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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #025D2ACE it is the complementary color #FDA2D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #025D2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #025D2ACE shade: #075D25CE, #186F38CE, #29814BCE, #3A935ECE and #4BA571CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #025D2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #025D2ACE shade: #025D2ACE, #004B17CE, #003904CE, #002700CE and #001500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #025D2ACE shade: #025F2B, #025F12, #0B5F02, #245F02 and #3D5F02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #025D2ACE shade: #025F2B, #025F44, #025F5D, #02485F and #022F5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #025D2ACE shade matches the following richer shades: #025F2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #025D2ACE shade: #025F2B, #0A572C, #124F2D, #19472E and #21402F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #025D2ACE shade: #0B5F02, #025F11, #025F2A, #025F43 and #025F5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #025D2ACE shade: #000E06, #013719, #025F2B, #03873D and #04B04F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #025D2ACE shade: #025D2A, #02245F and #5F0502

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #025D2ACE shade: #025D2A, #2A025F and #5F2A02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #025D2ACE shade: #025D2A, #02245F, #5F0237 and #5F3D02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #025D2ACE shade: #025D2A, #02085F, #5F0237 and #5F5902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 44 / 51

HEX #025D2ACE

RGBA 2 93 42 0.81

HSLA 146.37, 0.96%, 0.19%, 0.81

LABA 34, -36.57, 22.58, 0.81

 

Complementary color

CMYK 0 / 29 / 13 / 1

HEX #FDA2D5CE

RGBA 253 162 213 0.81

HSLA 326.37, 0.96%, 0.81%, 0.81

LABA 77, 40.65, -11.82, 0.81

 

CMYK 75 / 0 / 49 / 51

HEX #075D25CE

RGBA 7 93 37 0.81

HSLA 140.93, 0.86%, 0.2%, 0.81

LABA 34, -36.85, 25.35, 0.81

 

CMYK 63 / 0 / 40 / 46

HEX #186F38CE

RGBA 24 111 56 0.81

HSLA 142.07, 0.64%, 0.26%, 0.81

LABA 40.97, -38.27, 23.54, 0.81

 

CMYK 55 / 0 / 34 / 40

HEX #29814BCE

RGBA 41 129 75 0.81

HSLA 143.18, 0.52%, 0.33%, 0.81

LABA 47.85, -38.92, 21.87, 0.81

 

CMYK 49 / 0 / 29 / 34

HEX #3A935ECE

RGBA 58 147 94 0.81

HSLA 144.27, 0.43%, 0.4%, 0.81

LABA 54.63, -39.14, 20.36, 0.81

 

CMYK 44 / 0 / 26 / 29

HEX #4BA571CE

RGBA 75 165 113 0.81

HSLA 145.33, 0.38%, 0.47%, 0.81

LABA 61.31, -39.14, 19, 0.81

 

CMYK 79 / 0 / 44 / 51

HEX #025D2ACE

RGBA 2 93 42 0.81

HSLA 146.37, 0.96%, 0.19%, 0.81

LABA 34, -36.57, 22.58, 0.81

 

CMYK 81 / 0 / 56 / 57

HEX #004B17CE

RGBA 0 75 23 0.81

HSLA 138.4, 1%, 0.15%, 0.81

LABA 27, -33.34, 24.62, 0.81

 

CMYK 81 / 0 / 75 / 63

HEX #003904CE

RGBA 0 57 4 0.81

HSLA 124.21, 1%, 0.11%, 0.81

LABA 19.78, -29.23, 25.48, 0.81

 

CMYK 81 / 0 / 81 / 69

HEX #002700CE

RGBA 0 39 0 0.81

HSLA 120, 1%, 0.08%, 0.81

LABA 12.29, -23.27, 17.74, 0.81

 

CMYK 81 / 0 / 81 / 74

HEX #001500CE

RGBA 0 21 0 0.81

HSLA 120, 1%, 0.04%, 0.81

LABA 4.84, -9.9, 7.07, 0.81

 

CMYK 98 / 0 / 55 / 63

HEX #025F2B

RGB 2 95 43

HSL 146.45, 0.96%, 0.19%

LAB 34.75, -37.14, 22.94

 

CMYK 98 / 0 / 81 / 63

HEX #025F12

RGB 2 95 18

HSL 130.32, 0.96%, 0.19%

LAB 34.48, -40.45, 34.8

 

CMYK 88 / 0 / 98 / 63

HEX #0B5F02

RGB 11 95 2

HSL 114.19, 0.96%, 0.19%

LAB 34.52, -40.41, 39.93

 

CMYK 62 / 0 / 98 / 63

HEX #245F02

RGB 36 95 2

HSL 98.06, 0.96%, 0.19%

LAB 35.13, -35.18, 40.69

 

CMYK 36 / 0 / 98 / 63

HEX #3D5F02

RGB 61 95 2

HSL 81.94, 0.96%, 0.19%

LAB 36.33, -26.17, 42.15

 

CMYK 98 / 0 / 55 / 63

HEX #025F2B

RGB 2 95 43

HSL 146.45, 0.96%, 0.19%

LAB 34.75, -37.14, 22.94

 

CMYK 98 / 0 / 28 / 63

HEX #025F44

RGB 2 95 68

HSL 162.58, 0.96%, 0.19%

LAB 35.23, -31.49, 8.75

 

CMYK 98 / 0 / 2 / 63

HEX #025F5D

RGB 2 95 93

HSL 178.71, 0.96%, 0.19%

LAB 35.96, -23.86, -5.68

 

CMYK 98 / 24 / 0 / 63

HEX #02485F

RGB 2 72 95

HSL 194.84, 0.96%, 0.19%

LAB 28.04, -10.21, -19.01

 

CMYK 98 / 51 / 0 / 63

HEX #022F5F

RGB 2 47 95

HSL 210.97, 0.96%, 0.19%

LAB 19.52, 6.75, -32.51

 

CMYK 98 / 0 / 55 / 63

HEX #025F2B

RGB 2 95 43

HSL 146.45, 0.96%, 0.19%

LAB 34.75, -37.14, 22.94

 

CMYK 98 / 0 / 55 / 63

HEX #025F2B

RGB 2 95 43

HSL 146.45, 0.96%, 0.19%

LAB 34.75, -37.14, 22.94

 

CMYK 89 / 0 / 49 / 66

HEX #0A572C

RGB 10 87 44

HSL 146.49, 0.79%, 0.19%

LAB 31.95, -32.93, 18.86

 

CMYK 77 / 0 / 43 / 69

HEX #124F2D

RGB 18 79 45

HSL 146.56, 0.63%, 0.19%

LAB 29.18, -28.11, 14.69

 

CMYK 65 / 0 / 35 / 72

HEX #19472E

RGB 25 71 46

HSL 147.39, 0.48%, 0.19%

LAB 26.48, -22.54, 10.46

 

CMYK 48 / 0 / 27 / 75

HEX #21402F

RGB 33 64 47

HSL 147.1, 0.32%, 0.19%

LAB 24.31, -16.19, 6.87

 

CMYK 88 / 0 / 98 / 63

HEX #0B5F02

RGB 11 95 2

HSL 114.19, 0.96%, 0.19%

LAB 34.52, -40.41, 39.93

 

CMYK 98 / 0 / 82 / 63

HEX #025F11

RGB 2 95 17

HSL 129.68, 0.96%, 0.19%

LAB 34.47, -40.53, 35.17

 

CMYK 98 / 0 / 56 / 63

HEX #025F2A

RGB 2 95 42

HSL 145.81, 0.96%, 0.19%

LAB 34.73, -37.32, 23.48

 

CMYK 98 / 0 / 29 / 63

HEX #025F43

RGB 2 95 67

HSL 161.94, 0.96%, 0.19%

LAB 35.21, -31.76, 9.33

 

CMYK 98 / 0 / 3 / 63

HEX #025F5C

RGB 2 95 92

HSL 178.06, 0.96%, 0.19%

LAB 35.93, -24.19, -5.11

 

CMYK 100 / 0 / 57 / 95

HEX #000E06

RGB 0 14 6

HSL 145.71, 1%, 0.03%

LAB 2.96, -4.96, 1.87

 

CMYK 98 / 0 / 55 / 78

HEX #013719

RGB 1 55 25

HSL 146.67, 0.96%, 0.11%

LAB 19.26, -25.08, 14.17

 

CMYK 98 / 0 / 55 / 63

HEX #025F2B

RGB 2 95 43

HSL 146.45, 0.96%, 0.19%

LAB 34.75, -37.14, 22.94

 

CMYK 98 / 0 / 55 / 47

HEX #03873D

RGB 3 135 61

HSL 146.36, 0.96%, 0.27%

LAB 49.11, -48.25, 30.92

 

CMYK 98 / 0 / 55 / 31

HEX #04B04F

RGB 4 176 79

HSL 146.16, 0.96%, 0.35%

LAB 63.05, -59.07, 38.8

 

CMYK 98 / 0 / 55 / 64

HEX #025D2A

RGB 2 93 42

HSL 146.37, 0.96%, 0.19%

LAB 34, -36.57, 22.58

 

CMYK 98 / 62 / 0 / 63

HEX #02245F

RGB 2 36 95

HSL 218.06, 0.96%, 0.19%

LAB 16.01, 15, -38.21

 

CMYK 0 / 95 / 98 / 63

HEX #5F0502

RGB 95 5 2

HSL 1.94, 0.96%, 0.19%

LAB 18.12, 37.53, 27.01

 

CMYK 98 / 0 / 55 / 64

HEX #025D2A

RGB 2 93 42

HSL 146.37, 0.96%, 0.19%

LAB 34, -36.57, 22.58

 

CMYK 56 / 98 / 0 / 63

HEX #2A025F

RGB 42 2 95

HSL 265.81, 0.96%, 0.19%

LAB 11.7, 39.35, -45.19

 

CMYK 0 / 56 / 98 / 63

HEX #5F2A02

RGB 95 42 2

HSL 25.81, 0.96%, 0.19%

LAB 23.98, 21.76, 33.41

 

CMYK 98 / 0 / 55 / 64

HEX #025D2A

RGB 2 93 42

HSL 146.37, 0.96%, 0.19%

LAB 34, -36.57, 22.58

 

CMYK 98 / 62 / 0 / 63

HEX #02245F

RGB 2 36 95

HSL 218.06, 0.96%, 0.19%

LAB 16.01, 15, -38.21

 

CMYK 0 / 98 / 42 / 63

HEX #5F0237

RGB 95 2 55

HSL 325.81, 0.96%, 0.19%

LAB 19.02, 41.62, -5.31

 

CMYK 0 / 36 / 98 / 63

HEX #5F3D02

RGB 95 61 2

HSL 38.06, 0.96%, 0.19%

LAB 28.84, 10.14, 37.78

 

CMYK 98 / 0 / 55 / 64

HEX #025D2A

RGB 2 93 42

HSL 146.37, 0.96%, 0.19%

LAB 34, -36.57, 22.58

 

CMYK 98 / 92 / 0 / 63

HEX #02085F

RGB 2 8 95

HSL 236.13, 0.96%, 0.19%

LAB 9.1, 33.83, -49.61

 

CMYK 0 / 98 / 42 / 63

HEX #5F0237

RGB 95 2 55

HSL 325.81, 0.96%, 0.19%

LAB 19.02, 41.62, -5.31

 

CMYK 0 / 6 / 98 / 63

HEX #5F5902

RGB 95 89 2

HSL 56.13, 0.96%, 0.19%

LAB 37.08, -6.95, 43.9

 

Description

Color code: HEX #025D2ACE | qconv.com Color code: HEX #025D2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 93 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 93 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 44 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 44% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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