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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026C5ACE it is the complementary color #FD93A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026C5ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #026C5ACE shade: #076C55CE, #187E68CE, #29907BCE, #3AA28ECE and #4BB4A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026C5ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #026C5ACE shade: #026C5ACE, #005A47CE, #004834CE, #003621CE and #00240ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #026C5ACE shade: #026E5C, #026E3F, #026E22, #026E05 and #1D6E02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #026C5ACE shade: #026E5C, #02636E, #02466E, #02296E and #020C6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #026C5ACE shade matches the following richer shades: #026E5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #026C5ACE shade: #026E5C, #0B6556, #145C50, #1D534A and #274A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #026C5ACE shade: #026E21, #026E3D, #026E5A, #02656E and #02486E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #026C5ACE shade: #011D18, #01463A, #026E5C, #03967D and #04BF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #026C5ACE shade: #026C5A, #04026E and #6E2F02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #026C5ACE shade: #026C5A, #5A026E and #6E5A02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #026C5ACE shade: #026C5A, #04026E, #6E0216 and #6C6E02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #026C5ACE shade: #026C5A, #24026E, #6E0216 and #4C6E02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 14 / 47

HEX #026C5ACE

RGBA 2 108 90 0.81

HSLA 169.81, 0.96%, 0.22%, 0.81

LABA 40.37, -31.1, 2.63, 0.81

 

Complementary color

CMYK 0 / 34 / 28 / 1

HEX #FD93A5CE

RGBA 253 147 165 0.81

HSLA 349.81, 0.96%, 0.78%, 0.81

LABA 72.54, 41.81, 8.07, 0.81

 

CMYK 76 / 0 / 17 / 47

HEX #076C55CE

RGBA 7 108 85 0.81

HSLA 166.34, 0.88%, 0.23%, 0.81

LABA 40.29, -32.15, 5.55, 0.81

 

CMYK 66 / 0 / 14 / 41

HEX #187E68CE

RGBA 24 126 104 0.81

HSLA 167.06, 0.68%, 0.29%, 0.81

LABA 47.13, -33.43, 4.04, 0.81

 

CMYK 58 / 0 / 12 / 35

HEX #29907BCE

RGBA 41 144 123 0.81

HSLA 167.77, 0.56%, 0.36%, 0.81

LABA 53.87, -34.21, 2.75, 0.81

 

CMYK 52 / 0 / 10 / 30

HEX #3AA28ECE

RGBA 58 162 142 0.81

HSLA 168.46, 0.47%, 0.43%, 0.81

LABA 60.51, -34.65, 1.63, 0.81

 

CMYK 47 / 0 / 9 / 24

HEX #4BB4A1CE

RGBA 75 180 161 0.81

HSLA 169.14, 0.41%, 0.5%, 0.81

LABA 67.06, -34.88, 0.62, 0.81

 

CMYK 80 / 0 / 14 / 47

HEX #026C5ACE

RGBA 2 108 90 0.81

HSLA 169.81, 0.96%, 0.22%, 0.81

LABA 40.37, -31.1, 2.63, 0.81

 

CMYK 81 / 0 / 17 / 52

HEX #005A47CE

RGBA 0 90 71 0.81

HSLA 167.33, 1%, 0.18%, 0.81

LABA 33.49, -28.6, 4.43, 0.81

 

CMYK 81 / 0 / 23 / 58

HEX #004834CE

RGBA 0 72 52 0.81

HSLA 163.33, 1%, 0.14%, 0.81

LABA 26.4, -25.84, 6.41, 0.81

 

CMYK 81 / 0 / 32 / 64

HEX #003621CE

RGBA 0 54 33 0.81

HSLA 156.67, 1%, 0.11%, 0.81

LABA 19.01, -22.91, 8.61, 0.81

 

CMYK 81 / 0 / 50 / 70

HEX #00240ECE

RGBA 0 36 14 0.81

HSLA 143.33, 1%, 0.07%, 0.81

LABA 11.23, -19.31, 10.38, 0.81

 

CMYK 98 / 0 / 16 / 57

HEX #026E5C

RGB 2 110 92

HSL 170, 0.96%, 0.22%

LAB 41.12, -31.42, 2.5

 

CMYK 98 / 0 / 43 / 57

HEX #026E3F

RGB 2 110 63

HSL 153.89, 0.96%, 0.22%

LAB 40.45, -38.86, 18.82

 

CMYK 98 / 0 / 69 / 57

HEX #026E22

RGB 2 110 34

HSL 137.78, 0.96%, 0.22%

LAB 40.05, -43.73, 33.78

 

CMYK 98 / 0 / 95 / 57

HEX #026E05

RGB 2 110 5

HSL 121.67, 0.96%, 0.22%

LAB 39.87, -45.95, 43.53

 

CMYK 74 / 0 / 98 / 57

HEX #1D6E02

RGB 29 110 2

HSL 105, 0.96%, 0.22%

LAB 40.27, -42.45, 44.79

 

CMYK 98 / 0 / 16 / 57

HEX #026E5C

RGB 2 110 92

HSL 170, 0.96%, 0.22%

LAB 41.12, -31.42, 2.5

 

CMYK 98 / 10 / 0 / 57

HEX #02636E

RGB 2 99 110

HSL 186.11, 0.96%, 0.22%

LAB 37.95, -20.01, -13.19

 

CMYK 98 / 36 / 0 / 57

HEX #02466E

RGB 2 70 110

HSL 202.22, 0.96%, 0.22%

LAB 28.17, -2.65, -28.4

 

CMYK 98 / 63 / 0 / 57

HEX #02296E

RGB 2 41 110

HSL 218.33, 0.96%, 0.22%

LAB 18.91, 17.97, -43.31

 

CMYK 98 / 89 / 0 / 57

HEX #020C6E

RGB 2 12 110

HSL 234.44, 0.96%, 0.22%

LAB 11.97, 36.95, -54.76

 

CMYK 98 / 0 / 16 / 57

HEX #026E5C

RGB 2 110 92

HSL 170, 0.96%, 0.22%

LAB 41.12, -31.42, 2.5

 

CMYK 98 / 0 / 16 / 57

HEX #026E5C

RGB 2 110 92

HSL 170, 0.96%, 0.22%

LAB 41.12, -31.42, 2.5

 

CMYK 89 / 0 / 15 / 60

HEX #0B6556

RGB 11 101 86

HSL 170, 0.8%, 0.22%

LAB 37.93, -28.3, 1.56

 

CMYK 78 / 0 / 13 / 64

HEX #145C50

RGB 20 92 80

HSL 170, 0.64%, 0.22%

LAB 34.77, -24.68, 0.69

 

CMYK 65 / 0 / 11 / 67

HEX #1D534A

RGB 29 83 74

HSL 170, 0.48%, 0.22%

LAB 31.67, -20.22, -0.02

 

CMYK 47 / 0 / 8 / 71

HEX #274A44

RGB 39 74 68

HSL 169.71, 0.31%, 0.22%

LAB 28.76, -14.38, -0.38

 

CMYK 98 / 0 / 70 / 57

HEX #026E21

RGB 2 110 33

HSL 137.22, 0.96%, 0.22%

LAB 40.04, -43.85, 34.23

 

CMYK 98 / 0 / 45 / 57

HEX #026E3D

RGB 2 110 61

HSL 152.78, 0.96%, 0.22%

LAB 40.41, -39.29, 19.93

 

CMYK 98 / 0 / 18 / 57

HEX #026E5A

RGB 2 110 90

HSL 168.89, 0.96%, 0.22%

LAB 41.06, -32.01, 3.63

 

CMYK 98 / 8 / 0 / 57

HEX #02656E

RGB 2 101 110

HSL 185, 0.96%, 0.22%

LAB 38.63, -21.09, -12.16

 

CMYK 98 / 35 / 0 / 57

HEX #02486E

RGB 2 72 110

HSL 201.11, 0.96%, 0.22%

LAB 28.83, -3.96, -27.34

 

CMYK 97 / 0 / 17 / 89

HEX #011D18

RGB 1 29 24

HSL 169.29, 0.93%, 0.06%

LAB 8.58, -11.71, 0.28

 

CMYK 99 / 0 / 17 / 73

HEX #01463A

RGB 1 70 58

HSL 169.57, 0.97%, 0.14%

LAB 25.84, -22.92, 1.72

 

CMYK 98 / 0 / 16 / 57

HEX #026E5C

RGB 2 110 92

HSL 170, 0.96%, 0.22%

LAB 41.12, -31.42, 2.5

 

CMYK 98 / 0 / 17 / 41

HEX #03967D

RGB 3 150 125

HSL 169.8, 0.96%, 0.3%

LAB 55.39, -39.67, 3.76

 

CMYK 98 / 0 / 17 / 25

HEX #04BF9F

RGB 4 191 159

HSL 169.73, 0.96%, 0.38%

LAB 69.32, -47.66, 4.87

 

CMYK 98 / 0 / 17 / 58

HEX #026C5A

RGB 2 108 90

HSL 169.81, 0.96%, 0.22%

LAB 40.37, -31.1, 2.63

 

CMYK 96 / 98 / 0 / 57

HEX #04026E

RGB 4 2 110

HSL 241.11, 0.96%, 0.22%

LAB 10.52, 41.68, -57.18

 

CMYK 0 / 57 / 98 / 57

HEX #6E2F02

RGB 110 47 2

HSL 25, 0.96%, 0.22%

LAB 27.72, 25.63, 37.81

 

CMYK 98 / 0 / 17 / 58

HEX #026C5A

RGB 2 108 90

HSL 169.81, 0.96%, 0.22%

LAB 40.37, -31.1, 2.63

 

CMYK 18 / 98 / 0 / 57

HEX #5A026E

RGB 90 2 110

HSL 288.89, 0.96%, 0.22%

LAB 21.37, 49.04, -38.92

 

CMYK 0 / 18 / 98 / 57

HEX #6E5A02

RGB 110 90 2

HSL 48.89, 0.96%, 0.22%

LAB 38.95, -0.06, 45.99

 

CMYK 98 / 0 / 17 / 58

HEX #026C5A

RGB 2 108 90

HSL 169.81, 0.96%, 0.22%

LAB 40.37, -31.1, 2.63

 

CMYK 96 / 98 / 0 / 57

HEX #04026E

RGB 4 2 110

HSL 241.11, 0.96%, 0.22%

LAB 10.52, 41.68, -57.18

 

CMYK 0 / 98 / 80 / 57

HEX #6E0216

RGB 110 2 22

HSL 348.89, 0.96%, 0.22%

LAB 21.64, 43.24, 22.05

 

CMYK 2 / 0 / 98 / 57

HEX #6C6E02

RGB 108 110 2

HSL 61.11, 0.96%, 0.22%

LAB 44.72, -12.51, 50.17

 

CMYK 98 / 0 / 17 / 58

HEX #026C5A

RGB 2 108 90

HSL 169.81, 0.96%, 0.22%

LAB 40.37, -31.1, 2.63

 

CMYK 67 / 98 / 0 / 57

HEX #24026E

RGB 36 2 110

HSL 258.89, 0.96%, 0.22%

LAB 12.89, 42.84, -53.17

 

CMYK 0 / 98 / 80 / 57

HEX #6E0216

RGB 110 2 22

HSL 348.89, 0.96%, 0.22%

LAB 21.64, 43.24, 22.05

 

CMYK 31 / 0 / 98 / 57

HEX #4C6E02

RGB 76 110 2

HSL 78.89, 0.96%, 0.22%

LAB 42.3, -27.09, 47.25

 

Description

Color code: HEX #026C5ACE | qconv.com Color code: HEX #026C5ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 108 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 108 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 14 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 14% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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