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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01BB7E it is the complementary color #FE4481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01BB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01BB7E shade: #06BB79, #17CD8C, #28DF9F, #39F1B2 and #4AFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01BB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01BB7E shade: #01BB7E, #00A96B, #009758, #008545 and #007332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01BB7E shade: #01BC7E, #01BC4C, #01BC1A, #1BBC01 and #4DBC01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01BB7E shade: #01BC7E, #01BCB1, #0194BC, #0162BC and #0130BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01BB7E shade matches the following richer shades: #01BC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01BB7E shade: #01BC7E, #10AC79, #1F9D74, #2F8E6F and #3E7F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01BB7E shade: #01BC1A, #01BC4C, #01BC7D, #01BCAF and #0196BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01BB7E shade: #016A47, #019363, #01BC7E, #01E59A and #11FEB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01BB7E shade: #01BB7E, #011ABC and #BC3301

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01BB7E shade: #01BB7E, #7D01BC and #BC7D01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01BB7E shade: #01BB7E, #011ABC, #BC013F and #BCA301

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01BB7E shade: #01BB7E, #2001BC, #BC013F and #9DBC01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

Complementary color

CMYK 0 / 73 / 49 / 0

HEX #FE4481

RGB 254 68 129

HSL 340.32, 0.99%, 0.63%

LAB 58.78, 72.79, 9.02

 

CMYK 97 / 0 / 35 / 27

HEX #06BB79

RGB 6 187 121

HSL 158.12, 0.94%, 0.38%

LAB 67.25, -55.13, 22.55

 

CMYK 89 / 0 / 32 / 20

HEX #17CD8C

RGB 23 205 140

HSL 158.57, 0.8%, 0.45%

LAB 73.38, -56.89, 20.82

 

CMYK 82 / 0 / 29 / 13

HEX #28DF9F

RGB 40 223 159

HSL 159.02, 0.74%, 0.52%

LAB 79.46, -58.2, 19.24

 

CMYK 76 / 0 / 26 / 5

HEX #39F1B2

RGB 57 241 178

HSL 159.46, 0.87%, 0.58%

LAB 85.5, -59.17, 17.79

 

CMYK 71 / 0 / 23 / 0

HEX #4AFFC5

RGB 74 255 197

HSL 160.77, 1%, 0.65%

LAB 90.32, -58.3, 14.81

 

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

CMYK 100 / 0 / 37 / 34

HEX #00A96B

RGB 0 169 107

HSL 157.99, 1%, 0.33%

LAB 61.17, -51.77, 21.87

 

CMYK 100 / 0 / 42 / 41

HEX #009758

RGB 0 151 88

HSL 154.97, 1%, 0.3%

LAB 54.9, -49.15, 23.86

 

CMYK 100 / 0 / 48 / 48

HEX #008545

RGB 0 133 69

HSL 151.13, 1%, 0.26%

LAB 48.52, -46.36, 25.92

 

CMYK 100 / 0 / 57 / 55

HEX #007332

RGB 0 115 50

HSL 146.09, 1%, 0.23%

LAB 41.99, -43.33, 28

 

CMYK 99 / 0 / 33 / 26

HEX #01BC7E

RGB 1 188 126

HSL 160.11, 0.99%, 0.37%

LAB 67.64, -54.61, 20.4

 

CMYK 99 / 0 / 60 / 26

HEX #01BC4C

RGB 1 188 76

HSL 144.06, 0.99%, 0.37%

LAB 66.9, -63.43, 44.79

 

CMYK 99 / 0 / 86 / 26

HEX #01BC1A

RGB 1 188 26

HSL 128.02, 0.99%, 0.37%

LAB 66.56, -67.75, 62.31

 

CMYK 86 / 0 / 99 / 26

HEX #1BBC01

RGB 27 188 1

HSL 111.66, 0.99%, 0.37%

LAB 66.67, -66.9, 66.25

 

CMYK 59 / 0 / 99 / 26

HEX #4DBC01

RGB 77 188 1

HSL 95.61, 0.99%, 0.37%

LAB 67.68, -58.2, 67.48

 

CMYK 99 / 0 / 33 / 26

HEX #01BC7E

RGB 1 188 126

HSL 160.11, 0.99%, 0.37%

LAB 67.64, -54.61, 20.4

 

CMYK 99 / 0 / 6 / 26

HEX #01BCB1

RGB 1 188 177

HSL 176.47, 0.99%, 0.37%

LAB 68.86, -41.48, -5.68

 

CMYK 99 / 21 / 0 / 26

HEX #0194BC

RGB 1 148 188

HSL 192.83, 0.99%, 0.37%

LAB 56.9, -18.41, -29.97

 

CMYK 99 / 48 / 0 / 26

HEX #0162BC

RGB 1 98 188

HSL 208.88, 0.99%, 0.37%

LAB 41.8, 11.45, -53.87

 

CMYK 99 / 74 / 0 / 26

HEX #0130BC

RGB 1 48 188

HSL 224.92, 0.99%, 0.37%

LAB 28.78, 44.19, -75.18

 

CMYK 99 / 0 / 33 / 26

HEX #01BC7E

RGB 1 188 126

HSL 160.11, 0.99%, 0.37%

LAB 67.64, -54.61, 20.4

 

CMYK 99 / 0 / 33 / 26

HEX #01BC7E

RGB 1 188 126

HSL 160.11, 0.99%, 0.37%

LAB 67.64, -54.61, 20.4

 

CMYK 91 / 0 / 30 / 33

HEX #10AC79

RGB 16 172 121

HSL 160.38, 0.83%, 0.37%

LAB 62.5, -49.04, 16.07

 

CMYK 80 / 0 / 26 / 38

HEX #1F9D74

RGB 31 157 116

HSL 160.48, 0.67%, 0.37%

LAB 57.72, -42.98, 12.2

 

CMYK 67 / 0 / 22 / 44

HEX #2F8E6F

RGB 47 142 111

HSL 160.42, 0.5%, 0.37%

LAB 53.06, -35.41, 8.51

 

CMYK 51 / 0 / 17 / 50

HEX #3E7F69

RGB 62 127 105

HSL 159.69, 0.34%, 0.37%

LAB 48.54, -26.48, 5.63

 

CMYK 99 / 0 / 86 / 26

HEX #01BC1A

RGB 1 188 26

HSL 128.02, 0.99%, 0.37%

LAB 66.56, -67.75, 62.31

 

CMYK 99 / 0 / 60 / 26

HEX #01BC4C

RGB 1 188 76

HSL 144.06, 0.99%, 0.37%

LAB 66.9, -63.43, 44.79

 

CMYK 99 / 0 / 34 / 26

HEX #01BC7D

RGB 1 188 125

HSL 159.79, 0.99%, 0.37%

LAB 67.62, -54.83, 20.91

 

CMYK 99 / 0 / 7 / 26

HEX #01BCAF

RGB 1 188 175

HSL 175.83, 0.99%, 0.37%

LAB 68.8, -42.06, -4.67

 

CMYK 99 / 20 / 0 / 26

HEX #0196BC

RGB 1 150 188

HSL 192.19, 0.99%, 0.37%

LAB 57.51, -19.48, -29.02

 

CMYK 99 / 0 / 33 / 58

HEX #016A47

RGB 1 106 71

HSL 160, 0.98%, 0.21%

LAB 39.19, -35.49, 12.42

 

CMYK 99 / 0 / 33 / 42

HEX #019363

RGB 1 147 99

HSL 160.27, 0.99%, 0.29%

LAB 53.79, -45.2, 16.26

 

CMYK 99 / 0 / 33 / 26

HEX #01BC7E

RGB 1 188 126

HSL 160.11, 0.99%, 0.37%

LAB 67.64, -54.61, 20.4

 

CMYK 100 / 0 / 33 / 10

HEX #01E59A

RGB 1 229 154

HSL 160.26, 0.99%, 0.45%

LAB 80.95, -63.42, 23.85

 

CMYK 93 / 0 / 31 / 0

HEX #11FEB0

RGB 17 254 176

HSL 160.25, 0.99%, 0.53%

LAB 88.99, -67.19, 23.6

 

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

CMYK 99 / 86 / 0 / 26

HEX #011ABC

RGB 1 26 188

HSL 231.98, 0.99%, 0.37%

LAB 24.88, 55.51, -81.65

 

CMYK 0 / 73 / 99 / 26

HEX #BC3301

RGB 188 51 1

HSL 16.04, 0.99%, 0.37%

LAB 42.86, 52.97, 54.69

 

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

CMYK 34 / 99 / 0 / 26

HEX #7D01BC

RGB 125 1 188

HSL 279.79, 0.99%, 0.37%

LAB 34.01, 69.14, -66.2

 

CMYK 0 / 34 / 99 / 26

HEX #BC7D01

RGB 188 125 1

HSL 39.79, 0.99%, 0.37%

LAB 57.43, 16.51, 63.34

 

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

CMYK 99 / 86 / 0 / 26

HEX #011ABC

RGB 1 26 188

HSL 231.98, 0.99%, 0.37%

LAB 24.88, 55.51, -81.65

 

CMYK 0 / 99 / 66 / 26

HEX #BC013F

RGB 188 1 63

HSL 340.11, 0.99%, 0.37%

LAB 39.7, 65.25, 21.22

 

CMYK 0 / 13 / 99 / 26

HEX #BCA301

RGB 188 163 1

HSL 51.98, 0.99%, 0.37%

LAB 67.19, -4.21, 70.11

 

CMYK 99 / 0 / 33 / 27

HEX #01BB7E

RGB 1 187 126

HSL 160.32, 0.99%, 0.37%

LAB 67.32, -54.24, 19.96

 

CMYK 83 / 99 / 0 / 26

HEX #2001BC

RGB 32 1 188

HSL 249.95, 0.99%, 0.37%

LAB 23.54, 63.11, -83.87

 

CMYK 0 / 99 / 66 / 26

HEX #BC013F

RGB 188 1 63

HSL 340.11, 0.99%, 0.37%

LAB 39.7, 65.25, 21.22

 

CMYK 16 / 0 / 99 / 26

HEX #9DBC01

RGB 157 188 1

HSL 69.95, 0.99%, 0.37%

LAB 71.65, -30.34, 72.26

 

Description

Color code: HEX #01BB7E | qconv.com Color code: HEX #01BB7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 187 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 187 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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