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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01C94C it is the complementary color #FE36B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01C94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01C94C shade: #06C947, #17DB5A, #28ED6D, #39FF80 and #4AFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01C94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01C94C shade: #01C94C, #00B739, #00A526, #009313 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01C94C shade: #01CB4D, #01CB16, #22CB01, #59CB01 and #8FCB01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01C94C shade: #01CB4D, #01CB83, #01CBBA, #01A6CB and #016FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01C94C shade matches the following richer shades: #01CB4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01C94C shade: #01CB4D, #12BA51, #22AA55, #339959 and #43895D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01C94C shade: #23CB01, #01CB15, #01CB4B, #01CB81 and #01CBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01C94C shade: #01792E, #01A23D, #01CB4D, #01F45C and #21FE74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01C94C shade: #01C94C, #0159CB and #CB0108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01C94C shade: #01C94C, #4B01CB and #CB4B01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01C94C shade: #01C94C, #0159CB, #CB0181 and #CB7301

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01C94C shade: #01C94C, #011CCB, #CB0181 and #CBB001

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

Complementary color

CMYK 0 / 79 / 30 / 0

HEX #FE36B3

RGB 254 54 179

HSL 322.5, 0.99%, 0.6%

LAB 58.94, 81.49, -19.99

 

CMYK 97 / 0 / 65 / 21

HEX #06C947

RGB 6 201 71

HSL 140, 0.94%, 0.41%

LAB 71.05, -67.78, 51.73

 

CMYK 89 / 0 / 59 / 14

HEX #17DB5A

RGB 23 219 90

HSL 140.51, 0.81%, 0.47%

LAB 77.03, -70.17, 50.27

 

CMYK 83 / 0 / 54 / 7

HEX #28ED6D

RGB 40 237 109

HSL 141.02, 0.85%, 0.54%

LAB 82.98, -71.98, 48.72

 

CMYK 78 / 0 / 50 / 0

HEX #39FF80

RGB 57 255 128

HSL 141.52, 1%, 0.61%

LAB 88.9, -73.3, 47.18

 

CMYK 71 / 0 / 42 / 0

HEX #4AFF93

RGB 74 255 147

HSL 144.2, 1%, 0.65%

LAB 89.43, -68.1, 38.8

 

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

CMYK 100 / 0 / 69 / 28

HEX #00B739

RGB 0 183 57

HSL 138.69, 1%, 0.36%

LAB 65.09, -64.15, 51

 

CMYK 100 / 0 / 77 / 35

HEX #00A526

RGB 0 165 38

HSL 133.82, 1%, 0.32%

LAB 59.02, -60.54, 51.88

 

CMYK 100 / 0 / 87 / 42

HEX #009313

RGB 0 147 19

HSL 127.76, 1%, 0.29%

LAB 52.86, -56.49, 51.7

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 100 / 0 / 89 / 20

HEX #01CB16

RGB 1 203 22

HSL 126.24, 0.99%, 0.4%

LAB 71.4, -72.02, 67.34

 

CMYK 83 / 0 / 100 / 20

HEX #22CB01

RGB 34 203 1

HSL 110.2, 0.99%, 0.4%

LAB 71.59, -70.46, 70.23

 

CMYK 56 / 0 / 100 / 20

HEX #59CB01

RGB 89 203 1

HSL 93.86, 0.99%, 0.4%

LAB 72.79, -60.29, 71.68

 

CMYK 30 / 0 / 100 / 20

HEX #8FCB01

RGB 143 203 1

HSL 77.82, 0.99%, 0.4%

LAB 75.17, -42.67, 74.57

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 100 / 0 / 35 / 20

HEX #01CB83

RGB 1 203 131

HSL 158.61, 0.99%, 0.4%

LAB 72.47, -58.99, 24.31

 

CMYK 100 / 0 / 8 / 20

HEX #01CBBA

RGB 1 203 186

HSL 174.95, 0.99%, 0.4%

LAB 73.72, -45.4, -3.42

 

CMYK 100 / 18 / 0 / 20

HEX #01A6CB

RGB 1 166 203

HSL 190.99, 0.99%, 0.4%

LAB 63, -22.63, -28.94

 

CMYK 100 / 45 / 0 / 20

HEX #016FCB

RGB 1 111 203

HSL 207.33, 0.99%, 0.4%

LAB 46.56, 9.13, -54.87

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 90 / 0 / 56 / 27

HEX #12BA51

RGB 18 186 81

HSL 142.5, 0.82%, 0.4%

LAB 66.4, -61.31, 41.88

 

CMYK 80 / 0 / 50 / 33

HEX #22AA55

RGB 34 170 85

HSL 142.5, 0.67%, 0.4%

LAB 61.43, -53.87, 33.88

 

CMYK 67 / 0 / 42 / 40

HEX #339959

RGB 51 153 89

HSL 142.35, 0.5%, 0.4%

LAB 56.29, -44.09, 25.27

 

CMYK 51 / 0 / 32 / 46

HEX #43895D

RGB 67 137 93

HSL 142.29, 0.34%, 0.4%

LAB 51.7, -32.62, 17

 

CMYK 83 / 0 / 100 / 20

HEX #23CB01

RGB 35 203 1

HSL 109.9, 0.99%, 0.4%

LAB 71.6, -70.35, 70.24

 

CMYK 100 / 0 / 90 / 20

HEX #01CB15

RGB 1 203 21

HSL 125.94, 0.99%, 0.4%

LAB 71.4, -72.06, 67.51

 

CMYK 100 / 0 / 63 / 20

HEX #01CB4B

RGB 1 203 75

HSL 141.98, 0.99%, 0.4%

LAB 71.71, -68.12, 50.74

 

CMYK 100 / 0 / 36 / 20

HEX #01CB81

RGB 1 203 129

HSL 158.02, 0.99%, 0.4%

LAB 72.43, -59.4, 25.31

 

CMYK 100 / 0 / 10 / 20

HEX #01CBB7

RGB 1 203 183

HSL 174.06, 0.99%, 0.4%

LAB 73.63, -46.24, -1.92

 

CMYK 99 / 0 / 62 / 53

HEX #01792E

RGB 1 121 46

HSL 142.5, 0.98%, 0.24%

LAB 44.06, -45.92, 32.52

 

CMYK 99 / 0 / 62 / 36

HEX #01A23D

RGB 1 162 61

HSL 142.36, 0.99%, 0.32%

LAB 58.21, -57.24, 41.67

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4D

RGB 1 203 77

HSL 142.57, 0.99%, 0.4%

LAB 71.73, -67.88, 49.89

 

CMYK 100 / 0 / 62 / 4

HEX #01F45C

RGB 1 244 92

HSL 142.47, 0.99%, 0.48%

LAB 84.73, -78.22, 58.2

 

CMYK 87 / 0 / 54 / 0

HEX #21FE74

RGB 33 254 116

HSL 142.53, 0.99%, 0.56%

LAB 88.19, -76.86, 51.79

 

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

CMYK 100 / 56 / 0 / 20

HEX #0159CB

RGB 1 89 203

HSL 213.86, 0.99%, 0.4%

LAB 40.35, 23.44, -64.93

 

CMYK 0 / 100 / 96 / 20

HEX #CB0108

RGB 203 1 8

HSL 357.92, 0.99%, 0.4%

LAB 42.36, 67.44, 53.92

 

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

CMYK 63 / 100 / 0 / 20

HEX #4B01CB

RGB 75 1 203

HSL 261.98, 0.99%, 0.4%

LAB 28.98, 68.24, -83.55

 

CMYK 0 / 63 / 100 / 20

HEX #CB4B01

RGB 203 75 1

HSL 21.98, 0.99%, 0.4%

LAB 49.17, 48.4, 59.41

 

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

CMYK 100 / 56 / 0 / 20

HEX #0159CB

RGB 1 89 203

HSL 213.86, 0.99%, 0.4%

LAB 40.35, 23.44, -64.93

 

CMYK 0 / 100 / 36 / 20

HEX #CB0181

RGB 203 1 129

HSL 321.98, 0.99%, 0.4%

LAB 44.66, 73.57, -12.8

 

CMYK 0 / 43 / 100 / 20

HEX #CB7301

RGB 203 115 1

HSL 33.86, 0.99%, 0.4%

LAB 57.04, 28.49, 64.04

 

CMYK 100 / 0 / 62 / 21

HEX #01C94C

RGB 1 201 76

HSL 142.5, 0.99%, 0.4%

LAB 71.08, -67.4, 49.59

 

CMYK 100 / 86 / 0 / 20

HEX #011CCB

RGB 1 28 203

HSL 231.98, 0.99%, 0.4%

LAB 27.15, 59.17, -86.69

 

CMYK 0 / 100 / 36 / 20

HEX #CB0181

RGB 203 1 129

HSL 321.98, 0.99%, 0.4%

LAB 44.66, 73.57, -12.8

 

CMYK 0 / 13 / 100 / 20

HEX #CBB001

RGB 203 176 1

HSL 51.98, 0.99%, 0.4%

LAB 72.06, -4.38, 74.24

 

Description

Color code: HEX #01C94C | qconv.com Color code: HEX #01C94C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 201 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 201 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 62 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 62% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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