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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01DFAB it is the complementary color #FE2054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01DFAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01DFAB shade: #06DFA6, #17F1B9, #28FFCC, #39FFDF and #4AFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01DFAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01DFAB shade: #01DFAB, #00CD98, #00BB85, #00A972 and #00975F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01DFAB shade: #01DFAB, #01DF6F, #01DF33, #0ADF01 and #46DF01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01DFAB shade: #01DFAB, #01D7DF, #019BDF, #015FDF and #0123DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01DFAB shade matches the following richer shades: #01DFAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01DFAB shade: #01DFAB, #13CDA1, #25BA97, #37A88E and #499684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01DFAB shade: #01DF31, #01DF6C, #01DFA7, #01DBDF and #01A0DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01DFAB shade: #008D6C, #00B68B, #01DFAB, #0BFDC5 and #34FDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01DFAB shade: #01DFAB, #010CDF and #DF4E01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01DFAB shade: #01DFAB, #A701DF and #DFA701

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01DFAB shade: #01DFAB, #010CDF, #DF0138 and #DFD401

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01DFAB shade: #01DFAB, #3801DF, #DF0138 and #A7DF01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

Complementary color

CMYK 0 / 87 / 67 / 0

HEX #FE2054

RGB 254 32 84

HSL 345.95, 0.99%, 0.56%

LAB 54.81, 78.6, 30.33

 

CMYK 97 / 0 / 26 / 13

HEX #06DFA6

RGB 6 223 166

HSL 164.24, 0.95%, 0.45%

LAB 79.37, -58.42, 15.4

 

CMYK 90 / 0 / 23 / 5

HEX #17F1B9

RGB 23 241 185

HSL 164.59, 0.89%, 0.52%

LAB 85.3, -60.18, 13.83

 

CMYK 84 / 0 / 20 / 0

HEX #28FFCC

RGB 40 255 204

HSL 165.77, 1%, 0.58%

LAB 90.01, -60.07, 10.7

 

CMYK 78 / 0 / 13 / 0

HEX #39FFDF

RGB 57 255 223

HSL 170.3, 1%, 0.61%

LAB 90.65, -54.02, 1.82

 

CMYK 71 / 0 / 5 / 0

HEX #4AFFF2

RGB 74 255 242

HSL 175.69, 1%, 0.65%

LAB 91.41, -47.3, -6.89

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 0 / 26 / 20

HEX #00CD98

RGB 0 205 152

HSL 164.49, 1%, 0.4%

LAB 73.5, -55.08, 14.59

 

CMYK 100 / 0 / 29 / 27

HEX #00BB85

RGB 0 187 133

HSL 162.67, 1%, 0.37%

LAB 67.45, -52.69, 16.37

 

CMYK 100 / 0 / 33 / 34

HEX #00A972

RGB 0 169 114

HSL 160.47, 1%, 0.33%

LAB 61.3, -50.24, 18.23

 

CMYK 100 / 0 / 37 / 41

HEX #00975F

RGB 0 151 95

HSL 157.75, 1%, 0.3%

LAB 55.03, -47.68, 20.18

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 0 / 50 / 13

HEX #01DF6F

RGB 1 223 111

HSL 149.73, 0.99%, 0.44%

LAB 78.42, -69.34, 42.14

 

CMYK 100 / 0 / 77 / 13

HEX #01DF33

RGB 1 223 51

HSL 133.51, 0.99%, 0.44%

LAB 77.89, -76.01, 66.14

 

CMYK 96 / 0 / 100 / 13

HEX #0ADF01

RGB 10 223 1

HSL 117.57, 0.99%, 0.44%

LAB 77.78, -77.51, 75.12

 

CMYK 69 / 0 / 100 / 13

HEX #46DF01

RGB 70 223 1

HSL 101.35, 0.99%, 0.44%

LAB 78.51, -71.07, 76.01

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 4 / 0 / 13

HEX #01D7DF

RGB 1 215 223

HSL 182.16, 0.99%, 0.44%

LAB 78.42, -39.85, -16.34

 

CMYK 100 / 30 / 0 / 13

HEX #019BDF

RGB 1 155 223

HSL 198.38, 0.99%, 0.44%

LAB 60.58, -9.52, -43.84

 

CMYK 100 / 57 / 0 / 13

HEX #015FDF

RGB 1 95 223

HSL 214.59, 0.99%, 0.44%

LAB 43.53, 27.42, -71.2

 

CMYK 100 / 84 / 0 / 13

HEX #0123DF

RGB 1 35 223

HSL 230.81, 0.99%, 0.44%

LAB 30.73, 62.23, -92.33

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 91 / 0 / 21 / 20

HEX #13CDA1

RGB 19 205 161

HSL 165.81, 0.83%, 0.44%

LAB 73.79, -52.23, 10.19

 

CMYK 80 / 0 / 19 / 27

HEX #25BA97

RGB 37 186 151

HSL 165.91, 0.67%, 0.44%

LAB 67.83, -45.72, 7.14

 

CMYK 67 / 0 / 15 / 34

HEX #37A88E

RGB 55 168 142

HSL 166.19, 0.51%, 0.44%

LAB 62.31, -37.9, 4.23

 

CMYK 51 / 0 / 12 / 41

HEX #499684

RGB 73 150 132

HSL 165.97, 0.35%, 0.44%

LAB 56.97, -28.37, 2.22

 

CMYK 100 / 0 / 78 / 13

HEX #01DF31

RGB 1 223 49

HSL 132.97, 0.99%, 0.44%

LAB 77.88, -76.14, 66.73

 

CMYK 100 / 0 / 52 / 13

HEX #01DF6C

RGB 1 223 108

HSL 148.92, 0.99%, 0.44%

LAB 78.38, -69.8, 43.53

 

CMYK 100 / 0 / 25 / 13

HEX #01DFA7

RGB 1 223 167

HSL 164.86, 0.99%, 0.44%

LAB 79.37, -58.33, 14.88

 

CMYK 100 / 2 / 0 / 13

HEX #01DBDF

RGB 1 219 223

HSL 181.08, 0.99%, 0.44%

LAB 79.61, -41.65, -14.55

 

CMYK 100 / 28 / 0 / 13

HEX #01A0DF

RGB 1 160 223

HSL 197.03, 0.99%, 0.44%

LAB 62.06, -12.31, -41.51

 

CMYK 100 / 0 / 23 / 45

HEX #008D6C

RGB 0 141 108

HSL 165.96, 1%, 0.28%

LAB 51.99, -40.61, 8.63

 

CMYK 100 / 0 / 24 / 29

HEX #00B68B

RGB 0 182 139

HSL 165.82, 1%, 0.36%

LAB 66, -49.31, 11.06

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 96 / 0 / 22 / 1

HEX #0BFDC5

RGB 11 253 197

HSL 166.12, 0.98%, 0.52%

LAB 89.09, -62.29, 12.97

 

CMYK 79 / 0 / 19 / 1

HEX #34FDCE

RGB 52 253 206

HSL 165.97, 0.98%, 0.6%

LAB 89.6, -57.87, 9.09

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 95 / 0 / 13

HEX #010CDF

RGB 1 12 223

HSL 237.03, 0.99%, 0.44%

LAB 28.37, 69.38, -96.26

 

CMYK 0 / 65 / 100 / 13

HEX #DF4E01

RGB 223 78 1

HSL 20.81, 0.99%, 0.44%

LAB 53.1, 54.14, 63.37

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 25 / 100 / 0 / 13

HEX #A701DF

RGB 167 1 223

HSL 284.86, 0.99%, 0.44%

LAB 43.6, 80.73, -70.58

 

CMYK 0 / 25 / 100 / 13

HEX #DFA701

RGB 223 167 1

HSL 44.86, 0.99%, 0.44%

LAB 71.78, 9.19, 74.98

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 100 / 95 / 0 / 13

HEX #010CDF

RGB 1 12 223

HSL 237.03, 0.99%, 0.44%

LAB 28.37, 69.38, -96.26

 

CMYK 0 / 100 / 75 / 13

HEX #DF0138

RGB 223 1 56

HSL 345.14, 0.99%, 0.44%

LAB 46.97, 73.34, 36.07

 

CMYK 0 / 5 / 100 / 13

HEX #DFD401

RGB 223 212 1

HSL 57.03, 0.99%, 0.44%

LAB 83.32, -14.06, 83.17

 

CMYK 100 / 0 / 23 / 13

HEX #01DFAB

RGB 1 223 171

HSL 165.95, 0.99%, 0.44%

LAB 79.46, -57.38, 12.89

 

CMYK 75 / 100 / 0 / 13

HEX #3801DF

RGB 56 1 223

HSL 254.86, 0.99%, 0.44%

LAB 29.89, 72.18, -93.68

 

CMYK 0 / 100 / 75 / 13

HEX #DF0138

RGB 223 1 56

HSL 345.14, 0.99%, 0.44%

LAB 46.97, 73.34, 36.07

 

CMYK 25 / 0 / 100 / 13

HEX #A7DF01

RGB 167 223 1

HSL 75.14, 0.99%, 0.44%

LAB 82.37, -42.2, 80.69

 

Description

Color code: HEX #01DFAB | qconv.com Color code: HEX #01DFAB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 223 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 223 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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