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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01C8DF it is the complementary color #FE3720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01C8DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01C8DF shade: #06C8DA, #17DAED, #28ECFF, #39FEFF and #4AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01C8DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01C8DF shade: #01C8DF, #00B6CC, #00A4B9, #0092A6 and #008093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01C8DF shade: #01C8DF, #018CDF, #0150DF, #0114DF and #2901DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01C8DF shade: #01C8DF, #018CDF, #0150DF, #0114DF and #0101DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01C8DF shade matches the following richer shades: #01C8DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01C8DF shade: #01C8DF, #13B9CD, #25ABBA, #379DA8 and #498E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01C8DF shade: #01DF7F, #01DFBA, #01C9DF, #018DDF and #0152DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01C8DF shade: #007E8D, #00A3B6, #01C8DF, #0BE4FD and #34E9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01C8DF shade: #01C8DF, #4301DF and #DF9C01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01C8DF shade: #01C8DF, #DF01C9 and #C9DF01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01C8DF shade: #01C8DF, #4301DF, #DF1701 and #9CDF01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01C8DF shade: #01C8DF, #8601DF, #DF1701 and #59DF01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

Complementary color

CMYK 0 / 78 / 87 / 0

HEX #FE3720

RGB 254 55 32

HSL 6.22, 0.99%, 0.56%

LAB 56, 72.02, 59.11

 

CMYK 97 / 8 / 0 / 15

HEX #06C8DA

RGB 6 200 218

HSL 185.09, 0.95%, 0.44%

LAB 73.81, -34.33, -20.62

 

CMYK 90 / 8 / 0 / 7

HEX #17DAED

RGB 23 218 237

HSL 185.33, 0.86%, 0.51%

LAB 79.86, -36.3, -21.63

 

CMYK 84 / 7 / 0 / 0

HEX #28ECFF

RGB 40 236 255

HSL 185.3, 1%, 0.58%

LAB 85.84, -38.25, -22.07

 

CMYK 78 / 0 / 0 / 0

HEX #39FEFF

RGB 57 254 255

HSL 180.3, 1%, 0.61%

LAB 91.22, -45.06, -13.94

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 100 / 11 / 0 / 20

HEX #00B6CC

RGB 0 182 204

HSL 186.47, 1%, 0.4%

LAB 67.88, -30.36, -22

 

CMYK 100 / 11 / 0 / 27

HEX #00A4B9

RGB 0 164 185

HSL 186.81, 1%, 0.36%

LAB 61.7, -27.77, -20.89

 

CMYK 100 / 12 / 0 / 35

HEX #0092A6

RGB 0 146 166

HSL 187.23, 1%, 0.33%

LAB 55.39, -25.12, -19.76

 

CMYK 100 / 13 / 0 / 42

HEX #008093

RGB 0 128 147

HSL 187.76, 1%, 0.29%

LAB 48.94, -22.39, -18.62

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 100 / 37 / 0 / 13

HEX #018CDF

RGB 1 140 223

HSL 202.43, 0.99%, 0.44%

LAB 56.18, -0.85, -50.81

 

CMYK 100 / 64 / 0 / 13

HEX #0150DF

RGB 1 80 223

HSL 218.65, 0.99%, 0.44%

LAB 39.7, 37.14, -77.47

 

CMYK 100 / 91 / 0 / 13

HEX #0114DF

RGB 1 20 223

HSL 234.86, 0.99%, 0.44%

LAB 28.99, 67.48, -95.23

 

CMYK 82 / 100 / 0 / 13

HEX #2901DF

RGB 41 1 223

HSL 250.81, 0.99%, 0.44%

LAB 28.96, 71.81, -95.26

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 100 / 37 / 0 / 13

HEX #018CDF

RGB 1 140 223

HSL 202.43, 0.99%, 0.44%

LAB 56.18, -0.85, -50.81

 

CMYK 100 / 64 / 0 / 13

HEX #0150DF

RGB 1 80 223

HSL 218.65, 0.99%, 0.44%

LAB 39.7, 37.14, -77.47

 

CMYK 100 / 91 / 0 / 13

HEX #0114DF

RGB 1 20 223

HSL 234.86, 0.99%, 0.44%

LAB 28.99, 67.48, -95.23

 

CMYK 100 / 100 / 0 / 13

HEX #0101DF

RGB 1 1 223

HSL 240, 0.99%, 0.44%

LAB 27.73, 71.39, -97.34

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 91 / 10 / 0 / 20

HEX #13B9CD

RGB 19 185 205

HSL 186.45, 0.83%, 0.44%

LAB 68.93, -30.87, -20.95

 

CMYK 80 / 8 / 0 / 27

HEX #25ABBA

RGB 37 171 186

HSL 186.04, 0.67%, 0.44%

LAB 64.21, -28.89, -17.59

 

CMYK 67 / 7 / 0 / 34

HEX #379DA8

RGB 55 157 168

HSL 185.84, 0.51%, 0.44%

LAB 59.67, -25.32, -14.33

 

CMYK 51 / 5 / 0 / 41

HEX #498E96

RGB 73 142 150

HSL 186.23, 0.35%, 0.44%

LAB 55.04, -19.45, -10.97

 

CMYK 100 / 0 / 43 / 13

HEX #01DF7F

RGB 1 223 127

HSL 154.05, 0.99%, 0.44%

LAB 78.64, -66.65, 34.55

 

CMYK 100 / 0 / 17 / 13

HEX #01DFBA

RGB 1 223 186

HSL 170, 0.99%, 0.44%

LAB 79.8, -53.65, 5.44

 

CMYK 100 / 10 / 0 / 13

HEX #01C9DF

RGB 1 201 223

HSL 185.95, 0.99%, 0.44%

LAB 74.26, -33.35, -22.65

 

CMYK 100 / 37 / 0 / 13

HEX #018DDF

RGB 1 141 223

HSL 202.16, 0.99%, 0.44%

LAB 56.47, -1.44, -50.35

 

CMYK 100 / 63 / 0 / 13

HEX #0152DF

RGB 1 82 223

HSL 218.11, 0.99%, 0.44%

LAB 40.19, 35.85, -76.66

 

CMYK 100 / 11 / 0 / 45

HEX #007E8D

RGB 0 126 141

HSL 186.38, 1%, 0.28%

LAB 48.06, -23.45, -16.43

 

CMYK 100 / 10 / 0 / 29

HEX #00A3B6

RGB 0 163 182

HSL 186.26, 1%, 0.36%

LAB 61.28, -28.27, -19.84

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 96 / 10 / 0 / 1

HEX #0BE4FD

RGB 11 228 253

HSL 186.2, 0.98%, 0.52%

LAB 83.26, -36.38, -24.95

 

CMYK 79 / 8 / 0 / 1

HEX #34E9FD

RGB 52 233 253

HSL 185.97, 0.98%, 0.6%

LAB 85.05, -36.59, -22.2

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 70 / 100 / 0 / 13

HEX #4301DF

RGB 67 1 223

HSL 257.84, 0.99%, 0.44%

LAB 30.74, 72.54, -92.23

 

CMYK 0 / 30 / 100 / 13

HEX #DF9C01

RGB 223 156 1

HSL 41.89, 0.99%, 0.44%

LAB 69.09, 15.06, 73.15

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 0 / 100 / 10 / 13

HEX #DF01C9

RGB 223 1 201

HSL 305.95, 0.99%, 0.44%

LAB 51.75, 85.7, -44.32

 

CMYK 10 / 0 / 100 / 13

HEX #C9DF01

RGB 201 223 1

HSL 65.95, 0.99%, 0.44%

LAB 84.58, -28.64, 83.33

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 70 / 100 / 0 / 13

HEX #4301DF

RGB 67 1 223

HSL 257.84, 0.99%, 0.44%

LAB 30.74, 72.54, -92.23

 

CMYK 0 / 90 / 100 / 13

HEX #DF1701

RGB 223 23 1

HSL 5.95, 0.99%, 0.44%

LAB 47.37, 70.08, 60.73

 

CMYK 30 / 0 / 100 / 13

HEX #9CDF01

RGB 156 223 1

HSL 78.11, 0.99%, 0.44%

LAB 81.75, -46.34, 79.94

 

CMYK 100 / 10 / 0 / 13

HEX #01C8DF

RGB 1 200 223

HSL 186.22, 0.99%, 0.44%

LAB 73.96, -32.87, -23.1

 

CMYK 40 / 100 / 0 / 13

HEX #8601DF

RGB 134 1 223

HSL 275.95, 0.99%, 0.44%

LAB 38.58, 77.04, -79

 

CMYK 0 / 90 / 100 / 13

HEX #DF1701

RGB 223 23 1

HSL 5.95, 0.99%, 0.44%

LAB 47.37, 70.08, 60.73

 

CMYK 60 / 0 / 100 / 13

HEX #59DF01

RGB 89 223 1

HSL 96.22, 0.99%, 0.44%

LAB 78.98, -67.05, 76.59

 

Description

Color code: HEX #01C8DF | qconv.com Color code: HEX #01C8DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 200 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 200 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 10 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 10% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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