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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #021BCF3F it is the complementary color #FDE4303F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #021BCF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #021BCF3F shade: #071BCA3F, #182DDD3F, #293FF03F, #3A51FF3F and #4B63FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #021BCF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #021BCF3F shade: #021BCF3F, #0009BC3F, #0000A93F, #0000963F and #0000833F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #021BCF3F shade: #021BCF, #2002CF, #5802CF, #8F02CF and #C602CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #021BCF3F shade: #021BCF and #0202CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #021BCF3F shade matches the following richer shades: #021BCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #021BCF3F shade: #021BCF, #1328BE, #2435AD, #35419C and #464E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #021BCF3F shade: #028BCF, #0254CF, #021DCF, #1D02CF and #5402CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #021BCF3F shade: #01107D, #0216A6, #021BCF, #0320F8 and #2741FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #021BCF3F shade: #021BCF, #CF02C1 and #6FCF02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #021BCF3F shade: #021BCF, #CF021D and #1DCF02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #021BCF3F shade: #021BCF, #CF02C1, #CFB402 and #02CF10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #021BCF3F shade: #021BCF, #CF0284, #CFB402 and #02CF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 5

HEX #021BCF3F

RGBA 2 27 207 0.25

HSLA 232.68, 0.98%, 0.41%, 0.25

LABA 27.58, 60.74, -88.32, 0.25

 

Complementary color

CMYK 0 / 2 / 20 / 0

HEX #FDE4303F

RGBA 253 228 48 0.25

HSLA 52.68, 0.98%, 0.59%, 0.25

LABA 90.13, -8.55, 82.15, 0.25

 

CMYK 24 / 22 / 0 / 5

HEX #071BCA3F

RGBA 7 27 202 0.25

HSLA 233.85, 0.93%, 0.41%, 0.25

LABA 27, 59.35, -86.36, 0.25

 

CMYK 22 / 20 / 0 / 3

HEX #182DDD3F

RGBA 24 45 221 0.25

HSLA 233.6, 0.8%, 0.48%, 0.25

LABA 32.46, 57.46, -88.28, 0.25

 

CMYK 21 / 18 / 0 / 1

HEX #293FF03F

RGBA 41 63 240 0.25

HSLA 233.37, 0.87%, 0.55%, 0.25

LABA 38.41, 54.84, -89.23, 0.25

 

CMYK 19 / 17 / 0 / 0

HEX #3A51FF3F

RGBA 58 81 255 0.25

HSLA 232.99, 1%, 0.61%, 0.25

LABA 44.24, 50.74, -87.99, 0.25

 

CMYK 18 / 15 / 0 / 0

HEX #4B63FF3F

RGBA 75 99 255 0.25

HSLA 232, 1%, 0.65%, 0.25

LABA 49.06, 41.7, -80.06, 0.25

 

CMYK 25 / 22 / 0 / 5

HEX #021BCF3F

RGBA 2 27 207 0.25

HSLA 232.68, 0.98%, 0.41%, 0.25

LABA 27.58, 60.74, -88.32, 0.25

 

CMYK 25 / 24 / 0 / 7

HEX #0009BC3F

RGBA 0 9 188 0.25

HSLA 237.13, 1%, 0.37%, 0.25

LABA 23.09, 60.88, -84.64, 0.25

 

CMYK 25 / 25 / 0 / 8

HEX #0000A93F

RGBA 0 0 169 0.25

HSLA 240, 1%, 0.33%, 0.25

LABA 19.49, 58.19, -79.26, 0.25

 

CMYK 25 / 25 / 0 / 10

HEX #0000963F

RGBA 0 0 150 0.25

HSLA 240, 1%, 0.29%, 0.25

LABA 16.51, 53.31, -72.61, 0.25

 

CMYK 25 / 25 / 0 / 12

HEX #0000833F

RGBA 0 0 131 0.25

HSLA 240, 1%, 0.26%, 0.25

LABA 13.46, 48.31, -65.8, 0.25

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 85 / 99 / 0 / 19

HEX #2002CF

RGB 32 2 207

HSL 248.78, 0.98%, 0.41%

LAB 26.32, 67.58, -90.4

 

CMYK 57 / 99 / 0 / 19

HEX #5802CF

RGB 88 2 207

HSL 265.17, 0.98%, 0.41%

LAB 30.93, 69.74, -82.6

 

CMYK 31 / 99 / 0 / 19

HEX #8F02CF

RGB 143 2 207

HSL 281.27, 0.98%, 0.41%

LAB 38.53, 74.77, -69.81

 

CMYK 4 / 99 / 0 / 19

HEX #C602CF

RGB 198 2 207

HSL 297.37, 0.98%, 0.41%

LAB 47.69, 82.38, -54.52

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 99 / 99 / 0 / 19

HEX #0202CF

RGB 2 2 207

HSL 240, 0.98%, 0.41%

LAB 25.45, 67.28, -91.88

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 90 / 79 / 0 / 25

HEX #1328BE

RGB 19 40 190

HSL 232.63, 0.82%, 0.41%

LAB 27.77, 49.87, -78.01

 

CMYK 79 / 69 / 0 / 32

HEX #2435AD

RGB 36 53 173

HSL 232.55, 0.66%, 0.41%

LAB 29.26, 37.32, -65.42

 

CMYK 66 / 58 / 0 / 39

HEX #35419C

RGB 53 65 156

HSL 233.01, 0.49%, 0.41%

LAB 31.66, 25.44, -51.2

 

CMYK 50 / 44 / 0 / 45

HEX #464E8B

RGB 70 78 139

HSL 233.04, 0.33%, 0.41%

LAB 35.23, 14.51, -35.06

 

CMYK 99 / 33 / 0 / 19

HEX #028BCF

RGB 2 139 207

HSL 199.9, 0.98%, 0.41%

LAB 55.05, -6.32, -43.61

 

CMYK 99 / 59 / 0 / 19

HEX #0254CF

RGB 2 84 207

HSL 216, 0.98%, 0.41%

LAB 39.34, 28.37, -68.88

 

CMYK 99 / 86 / 0 / 19

HEX #021DCF

RGB 2 29 207

HSL 232.1, 0.98%, 0.41%

LAB 27.84, 59.97, -87.89

 

CMYK 86 / 99 / 0 / 19

HEX #1D02CF

RGB 29 2 207

HSL 247.9, 0.98%, 0.41%

LAB 26.19, 67.53, -90.63

 

CMYK 59 / 99 / 0 / 19

HEX #5402CF

RGB 84 2 207

HSL 264, 0.98%, 0.41%

LAB 30.48, 69.5, -83.36

 

CMYK 99 / 87 / 0 / 51

HEX #01107D

RGB 1 16 125

HSL 232.74, 0.98%, 0.25%

LAB 14.72, 40.03, -59.87

 

CMYK 99 / 87 / 0 / 35

HEX #0216A6

RGB 2 22 166

HSL 232.68, 0.98%, 0.33%

LAB 21.36, 50.49, -74.32

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 99 / 87 / 0 / 3

HEX #0320F8

RGB 3 32 248

HSL 232.9, 0.98%, 0.49%

LAB 33.63, 70.53, -101.71

 

CMYK 85 / 74 / 0 / 1

HEX #2741FD

RGB 39 65 253

HSL 232.71, 0.98%, 0.57%

LAB 40.09, 57.89, -93.76

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 0 / 99 / 7 / 19

HEX #CF02C1

RGB 207 2 193

HSL 304.1, 0.98%, 0.41%

LAB 48.46, 81.83, -45.09

 

CMYK 46 / 0 / 99 / 19

HEX #6FCF02

RGB 111 207 2

HSL 88.1, 0.98%, 0.41%

LAB 74.83, -55.37, 73.53

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 0 / 99 / 86 / 19

HEX #CF021D

RGB 207 2 29

HSL 352.1, 0.98%, 0.41%

LAB 43.36, 68.63, 46.42

 

CMYK 86 / 0 / 99 / 19

HEX #1DCF02

RGB 29 207 2

HSL 112.1, 0.98%, 0.41%

LAB 72.82, -72.04, 71.08

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 0 / 99 / 7 / 19

HEX #CF02C1

RGB 207 2 193

HSL 304.1, 0.98%, 0.41%

LAB 48.46, 81.83, -45.09

 

CMYK 0 / 13 / 99 / 19

HEX #CFB402

RGB 207 180 2

HSL 52.1, 0.98%, 0.41%

LAB 73.49, -4.69, 75.32

 

CMYK 99 / 0 / 92 / 19

HEX #02CF10

RGB 2 207 16

HSL 124.1, 0.98%, 0.41%

LAB 72.68, -73.24, 69.37

 

CMYK 99 / 87 / 0 / 19

HEX #021BCF

RGB 2 27 207

HSL 232.68, 0.98%, 0.41%

LAB 27.58, 60.74, -88.32

 

CMYK 0 / 99 / 36 / 19

HEX #CF0284

RGB 207 2 132

HSL 321.95, 0.98%, 0.41%

LAB 45.6, 74.61, -13.15

 

CMYK 0 / 13 / 99 / 19

HEX #CFB402

RGB 207 180 2

HSL 52.1, 0.98%, 0.41%

LAB 73.49, -4.69, 75.32

 

CMYK 99 / 0 / 63 / 19

HEX #02CF4D

RGB 2 207 77

HSL 141.95, 0.98%, 0.41%

LAB 73.01, -69.04, 51.34

 

Description

Color code: HEX #021BCF3F | qconv.com Color code: HEX #021BCF3F | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 27 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 27 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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