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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026F8ACE it is the complementary color #FD9075CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026F8ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #026F8ACE shade: #076F85CE, #188198CE, #2993ABCE, #3AA5BECE and #4BB7D1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026F8ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #026F8ACE shade: #026F8ACE, #005D77CE, #004B64CE, #003951CE and #00273ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #026F8ACE shade: #026D88, #024988, #022588, #030288 and #270288

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #026F8ACE shade: #026D88, #024988, #022588 and #020288

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #026F8ACE shade matches the following richer shades: #026D88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #026F8ACE shade: #026D88, #0D667C, #186071, #235966 and #2F525B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #026F8ACE shade: #028859, #02887D, #026F88, #024C88 and #022888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #026F8ACE shade: #012C36, #014C5F, #026D88, #038EB0 and #03AFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #026F8ACE shade: #026F8A, #350288 and #886B02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #026F8ACE shade: #026F8A, #88026F and #6F8802

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #026F8ACE shade: #026F8A, #350288, #881B02 and #548802

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #026F8ACE shade: #026F8A, #5D0288, #881B02 and #2C8802

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 16 / 0 / 37

HEX #026F8ACE

RGBA 2 111 138 0.81

HSLA 191.91, 0.97%, 0.27%, 0.81

LABA 43.09, -16.33, -22.29, 0.81

 

Complementary color

CMYK 0 / 35 / 44 / 1

HEX #FD9075CE

RGBA 253 144 117 0.81

HSLA 11.91, 0.97%, 0.73%, 0.81

LABA 70.95, 38.55, 32.32, 0.81

 

CMYK 77 / 13 / 0 / 39

HEX #076F85CE

RGBA 7 111 133 0.81

HSLA 190.48, 0.9%, 0.27%, 0.81

LABA 42.92, -17.9, -19.54, 0.81

 

CMYK 68 / 12 / 0 / 33

HEX #188198CE

RGBA 24 129 152 0.81

HSLA 190.78, 0.73%, 0.35%, 0.81

LABA 49.69, -19.76, -20.37, 0.81

 

CMYK 62 / 11 / 0 / 27

HEX #2993ABCE

RGBA 41 147 171 0.81

HSLA 191.08, 0.61%, 0.42%, 0.81

LABA 56.37, -21.12, -21.08, 0.81

 

CMYK 56 / 11 / 0 / 21

HEX #3AA5BECE

RGBA 58 165 190 0.81

HSLA 191.36, 0.53%, 0.49%, 0.81

LABA 62.95, -22.12, -21.71, 0.81

 

CMYK 52 / 10 / 0 / 15

HEX #4BB7D1CE

RGBA 75 183 209 0.81

HSLA 191.64, 0.59%, 0.56%, 0.81

LABA 69.45, -22.86, -22.27, 0.81

 

CMYK 80 / 16 / 0 / 37

HEX #026F8ACE

RGBA 2 111 138 0.81

HSLA 191.91, 0.97%, 0.27%, 0.81

LABA 43.09, -16.33, -22.29, 0.81

 

CMYK 81 / 18 / 0 / 43

HEX #005D77CE

RGBA 0 93 119 0.81

HSLA 193.11, 1%, 0.23%, 0.81

LABA 36.29, -13.4, -21.29, 0.81

 

CMYK 81 / 20 / 0 / 49

HEX #004B64CE

RGBA 0 75 100 0.81

HSLA 195, 1%, 0.2%, 0.81

LABA 29.29, -10.2, -20.27, 0.81

 

CMYK 81 / 24 / 0 / 55

HEX #003951CE

RGBA 0 57 81 0.81

HSLA 197.78, 1%, 0.16%, 0.81

LABA 22.02, -6.77, -19.28, 0.81

 

CMYK 81 / 30 / 0 / 61

HEX #00273ECE

RGBA 0 39 62 0.81

HSLA 202.26, 1%, 0.12%, 0.81

LABA 14.39, -3, -18.35, 0.81

 

CMYK 99 / 20 / 0 / 47

HEX #026D88

RGB 2 109 136

HSL 192.09, 0.97%, 0.27%

LAB 42.35, -15.96, -22.23

 

CMYK 99 / 46 / 0 / 47

HEX #024988

RGB 2 73 136

HSL 208.21, 0.97%, 0.27%

LAB 30.77, 6.48, -40.5

 

CMYK 99 / 73 / 0 / 47

HEX #022588

RGB 2 37 136

HSL 224.33, 0.97%, 0.27%

LAB 20.49, 31.66, -57.26

 

CMYK 98 / 99 / 0 / 47

HEX #030288

RGB 3 2 136

HSL 240.45, 0.97%, 0.27%

LAB 14.63, 48.92, -67.01

 

CMYK 71 / 99 / 0 / 47

HEX #270288

RGB 39 2 136

HSL 256.57, 0.97%, 0.27%

LAB 16.76, 49.85, -63.4

 

CMYK 99 / 20 / 0 / 47

HEX #026D88

RGB 2 109 136

HSL 192.09, 0.97%, 0.27%

LAB 42.35, -15.96, -22.23

 

CMYK 99 / 46 / 0 / 47

HEX #024988

RGB 2 73 136

HSL 208.21, 0.97%, 0.27%

LAB 30.77, 6.48, -40.5

 

CMYK 99 / 73 / 0 / 47

HEX #022588

RGB 2 37 136

HSL 224.33, 0.97%, 0.27%

LAB 20.49, 31.66, -57.26

 

CMYK 99 / 99 / 0 / 47

HEX #020288

RGB 2 2 136

HSL 240, 0.97%, 0.27%

LAB 14.59, 48.9, -67.07

 

CMYK 99 / 20 / 0 / 47

HEX #026D88

RGB 2 109 136

HSL 192.09, 0.97%, 0.27%

LAB 42.35, -15.96, -22.23

 

CMYK 99 / 20 / 0 / 47

HEX #026D88

RGB 2 109 136

HSL 192.09, 0.97%, 0.27%

LAB 42.35, -15.96, -22.23

 

CMYK 90 / 18 / 0 / 51

HEX #0D667C

RGB 13 102 124

HSL 191.89, 0.81%, 0.27%

LAB 39.65, -15.81, -19.14

 

CMYK 79 / 15 / 0 / 56

HEX #186071

RGB 24 96 113

HSL 191.46, 0.65%, 0.27%

LAB 37.39, -15.3, -15.86

 

CMYK 66 / 13 / 0 / 60

HEX #235966

RGB 35 89 102

HSL 191.64, 0.49%, 0.27%

LAB 34.93, -13.34, -12.79

 

CMYK 48 / 10 / 0 / 64

HEX #2F525B

RGB 47 82 91

HSL 192.27, 0.32%, 0.27%

LAB 32.69, -9.92, -9.22

 

CMYK 99 / 0 / 35 / 47

HEX #028859

RGB 2 136 89

HSL 158.96, 0.97%, 0.27%

LAB 49.91, -43.17, 16.61

 

CMYK 99 / 0 / 8 / 47

HEX #02887D

RGB 2 136 125

HSL 175.07, 0.97%, 0.27%

LAB 50.81, -33.48, -2.93

 

CMYK 99 / 18 / 0 / 47

HEX #026F88

RGB 2 111 136

HSL 191.19, 0.97%, 0.27%

LAB 43, -17.08, -21.22

 

CMYK 99 / 44 / 0 / 47

HEX #024C88

RGB 2 76 136

HSL 206.87, 0.97%, 0.27%

LAB 31.71, 4.45, -38.99

 

CMYK 99 / 71 / 0 / 47

HEX #022888

RGB 2 40 136

HSL 222.99, 0.97%, 0.27%

LAB 21.24, 29.64, -56.03

 

CMYK 98 / 19 / 0 / 79

HEX #012C36

RGB 1 44 54

HSL 191.32, 0.96%, 0.11%

LAB 15.87, -9.8, -10.45

 

CMYK 99 / 20 / 0 / 63

HEX #014C5F

RGB 1 76 95

HSL 192.13, 0.98%, 0.19%

LAB 29.42, -12.73, -16.89

 

CMYK 99 / 20 / 0 / 47

HEX #026D88

RGB 2 109 136

HSL 192.09, 0.97%, 0.27%

LAB 42.35, -15.96, -22.23

 

CMYK 98 / 19 / 0 / 31

HEX #038EB0

RGB 3 142 176

HSL 191.79, 0.97%, 0.35%

LAB 54.55, -19.41, -26.77

 

CMYK 99 / 19 / 0 / 15

HEX #03AFD9

RGB 3 175 217

HSL 191.78, 0.97%, 0.43%

LAB 66.28, -22.4, -31.62

 

CMYK 99 / 20 / 0 / 46

HEX #026F8A

RGB 2 111 138

HSL 191.91, 0.97%, 0.27%

LAB 43.09, -16.33, -22.29

 

CMYK 61 / 99 / 0 / 47

HEX #350288

RGB 53 2 136

HSL 262.84, 0.97%, 0.27%

LAB 18.27, 50.65, -60.85

 

CMYK 0 / 21 / 99 / 47

HEX #886B02

RGB 136 107 2

HSL 47.01, 0.97%, 0.27%

LAB 46.65, 2.67, 52.85

 

CMYK 99 / 20 / 0 / 46

HEX #026F8A

RGB 2 111 138

HSL 191.91, 0.97%, 0.27%

LAB 43.09, -16.33, -22.29

 

CMYK 0 / 99 / 18 / 47

HEX #88026F

RGB 136 2 111

HSL 311.19, 0.97%, 0.27%

LAB 30.46, 57.64, -24.53

 

CMYK 18 / 0 / 99 / 47

HEX #6F8802

RGB 111 136 2

HSL 71.19, 0.97%, 0.27%

LAB 52.94, -24.75, 56.51

 

CMYK 99 / 20 / 0 / 46

HEX #026F8A

RGB 2 111 138

HSL 191.91, 0.97%, 0.27%

LAB 43.09, -16.33, -22.29

 

CMYK 61 / 99 / 0 / 47

HEX #350288

RGB 53 2 136

HSL 262.84, 0.97%, 0.27%

LAB 18.27, 50.65, -60.85

 

CMYK 0 / 80 / 99 / 47

HEX #881B02

RGB 136 27 2

HSL 11.19, 0.97%, 0.27%

LAB 29.47, 44.35, 41.32

 

CMYK 38 / 0 / 99 / 47

HEX #548802

RGB 84 136 2

HSL 83.28, 0.97%, 0.27%

LAB 51.26, -35.86, 54.49

 

CMYK 99 / 20 / 0 / 46

HEX #026F8A

RGB 2 111 138

HSL 191.91, 0.97%, 0.27%

LAB 43.09, -16.33, -22.29

 

CMYK 32 / 99 / 0 / 47

HEX #5D0288

RGB 93 2 136

HSL 280.75, 0.97%, 0.27%

LAB 24.16, 54.64, -50.94

 

CMYK 0 / 80 / 99 / 47

HEX #881B02

RGB 136 27 2

HSL 11.19, 0.97%, 0.27%

LAB 29.47, 44.35, 41.32

 

CMYK 68 / 0 / 99 / 47

HEX #2C8802

RGB 44 136 2

HSL 101.19, 0.97%, 0.27%

LAB 49.68, -48.2, 52.55

 

Description

Color code: HEX #026F8ACE | qconv.com Color code: HEX #026F8ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 111 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 111 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 16 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 16% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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