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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01C982 it is the complementary color #FE367D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01C982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01C982 shade: #06C97D, #17DB90, #28EDA3, #39FFB6 and #4AFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01C982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01C982 shade: #01C982, #00B76F, #00A55C, #009349 and #008136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01C982 shade: #01CB83, #01CB4D, #01CB16, #22CB01 and #59CB01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01C982 shade: #01CB83, #01CBBA, #01A6CB, #016FCB and #0139CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01C982 shade matches the following richer shades: #01CB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01C982 shade: #01CB83, #12BA7E, #22AA7A, #339975 and #438970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01C982 shade: #01CB15, #01CB4B, #01CB81, #01CBB7 and #01A9CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01C982 shade: #01794E, #01A269, #01CB83, #01F49E and #21FEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01C982 shade: #01C982, #0123CB and #CB3001

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01C982 shade: #01C982, #8101CB and #CB8101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01C982 shade: #01C982, #0123CB, #CB014B and #CBA901

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01C982 shade: #01C982, #1C01CB, #CB014B and #B0CB01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

Complementary color

CMYK 0 / 79 / 51 / 0

HEX #FE367D

RGB 254 54 125

HSL 338.7, 0.99%, 0.6%

LAB 57.26, 76.49, 9.23

 

CMYK 97 / 0 / 38 / 21

HEX #06C97D

RGB 6 201 125

HSL 156.62, 0.94%, 0.41%

LAB 71.75, -59.33, 26.49

 

CMYK 89 / 0 / 34 / 14

HEX #17DB90

RGB 23 219 144

HSL 157.04, 0.81%, 0.47%

LAB 77.79, -61.14, 24.75

 

CMYK 83 / 0 / 31 / 7

HEX #28EDA3

RGB 40 237 163

HSL 157.46, 0.85%, 0.54%

LAB 83.79, -62.53, 23.13

 

CMYK 78 / 0 / 29 / 0

HEX #39FFB6

RGB 57 255 182

HSL 157.88, 1%, 0.61%

LAB 89.75, -63.57, 21.65

 

CMYK 71 / 0 / 21 / 0

HEX #4AFFC9

RGB 74 255 201

HSL 162.1, 1%, 0.65%

LAB 90.41, -57.4, 12.87

 

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

CMYK 100 / 0 / 39 / 28

HEX #00B76F

RGB 0 183 111

HSL 156.39, 1%, 0.36%

LAB 65.76, -56, 25.87

 

CMYK 100 / 0 / 44 / 35

HEX #00A55C

RGB 0 165 92

HSL 153.45, 1%, 0.32%

LAB 59.6, -53.36, 27.85

 

CMYK 100 / 0 / 50 / 42

HEX #009349

RGB 0 147 73

HSL 149.8, 1%, 0.29%

LAB 53.33, -50.56, 29.87

 

CMYK 100 / 0 / 58 / 49

HEX #008136

RGB 0 129 54

HSL 145.12, 1%, 0.25%

LAB 46.93, -47.52, 31.88

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 100 / 0 / 89 / 20

HEX #01CB16

RGB 1 203 22

HSL 126.24, 0.99%, 0.4%

LAB 71.4, -72.02, 67.34

 

CMYK 83 / 0 / 100 / 20

HEX #22CB01

RGB 34 203 1

HSL 110.2, 0.99%, 0.4%

LAB 71.59, -70.46, 70.23

 

CMYK 56 / 0 / 100 / 20

HEX #59CB01

RGB 89 203 1

HSL 93.86, 0.99%, 0.4%

LAB 72.79, -60.29, 71.68

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 100 / 0 / 8 / 20

HEX #01CBBA

RGB 1 203 186

HSL 174.95, 0.99%, 0.4%

LAB 73.72, -45.4, -3.42

 

CMYK 100 / 18 / 0 / 20

HEX #01A6CB

RGB 1 166 203

HSL 190.99, 0.99%, 0.4%

LAB 63, -22.63, -28.94

 

CMYK 100 / 45 / 0 / 20

HEX #016FCB

RGB 1 111 203

HSL 207.33, 0.99%, 0.4%

LAB 46.56, 9.13, -54.87

 

CMYK 100 / 72 / 0 / 20

HEX #0139CB

RGB 1 57 203

HSL 223.37, 0.99%, 0.4%

LAB 32.36, 44.16, -78.05

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 90 / 0 / 32 / 27

HEX #12BA7E

RGB 18 186 126

HSL 158.57, 0.82%, 0.4%

LAB 67.09, -53.15, 19.67

 

CMYK 80 / 0 / 28 / 33

HEX #22AA7A

RGB 34 170 122

HSL 158.82, 0.67%, 0.4%

LAB 62.08, -46.53, 14.96

 

CMYK 67 / 0 / 24 / 40

HEX #339975

RGB 51 153 117

HSL 158.82, 0.5%, 0.4%

LAB 56.85, -38.12, 10.48

 

CMYK 51 / 0 / 18 / 46

HEX #438970

RGB 67 137 112

HSL 158.57, 0.34%, 0.4%

LAB 52.12, -28.42, 6.7

 

CMYK 100 / 0 / 90 / 20

HEX #01CB15

RGB 1 203 21

HSL 125.94, 0.99%, 0.4%

LAB 71.4, -72.06, 67.51

 

CMYK 100 / 0 / 63 / 20

HEX #01CB4B

RGB 1 203 75

HSL 141.98, 0.99%, 0.4%

LAB 71.71, -68.12, 50.74

 

CMYK 100 / 0 / 36 / 20

HEX #01CB81

RGB 1 203 129

HSL 158.02, 0.99%, 0.4%

LAB 72.43, -59.4, 25.31

 

CMYK 100 / 0 / 10 / 20

HEX #01CBB7

RGB 1 203 183

HSL 174.06, 0.99%, 0.4%

LAB 73.63, -46.24, -1.92

 

CMYK 100 / 17 / 0 / 20

HEX #01A9CB

RGB 1 169 203

HSL 190.1, 0.99%, 0.4%

LAB 63.91, -24.18, -27.54

 

CMYK 99 / 0 / 36 / 53

HEX #01794E

RGB 1 121 78

HSL 158.5, 0.98%, 0.24%

LAB 44.56, -39.89, 15.65

 

CMYK 99 / 0 / 35 / 36

HEX #01A269

RGB 1 162 105

HSL 158.76, 0.99%, 0.32%

LAB 58.85, -49.56, 19.83

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 100 / 0 / 35 / 4

HEX #01F49E

RGB 1 244 158

HSL 158.77, 0.99%, 0.48%

LAB 85.59, -67.84, 28.1

 

CMYK 87 / 0 / 31 / 0

HEX #21FEAF

RGB 33 254 175

HSL 158.55, 0.99%, 0.56%

LAB 89.07, -66.64, 24.23

 

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

CMYK 100 / 83 / 0 / 20

HEX #0123CB

RGB 1 35 203

HSL 229.9, 0.99%, 0.4%

LAB 28.17, 56.15, -85

 

CMYK 0 / 76 / 100 / 20

HEX #CB3001

RGB 203 48 1

HSL 13.96, 0.99%, 0.4%

LAB 45.38, 58.73, 57.52

 

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

CMYK 36 / 100 / 0 / 20

HEX #8101CB

RGB 129 1 203

HSL 278.02, 0.99%, 0.4%

LAB 35.99, 72.54, -71.74

 

CMYK 0 / 36 / 100 / 20

HEX #CB8101

RGB 203 129 1

HSL 38.02, 0.99%, 0.4%

LAB 60.25, 20.93, 66.11

 

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

CMYK 100 / 83 / 0 / 20

HEX #0123CB

RGB 1 35 203

HSL 229.9, 0.99%, 0.4%

LAB 28.17, 56.15, -85

 

CMYK 0 / 100 / 63 / 20

HEX #CB014B

RGB 203 1 75

HSL 338.02, 0.99%, 0.4%

LAB 43.1, 69.45, 18.68

 

CMYK 0 / 17 / 100 / 20

HEX #CBA901

RGB 203 169 1

HSL 49.9, 0.99%, 0.4%

LAB 70.23, -0.69, 72.94

HEX #CBA901

CMYK 100 / 0 / 35 / 21

HEX #01C982

RGB 1 201 130

HSL 158.7, 0.99%, 0.4%

LAB 71.82, -58.48, 23.96

 

CMYK 86 / 100 / 0 / 20

HEX #1C01CB

RGB 28 1 203

HSL 248.02, 0.99%, 0.4%

LAB 25.5, 66.74, -89.43

 

CMYK 0 / 100 / 63 / 20

HEX #CB014B

RGB 203 1 75

HSL 338.02, 0.99%, 0.4%

LAB 43.1, 69.45, 18.68

 

CMYK 13 / 0 / 100 / 20

HEX #B0CB01

RGB 176 203 1

HSL 68.02, 0.99%, 0.4%

LAB 77.25, -29.54, 77.06

 

Description

Color code: HEX #01C982 | qconv.com Color code: HEX #01C982 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 201 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 201 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 35 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 35% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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