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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02871C it is the complementary color #FD78E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02871C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02871C shade: #078717, #18992A, #29AB3D, #3ABD50 and #4BCF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02871C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02871C shade: #02871C, #007509, #006300, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02871C shade: #02871C, #0B8702, #2F8702, #548702 and #788702

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02871C shade: #02871C, #028740, #028764, #028787 and #026387

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02871C shade matches the following richer shades: #02871C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02871C shade: #02871C, #0D7C22, #187129, #236630 and #2E5B37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02871C shade: #308702, #0D8702, #02871A, #02873E and #028761

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02871C shade: #00360B, #015E13, #02871C, #02B024 and #03D82D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02871C shade: #02871C, #025487 and #87021F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02871C shade: #02871C, #1A0287 and #871A02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02871C shade: #02871C, #025487, #87026F and #873502

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02871C shade: #02871C, #022C87, #87026F and #875D02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

Complementary color

CMYK 0 / 53 / 10 / 1

HEX #FD78E3

RGB 253 120 227

HSL 311.73, 0.97%, 0.73%

LAB 69.37, 63.52, -31.11

 

CMYK 95 / 0 / 83 / 47

HEX #078717

RGB 7 135 23

HSL 127.5, 0.9%, 0.28%

LAB 48.8, -52.22, 46.91

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 76 / 0 / 64 / 33

HEX #29AB3D

RGB 41 171 61

HSL 129.23, 0.61%, 0.42%

LAB 61.6, -56.57, 45.61

 

CMYK 69 / 0 / 58 / 26

HEX #3ABD50

RGB 58 189 80

HSL 130.08, 0.53%, 0.48%

LAB 67.93, -57.62, 44.31

 

CMYK 64 / 0 / 52 / 19

HEX #4BCF63

RGB 75 207 99

HSL 130.91, 0.58%, 0.55%

LAB 74.2, -58.24, 42.92

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 100 / 0 / 92 / 54

HEX #007509

RGB 0 117 9

HSL 124.62, 1%, 0.23%

LAB 42.37, -48.08, 44.72

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 92 / 0 / 99 / 47

HEX #0B8702

RGB 11 135 2

HSL 115.94, 0.97%, 0.27%

LAB 48.76, -52.85, 51.58

 

CMYK 65 / 0 / 99 / 47

HEX #2F8702

RGB 47 135 2

HSL 99.7, 0.97%, 0.27%

LAB 49.42, -47.14, 52.38

 

CMYK 38 / 0 / 99 / 47

HEX #548702

RGB 84 135 2

HSL 83.01, 0.97%, 0.27%

LAB 50.94, -35.42, 54.23

 

CMYK 11 / 0 / 99 / 47

HEX #788702

RGB 120 135 2

HSL 66.77, 0.97%, 0.27%

LAB 53.3, -20.25, 57.08

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 0 / 53 / 47

HEX #028740

RGB 2 135 64

HSL 147.97, 0.97%, 0.27%

LAB 49.14, -47.82, 29.39

 

CMYK 99 / 0 / 26 / 47

HEX #028764

RGB 2 135 100

HSL 164.21, 0.97%, 0.27%

LAB 49.81, -40.09, 10.17

 

CMYK 99 / 0 / 0 / 47

HEX #028787

RGB 2 135 135

HSL 180, 0.97%, 0.27%

LAB 50.79, -29.87, -8.79

 

CMYK 99 / 27 / 0 / 47

HEX #026387

RGB 2 99 135

HSL 196.24, 0.97%, 0.27%

LAB 39.05, -10.56, -26.77

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 90 / 0 / 73 / 51

HEX #0D7C22

RGB 13 124 34

HSL 131.35, 0.81%, 0.27%

LAB 45.1, -47.38, 39.25

 

CMYK 79 / 0 / 64 / 56

HEX #187129

RGB 24 113 41

HSL 131.46, 0.65%, 0.27%

LAB 41.48, -41.38, 32.1

 

CMYK 66 / 0 / 53 / 60

HEX #236630

RGB 35 102 48

HSL 131.64, 0.49%, 0.27%

LAB 37.97, -33.8, 24.29

 

CMYK 49 / 0 / 40 / 64

HEX #2E5B37

RGB 46 91 55

HSL 132, 0.33%, 0.27%

LAB 34.68, -24.38, 16.09

 

CMYK 64 / 0 / 99 / 47

HEX #308702

RGB 48 135 2

HSL 99.25, 0.97%, 0.27%

LAB 49.45, -46.9, 52.42

 

CMYK 90 / 0 / 99 / 47

HEX #0D8702

RGB 13 135 2

HSL 115.04, 0.97%, 0.27%

LAB 48.78, -52.69, 51.6

 

CMYK 99 / 0 / 81 / 47

HEX #02871A

RGB 2 135 26

HSL 130.83, 0.97%, 0.27%

LAB 48.78, -52.38, 45.92

 

CMYK 99 / 0 / 54 / 47

HEX #02873E

RGB 2 135 62

HSL 147.07, 0.97%, 0.27%

LAB 49.12, -48.16, 30.4

 

CMYK 99 / 0 / 28 / 47

HEX #028761

RGB 2 135 97

HSL 162.86, 0.97%, 0.27%

LAB 49.74, -40.85, 11.8

 

CMYK 100 / 0 / 80 / 79

HEX #00360B

RGB 0 54 11

HSL 132.22, 1%, 0.11%

LAB 18.64, -27.34, 21.3

 

CMYK 99 / 0 / 80 / 63

HEX #015E13

RGB 1 94 19

HSL 131.61, 0.98%, 0.19%

LAB 34.11, -40.15, 34.03

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 0 / 80 / 31

HEX #02B024

RGB 2 176 36

HSL 131.72, 0.98%, 0.35%

LAB 62.67, -63.77, 56.08

 

CMYK 99 / 0 / 79 / 15

HEX #03D82D

RGB 3 216 45

HSL 131.83, 0.97%, 0.43%

LAB 75.65, -74.4, 65.78

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 38 / 0 / 47

HEX #025487

RGB 2 84 135

HSL 203.01, 0.97%, 0.27%

LAB 34.2, -1.25, -34.41

 

CMYK 0 / 99 / 77 / 47

HEX #87021F

RGB 135 2 31

HSL 346.92, 0.97%, 0.27%

LAB 27.55, 50.34, 24.36

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 81 / 99 / 0 / 47

HEX #1A0287

RGB 26 2 135

HSL 250.83, 0.97%, 0.27%

LAB 15.55, 49.08, -64.81

 

CMYK 0 / 81 / 99 / 47

HEX #871A02

RGB 135 26 2

HSL 10.83, 0.97%, 0.27%

LAB 29.14, 44.35, 40.97

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 38 / 0 / 47

HEX #025487

RGB 2 84 135

HSL 203.01, 0.97%, 0.27%

LAB 34.2, -1.25, -34.41

 

CMYK 0 / 99 / 18 / 47

HEX #87026F

RGB 135 2 111

HSL 310.83, 0.97%, 0.27%

LAB 30.26, 57.44, -24.86

 

CMYK 0 / 61 / 99 / 47

HEX #873502

RGB 135 53 2

HSL 23.01, 0.97%, 0.27%

LAB 33.35, 32.95, 43.92

 

CMYK 99 / 0 / 79 / 47

HEX #02871C

RGB 2 135 28

HSL 131.73, 0.97%, 0.27%

LAB 48.79, -52.23, 45.26

 

CMYK 99 / 67 / 0 / 47

HEX #022C87

RGB 2 44 135

HSL 221.05, 0.97%, 0.27%

LAB 22.17, 26.47, -53.86

 

CMYK 0 / 99 / 18 / 47

HEX #87026F

RGB 135 2 111

HSL 310.83, 0.97%, 0.27%

LAB 30.26, 57.44, -24.86

 

CMYK 0 / 31 / 99 / 47

HEX #875D02

RGB 135 93 2

HSL 41.05, 0.97%, 0.27%

LAB 42.74, 10.35, 50.04

 

Description

Color code: HEX #02871C | qconv.com Color code: HEX #02871C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 135 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 135 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 79 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 79% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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