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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026876 it is the complementary color #FD9789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #026876 shade: #076871, #187A84, #298C97, #3A9EAA and #4BB0BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #026876 shade: #026876, #005663, #004450, #00323D and #00202A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #026876 shade: #026A79, #024A79, #022A79, #020A79 and #1A0279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #026876 shade: #026A79, #024A79, #022A79, #020A79 and #020279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #026876 shade matches the following richer shades: #026A79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #026876 shade: #026A79, #0C636F, #165B65, #20545B and #294C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #026876 shade: #027947, #027967, #026B79, #024B79 and #022B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #026876 shade: #012327, #014650, #026A79, #028EA1 and #03B2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #026876 shade: #026876, #270279 and #795702

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #026876 shade: #026876, #79026B and #6B7902

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #026876 shade: #026876, #270279, #791002 and #537902

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #026876 shade: #026876, #4B0279, #791002 and #2F7902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

Complementary color

CMYK 0 / 40 / 46 / 1

HEX #FD9789

RGB 253 151 137

HSL 7.24, 0.97%, 0.76%

LAB 72.77, 36.74, 23.85

 

CMYK 94 / 8 / 0 / 56

HEX #076871

RGB 7 104 113

HSL 185.09, 0.88%, 0.24%

LAB 39.81, -21.28, -12.2

 

CMYK 82 / 8 / 0 / 48

HEX #187A84

RGB 24 122 132

HSL 185.56, 0.69%, 0.31%

LAB 46.68, -22.88, -13.19

 

CMYK 73 / 7 / 0 / 41

HEX #298C97

RGB 41 140 151

HSL 186, 0.57%, 0.38%

LAB 53.45, -23.98, -14.03

 

CMYK 66 / 7 / 0 / 33

HEX #3A9EAA

RGB 58 158 170

HSL 186.43, 0.49%, 0.45%

LAB 60.12, -24.74, -14.77

 

CMYK 60 / 7 / 0 / 26

HEX #4BB0BD

RGB 75 176 189

HSL 186.84, 0.46%, 0.52%

LAB 66.69, -25.26, -15.43

 

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

CMYK 100 / 13 / 0 / 61

HEX #005663

RGB 0 86 99

HSL 187.88, 1%, 0.19%

LAB 33.04, -17.06, -13.85

 

CMYK 100 / 15 / 0 / 69

HEX #004450

RGB 0 68 80

HSL 189, 1%, 0.16%

LAB 25.9, -14.03, -12.6

 

CMYK 100 / 18 / 0 / 76

HEX #00323D

RGB 0 50 61

HSL 190.82, 1%, 0.12%

LAB 18.44, -10.82, -11.34

 

CMYK 100 / 24 / 0 / 84

HEX #00202A

RGB 0 32 42

HSL 194.29, 1%, 0.08%

LAB 10.56, -7.37, -10.07

 

CMYK 98 / 12 / 0 / 53

HEX #026A79

RGB 2 106 121

HSL 187.56, 0.97%, 0.24%

LAB 40.74, -19.83, -15.66

 

CMYK 98 / 39 / 0 / 53

HEX #024A79

RGB 2 74 121

HSL 203.7, 0.97%, 0.24%

LAB 30.13, -0.6, -32.2

 

CMYK 98 / 65 / 0 / 53

HEX #022A79

RGB 2 42 121

HSL 219.83, 0.97%, 0.24%

LAB 20.24, 22.01, -48.19

 

CMYK 98 / 92 / 0 / 53

HEX #020A79

RGB 2 10 121

HSL 235.97, 0.97%, 0.24%

LAB 13.29, 41.41, -59.69

 

CMYK 79 / 98 / 0 / 53

HEX #1A0279

RGB 26 2 121

HSL 252.1, 0.97%, 0.24%

LAB 13.49, 45.32, -59.32

 

CMYK 98 / 12 / 0 / 53

HEX #026A79

RGB 2 106 121

HSL 187.56, 0.97%, 0.24%

LAB 40.74, -19.83, -15.66

 

CMYK 98 / 39 / 0 / 53

HEX #024A79

RGB 2 74 121

HSL 203.7, 0.97%, 0.24%

LAB 30.13, -0.6, -32.2

 

CMYK 98 / 65 / 0 / 53

HEX #022A79

RGB 2 42 121

HSL 219.83, 0.97%, 0.24%

LAB 20.24, 22.01, -48.19

 

CMYK 98 / 92 / 0 / 53

HEX #020A79

RGB 2 10 121

HSL 235.97, 0.97%, 0.24%

LAB 13.29, 41.41, -59.69

 

CMYK 98 / 98 / 0 / 53

HEX #020279

RGB 2 2 121

HSL 240, 0.97%, 0.24%

LAB 12.2, 44.76, -61.51

 

CMYK 98 / 12 / 0 / 53

HEX #026A79

RGB 2 106 121

HSL 187.56, 0.97%, 0.24%

LAB 40.74, -19.83, -15.66

 

CMYK 98 / 12 / 0 / 53

HEX #026A79

RGB 2 106 121

HSL 187.56, 0.97%, 0.24%

LAB 40.74, -19.83, -15.66

 

CMYK 89 / 11 / 0 / 56

HEX #0C636F

RGB 12 99 111

HSL 187.27, 0.8%, 0.24%

LAB 38.11, -18.94, -13.56

 

CMYK 78 / 10 / 0 / 60

HEX #165B65

RGB 22 91 101

HSL 187.59, 0.64%, 0.24%

LAB 35.19, -17, -11.8

 

CMYK 65 / 8 / 0 / 64

HEX #20545B

RGB 32 84 91

HSL 187.12, 0.48%, 0.24%

LAB 32.71, -14.76, -9.25

 

CMYK 49 / 6 / 0 / 68

HEX #294C51

RGB 41 76 81

HSL 187.5, 0.33%, 0.24%

LAB 30, -11.11, -6.92

 

CMYK 98 / 0 / 41 / 53

HEX #027947

RGB 2 121 71

HSL 154.79, 0.97%, 0.24%

LAB 44.44, -41.38, 19.5

 

CMYK 98 / 0 / 15 / 53

HEX #027967

RGB 2 121 103

HSL 170.92, 0.97%, 0.24%

LAB 45.17, -33.19, 1.79

 

CMYK 98 / 12 / 0 / 53

HEX #026B79

RGB 2 107 121

HSL 187.06, 0.97%, 0.24%

LAB 41.07, -20.37, -15.15

 

CMYK 98 / 38 / 0 / 53

HEX #024B79

RGB 2 75 121

HSL 203.19, 0.97%, 0.24%

LAB 30.46, -1.26, -31.68

 

CMYK 98 / 64 / 0 / 53

HEX #022B79

RGB 2 43 121

HSL 219.33, 0.97%, 0.24%

LAB 20.52, 21.29, -47.73

 

CMYK 97 / 10 / 0 / 85

HEX #012327

RGB 1 35 39

HSL 186.32, 0.95%, 0.08%

LAB 11.65, -10.38, -6.2

 

CMYK 99 / 13 / 0 / 69

HEX #014650

RGB 1 70 80

HSL 187.59, 0.98%, 0.16%

LAB 26.64, -15.08, -11.48

 

CMYK 98 / 12 / 0 / 53

HEX #026A79

RGB 2 106 121

HSL 187.56, 0.97%, 0.24%

LAB 40.74, -19.83, -15.66

 

CMYK 99 / 12 / 0 / 37

HEX #028EA1

RGB 2 142 161

HSL 187.17, 0.98%, 0.32%

LAB 53.95, -24.7, -19.08

 

CMYK 99 / 12 / 0 / 21

HEX #03B2CA

RGB 3 178 202

HSL 187.24, 0.97%, 0.4%

LAB 66.61, -28.97, -22.84

 

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

CMYK 68 / 98 / 0 / 53

HEX #270279

RGB 39 2 121

HSL 258.66, 0.97%, 0.24%

LAB 14.71, 45.93, -57.27

 

CMYK 0 / 28 / 98 / 53

HEX #795702

RGB 121 87 2

HSL 42.86, 0.97%, 0.24%

LAB 39.39, 7.15, 46.89

 

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

CMYK 0 / 98 / 12 / 53

HEX #79026B

RGB 121 2 107

HSL 307.06, 0.97%, 0.24%

LAB 27.21, 54.11, -27.28

 

CMYK 12 / 0 / 98 / 53

HEX #6B7902

RGB 107 121 2

HSL 67.06, 0.97%, 0.24%

LAB 48.01, -18.89, 52.62

 

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

CMYK 68 / 98 / 0 / 53

HEX #270279

RGB 39 2 121

HSL 258.66, 0.97%, 0.24%

LAB 14.71, 45.93, -57.27

 

CMYK 0 / 87 / 98 / 53

HEX #791002

RGB 121 16 2

HSL 7.06, 0.97%, 0.24%

LAB 25.08, 42.81, 36.25

 

CMYK 31 / 0 / 98 / 53

HEX #537902

RGB 83 121 2

HSL 79.16, 0.97%, 0.24%

LAB 46.34, -29.42, 50.6

 

CMYK 98 / 12 / 0 / 54

HEX #026876

RGB 2 104 118

HSL 187.24, 0.97%, 0.24%

LAB 39.95, -19.83, -15.04

 

CMYK 38 / 98 / 0 / 53

HEX #4B0279

RGB 75 2 121

HSL 276.81, 0.97%, 0.24%

LAB 19.72, 49.18, -48.82

 

CMYK 0 / 87 / 98 / 53

HEX #791002

RGB 121 16 2

HSL 7.06, 0.97%, 0.24%

LAB 25.08, 42.81, 36.25

 

CMYK 61 / 0 / 98 / 53

HEX #2F7902

RGB 47 121 2

HSL 97.31, 0.97%, 0.24%

LAB 44.64, -42.05, 48.53

 

Description

Color code: HEX #026876 | qconv.com Color code: HEX #026876 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 104 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 104 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 12 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 12% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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