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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026B53 it is the complementary color #FD94AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026B53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #026B53 shade: #076B4E, #187D61, #298F74, #3AA187 and #4BB39A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026B53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #026B53 shade: #026B53, #005940, #00472D, #00351A and #002307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #026B53 shade: #026951, #026936, #02691A, #066902 and #226902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #026B53 shade: #026951, #026569, #024969, #022D69 and #021269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #026B53 shade matches the following richer shades: #026951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #026B53 shade: #026951, #0B604D, #135848, #1C4F43 and #25463F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #026B53 shade: #02691A, #026936, #026951, #026669 and #024A69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #026B53 shade: #001813, #014132, #026951, #039171 and #04BA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #026B53 shade: #026B53, #020669 and #692802

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #026B53 shade: #026B53, #510269 and #695102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #026B53 shade: #026B53, #020669, #69021A and #696602

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #026B53 shade: #026B53, #1E0269, #69021A and #4E6902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

Complementary color

CMYK 0 / 42 / 32 / 1

HEX #FD94AC

RGB 253 148 172

HSL 346.29, 0.96%, 0.79%

LAB 72.92, 42.15, 4.73

 

CMYK 93 / 0 / 27 / 58

HEX #076B4E

RGB 7 107 78

HSL 162.6, 0.88%, 0.22%

LAB 39.77, -33.62, 9.03

 

CMYK 81 / 0 / 22 / 51

HEX #187D61

RGB 24 125 97

HSL 163.37, 0.68%, 0.29%

LAB 46.61, -34.88, 7.43

 

CMYK 71 / 0 / 19 / 44

HEX #298F74

RGB 41 143 116

HSL 164.12, 0.55%, 0.36%

LAB 53.36, -35.6, 6.05

 

CMYK 64 / 0 / 16 / 37

HEX #3AA187

RGB 58 161 135

HSL 164.85, 0.47%, 0.43%

LAB 60.01, -36, 4.85

 

CMYK 58 / 0 / 14 / 30

HEX #4BB39A

RGB 75 179 154

HSL 165.58, 0.41%, 0.5%

LAB 66.57, -36.18, 3.78

 

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

CMYK 100 / 0 / 28 / 65

HEX #005940

RGB 0 89 64

HSL 163.15, 1%, 0.17%

LAB 32.95, -30.15, 8.02

 

CMYK 100 / 0 / 37 / 72

HEX #00472D

RGB 0 71 45

HSL 158.03, 1%, 0.14%

LAB 25.85, -27.32, 10.15

 

CMYK 100 / 0 / 51 / 79

HEX #00351A

RGB 0 53 26

HSL 149.43, 1%, 0.1%

LAB 18.46, -24.24, 12.48

 

CMYK 100 / 0 / 80 / 86

HEX #002307

RGB 0 35 7

HSL 132, 1%, 0.07%

LAB 10.69, -19.87, 12.67

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 98 / 0 / 49 / 59

HEX #026936

RGB 2 105 54

HSL 150.29, 0.96%, 0.21%

LAB 38.52, -38.8, 21.48

 

CMYK 98 / 0 / 75 / 59

HEX #02691A

RGB 2 105 26

HSL 133.98, 0.96%, 0.21%

LAB 38.18, -42.97, 35.34

 

CMYK 94 / 0 / 98 / 59

HEX #066902

RGB 6 105 2

HSL 117.67, 0.96%, 0.21%

LAB 38.1, -44.15, 42.86

 

CMYK 68 / 0 / 98 / 59

HEX #226902

RGB 34 105 2

HSL 101.36, 0.96%, 0.21%

LAB 38.63, -39.53, 43.51

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 98 / 4 / 0 / 59

HEX #026569

RGB 2 101 105

HSL 182.33, 0.96%, 0.21%

LAB 38.45, -22.84, -9.37

 

CMYK 98 / 30 / 0 / 59

HEX #024969

RGB 2 73 105

HSL 198.64, 0.96%, 0.21%

LAB 28.9, -6.71, -24.07

 

CMYK 98 / 57 / 0 / 59

HEX #022D69

RGB 2 45 105

HSL 214.95, 0.96%, 0.21%

LAB 19.68, 12.77, -38.8

 

CMYK 98 / 83 / 0 / 59

HEX #021269

RGB 2 18 105

HSL 230.68, 0.96%, 0.21%

LAB 12.39, 31.9, -50.79

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 89 / 0 / 20 / 62

HEX #0B604D

RGB 11 96 77

HSL 166.59, 0.79%, 0.21%

LAB 35.93, -28.59, 4.21

 

CMYK 78 / 0 / 18 / 65

HEX #135848

RGB 19 88 72

HSL 166.09, 0.64%, 0.21%

LAB 33.1, -25.22, 3.28

 

CMYK 65 / 0 / 15 / 69

HEX #1C4F43

RGB 28 79 67

HSL 165.88, 0.48%, 0.21%

LAB 30.02, -20.37, 2.03

 

CMYK 47 / 0 / 10 / 73

HEX #25463F

RGB 37 70 63

HSL 167.27, 0.31%, 0.21%

LAB 27.11, -14.09, 0.44

 

CMYK 98 / 0 / 75 / 59

HEX #02691A

RGB 2 105 26

HSL 133.98, 0.96%, 0.21%

LAB 38.18, -42.97, 35.34

 

CMYK 98 / 0 / 49 / 59

HEX #026936

RGB 2 105 54

HSL 150.29, 0.96%, 0.21%

LAB 38.52, -38.8, 21.48

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 98 / 3 / 0 / 59

HEX #026669

RGB 2 102 105

HSL 181.75, 0.96%, 0.21%

LAB 38.79, -23.36, -8.86

 

CMYK 98 / 30 / 0 / 59

HEX #024A69

RGB 2 74 105

HSL 198.06, 0.96%, 0.21%

LAB 29.24, -7.34, -23.54

 

CMYK 100 / 0 / 21 / 91

HEX #001813

RGB 0 24 19

HSL 167.5, 1%, 0.05%

LAB 6.33, -9.07, 0.5

 

CMYK 98 / 0 / 23 / 75

HEX #014132

RGB 1 65 50

HSL 165.94, 0.97%, 0.13%

LAB 23.73, -22.97, 3.94

 

CMYK 98 / 0 / 23 / 59

HEX #026951

RGB 2 105 81

HSL 166.02, 0.96%, 0.21%

LAB 39.09, -32.33, 6.25

 

CMYK 98 / 0 / 22 / 43

HEX #039171

RGB 3 145 113

HSL 166.48, 0.96%, 0.29%

LAB 53.45, -40.8, 7.84

 

CMYK 98 / 0 / 23 / 27

HEX #04BA90

RGB 4 186 144

HSL 166.15, 0.96%, 0.37%

LAB 67.39, -49.5, 10.31

 

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

CMYK 98 / 94 / 0 / 59

HEX #020669

RGB 2 6 105

HSL 237.67, 0.96%, 0.21%

LAB 10.28, 38.14, -54.29

 

CMYK 0 / 62 / 98 / 59

HEX #692802

RGB 105 40 2

HSL 22.14, 0.96%, 0.21%

LAB 25.34, 27.29, 35.34

 

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

CMYK 23 / 98 / 0 / 59

HEX #510269

RGB 81 2 105

HSL 286.02, 0.96%, 0.21%

LAB 19.28, 46.64, -39.13

 

CMYK 0 / 23 / 98 / 59

HEX #695102

RGB 105 81 2

HSL 46.02, 0.96%, 0.21%

LAB 35.78, 2.84, 43.43

 

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

CMYK 98 / 94 / 0 / 59

HEX #020669

RGB 2 6 105

HSL 237.67, 0.96%, 0.21%

LAB 10.28, 38.14, -54.29

 

CMYK 0 / 98 / 75 / 59

HEX #69021A

RGB 105 2 26

HSL 346.02, 0.96%, 0.21%

LAB 20.52, 42.03, 17.71

 

CMYK 0 / 3 / 98 / 59

HEX #696602

RGB 105 102 2

HSL 58.25, 0.96%, 0.21%

LAB 42.02, -9.49, 48.02

 

CMYK 98 / 0 / 22 / 58

HEX #026B53

RGB 2 107 83

HSL 166.29, 0.96%, 0.21%

LAB 39.84, -32.66, 6.11

 

CMYK 71 / 98 / 0 / 59

HEX #1E0269

RGB 30 2 105

HSL 256.31, 0.96%, 0.21%

LAB 11.55, 41.13, -52.13

 

CMYK 0 / 98 / 75 / 59

HEX #69021A

RGB 105 2 26

HSL 346.02, 0.96%, 0.21%

LAB 20.52, 42.03, 17.71

 

CMYK 26 / 0 / 98 / 59

HEX #4E6902

RGB 78 105 2

HSL 75.73, 0.96%, 0.21%

LAB 40.78, -23.76, 46.12

 

Description

Color code: HEX #026B53 | qconv.com Color code: HEX #026B53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 107 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 107 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 22 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 22% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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