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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02498F it is the complementary color #FDB670. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02498F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02498F shade: #07498A, #185B9D, #296DB0, #3A7FC3 and #4B91D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02498F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02498F shade: #02498F, #00377C, #002569, #001356 and #000143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02498F shade: #02488D, #02238D, #07028D, #2C028D and #52028D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02498F shade: #02488D, #02238D and #02028D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02498F shade matches the following richer shades: #02488D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02498F shade: #02488D, #0E4881, #194876, #25486A and #30485E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02498F shade: #028D86, #026F8D, #024A8D, #02258D and #04028D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02498F shade: #011E3B, #023364, #02488D, #035DB5 and #0371DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02498F shade: #02498F, #61028D and #818D02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02498F shade: #02498F, #8D024A and #4A8D02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02498F shade: #02498F, #61028D, #8D4502 and #2E8D02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02498F shade: #02498F, #8A028D, #8D4502 and #048D02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

Complementary color

CMYK 0 / 28 / 56 / 1

HEX #FDB670

RGB 253 182 112

HSL 29.79, 0.97%, 0.72%

LAB 79.33, 18.38, 45.48

 

CMYK 95 / 47 / 0 / 46

HEX #07498A

RGB 7 73 138

HSL 209.77, 0.9%, 0.28%

LAB 30.99, 7.63, -41.39

 

CMYK 85 / 42 / 0 / 38

HEX #185B9D

RGB 24 91 157

HSL 209.77, 0.73%, 0.35%

LAB 38.04, 4.7, -41.59

 

CMYK 77 / 38 / 0 / 31

HEX #296DB0

RGB 41 109 176

HSL 209.78, 0.62%, 0.43%

LAB 45, 2.49, -41.71

 

CMYK 70 / 35 / 0 / 24

HEX #3A7FC3

RGB 58 127 195

HSL 209.78, 0.54%, 0.5%

LAB 51.86, 0.81, -41.78

 

CMYK 65 / 32 / 0 / 16

HEX #4B91D6

RGB 75 145 214

HSL 209.78, 0.63%, 0.57%

LAB 58.6, -0.51, -41.85

 

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

CMYK 100 / 56 / 0 / 51

HEX #00377C

RGB 0 55 124

HSL 213.39, 1%, 0.24%

LAB 24.28, 13.77, -43.5

 

CMYK 100 / 65 / 0 / 59

HEX #002569

RGB 0 37 105

HSL 218.86, 1%, 0.21%

LAB 17.19, 18.57, -42.86

 

CMYK 100 / 78 / 0 / 66

HEX #001356

RGB 0 19 86

HSL 226.74, 1%, 0.17%

LAB 10.09, 23.54, -41.89

 

CMYK 100 / 99 / 0 / 74

HEX #000143

RGB 0 1 67

HSL 239.1, 1%, 0.13%

LAB 3.86, 24.84, -38.97

 

CMYK 99 / 49 / 0 / 45

HEX #02488D

RGB 2 72 141

HSL 209.78, 0.97%, 0.28%

LAB 30.81, 9.31, -43.52

 

CMYK 99 / 75 / 0 / 45

HEX #02238D

RGB 2 35 141

HSL 225.76, 0.97%, 0.28%

LAB 20.59, 34.91, -60.23

 

CMYK 95 / 99 / 0 / 45

HEX #07028D

RGB 7 2 141

HSL 242.16, 0.97%, 0.28%

LAB 15.55, 50.32, -68.61

 

CMYK 69 / 99 / 0 / 45

HEX #2C028D

RGB 44 2 141

HSL 258.13, 0.97%, 0.28%

LAB 17.93, 51.38, -64.58

 

CMYK 42 / 99 / 0 / 45

HEX #52028D

RGB 82 2 141

HSL 274.53, 0.97%, 0.28%

LAB 22.86, 54.4, -56.25

 

CMYK 99 / 49 / 0 / 45

HEX #02488D

RGB 2 72 141

HSL 209.78, 0.97%, 0.28%

LAB 30.81, 9.31, -43.52

 

CMYK 99 / 75 / 0 / 45

HEX #02238D

RGB 2 35 141

HSL 225.76, 0.97%, 0.28%

LAB 20.59, 34.91, -60.23

 

CMYK 99 / 99 / 0 / 45

HEX #02028D

RGB 2 2 141

HSL 240, 0.97%, 0.28%

LAB 15.38, 50.26, -68.9

 

CMYK 99 / 49 / 0 / 45

HEX #02488D

RGB 2 72 141

HSL 209.78, 0.97%, 0.28%

LAB 30.81, 9.31, -43.52

 

CMYK 99 / 49 / 0 / 45

HEX #02488D

RGB 2 72 141

HSL 209.78, 0.97%, 0.28%

LAB 30.81, 9.31, -43.52

 

CMYK 89 / 44 / 0 / 49

HEX #0E4881

RGB 14 72 129

HSL 209.74, 0.8%, 0.28%

LAB 30.19, 4.97, -37.09

 

CMYK 79 / 39 / 0 / 54

HEX #194876

RGB 25 72 118

HSL 209.68, 0.65%, 0.28%

LAB 29.79, 1.6, -30.85

 

CMYK 65 / 32 / 0 / 58

HEX #25486A

RGB 37 72 106

HSL 209.57, 0.48%, 0.28%

LAB 29.59, -0.98, -23.56

 

CMYK 49 / 23 / 0 / 63

HEX #30485E

RGB 48 72 94

HSL 208.7, 0.32%, 0.28%

LAB 29.59, -2.46, -15.85

 

CMYK 99 / 0 / 5 / 45

HEX #028D86

RGB 2 141 134

HSL 176.98, 0.97%, 0.28%

LAB 52.71, -33.04, -5.35

 

CMYK 99 / 21 / 0 / 45

HEX #026F8D

RGB 2 111 141

HSL 192.95, 0.97%, 0.28%

LAB 43.22, -15.21, -23.88

 

CMYK 99 / 48 / 0 / 45

HEX #024A8D

RGB 2 74 141

HSL 208.92, 0.97%, 0.28%

LAB 31.42, 7.94, -42.53

 

CMYK 99 / 74 / 0 / 45

HEX #02258D

RGB 2 37 141

HSL 224.89, 0.97%, 0.28%

LAB 21.05, 33.62, -59.46

 

CMYK 97 / 99 / 0 / 45

HEX #04028D

RGB 4 2 141

HSL 240.86, 0.97%, 0.28%

LAB 15.45, 50.28, -68.78

 

CMYK 98 / 49 / 0 / 77

HEX #011E3B

RGB 1 30 59

HSL 210, 0.97%, 0.12%

LAB 10.93, 2.47, -21.75

 

CMYK 98 / 49 / 0 / 61

HEX #023364

RGB 2 51 100

HSL 210, 0.96%, 0.2%

LAB 21.21, 6.1, -33.07

 

CMYK 99 / 49 / 0 / 45

HEX #02488D

RGB 2 72 141

HSL 209.78, 0.97%, 0.28%

LAB 30.81, 9.31, -43.52

 

CMYK 98 / 49 / 0 / 29

HEX #035DB5

RGB 3 93 181

HSL 209.66, 0.97%, 0.36%

LAB 39.89, 11.95, -52.86

 

CMYK 99 / 49 / 0 / 13

HEX #0371DE

RGB 3 113 222

HSL 209.86, 0.97%, 0.44%

LAB 48.39, 15.46, -62.74

 

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

CMYK 31 / 99 / 0 / 45

HEX #61028D

RGB 97 2 141

HSL 281.01, 0.97%, 0.28%

LAB 25.28, 56.18, -52.19

 

CMYK 9 / 0 / 99 / 45

HEX #818D02

RGB 129 141 2

HSL 65.18, 0.97%, 0.28%

LAB 55.81, -19.28, 59.28

 

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

CMYK 0 / 99 / 48 / 45

HEX #8D024A

RGB 141 2 74

HSL 328.92, 0.97%, 0.28%

LAB 29.91, 54.61, -1.08

 

CMYK 48 / 0 / 99 / 45

HEX #4A8D02

RGB 74 141 2

HSL 88.92, 0.97%, 0.28%

LAB 52.41, -41.55, 55.18

 

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

CMYK 31 / 99 / 0 / 45

HEX #61028D

RGB 97 2 141

HSL 281.01, 0.97%, 0.28%

LAB 25.28, 56.18, -52.19

 

CMYK 0 / 51 / 99 / 45

HEX #8D4502

RGB 141 69 2

HSL 28.92, 0.97%, 0.28%

LAB 37.7, 26.94, 47.1

 

CMYK 67 / 0 / 99 / 45

HEX #2E8D02

RGB 46 141 2

HSL 101.01, 0.97%, 0.28%

LAB 51.42, -49.47, 53.98

 

CMYK 99 / 49 / 0 / 44

HEX #02498F

RGB 2 73 143

HSL 209.79, 0.97%, 0.28%

LAB 31.26, 9.48, -44.02

 

CMYK 2 / 99 / 0 / 45

HEX #8A028D

RGB 138 2 141

HSL 298.71, 0.97%, 0.28%

LAB 32.63, 62.42, -39.93

 

CMYK 0 / 51 / 99 / 45

HEX #8D4502

RGB 141 69 2

HSL 28.92, 0.97%, 0.28%

LAB 37.7, 26.94, 47.1

 

CMYK 97 / 0 / 99 / 45

HEX #048D02

RGB 4 141 2

HSL 119.14, 0.97%, 0.28%

LAB 50.78, -55.11, 53.19

 

Description

Color code: HEX #02498F | qconv.com Color code: HEX #02498F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 73 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 73 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 49 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 49% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - Laser Transportes - ...
Link: http://lasertransportes.com.br

63% - NEWSru.com :: Go to ...
Link: http://www.newsru.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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