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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01F0CB it is the complementary color #FE0F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01F0CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01F0CB shade: #06F0C6, #17FFD9, #28FFEC, #39FFFF and #4AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01F0CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01F0CB shade: #01F0CB, #00DEB8, #00CCA5, #00BA92 and #00A87F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01F0CB shade: #01EFCA, #01EF8A, #01EF4A, #01EF0A and #39EF01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01F0CB shade: #01EFCA, #01D3EF, #0193EF, #0153EF and #0113EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01F0CB shade matches the following richer shades: #01EFCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01F0CB shade: #01EFCA, #15DBBC, #28C8AF, #3BB4A2 and #4FA194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01F0CB shade: #01EF48, #01EF88, #01EFC7, #01D7EF and #0197EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01F0CB shade: #019C84, #01C5A7, #01EFCA, #1BFEDB and #44FEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01F0CB shade: #01F0CB, #0901EF and #EF6801

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01F0CB shade: #01F0CB, #C701EF and #EFC701

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01F0CB shade: #01F0CB, #0901EF, #EF0129 and #E7EF01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01F0CB shade: #01F0CB, #5001EF, #EF0129 and #9FEF01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

Complementary color

CMYK 0 / 94 / 80 / 0

HEX #FE0F34

RGB 254 15 52

HSL 350.71, 0.99%, 0.53%

LAB 53.66, 79.54, 47.39

 

CMYK 98 / 0 / 18 / 6

HEX #06F0C6

RGB 6 240 198

HSL 169.23, 0.95%, 0.48%

LAB 85.22, -57.18, 6.92

 

CMYK 91 / 0 / 15 / 0

HEX #17FFD9

RGB 23 255 217

HSL 170.17, 1%, 0.55%

LAB 90.19, -57.78, 4.22

 

CMYK 84 / 0 / 7 / 0

HEX #28FFEC

RGB 40 255 236

HSL 174.7, 1%, 0.58%

LAB 90.79, -51.96, -4.74

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

CMYK 100 / 0 / 17 / 13

HEX #00DEB8

RGB 0 222 184

HSL 169.73, 1%, 0.44%

LAB 79.44, -53.79, 5.99

 

CMYK 100 / 0 / 19 / 20

HEX #00CCA5

RGB 0 204 165

HSL 168.53, 1%, 0.4%

LAB 73.48, -51.49, 7.59

 

CMYK 100 / 0 / 22 / 27

HEX #00BA92

RGB 0 186 146

HSL 167.1, 1%, 0.36%

LAB 67.42, -49.14, 9.25

 

CMYK 100 / 0 / 24 / 34

HEX #00A87F

RGB 0 168 127

HSL 165.36, 1%, 0.33%

LAB 61.25, -46.74, 10.99

 

CMYK 100 / 0 / 15 / 6

HEX #01EFCA

RGB 1 239 202

HSL 170.67, 0.99%, 0.47%

LAB 85, -55.9, 4.51

 

CMYK 100 / 0 / 42 / 6

HEX #01EF8A

RGB 1 239 138

HSL 154.54, 0.99%, 0.47%

LAB 83.74, -69.96, 35.69

 

CMYK 100 / 0 / 69 / 6

HEX #01EF4A

RGB 1 239 74

HSL 138.4, 0.99%, 0.47%

LAB 83.04, -78.63, 63.49

 

CMYK 100 / 0 / 96 / 6

HEX #01EF0A

RGB 1 239 10

HSL 122.27, 0.99%, 0.47%

LAB 82.79, -81.87, 78.38

 

CMYK 76 / 0 / 100 / 6

HEX #39EF01

RGB 57 239 1

HSL 105.88, 0.99%, 0.47%

LAB 83.23, -77.88, 79.68

 

CMYK 100 / 0 / 15 / 6

HEX #01EFCA

RGB 1 239 202

HSL 170.67, 0.99%, 0.47%

LAB 85, -55.9, 4.51

 

CMYK 100 / 12 / 0 / 6

HEX #01D3EF

RGB 1 211 239

HSL 187.06, 0.99%, 0.47%

LAB 77.77, -33.01, -25.89

 

CMYK 100 / 38 / 0 / 6

HEX #0193EF

RGB 1 147 239

HSL 203.19, 0.99%, 0.47%

LAB 59.07, 1.1, -55.1

 

CMYK 100 / 65 / 0 / 6

HEX #0153EF

RGB 1 83 239

HSL 219.33, 0.99%, 0.47%

LAB 41.88, 41.23, -82.95

 

CMYK 100 / 92 / 0 / 6

HEX #0113EF

RGB 1 19 239

HSL 235.46, 0.99%, 0.47%

LAB 31.12, 71.95, -100.8

 

CMYK 100 / 0 / 15 / 6

HEX #01EFCA

RGB 1 239 202

HSL 170.67, 0.99%, 0.47%

LAB 85, -55.9, 4.51

 

CMYK 100 / 0 / 15 / 6

HEX #01EFCA

RGB 1 239 202

HSL 170.67, 0.99%, 0.47%

LAB 85, -55.9, 4.51

 

CMYK 90 / 0 / 14 / 14

HEX #15DBBC

RGB 21 219 188

HSL 170.61, 0.83%, 0.47%

LAB 78.73, -50.88, 2.83

 

CMYK 80 / 0 / 13 / 22

HEX #28C8AF

RGB 40 200 175

HSL 170.63, 0.67%, 0.47%

LAB 72.8, -45.1, 1.23

 

CMYK 67 / 0 / 10 / 29

HEX #3BB4A2

RGB 59 180 162

HSL 171.07, 0.51%, 0.47%

LAB 66.66, -37.44, -0.57

 

CMYK 51 / 0 / 8 / 37

HEX #4FA194

RGB 79 161 148

HSL 170.49, 0.34%, 0.47%

LAB 61.04, -28.28, -0.9

 

CMYK 100 / 0 / 70 / 6

HEX #01EF48

RGB 1 239 72

HSL 137.9, 0.99%, 0.47%

LAB 83.02, -78.81, 64.21

 

CMYK 100 / 0 / 43 / 6

HEX #01EF88

RGB 1 239 136

HSL 154.03, 0.99%, 0.47%

LAB 83.71, -70.32, 36.65

 

CMYK 100 / 0 / 17 / 6

HEX #01EFC7

RGB 1 239 199

HSL 169.92, 0.99%, 0.47%

LAB 84.93, -56.66, 5.98

 

CMYK 100 / 10 / 0 / 6

HEX #01D7EF

RGB 1 215 239

HSL 186.05, 0.99%, 0.47%

LAB 78.95, -34.9, -24.09

 

CMYK 100 / 37 / 0 / 6

HEX #0197EF

RGB 1 151 239

HSL 202.18, 0.99%, 0.47%

LAB 60.22, -1.25, -53.26

 

CMYK 99 / 0 / 15 / 39

HEX #019C84

RGB 1 156 132

HSL 170.71, 0.99%, 0.31%

LAB 57.51, -40.4, 2.83

 

CMYK 99 / 0 / 15 / 23

HEX #01C5A7

RGB 1 197 167

HSL 170.82, 0.99%, 0.39%

LAB 71.37, -48.1, 3.47

 

CMYK 100 / 0 / 15 / 6

HEX #01EFCA

RGB 1 239 202

HSL 170.67, 0.99%, 0.47%

LAB 85, -55.9, 4.51

 

CMYK 89 / 0 / 14 / 0

HEX #1BFEDB

RGB 27 254 219

HSL 170.75, 0.99%, 0.55%

LAB 89.97, -56.71, 2.86

 

CMYK 73 / 0 / 11 / 0

HEX #44FEE1

RGB 68 254 225

HSL 170.65, 0.99%, 0.63%

LAB 90.57, -51.97, 0.69

 

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

CMYK 96 / 100 / 0 / 6

HEX #0901EF

RGB 9 1 239

HSL 242.02, 0.99%, 0.47%

LAB 30.19, 75.28, -102.37

 

CMYK 0 / 56 / 100 / 6

HEX #EF6801

RGB 239 104 1

HSL 25.97, 0.99%, 0.47%

LAB 60.12, 48.32, 68.6

 

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

CMYK 17 / 100 / 0 / 6

HEX #C701EF

RGB 199 1 239

HSL 289.92, 0.99%, 0.47%

LAB 49.97, 87.64, -69.06

 

CMYK 0 / 17 / 100 / 6

HEX #EFC701

RGB 239 199 1

HSL 49.92, 0.99%, 0.47%

LAB 81.4, -0.6, 82.45

 

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

CMYK 96 / 100 / 0 / 6

HEX #0901EF

RGB 9 1 239

HSL 242.02, 0.99%, 0.47%

LAB 30.19, 75.28, -102.37

 

CMYK 0 / 100 / 83 / 6

HEX #EF0129

RGB 239 1 41

HSL 349.92, 0.99%, 0.47%

LAB 50.14, 76.72, 48.8

 

CMYK 3 / 0 / 100 / 6

HEX #E7EF01

RGB 231 239 1

HSL 62.02, 0.99%, 0.47%

LAB 91.11, -23.83, 89.16

 

CMYK 100 / 0 / 15 / 6

HEX #01F0CB

RGB 1 240 203

HSL 170.71, 0.99%, 0.47%

LAB 85.32, -56.04, 4.45

 

CMYK 67 / 100 / 0 / 6

HEX #5001EF

RGB 80 1 239

HSL 259.92, 0.99%, 0.47%

LAB 33.9, 76.76, -96.08

 

CMYK 0 / 100 / 83 / 6

HEX #EF0129

RGB 239 1 41

HSL 349.92, 0.99%, 0.47%

LAB 50.14, 76.72, 48.8

 

CMYK 33 / 0 / 100 / 6

HEX #9FEF01

RGB 159 239 1

HSL 80.17, 0.99%, 0.47%

LAB 86.56, -51.87, 83.71

 

Description

Color code: HEX #01F0CB | qconv.com Color code: HEX #01F0CB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 240 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 240 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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