGB 1 94 140

HSL 199.86, 0.99%, 0.28%

LAB 37.67, -5.59, -31.96

 

CMYK 99 / 33 / 0 / 29

HEX #0279B5

RGB 2 121 181

HSL 200.11, 0.98%, 0.36%

LAB 48.29, -5.7, -39.44

 

CMYK 99 / 33 / 0 / 13

HEX #0295DE

RGB 2 149 222

HSL 199.91, 0.98%, 0.44%

LAB 58.77, -6.45, -46.14

 

CMYK 95 / 32 / 0 / 1

HEX #0DACFD

RGB 13 172 253

HSL 200.25, 0.98%, 0.52%

LAB 67.04, -7.75, -50.12

 

CMYK 79 / 26 / 0 / 1

HEX #36BAFD

RGB 54 186 253

HSL 200.2, 0.98%, 0.6%

LAB 71.55, -12.92, -42.99

 

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

CMYK 46 / 99 / 0 / 13

HEX #7802DE

RGB 120 2 222

HSL 272.18, 0.98%, 0.44%

LAB 36.58, 75.42, -81.8

 

CMYK 0 / 7 / 99 / 13

HEX #DECF02

RGB 222 207 2

HSL 55.91, 0.98%, 0.44%

LAB 81.92, -11.98, 82.02

 

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

CMYK 0 / 99 / 33 / 13

HEX #DE0295

RGB 222 2 149

HSL 319.91, 0.98%, 0.44%

LAB 49.18, 79.36, -17.73

 

CMYK 33 / 0 / 99 / 13

HEX #95DE02

RGB 149 222 2

HSL 79.91, 0.98%, 0.44%

LAB 81.09, -48.46, 79.18

 

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

CMYK 46 / 99 / 0 / 13

HEX #7802DE

RGB 120 2 222

HSL 272.18, 0.98%, 0.44%

LAB 36.58, 75.42, -81.8

 

CMYK 0 / 66 / 99 / 13

HEX #DE4C02

RGB 222 76 2

HSL 20.18, 0.98%, 0.44%

LAB 52.62, 54.64, 62.8

 

CMYK 53 / 0 / 99 / 13

HEX #69DE02

RGB 105 222 2

HSL 91.91, 0.98%, 0.44%

LAB 79.19, -62.6, 76.87

 

CMYK 99 / 33 / 0 / 13

HEX #0295DF

RGB 2 149 223

HSL 200.09, 0.98%, 0.44%

LAB 58.82, -6.08, -46.62

 

CMYK 16 / 99 / 0 / 13

HEX #BA02DE

RGB 186 2 222

HSL 290.18, 0.98%, 0.44%

LAB 46.65, 82.98, -64.91

 

CMYK 0 / 66 / 99 / 13

HEX #DE4C02

RGB 222 76 2

HSL 20.18, 0.98%, 0.44%

LAB 52.62, 54.64, 62.8

 

CMYK 82 / 0 / 99 / 13

HEX #27DE02

RGB 39 222 2

HSL 109.91, 0.98%, 0.44%

LAB 77.68, -75.26, 75.04

 

Description

Color code: HEX #0295DF | qconv.com Color code: HEX #0295DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 149 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 149 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 33 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 33% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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