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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02673F it is the complementary color #FD98C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02673F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02673F shade: #07673A, #18794D, #298B60, #3A9D73 and #4BAF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02673F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02673F shade: #02673F, #00552C, #004319, #003106 and #001F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02673F shade: #026940, #026925, #026909, #176902 and #336902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02673F shade: #026940, #02695C, #025A69, #023E69 and #022369

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02673F shade matches the following richer shades: #026940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02673F shade: #026940, #0B603E, #13583D, #1C4F3B and #254639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02673F shade: #026909, #026924, #026940, #02695B and #025B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02673F shade: #00180F, #014127, #026940, #039159 and #04BA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02673F shade: #02673F, #021769 and #691702

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02673F shade: #02673F, #400269 and #694002

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02673F shade: #02673F, #021769, #69022B and #695402

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02673F shade: #02673F, #0C0269, #69022B and #5F6902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

Complementary color

CMYK 0 / 40 / 24 / 1

HEX #FD98C0

RGB 253 152 192

HSL 336.24, 0.96%, 0.79%

LAB 74.28, 42.73, -4.33

 

CMYK 93 / 0 / 44 / 60

HEX #07673A

RGB 7 103 58

HSL 151.88, 0.87%, 0.22%

LAB 37.93, -36.75, 18.42

 

CMYK 80 / 0 / 36 / 53

HEX #18794D

RGB 24 121 77

HSL 152.78, 0.67%, 0.28%

LAB 44.81, -38.04, 16.6

 

CMYK 71 / 0 / 31 / 45

HEX #298B60

RGB 41 139 96

HSL 153.67, 0.54%, 0.35%

LAB 51.59, -38.71, 15.02

 

CMYK 63 / 0 / 27 / 38

HEX #3A9D73

RGB 58 157 115

HSL 154.55, 0.46%, 0.42%

LAB 58.27, -39.01, 13.62

 

CMYK 57 / 0 / 23 / 31

HEX #4BAF86

RGB 75 175 134

HSL 155.4, 0.4%, 0.49%

LAB 64.86, -39.09, 12.38

 

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

CMYK 100 / 0 / 48 / 67

HEX #00552C

RGB 0 85 44

HSL 151.06, 1%, 0.17%

LAB 31.06, -33.36, 17.69

 

CMYK 100 / 0 / 63 / 74

HEX #004319

RGB 0 67 25

HSL 142.39, 1%, 0.13%

LAB 23.95, -30.07, 19.96

 

CMYK 100 / 0 / 88 / 81

HEX #003106

RGB 0 49 6

HSL 127.35, 1%, 0.1%

LAB 16.55, -26.15, 20.82

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 98 / 0 / 65 / 59

HEX #026925

RGB 2 105 37

HSL 140.39, 0.96%, 0.21%

LAB 38.29, -41.65, 30.35

 

CMYK 98 / 0 / 91 / 59

HEX #026909

RGB 2 105 9

HSL 124.08, 0.96%, 0.21%

LAB 38.09, -44.22, 40.97

 

CMYK 78 / 0 / 98 / 59

HEX #176902

RGB 23 105 2

HSL 107.77, 0.96%, 0.21%

LAB 38.36, -41.9, 43.17

 

CMYK 51 / 0 / 98 / 59

HEX #336902

RGB 51 105 2

HSL 91.46, 0.96%, 0.21%

LAB 39.26, -34.48, 44.28

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 98 / 0 / 12 / 59

HEX #02695C

RGB 2 105 92

HSL 172.43, 0.96%, 0.21%

LAB 39.39, -29.09, -0

 

CMYK 98 / 14 / 0 / 59

HEX #025A69

RGB 2 90 105

HSL 188.74, 0.96%, 0.21%

LAB 34.69, -16.89, -15.08

 

CMYK 98 / 41 / 0 / 59

HEX #023E69

RGB 2 62 105

HSL 205.05, 0.96%, 0.21%

LAB 25.19, 0.57, -29.93

 

CMYK 98 / 67 / 0 / 59

HEX #022369

RGB 2 35 105

HSL 220.78, 0.96%, 0.21%

LAB 16.67, 20.21, -43.71

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 89 / 0 / 35 / 62

HEX #0B603E

RGB 11 96 62

HSL 156, 0.79%, 0.21%

LAB 35.57, -32.57, 12.89

 

CMYK 78 / 0 / 31 / 65

HEX #13583D

RGB 19 88 61

HSL 156.52, 0.64%, 0.21%

LAB 32.82, -28.21, 9.75

 

CMYK 65 / 0 / 25 / 69

HEX #1C4F3B

RGB 28 79 59

HSL 156.47, 0.48%, 0.21%

LAB 29.8, -22.57, 6.82

 

CMYK 47 / 0 / 19 / 73

HEX #254639

RGB 37 70 57

HSL 156.36, 0.31%, 0.21%

LAB 26.93, -15.72, 4.09

 

CMYK 98 / 0 / 91 / 59

HEX #026909

RGB 2 105 9

HSL 124.08, 0.96%, 0.21%

LAB 38.09, -44.22, 40.97

 

CMYK 98 / 0 / 66 / 59

HEX #026924

RGB 2 105 36

HSL 139.81, 0.96%, 0.21%

LAB 38.28, -41.79, 30.84

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 98 / 0 / 13 / 59

HEX #02695B

RGB 2 105 91

HSL 171.84, 0.96%, 0.21%

LAB 39.36, -29.4, 0.56

 

CMYK 98 / 13 / 0 / 59

HEX #025B69

RGB 2 91 105

HSL 188.16, 0.96%, 0.21%

LAB 35.03, -17.45, -14.55

 

CMYK 100 / 0 / 38 / 91

HEX #00180F

RGB 0 24 15

HSL 157.5, 1%, 0.05%

LAB 6.21, -9.87, 2.66

 

CMYK 98 / 0 / 40 / 75

HEX #014127

RGB 1 65 39

HSL 155.63, 0.97%, 0.13%

LAB 23.45, -26.08, 10.73

 

CMYK 98 / 0 / 39 / 59

HEX #026940

RGB 2 105 64

HSL 156.12, 0.96%, 0.21%

LAB 38.7, -36.67, 15.91

 

CMYK 98 / 0 / 39 / 43

HEX #039159

RGB 3 145 89

HSL 156.34, 0.96%, 0.29%

LAB 52.94, -46.56, 20.7

 

CMYK 98 / 0 / 39 / 27

HEX #04BA72

RGB 4 186 114

HSL 156.26, 0.96%, 0.37%

LAB 66.79, -56.3, 25.66

 

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

CMYK 98 / 78 / 0 / 59

HEX #021769

RGB 2 23 105

HSL 227.77, 0.96%, 0.21%

LAB 13.51, 28.72, -48.93

 

CMYK 0 / 78 / 98 / 59

HEX #691702

RGB 105 23 2

HSL 12.23, 0.96%, 0.21%

LAB 22.37, 35.25, 32.39

 

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

CMYK 39 / 98 / 0 / 59

HEX #400269

RGB 64 2 105

HSL 276.12, 0.96%, 0.21%

LAB 16.27, 44.23, -44.17

 

CMYK 0 / 39 / 98 / 59

HEX #694002

RGB 105 64 2

HSL 36.12, 0.96%, 0.21%

LAB 31.05, 13.25, 40.08

 

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

CMYK 98 / 78 / 0 / 59

HEX #021769

RGB 2 23 105

HSL 227.77, 0.96%, 0.21%

LAB 13.51, 28.72, -48.93

 

CMYK 0 / 98 / 59 / 59

HEX #69022B

RGB 105 2 43

HSL 336.12, 0.96%, 0.21%

LAB 20.91, 43.08, 6.22

 

CMYK 0 / 20 / 98 / 59

HEX #695402

RGB 105 84 2

HSL 47.77, 0.96%, 0.21%

LAB 36.65, 1.03, 44.06

 

CMYK 98 / 0 / 39 / 60

HEX #02673F

RGB 2 103 63

HSL 156.24, 0.96%, 0.21%

LAB 37.97, -36.1, 15.53

 

CMYK 89 / 98 / 0 / 59

HEX #0C0269

RGB 12 2 105

HSL 245.83, 0.96%, 0.21%

LAB 10.12, 40.42, -54.55

 

CMYK 0 / 98 / 59 / 59

HEX #69022B

RGB 105 2 43

HSL 336.12, 0.96%, 0.21%

LAB 20.91, 43.08, 6.22

 

CMYK 10 / 0 / 98 / 59

HEX #5F6902

RGB 95 105 2

HSL 65.83, 0.96%, 0.21%

LAB 42.06, -15.96, 47.67

 

Description

Color code: HEX #02673F | qconv.com Color code: HEX #02673F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 103 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 103 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 39 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 39% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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