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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02404C it is the complementary color #FDBFB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02404C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02404C shade: #074047, #18525A, #29646D, #3A7680 and #4B8893

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02404C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02404C shade: #02404C, #002E39, #001C26, #000A13 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02404C shade: #023F4B, #022B4B, #02184B, #02044B and #13024B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02404C shade: #023F4B, #022B4B, #02184B, #02044B and #02024B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02404C shade matches the following richer shades: #023F4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02404C shade: #023F4B, #083B44, #0E363E, #143238 and #1B2E32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02404C shade: #024B2F, #024B42, #02404B, #022C4B and #02194B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02404C shade: #000000, #011D22, #023F4B, #036173 and #04839B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02404C shade: #02404C, #1B024B and #4B3802

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02404C shade: #02404C, #4B0240 and #404B02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02404C shade: #02404C, #1B024B, #4B0D02 and #314B02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02404C shade: #02404C, #31024B, #4B0D02 and #1B4B02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

Complementary color

CMYK 0 / 25 / 29 / 1

HEX #FDBFB3

RGB 253 191 179

HSL 9.73, 0.95%, 0.85%

LAB 82.59, 20.63, 14.71

 

CMYK 90 / 10 / 0 / 72

HEX #074047

RGB 7 64 71

HSL 186.56, 0.82%, 0.15%

LAB 24.22, -14.31, -9.24

 

CMYK 73 / 9 / 0 / 65

HEX #18525A

RGB 24 82 90

HSL 187.27, 0.58%, 0.22%

LAB 31.73, -15.45, -10.12

 

CMYK 62 / 8 / 0 / 57

HEX #29646D

RGB 41 100 109

HSL 187.94, 0.45%, 0.29%

LAB 39.05, -16.08, -10.83

 

CMYK 55 / 8 / 0 / 50

HEX #3A7680

RGB 58 118 128

HSL 188.57, 0.38%, 0.36%

LAB 46.2, -16.43, -11.46

 

CMYK 49 / 7 / 0 / 42

HEX #4B8893

RGB 75 136 147

HSL 189.17, 0.32%, 0.44%

LAB 53.18, -16.63, -12.02

 

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

CMYK 100 / 19 / 0 / 78

HEX #002E39

RGB 0 46 57

HSL 191.58, 1%, 0.11%

LAB 16.75, -9.99, -11.2

 

CMYK 100 / 26 / 0 / 85

HEX #001C26

RGB 0 28 38

HSL 195.79, 1%, 0.07%

LAB 8.74, -6.34, -9.94

 

CMYK 100 / 47 / 0 / 93

HEX #000A13

RGB 0 10 19

HSL 208.42, 1%, 0.04%

LAB 2.39, -1.02, -5.26

 

CMYK 97 / 16 / 0 / 71

HEX #023F4B

RGB 2 63 75

HSL 189.86, 0.95%, 0.15%

LAB 23.92, -12.79, -12.35

 

CMYK 97 / 43 / 0 / 71

HEX #022B4B

RGB 2 43 75

HSL 206.3, 0.95%, 0.15%

LAB 16.74, 0.47, -23.58

 

CMYK 97 / 68 / 0 / 71

HEX #02184B

RGB 2 24 75

HSL 221.92, 0.95%, 0.15%

LAB 10.37, 15.08, -33.88

 

CMYK 97 / 95 / 0 / 71

HEX #02044B

RGB 2 4 75

HSL 238.36, 0.95%, 0.15%

LAB 5.49, 28.11, -41.92

 

CMYK 75 / 97 / 0 / 71

HEX #13024B

RGB 19 2 75

HSL 253.97, 0.95%, 0.15%

LAB 6.23, 31.25, -40.66

 

CMYK 97 / 16 / 0 / 71

HEX #023F4B

RGB 2 63 75

HSL 189.86, 0.95%, 0.15%

LAB 23.92, -12.79, -12.35

 

CMYK 97 / 43 / 0 / 71

HEX #022B4B

RGB 2 43 75

HSL 206.3, 0.95%, 0.15%

LAB 16.74, 0.47, -23.58

 

CMYK 97 / 68 / 0 / 71

HEX #02184B

RGB 2 24 75

HSL 221.92, 0.95%, 0.15%

LAB 10.37, 15.08, -33.88

 

CMYK 97 / 95 / 0 / 71

HEX #02044B

RGB 2 4 75

HSL 238.36, 0.95%, 0.15%

LAB 5.49, 28.11, -41.92

 

CMYK 97 / 97 / 0 / 71

HEX #02024B

RGB 2 2 75

HSL 240, 0.95%, 0.15%

LAB 5.1, 29.15, -42.57

 

CMYK 97 / 16 / 0 / 71

HEX #023F4B

RGB 2 63 75

HSL 189.86, 0.95%, 0.15%

LAB 23.92, -12.79, -12.35

 

CMYK 97 / 16 / 0 / 71

HEX #023F4B

RGB 2 63 75

HSL 189.86, 0.95%, 0.15%

LAB 23.92, -12.79, -12.35

 

CMYK 88 / 13 / 0 / 73

HEX #083B44

RGB 8 59 68

HSL 189, 0.79%, 0.15%

LAB 22.29, -12.35, -10.17

 

CMYK 77 / 13 / 0 / 76

HEX #0E363E

RGB 14 54 62

HSL 190, 0.63%, 0.15%

LAB 20.36, -10.65, -9.06

 

CMYK 64 / 11 / 0 / 78

HEX #143238

RGB 20 50 56

HSL 190, 0.47%, 0.15%

LAB 18.87, -9.03, -7.21

 

CMYK 46 / 8 / 0 / 80

HEX #1B2E32

RGB 27 46 50

HSL 190.43, 0.3%, 0.15%

LAB 17.54, -6.42, -5.02

 

CMYK 97 / 0 / 37 / 71

HEX #024B2F

RGB 2 75 47

HSL 156.99, 0.95%, 0.15%

LAB 27.44, -28.26, 11.05

 

CMYK 97 / 0 / 12 / 71

HEX #024B42

RGB 2 75 66

HSL 172.6, 0.95%, 0.15%

LAB 27.95, -22.7, -0.41

 

CMYK 97 / 15 / 0 / 71

HEX #02404B

RGB 2 64 75

HSL 189.04, 0.95%, 0.15%

LAB 24.28, -13.39, -11.8

 

CMYK 97 / 41 / 0 / 71

HEX #022C4B

RGB 2 44 75

HSL 205.48, 0.95%, 0.15%

LAB 17.09, -0.25, -23.02

 

CMYK 97 / 67 / 0 / 71

HEX #02194B

RGB 2 25 75

HSL 221.1, 0.95%, 0.15%

LAB 10.68, 14.29, -33.38

 

CMYK 97 / 15 / 0 / 87

HEX #011D22

RGB 1 29 34

HSL 189.09, 0.94%, 0.07%

LAB 9, -8.44, -6.57

 

CMYK 97 / 16 / 0 / 71

HEX #023F4B

RGB 2 63 75

HSL 189.86, 0.95%, 0.15%

LAB 23.92, -12.79, -12.35

 

CMYK 97 / 16 / 0 / 55

HEX #036173

RGB 3 97 115

HSL 189.64, 0.95%, 0.23%

LAB 37.49, -17.01, -16.97

 

CMYK 97 / 15 / 0 / 39

HEX #04839B

RGB 4 131 155

HSL 189.54, 0.95%, 0.31%

LAB 50.25, -20.96, -21.29

 

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

CMYK 64 / 97 / 0 / 71

HEX #1B024B

RGB 27 2 75

HSL 260.55, 0.95%, 0.15%

LAB 7.09, 32.36, -39.22

 

CMYK 0 / 25 / 97 / 71

HEX #4B3802

RGB 75 56 2

HSL 44.38, 0.95%, 0.15%

LAB 24.73, 2.97, 33.13

 

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

CMYK 0 / 97 / 15 / 71

HEX #4B0240

RGB 75 2 64

HSL 309.04, 0.95%, 0.15%

LAB 15, 38.06, -18.24

 

CMYK 15 / 0 / 97 / 71

HEX #404B02

RGB 64 75 2

HSL 69.04, 0.95%, 0.15%

LAB 29.73, -14.35, 37.03

 

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

CMYK 64 / 97 / 0 / 71

HEX #1B024B

RGB 27 2 75

HSL 260.55, 0.95%, 0.15%

LAB 7.09, 32.36, -39.22

 

CMYK 0 / 83 / 97 / 71

HEX #4B0D02

RGB 75 13 2

HSL 9.04, 0.95%, 0.15%

LAB 14.33, 28.25, 21.26

 

CMYK 35 / 0 / 97 / 71

HEX #314B02

RGB 49 75 2

HSL 81.37, 0.95%, 0.15%

LAB 28.62, -21.43, 35.67

 

CMYK 97 / 16 / 0 / 70

HEX #02404C

RGB 2 64 76

HSL 189.73, 0.95%, 0.15%

LAB 24.33, -13, -12.39

 

CMYK 35 / 97 / 0 / 71

HEX #31024B

RGB 49 2 75

HSL 278.63, 0.95%, 0.15%

LAB 10.59, 35.23, -33.33

 

CMYK 0 / 83 / 97 / 71

HEX #4B0D02

RGB 75 13 2

HSL 9.04, 0.95%, 0.15%

LAB 14.33, 28.25, 21.26

 

CMYK 64 / 0 / 97 / 71

HEX #1B4B02

RGB 27 75 2

HSL 99.45, 0.95%, 0.15%

LAB 27.49, -29.81, 34.27

 

Description

Color code: HEX #02404C | qconv.com Color code: HEX #02404C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 64 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 64 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 16 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 16% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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