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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #024B5E it is the complementary color #FDB4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #024B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #024B5E shade: #074B59, #185D6C, #296F7F, #3A8192 and #4B93A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #024B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #024B5E shade: #024B5E, #00394B, #002738, #001525 and #000312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #024B5E shade: #024C5F, #02335F, #021A5F, #03025F and #1C025F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #024B5E shade: #024C5F, #02335F, #021A5F and #02025F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #024B5E shade matches the following richer shades: #024C5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #024B5E shade: #024C5F, #0A4757, #12434F, #193E47 and #213940

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #024B5E shade: #025F40, #025F59, #024C5F, #02345F and #021B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #024B5E shade: #000B0E, #012B37, #024C5F, #036C87 and #048CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #024B5E shade: #024B5E, #27025F and #5F4C02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #024B5E shade: #024B5E, #5F024C and #4C5F02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #024B5E shade: #024B5E, #27025F, #5F1502 and #3A5F02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #024B5E shade: #024B5E, #43025F, #5F1502 and #1E5F02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

Complementary color

CMYK 0 / 29 / 36 / 1

HEX #FDB4A1

RGB 253 180 161

HSL 12.39, 0.96%, 0.81%

LAB 79.67, 24.19, 20.28

 

CMYK 92 / 16 / 0 / 65

HEX #074B59

RGB 7 75 89

HSL 190.24, 0.85%, 0.19%

LAB 28.9, -13.9, -13.83

 

CMYK 78 / 14 / 0 / 58

HEX #185D6C

RGB 24 93 108

HSL 190.71, 0.64%, 0.26%

LAB 36.19, -15.38, -14.62

 

CMYK 68 / 13 / 0 / 50

HEX #296F7F

RGB 41 111 127

HSL 191.16, 0.51%, 0.33%

LAB 43.32, -16.31, -15.28

 

CMYK 60 / 12 / 0 / 43

HEX #3A8192

RGB 58 129 146

HSL 191.59, 0.43%, 0.4%

LAB 50.31, -16.9, -15.85

 

CMYK 55 / 11 / 0 / 35

HEX #4B93A5

RGB 75 147 165

HSL 192, 0.38%, 0.47%

LAB 57.15, -17.29, -16.37

 

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

CMYK 100 / 24 / 0 / 71

HEX #00394B

RGB 0 57 75

HSL 194.4, 1%, 0.15%

LAB 21.71, -9.34, -15.78

 

CMYK 100 / 30 / 0 / 78

HEX #002738

RGB 0 39 56

HSL 198.21, 1%, 0.11%

LAB 14.04, -5.78, -14.7

 

CMYK 100 / 43 / 0 / 85

HEX #001525

RGB 0 21 37

HSL 205.95, 1%, 0.07%

LAB 6.05, -1.42, -13.38

 

CMYK 100 / 83 / 0 / 93

HEX #000312

RGB 0 3 18

HSL 230, 1%, 0.04%

LAB 0.98, 1.57, -6.68

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 98 / 46 / 0 / 63

HEX #02335F

RGB 2 51 95

HSL 208.39, 0.96%, 0.19%

LAB 20.85, 3.84, -30.37

 

CMYK 98 / 73 / 0 / 63

HEX #021A5F

RGB 2 26 95

HSL 224.52, 0.96%, 0.19%

LAB 13.1, 22.49, -42.99

 

CMYK 97 / 98 / 0 / 63

HEX #03025F

RGB 3 2 95

HSL 240.65, 0.96%, 0.19%

LAB 8.03, 37.27, -51.39

 

CMYK 71 / 98 / 0 / 63

HEX #1C025F

RGB 28 2 95

HSL 256.77, 0.96%, 0.19%

LAB 9.93, 38.25, -48.18

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 98 / 46 / 0 / 63

HEX #02335F

RGB 2 51 95

HSL 208.39, 0.96%, 0.19%

LAB 20.85, 3.84, -30.37

 

CMYK 98 / 73 / 0 / 63

HEX #021A5F

RGB 2 26 95

HSL 224.52, 0.96%, 0.19%

LAB 13.1, 22.49, -42.99

 

CMYK 98 / 98 / 0 / 63

HEX #02025F

RGB 2 2 95

HSL 240, 0.96%, 0.19%

LAB 7.97, 37.25, -51.49

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 89 / 18 / 0 / 66

HEX #0A4757

RGB 10 71 87

HSL 192.47, 0.79%, 0.19%

LAB 27.46, -11.99, -14.75

 

CMYK 77 / 15 / 0 / 69

HEX #12434F

RGB 18 67 79

HSL 191.8, 0.63%, 0.19%

LAB 25.88, -11.57, -11.94

 

CMYK 65 / 13 / 0 / 72

HEX #193E47

RGB 25 62 71

HSL 191.74, 0.48%, 0.19%

LAB 24.02, -10.04, -9.49

 

CMYK 48 / 11 / 0 / 75

HEX #213940

RGB 33 57 64

HSL 193.55, 0.32%, 0.19%

LAB 22.37, -7.11, -7.28

 

CMYK 98 / 0 / 33 / 63

HEX #025F40

RGB 2 95 64

HSL 160, 0.96%, 0.19%

LAB 35.14, -32.54, 11.07

 

CMYK 98 / 0 / 6 / 63

HEX #025F59

RGB 2 95 89

HSL 176.13, 0.96%, 0.19%

LAB 35.83, -25.19, -3.4

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 98 / 45 / 0 / 63

HEX #02345F

RGB 2 52 95

HSL 207.74, 0.96%, 0.19%

LAB 21.19, 3.12, -29.83

 

CMYK 98 / 72 / 0 / 63

HEX #021B5F

RGB 2 27 95

HSL 223.87, 0.96%, 0.19%

LAB 13.37, 21.76, -42.54

 

CMYK 100 / 21 / 0 / 95

HEX #000B0E

RGB 0 11 14

HSL 192.86, 1%, 0.03%

LAB 2.45, -2.4, -2.32

 

CMYK 98 / 22 / 0 / 78

HEX #012B37

RGB 1 43 55

HSL 193.33, 0.96%, 0.11%

LAB 15.54, -8.72, -11.66

 

CMYK 98 / 20 / 0 / 63

HEX #024C5F

RGB 2 76 95

HSL 192.26, 0.96%, 0.19%

LAB 29.43, -12.63, -16.86

 

CMYK 98 / 20 / 0 / 47

HEX #036C87

RGB 3 108 135

HSL 192.27, 0.96%, 0.27%

LAB 41.99, -15.71, -22.19

 

CMYK 98 / 20 / 0 / 31

HEX #048CB0

RGB 4 140 176

HSL 192.56, 0.96%, 0.35%

LAB 53.94, -18.29, -27.72

 

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

CMYK 59 / 98 / 0 / 63

HEX #27025F

RGB 39 2 95

HSL 263.87, 0.96%, 0.19%

LAB 11.28, 39.07, -45.89

 

CMYK 0 / 20 / 98 / 63

HEX #5F4C02

RGB 95 76 2

HSL 47.74, 0.96%, 0.19%

LAB 33.15, 0.83, 40.99

 

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

CMYK 0 / 98 / 20 / 63

HEX #5F024C

RGB 95 2 76

HSL 312.26, 0.96%, 0.19%

LAB 20.04, 44.26, -18.36

 

CMYK 20 / 0 / 98 / 63

HEX #4C5F02

RGB 76 95 2

HSL 72.26, 0.96%, 0.19%

LAB 37.34, -19.52, 43.39

 

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

CMYK 59 / 98 / 0 / 63

HEX #27025F

RGB 39 2 95

HSL 263.87, 0.96%, 0.19%

LAB 11.28, 39.07, -45.89

 

CMYK 0 / 78 / 98 / 63

HEX #5F1502

RGB 95 21 2

HSL 12.26, 0.96%, 0.19%

LAB 19.94, 32.42, 29.11

 

CMYK 39 / 0 / 98 / 63

HEX #3A5F02

RGB 58 95 2

HSL 83.87, 0.96%, 0.19%

LAB 36.15, -27.41, 41.94

 

CMYK 98 / 20 / 0 / 63

HEX #024B5E

RGB 2 75 94

HSL 192.39, 0.96%, 0.19%

LAB 29.04, -12.43, -16.83

 

CMYK 29 / 98 / 0 / 63

HEX #43025F

RGB 67 2 95

HSL 281.94, 0.96%, 0.19%

LAB 15.81, 42.43, -38.28

 

CMYK 0 / 78 / 98 / 63

HEX #5F1502

RGB 95 21 2

HSL 12.26, 0.96%, 0.19%

LAB 19.94, 32.42, 29.11

 

CMYK 68 / 0 / 98 / 63

HEX #1E5F02

RGB 30 95 2

HSL 101.94, 0.96%, 0.19%

LAB 34.93, -36.82, 40.44

 

Description

Color code: HEX #024B5E | qconv.com Color code: HEX #024B5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 75 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 75 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 20 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 20% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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